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Official Charts Company
Official Charts Company
Official Charts Company
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from Wikipedia

The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited),[2] trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network[3]), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France.[4]

Key Information

In the United Kingdom, its charts include ones for singles, albums and films,[5] with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week.[6]

The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA.[7] It was formed in 1990 as the Chart Information Network by the BBC, BARD, and the publishers of Music Week. CIN took over as compilers of the official UK charts in 1990,[8] and the company has continued in that role, as the OCC, since 1994.[4] Before then, the charts were produced by a succession of market research companies, beginning with the British Market Research Bureau (BMRB) in 1969 and Gallup in 1983. Before the production of the "official" charts, various less comprehensive charts were produced, most notably by newspaper/magazine New Musical Express (NME) which began its chart in 1952. Some of these older charts (including NME's earliest singles charts) are now part of the official OCC canon.

European charts

[edit]

In 2017, the OCC made a five-year deal with the Irish Recorded Music Association (IRMA) to compile the Irish Singles Chart, Irish Albums Chart and other Irish charts on behalf of IRMA.[9]

In December 2020,[10] the OCC announced it was taking over the contract from German company GfK, in compiling the French music charts for Syndicat National de l'Édition Phonographique (SNEP)/National Union of Phonographic Producers (SCPP) with the OCC taking over on 1 January 2021.

Chart synopsis

[edit]

All of the OCC's charts are published weekly on Friday nights, and cover sales for the preceding week, Friday to Thursday. From 3 August 1969 until 5 July 2015, the chart week ran from Sunday to Saturday. In the United Kingdom, genre-specific charts include Official Dance Singles Chart Top 40, Official Hip Hop and R&B Singles Chart Top 40, Official Rock & Metal Singles Chart Top 40, Official Progressive Albums Chart Top 30 and the Asian Music Chart Top 40. It also produces charts such as the Official Independent Singles Chart Top 50, which tracks the progress of records (singles and albums) released on independent record labels or distributed by independent companies (not WMG/Sony/UMG) regardless of the genre/music released.

The Official Scottish Albums Chart Top 100[11] appears in listings on the Official Charts Company's site alongside its charts for the Republic of Ireland and Billboard's Top 20 singles and albums[12][13] (with a link to the full Hot 100/albums 200 via billboard.com).[14]

The Scottish chart is a listing reflecting how sales towards the UK Albums Chart are faring in Scotland. Until December 2020, the OCC published a Scottish singles chart on its website as well, though this chart may only be available via the UKChartsPlus newsletter.[15] This subscription newsletter also includes the Official UK Top 100 Welsh Singles and Albums Charts, which serves the same purpose in Wales as the ones in Scotland, and the full UK Top 200 Albums chart.

The Official UK Top 200 Albums is just one of a number of 'industry only' charts not published for the general public, with others including UK Budget Album Chart (with any album including a low dealer price is excluded from the main album chart).[16] Until the OCC changed its chart rules, and brought in criteria like the three-track rule (a maximum of three singles within the Top 100 by the same artist will be chart eligible),[17] a Top 200 Singles chart was also published for people within the music industry.

The OCC also charts sales of DVDs and Blu-rays within the United Kingdom. While its music charts are now Friday to Thursday, its video charts remain Sunday to Saturday.

On 5 September 2008, the Official UK Charts Company rebranded itself as the Official Charts Company and introduced a new company logo.[18] It later dropped the word 'Company' and became just "Official Charts".

From May 2012, a new chart was launched – the Official Streaming Chart. This counts audio streams from streaming services Spotify, Deezer, Blinkbox Music, Napster, amongst others. The chart is the first of its kind to rank streams from ad-funded and subscription services and the Official Streaming Chart Top 100 is now published weekly[19] on the Official Charts website, and in music industry trade magazine Music Week.

In April 2015, the UK's first vinyl record chart of the modern era was launched by the Official Charts Company due to 'the huge surge of interest' in the sector. The chart was launched following the growth of the sector in the UK for the seventh year in a row.[20]

In July 2015, Official Charts changed its chart methodology from traditional Sunday slot to the new Friday slot, effective on 10 July 2015[21] to coincide with the 'New Music Friday - Global Release Day' campaign set by IFPI which effective on 10 July 2015 as well.[22][23]

Beginning in 2017, the Official Charts Company changed its methodology for calculating the Top 40, intending to more accurately reflect the rise in music streaming. Prior to January 2017, 100 streams counted as one 'sale' of a song. From January onward, the ratio became 150:1.[24] Additionally, in June 2017, it was decided that after a record has spent at least 10 weeks on the chart, any track which has declined for three consecutive weeks will see its streams:sales ratio change from 150:1 to 300:1, in an attempt to accelerate their disappearance from the chart.[25]

In mid-2019, the company also compiled the Asian Music Chart Top 40, alongside BritAsia TV. The chart highlights UK's biggest Asian songs of the week, based on sales and streams across a seven-day period.[26][27][28]

In 2022, the success of Kate Bush's "Running Up That Hill" after its use in the fourth season of the Netflix series Stranger Things brought a challenge against the rules introduced in 2017. The rules were intended to prevent streaming of older songs potentially keeping them on the chart for years. This meant that Bush's song, which had been a Top 3 hit 37 years before, would have to obtain twice the streamings of Harry Styles' song "As It Was" to earn the same 'sales', despite easily being the most streamed and most downloaded song. The OCC granted a 'manual reset' in order to reflect the success of the revival of Bush's hit.[29]

As well as genre-specific and music video charts, the OCC tracks purchases (DVDs/Blu-rays) and downloads of television programmes, films and sports/fitness videos[30] from a range of retailers and online sites.

The Chart Supervisory Committee

[edit]

As the OCC is jointly operated by the BPI and the ERA, a Chart Supervisory Committee is in place with panel of representatives from both the record industry and from retailers. Five representatives from each sector are selected, with record companies represented by the major label corporations WMG, Sony Music and UMG alongside a couple of large independents, BMG Rights Management and PIAS Group. The Chart Supervisory Committee is the body which discusses and decides on any chart rule changes, whether it be changes to physical/digital formats or with the chart ratios ACR and SCR (Accelerated Chart Ratio and Standard Chart Ratio), with representatives meeting approximately four times a year.[31]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Official Charts Company

View on Grokipedia
from Grokipedia
The Official Charts Company (OCC) is a British inter-professional organisation that compiles, publishes, and distributes the official music and video charts for the , serving as the definitive and trusted measure of popularity for over 70 years. Jointly owned by the (BPI) and the Entertainment Retailers Association (), the OCC produces more than 50 weekly charts, including the flagship Official Singles Chart and Official Albums Chart, which reflect combined physical sales, digital downloads, and streaming data from major platforms. Founded in the context of the UK's first singles chart published in November 1952 by (NME), the OCC formalised the process of chart compilation to ensure accuracy and industry standards, evolving from manual aggregation of retailer sales to sophisticated digital methodologies. Key milestones include the integration of compact discs in the 1980s, digital downloads in the 2000s, and streaming services from 2014 onward, with video streams added for singles in 2018 and albums in 2023. The company also extends its operations to compile charts for in partnership with the (IRMA) and for with the Syndicat National de l'Édition Phonographique (SNEP). In collaboration with market research firm Kantar, the OCC processes data from over 8,000 retailers and services, capturing more than 99% of the singles market, 98% of albums, and 90% of videos, with a equating 100 premium streams to one purchase equivalent. Charts are updated weekly—music from Friday to Thursday, videos from Sunday to Saturday—and released every Friday lunchtime on OfficialCharts.com, reaching millions via broadcasts and maintaining a comprehensive historical database dating back to the . This rigorous, transparent system positions the OCC as a cornerstone of the global , tracking billions of streams and sales annually while adapting to cultural shifts like the dominance of artists such as in the and streaming-era phenomena like Taylor Swift's record-breaking runs.

History

Early Development of UK Charts

The origins of the UK's music charts trace back to the post-World War II era, when growing record sales prompted publications to track popular hits. The first UK singles chart appeared in the New Musical Express (NME) on 14 November 1952, compiling data from record retailers via telephone polls; Al Martino's "Here in My Heart" debuted at number one, marking the chart's inaugural top position. This Top 12 list set a precedent but was soon joined by competitors, reflecting the fragmented nature of early chart compilation. Throughout the and , multiple music publications produced rival charts, exacerbating inconsistencies in rankings due to varying methodologies such as postal surveys or limited retailer samples. Record Mirror launched its Top 10 singles chart in 1955, followed by Melody Maker's in 1956 and Disc's Top 20 in 1958; these differed notably from NME's, often placing the same records in divergent positions. A significant milestone came in 1956 when Record Mirror introduced the UK's first albums chart on 28 July, a Top 5 list topped by Frank Sinatra's Songs for Swingin' Lovers!, focusing on long-playing records amid rising LP popularity. By the late 1960s, the proliferation of competing charts—now including Record Retailer from 1960—highlighted the need for standardization, particularly for broadcasters like the seeking reliable data for radio play. In response, the and Record Retailer commissioned the British Market Research Bureau (BMRB) to create an , debuting on 15 February 1969 as a Top 50 based on audited sales logs from over 250 retailers via postal returns. The promptly adopted this BMRB chart for its programs, including , establishing it as the authoritative source and reducing reliance on inconsistent publication-based lists. This system endured until 1983, when BMRB's manual processes faced scalability issues amid booming sales; the Gallup Organization assumed compilation duties from 8 January, introducing electronic point-of-sale (EPOS) data capture for faster, more precise reporting. Gallup expanded retailer participation to over 500 outlets, enhancing coverage and accuracy while growing the to a Top 100, thereby solidifying the framework for modern chart tracking.

Formation and Evolution of the OCC

The Chart Information Network (CIN) was established in July 1990 by Spotlight Publications (publishers of Music Week), the , and the British Association of Record Dealers () to centralize and standardize the compilation of the UK's official music charts. This formation marked a pivotal shift, as CIN assumed responsibility for chart production from the previous compiler, Gallup, enabling more efficient through electronic point-of-sale systems that built on earlier scanning technologies introduced in the late . The (BPI) joined as a partner shortly thereafter, solidifying CIN's role in providing authoritative weekly rankings based on retail sales data from an expanded network of stores. In 1998, the organization was reincorporated as Music Industry Chart Services Limited to address the emerging challenges of the digital music era, including the rise of online distribution and the need for enhanced . This entity was renamed the Official Charts Company (OCC) in November 2001, reflecting its expanded mandate to oversee not only current but also the archival rights to historical UK chart data dating back to 1952. Headquartered in , the OCC adapted to technological advancements by incorporating digital metrics; a key milestone came in September 2008 with the launch of the Official Subscription Plays Chart, which tracked plays on emerging streaming services like , signaling the company's proactive evolution toward multimedia consumption patterns. The OCC has continued to refine its methodologies in response to modern market dynamics, including occasional manual interventions to ensure chart integrity. For instance, in June 2022, the company implemented a one-time reset of the audio consumption ratio rule for Kate Bush's "," allowing the track—revived by its feature in the series —to reach number one after amassing over 7 million premium streams in a single week, a move that balanced viral surges with fair representation of sales and streams. Annual market insights further underscore the OCC's role in tracking growth; according to BPI data derived from OCC figures, UK album consumption rose 9.7% in to 200.5 million units (or equivalents), driven by streaming highs and a vinyl resurgence that marked the first physical sales increase in two decades. Complementing these analyses, the OCC publishes comprehensive annual volumes, such as The Official Charts & Hits: 2024 released in April 2025, which detail year-end Top 75 singles and albums, artist biographies, and industry tributes in a 282-page print-on-demand edition.

Ownership and Governance

Ownership Structure

The Official Charts Company (OCC) is a , established as a joint venture equally owned by the (BPI) and the Entertainment Retailers Association (ERA). The BPI holds a 50% stake on behalf of UK record labels, including major players such as , Entertainment, and , while the ERA holds the other 50% stake representing music retailers, distributors, and digital service providers. Headquartered at in London's district, the OCC is led by Martin Talbot, who oversees day-to-day operations, brand development, and commercial initiatives. The company's financial model relies on revenue from licensing its chart data and analytics to businesses, access fees for official chart information, and strategic partnerships, such as its long-term agreement with to broadcast the Official Singles Chart. Governance is managed by a composed of representatives from both the BPI and , which maintains balanced decision-making and upholds the independence of chart compilation.

Chart Supervisory Committee

The Chart Supervisory Committee (CSC) of the Official Charts Company (OCC) was established to oversee the interpretation and application of chart rules, ensuring the and transparency of the UK's official music s. It plays a critical role in maintaining auditability by reviewing referred matters and approving exceptions or adjustments in exceptional circumstances. The committee builds on longstanding industry governance structures in chart compilation. Composed of representatives from the (BPI), which includes major record labels such as , , and , and the Entertainment Retailers Association (), representing retailers, the CSC also includes OCC staff as observers. The OCC itself is jointly owned by the BPI and , providing the foundational framework for the committee's balanced industry representation. The committee convenes approximately four times per year to deliberate on rule interpretations and proposed modifications. Among its key responsibilities, the CSC approves significant methodology changes to adapt to evolving consumption patterns, such as the adjustment of streaming-to-sales equivalent ratios from 100:1 to 150:1 effective January 2017, the introduction of an accelerated chart ratio of 300:1 for tracks remaining in the chart beyond 10 weeks starting July 2017 aimed at prioritizing new releases, and the reversion of premium streams to a 100:1 ratio (with ad-supported streams at 600:1) effective July 2018. It also handles disputes and anomalies, for instance, granting an exemption from the Accelerated Chart Ratio rule for Kate Bush's "" in June 2022 due to its sustained physical and download sales amid a streaming surge, allowing it to reach number one. Notable decisions include the launch of the Official Vinyl Albums and Singles Charts in April 2015 to reflect rising physical format sales, and the introduction of the Official Video Streaming Chart in July 2018 to capture growing video consumption data. These processes underscore the committee's commitment to fair, transparent decision-making that supports the chart's credibility across the music industry.

Operations

Chart Compilation Methodology

The Official Charts Company (OCC) compiles its charts based on a standardized weekly tracking period for music consumption data, covering Friday at 00:01 to the following Thursday at 00:00, with charts published every Friday. This cycle was adopted in July 2015 to align with global release dates and combat , shifting from a previous midweek schedule that ended on Sundays. For video charts, the period runs from Sunday 00:01 to Saturday 00:00, with on Mondays. Eligibility for chart entry requires that tracks and albums be commercially available in the UK through authorized retailers and streaming services, ensuring genuine consumer transactions without distortions such as free giveaways or artificial inflation. Physical formats, digital downloads, and streams (audio and video) are included, but promotional products, multi-packs, or incomplete downloads like 30-second previews are excluded to maintain integrity. Albums must typically exceed 25 minutes in duration or include at least four tracks, while singles have a maximum total playing time of 15 minutes for single tracks or 25 minutes for bundles/maxi formats, along with standard pricing thresholds (e.g., minimum £0.40 for digital tracks). The calculation process blends pure data with streaming equivalents to determine rankings, producing both a pure chart (excluding ) and an overall consumption chart for the top 100 positions in singles and albums. For the overall singles chart, physical and digital are combined 1:1 with , using a standard ratio of 100 premium or 600 ad-funded equivalent to one sale; an accelerated ratio of 200:1 for premium and 1200:1 for ad-funded applies after three consecutive weeks of streaming decline to better reflect -like consumption. Albums follow a 1000:1 streaming-to-sale ratio, aggregating the top 16 tracks (or all if fewer), with the two most-streamed tracks down-weighted to the average of the next 14 to prevent skewing by hits. Entry into the top 100 requires a minimum level of consumption ( and streaming equivalents), with thresholds varying weekly based on overall market performance. Special rules safeguard against manipulation, including prohibitions on bundling that ties music to non-music purchases and limits on combining formats (e.g., up to three physical and three digital variants per release). eligibility mandates full tracks only, excluding previews or ringtones, while manual interventions allow for data resets in cases of abnormal surges, such as applying standard ratios if streams increase 25% more than the market average after acceleration. These rules, overseen by the Chart Supervisory Committee, can be updated periodically to address evolving consumption patterns. Charts are published via officialcharts.com and broadcast on , with detailed breakdowns provided to industry clients by Friday lunchtime. End-of-year charts aggregate consumption over the calendar year (January 1 to December 31), reflecting total units rather than weekly rankings.

Data Collection and Sources

The Official Charts Company (OCC) relies on its long-standing technical partner, Kantar, to collect sales and for chart compilation. Kantar, which traces its involvement in chart back through predecessors like Gallup and the British Market Research Bureau (BMRB), manages the gathering of information from electronic point-of-sale (EPOS) systems across a vast network of retailers. This partnership, renewed in 2025 for another decade, ensures comprehensive coverage, with Kantar maintaining the Product Master File for audio and video releases and processing daily feeds from over 8,000 sources. Retail data collection encompasses physical and digital sales from around 8,000 outlets, representing approximately 99% of the singles market, 98% of the album market, and 90% of the video market. This includes major high street chains like , supermarkets such as , , and , as well as over 100 independent stores like Rough Trade, whose data is weighted from a sample to reflect broader trends. Digital sales are sourced from platforms including (now ), Amazon, and , with EPOS systems enabling automated barcode scanning for accurate tracking of CDs, vinyl, and downloads. Home delivery and mail-order sales are also integrated to maintain market representativeness. Streaming data has been a key component since its formal integration into the main charts, with audio streams from services like and added to the Official Singles Chart in 2014 and the Albums Chart in 2015. Video streams from and were incorporated into the Singles Chart in 2018 and the Albums Chart in 2023, reflecting evolving consumption patterns. The OCC began collecting subscription streaming plays as early as 2008 via a dedicated chart, providing foundational data from major digital service providers (DSPs) before full mainstream inclusion. These sources contribute to metrics like album equivalent units, where 2024 market data indicated total consumption reached 200.5 million equivalents, driven largely by streaming. To ensure data integrity, the OCC employs validation processes overseen by the Chart Supervisory Committee, including daily data feeds for midweek chart updates and anti-fraud measures such as monitoring for irregular download patterns via IP tracking. While specific external audits are not publicly detailed, the system's transparency is maintained through industry-agreed rules and Kantar's rigorous standards, which have evolved from manual tallying in the mid-20th century to scanning introduced in the early and full digital inclusion by the mid-2010s. This collected data feeds directly into the chart compilation process, where it is weighted and aggregated to produce final rankings.

Charts Published

UK Music Charts

The Official Charts Company (OCC) compiles the flagship UK Singles Chart, a Top 100 ranking of the week's most popular songs, which originated in November 1952 as the UK's first official singles chart published by the New Musical Express (NME). This chart measures combined consumption, incorporating audio and video streams, digital downloads, and physical sales such as CDs and vinyl records. Similarly, the UK Albums Chart, also a Top 100, tracks the biggest artist albums based on the same blended methodology of sales and streams, with its inaugural Number 1 entry in 1956 being Frank Sinatra's Songs for Swingin' Lovers. In addition to these core rankings, the OCC produces format-specific charts that isolate particular consumption methods. The Official Physical Singles Chart focuses on sales of CDs, vinyl, and other tangible formats, while the Official Downloads Chart ranks digital purchases alone. The Official Streaming Chart, launched in May 2012 as a standalone Top 100 for audio streams, now complements the main charts by highlighting streaming dominance in the UK market. Reflecting the vinyl revival, the Official Vinyl Singles Chart and Official Vinyl Albums Chart were introduced in April 2015 to track sales of 7-inch and 12-inch formats. The OCC also maintains more than two dozen specialist genre charts, catering to diverse musical preferences within the . Examples include the Official Dance Singles Chart, which ranks dance tracks by sales and streams; the Official Hip Hop/R&B Albums Chart for rap and rhythm-and-blues releases; the Official Classical Albums Chart for orchestral and instrumental works; and the Official Soundtrack Albums Chart for film and TV scores. Among these, the Official Asian Music Chart, a Top 40 launched in 2010 and broadcast on , highlights South Asian and East Asian hits based on consumption data. The Official British Asian Music Chart, a Top 40 launched in 2024 and also broadcast on , ranks the biggest British Asian songs based on sales and streams. Beyond weekly rankings, the OCC publishes pure sales-focused charts like the Official Singles Sales Chart, which excludes streams to emphasize downloads and physical units, and the Official Album Downloads Chart for digital album bundles. It also compiles annual and decade-end summaries using the same consumption formulas, such as the End of Year Singles Chart; for instance, in 2024, Sabrina Carpenter's "" ranked among the year's top three biggest songs. These charts are integrated into broadcasting, with BBC Radio 1's Official Chart Show revealing the Top 40 singles weekly using OCC data, ensuring public access to the rankings every . The compilation processes for all these charts are overseen by the OCC's Chart Supervisory Committee to maintain accuracy and transparency.

International and Specialized Charts

The Official Charts Company (OCC) expanded its operations internationally in 2017 by entering into an agreement with the (IRMA) to compile Ireland's official music charts, including the Official Irish Singles Chart and Official Irish Albums Chart, based on sales of physical formats, downloads, and streams. This partnership marked the OCC's first major foray outside the , adapting its methodology to Irish market data while maintaining similar weighting for streams and sales. In 2021, the OCC further broadened its international scope through a contract with the Syndicat National de l'Édition Phonographique (), France's primary record labels association, to produce the Official French Singles Chart and Official French Albums Chart. These charts incorporate French sales, , and , providing a top-line ranking of the most popular singles and albums in the country. The OCC's role in both and emphasizes from local sources, supporting cross-border insights without altering core UK compilation processes. Historically, the OCC contributed to broader European chart efforts in the early , including data provision for the European Top 100 Albums chart, which tracked pan-European until its discontinuation in 2010. Today, the company's international activities center on seamless data sharing with Irish and French partners, fostering aligned methodologies for streaming and physical tracking across these markets. Beyond music, the OCC publishes several non-music charts focused on video and film consumption. The Official Film Chart ranks the top 40 films based on sales of DVDs, Blu-rays, and digital downloads, reflecting weekly consumer preferences in home entertainment. Complementing this, the Official Music Video Chart compiles the biggest music videos on physical formats like DVDs and Blu-rays, while the Official Physical Video Chart (also known as the Official Film On Disc Chart) tracks top video titles excluding downloads. The OCC also maintains specialized charts targeting niche audiences and formats. The Official Children's Video Chart highlights the top children's TV and DVD releases on physical media, capturing family-oriented video sales. In the classical genre, the Official Classical Compilation Albums Chart lists the leading classical compilation releases, based on combined sales of CDs, vinyl, and digital bundles. Additionally, the Official Independent Albums Chart, which has been active since at least 2017, ranks albums from independent labels, promoting non-major label artists through sales and streaming metrics. From 2023 to 2025, the OCC has continued to strengthen data-sharing protocols with its partners in Ireland and , enhancing real-time integration for chart accuracy amid rising streaming volumes, though no new international countries have been added to its compilation responsibilities by late 2025.

References

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  10. https://www.officialcharts.com/who-we-are/nineties/
  11. https://www.musicweek.com/news/read/occ-launches-subscriptions-chart/038434
  12. https://www.musicweek.com/live/read/how-kate-bush-s-running-up-that-hill-became-a-no-1-contender-inside-the-biggest-chart-story-of-2022/086012
  13. https://www.officialcharts.com/chart-news/the-official-biggest-albums-of-2024/
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  15. https://www.musicbusinessworldwide.com/companies/official-charts-company-uk/
  16. https://www.bpi.co.uk/about-bpi/
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  22. https://www.officialcharts.com/chart-news/new-rules-to-be-introduced-to-the-official-singles-chart-from-july-2017__19501/
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  48. https://www.officialcharts.com/charts/irish-singles-chart/
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  52. https://www.officialcharts.com/charts/film-chart/
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  54. https://www.officialcharts.com/charts/film-on-video-chart/
  55. https://www.officialcharts.com/charts/childrens-video-chart/
  56. https://www.officialcharts.com/charts/classical-compilation-albums-chart/
  57. https://www.officialcharts.com/charts/independent-albums-chart/20170630/131/
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