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"Get Money"
Cover artwork for the official remix
Single by Junior M.A.F.I.A. featuring the Notorious B.I.G.
from the album Conspiracy
B-side"White Chalk"
ReleasedFebruary 3, 1996 (1996-02-03)
GenreGangsta rap
Length4:34
Label
Songwriters
ProducerEZ Elpee
Junior M.A.F.I.A. singles chronology
"I Need You Tonight"
(1995) 		"Get Money"
(1996)
The Notorious B.I.G. singles chronology
"One More Chance"
(1995) 		"Get Money"
(1996) 		"Only You"
(1996)
Music video
"Get Money" on YouTube

"Get Money" is a song by the American rap group Junior M.A.F.I.A., released as the third and final single from their debut album Conspiracy (1995).[1] "Get Money," whose instrumental is fundamentally a sample of R&B singer Sylvia Striplin's 1981 song "You Can't Turn Me Away," was produced by EZ Elpee, rapped by the Notorious B.I.G. and Lil' Kim, and received a music video. B.I.G., formally, was featured,[2] but at times was deemed, like Lil' Kim and Lil' Cease, a Junior M.A.F.I.A. member.[3]

The single included also "Gettin' Money (The Get Money Remix)."[4] Using a different instrumental, a sample of R&B singer Dennis Edwards's 1984 single "Don't Look Any Further,"[4][5] this was produced by DJ Enuff, Lance 'Un' Rivera, and the Notorious B.I.G., and includes new verses by B.I.G, Lil' Kim, and Lil' Cease. The single spent 20 weeks on the main popular songs chart, the Billboard Hot 100, where it entered on February 10 and peaked at #17 on May 25.[6] Certified platinum, one million copies sold,[7] "Get Money" ranked #89 in Billboard magazine's Top Hot 100 Hits of 1996.[8]

As the "platinum smash" that reinforced Lil' Kim's performance on the gold hit "Player's Anthem," the single critically motivated her debut solo album, a November 1996 release.[9] Meanwhile, spinning the original's Get money hook is the Take money refrain of rapper 2Pac's June 1996 single "Hit 'Em Up,"[4] the legendary diss track—answering B.I.G's renowned single "Who Shot Ya," a February 1995 release by Sean "Puffy" Combs's Bad Boy label—that maligns and menaces B.I.G. and Puffy, and shares an instrumental with the "Get Money" remix.[4] "Get Money" has appeared elsewhere in music and in movies.[10]

The song inspired the iconic "Money Nails" design by nail artist Bernadette Thompson, which Lil' Kim wore during a denim shoot in 1999.[11] This look became highly influential in both hip-hop and fashion culture and was later exhibited at the Museum of Modern Art.[12]

Music video

[edit]

The video was released for the week ending on January 7, 1996.

The video opens with Biggie sitting coolly in court as his defense attorney and the prosecutor have a heated argument in front of the judge, who then threatens to hold them in contempt. Other scenes depict Biggie and his wife (played by Charli Baltimore, intentionally made to look like Biggie's then-wife Faith Evans) and their tumultuous relationship, which ultimately leads to Biggie kicking her out of the house.

Meanwhile, Kim is seen having an extravagant girls' day at a spa with male strippers alongside friends like Salt N Pepa, Vanessa del Rio, Mary J. Blige and Mary's sister LaTonya.

Single track listing

[edit]

A-side

[edit]
  1. "Gettin' Money (The Get Money Remix)" (Radio Edit) – 3:59
  2. "Gettin' Money (The Get Money Remix)" (Dirty Version) – 4:09
  3. "Get Money" (Original Version) – 4:34

B-side

[edit]
  1. "White Chalk" (Original Version) – 4:40
  2. "White Chalk" (Dirty Version) – 4:40
  3. "Get Money" (Original Instrumental) – 4:34

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[20]
Sales since 2008 		Silver 200,000‡
United States (RIAA)[21] Platinum 1,000,000^

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Get Money

View on Grokipedia
from Grokipedia
"Get Money" is a hip hop song by the American rap group Junior M.A.F.I.A., released on their debut studio album Conspiracy on August 29, 1995, and issued as a single on February 3, 1996. Featuring prominent verses from The Notorious B.I.G. and Lil' Kim, the track embodies the gritty, streetwise East Coast rap style of mid-1990s New York hip hop. Produced by EZ Elpee, "Get Money" prominently samples the bassline and chorus from Sylvia Striplin's 1981 R&B single "You Can't Turn Me Away," creating a smooth yet hard-edged beat that underscores the song's themes of and defiance. The , delivered with raw energy, repeat the "fuck bitches, get money" to emphasize hustling and self-reliance, while Lil' Kim's verse asserts in a genre often dominated by male perspectives. Commercially, the single peaked at number 17 on the chart in 1996, marking Junior M.A.F.I.A.'s greatest chart success. Junior M.A.F.I.A., a group of childhood friends mentored by The Notorious B.I.G., saw Lil' Kim emerge as a breakout star through this collaboration. The song's release amid personal turmoil—rumored to reference tensions in Biggie's marriage to Faith Evans and his relationships with Kim and Charli Baltimore—added layers of notoriety, cementing its place as a cultural touchstone in 1990s hip hop. Its influence endures, with the track sampled and referenced in later works, highlighting its role in shaping the bold, unapologetic ethos of the genre.

Background and recording

Conception and development

Junior M.A.F.I.A. was formed in 1994 by The Notorious B.I.G. and Lil' Kim to showcase emerging talent from Brooklyn's Bedford-Stuyvesant neighborhood, bringing together childhood friends and local rappers under Biggie's mentorship. The group, which included members such as Lil' Kim, Lil' Cease, Bugz, Klepto, Chico Del Vec, Larceny, Trife, and Capone, aimed to highlight the raw energy and street perspectives of their community while avoiding the pitfalls of local trouble. Biggie played a pivotal role in assembling the collective, using his rising influence to "kick the door down" and drag the crew through opportunities in the music industry. The track "Get Money" emerged during the recording sessions for the group's debut album , held over eight months in at studios including Daddy-O's house and the Dollar Cab Lab in . Conceived as an anthem celebrating wealth accumulation amid street life, the song reflected the group's hustler ethos and collaborative dynamics. assumed a lead role with her commanding verse, while Biggie added a pivotal narrative verse that elevated the track's . Contributions from other members, including background vocals and chorus elements, underscored the collective effort, with ties to broader networks. Written and demoed in mid-1995, "Get Money" was finalized amid the album's production and selected as its third single following the release on August 29, 1995. The single launched on February 3, 1996, capitalizing on the album's momentum to become a standout hit.

Production credits

The production of "Get Money" was led by EZ Elpee, who crafted the track's beat around a prominent sample from Sylvia Striplin's 1981 R&B single "You Can't Turn Me Away," providing the song's signature bouncy and rhythmic groove. EZ Elpee, known for his work on mid-1990s East Coast hip-hop projects, handled the instrumental construction to emphasize the group's ensemble dynamic, incorporating layered vocals from Junior M.A.F.I.A. members alongside featured contributions from and . Recording sessions for the track occurred during the summer of 1995 at Unique Recording Studios and Quad Recording Studios in New York City, as part of the broader sessions for the group's debut album Conspiracy. Lil' Kim laid down her standout second verse early in the process, establishing the song's bold chorus and thematic tone, followed by overdubs from the rest of the Junior M.A.F.I.A. crew and B.I.G.'s opening verse to build the full ensemble performance. While specific engineering credits for the song are sparse, the sessions aligned with the album's collaborative environment under executive production by The Notorious B.I.G., Lance "Un" Rivera, and Craig Kallman, ensuring a polished East Coast sound. In , the track underwent final mixing and mastering to prepare it for single release, with the original version appearing on Conspiracy on August 29, 1995, ahead of the standalone single drop on February 3, 1996, through Undeas Recordings, Big Beat Records, and . This release format highlighted the song's commercial potential, featuring clean radio edits and instrumental versions alongside the full explicit cut, contributing to its platinum certification and enduring legacy in 1990s hip-hop.

Composition and lyrics

Musical elements

"Get Money" exemplifies East Coast hip-hop in the subgenre, incorporating R&B influences through its prominent sample. The track operates at a tempo of 91 beats per minute (BPM) in , providing a mid-tempo groove suitable for the era's lyrical delivery. Central to its sound is a bass-heavy beat driven by looped chords sampled from Sylvia Striplin's R&B single "You Can't Turn Me Away", layered with crisp drum breaks and sparse synth accents to evoke a raw, urban atmosphere. Produced by EZ Elpee, the arrangement balances gritty street elements with the glossy polish characteristic of ' output, emphasizing rhythmic momentum over complex orchestration. Structurally, the song opens with ad-libbed vocal hooks, followed by three verses—led by Lil' Kim, The Notorious B.I.G., and Lil' Cease on behalf of the group—framed by a infectious, repetitive chorus built around the mantra "Get money." It fades out in the outro, maintaining a concise flow that highlights each performer's contributions. The album version clocks in at 4:34, optimizing its replay value in hip-hop radio rotations of the mid-1990s.

Themes and content

"Get Money" centers on the relentless pursuit of as a path to and in Brooklyn's gritty , blending themes of , , and gender independence. The song portrays as the ultimate priority over romantic entanglements or betrayals, with the group's chorus declaring "Fuck bitches, get " and flipping it to "Fuck niggas, get " to assert female autonomy in a male-dominated rap landscape. This narrative reflects the harsh realities of street life, where financial gain is both a literal goal and a motivational mantra amid risks like drug trade involvement and interpersonal deceit. Key lyrics underscore Biggie Smalls' braggadocio about luxury acquisitions, such as "I bought a new Benz and a new jeep" and references to high-end fashion like , emphasizing street credibility built on opulence. The chorus reinforces , repeatedly chanting "Get money" to celebrate excess, while allusions to drugs ("coke") and hustling highlight the underworld's dangers and allure. Lil' Kim's verse amplifies female empowerment, boasting "I don't chase, I replace 'em" to reject dependency on men and prioritize self-made success. These elements create a vivid of ambition, where trumps vulnerability. The song's cleverly exploits , with "get money" serving dual purposes as a command for financial and an inspirational ethos for rising above . Puns on dynamics emerge in the back-and-forth between Biggie's lament of women exploiting him—"Damn, why she wanna stick me for my ?"—and Lil' Kim's retort prioritizing over intimacy, like "rather count a million while you eat my pussy," subverting traditional rap tropes of dominance. This rhetorical interplay critiques relational betrayals while elevating economic independence as a form of . In its cultural context, "Get Money" exemplifies 1990s hip-hop's evolution toward celebrating commercial triumph within gangsta rap's framework, capturing the era's tension between underground authenticity and mainstream wealth accumulation. Released amid the genre's boom, the track mirrors how artists navigated fame's temptations, influencing later rappers to blend bravado with entrepreneurial drive.

Release and promotion

Single formats

"Get Money" was released as the third single from Junior M.A.F.I.A.'s debut album in February 1996. The single was distributed by Undeas Recordings in association with Records and . Initial releases targeted the U.S. market, with subsequent international editions following later in the year. The primary single release was titled "Gettin' Money (The Get Money )", featuring a remix that sampled Dennis Edwards' "". The single appeared in multiple physical formats, including 12-inch vinyl, , and cassette. The 12-inch vinyl release of the featured the on the A-side and an instrumental version on the B-side, catering to DJs and radio play. The cassette single, issued by Big Beat Records, included the original album version of "Get Money" alongside a of another album track, "I Need You Tonight." offered additional , such as clean versions and acapellas, with promotional editions containing censored for profanity. Track variations encompassed the original album version lasting 4:34, the remix version at 4:09, a shortened to approximately 3:56 and edited for explicit content, and an extended mix. These versions allowed for different broadcasting and consumer needs, with the censored emphasizing accessibility on mainstream airwaves. International formats, such as European CD singles, mirrored U.S. track listings but adapted for regional distribution.

Marketing strategies

The promotion of "Get Money" as the third single from Junior M.A.F.I.A.'s debut album Conspiracy emphasized targeted outreach to build on the group's affiliation with The Notorious B.I.G. and the burgeoning Bad Boy Records ecosystem. Atlantic Records' promotion team, through its Big Beat imprint, focused on radio airplay by distributing clean edits and remixes to urban contemporary stations, where the track gained traction in early 1996. The remix, remixed by B.I.G. along with DJ Enuff and Lance "Un" Rivera and sampling Dennis Edwards' "Don't Look Any Further," received notable spins during this period, contributing to its cultural buzz amid the East Coast-West Coast rap tensions. Airplay peaked in spring 1996, reflecting a strategic push to capitalize on hip-hop's growing mainstream presence. Synergy with the album rollout and B.I.G.'s momentum from (1994) amplified the single's visibility, as Junior M.A.F.I.A. incorporated "Get Money" into live sets during 1996 performances alongside Bad Boy affiliates. These shows featured B.I.G. and Lil' Kim joining the group onstage, leveraging the star power of B.I.G.'s rising profile to draw crowds and extend the track's reach beyond radio. The approach tied the single directly to the group's narrative as B.I.G.'s protégés, fostering a sense of extended Bad Boy family unity without formal label overlap, since was distributed via Atlantic. Media appearances further supported the campaign through group interviews that highlighted Junior M.A.F.I.A.'s dynamic. Similarly, The Source profiled the group in its coverage of their debut, emphasizing their Brooklyn roots and ties to B.I.G., which helped position "Get Money" as a street anthem. Lil' Kim's emerging solo career, culminating in her Hard Core debut on November 12, 1996, provided an additional boost, as her increasing media spotlight drew attention to the track's battle-of-the-sexes theme and elevated the group's overall profile. Promotional tactics included seamless integration of the music video, directed to showcase the group's ensemble chemistry and released alongside radio efforts to reinforce the single's bold imagery. Cross-promotion with Bad Boy artists, particularly through B.I.G.'s feature and shared tour slots, extended reach without dedicated budget lines, while retail strategies involved point-of-purchase displays in urban markets to drive physical sales of the various single formats. These elements, coordinated under Atlantic's urban promo umbrella, underscored a lean yet effective strategy reliant on interpersonal networks and hip-hop's communal ethos rather than lavish expenditures.

Music video

Concept and filming

The music video for "Get Money" was directed by Sean Combs (also known as Puff Daddy or Diddy) and Lance Rivera, and it was shot in 1995 in New York City ahead of its release the following year. The production featured Junior M.A.F.I.A. as the central group, with prominent appearances by The Notorious B.I.G. and Lil' Kim, who were key contributors to the track. The concept centered on narrative vignettes that loosely tied into the song's themes of wealth, relationships, and excess, portraying a dramatic contrast between conflict and indulgence. It opens with The Notorious B.I.G. in a courtroom setting, where he is confronted by a judge, prosecutor, and defense attorney amid threats of contempt charges. This segues into scenes of B.I.G.'s strained marriage to his wife, portrayed by Charli Baltimore (styled to evoke Faith Evans), which escalates to her being ejected from their home. In parallel, Lil' Kim is depicted reveling in a luxurious spa treatment surrounded by male strippers and close associates, emphasizing opulence and female empowerment. Casting highlighted the group's inner circle, including appearances by Charli Baltimore and LaTonya Blige-DaCosta. The video's logistical elements, including set construction for the courtroom and spa sequences, were managed under Atlantic Records' oversight, though specific budget figures remain undocumented in available production records.

Visual style and reception

The music video for "Get Money," directed by Lance Rivera and Sean "Puffy" Combs, exemplifies 1990s hip-hop aesthetics through its urban settings and ensemble performances by the group members, including The Notorious B.I.G. and Lil' Kim. The visual narrative blends interpersonal drama among the performers with street-level energy, reflecting real-life tensions within Junior M.A.F.I.A. as art imitating life. Critics and fans have praised the video for its raw authenticity and charismatic presence, particularly Lil' Kim's commanding screen energy, which contributed to its frequent rotations on MTV and BET during the mid-1990s. Its enduring appeal in hip-hop culture is evident from its viewership on digital platforms.

Commercial performance

Chart positions

"Get Money" experienced strong performance on American music charts in 1996, particularly within urban radio formats, where it resonated with hip-hop audiences. The single debuted on the in February 1996 and climbed to its peak position of number 17 during the spring, maintaining a presence on the chart for 20 weeks. Its success was amplified by heavy rotation on rap and R&B stations, contributing to higher rankings in genre-specific lists compared to the all-genre Hot 100. On specialized charts, "Get Money" topped the chart, reaching number 1 and holding the position for three weeks starting February 24, 1996. It also peaked at number 4 on the chart, reflecting its appeal in R&B and hip-hop markets. Internationally, the track had modest impact; a remix version entered the UK Singles Chart at number 63. For the year-end of 1996, "Get Money" ranked at number 89, underscoring its enduring popularity throughout the year.
Chart (1996)Peak positionWeeks on chart
US Billboard Hot 1001720
US 4—
US 1—
UK Singles Chart (remix)63—
The song's stronger performance on urban charts was largely driven by substantial radio and MTV video rotation, which boosted its visibility in hip-hop communities while limiting crossover to mainstream pop audiences.

Sales and certifications

In the United States, "Get Money" was certified Gold by the RIAA for sales of 500,000 units and later Platinum for 1,000,000 units sold. By 2025, digital streaming had significantly boosted its performance, with the track accumulating over 227 million streams on Spotify as of November 2025. The song experienced a resurgence in the 2020s through viral use on TikTok, contributing additional equivalent units to its overall consumption metrics, including multi-platinum status when accounting for streams.

Critical reception

Contemporary reviews

Upon its release in early 1996, "Get Money" received positive mentions in album reviews for , with critics highlighting Lil' Kim's performance. The described it as a strong track where Lil' Kim effectively matches 's delivery. Later retrospectives, such as a 2016 Vibe article, noted her electric performance on the single as a breakout moment leading to her solo career. Some reviews acknowledged the group's reliance on Biggie's influence but praised the collaborative energy. Overall, the track was seen as a highlight of the album, contributing to its commercial success.

Retrospective analysis

In the 2000s, "Get Money" featured in tributes to The Notorious B.I.G., underscoring his mentorship role. A 2022 Rolling Stone ranking of Biggie's best songs placed it at #28, calling it a "mid-Nineties, glasses-in-the-air classic" with a seductive Biggie verse and strong Lil' Kim contribution, noting the clean version as "dope and weird." By the 2010s, retrospective rankings affirmed its status. It ranked #3 on the BBC's 2019 list of the greatest hip-hop songs of all time, praised for its infectious energy and role in 1990s East Coast rap. Scholarly works like Tricia Rose's 2008 The Hip Hop Wars discuss Lil' Kim's broader use of sexuality and themes in her career, reflecting hip-hop's tensions around and . As of 2025, the song maintains popularity on streaming platforms with playlists curating 1990s hip-hop essentials, introducing it to new audiences.

Legacy and influence

Cultural impact

"Get Money" has permeated pop culture through its inclusion in the 2009 biographical film Notorious, where actors Naturi Naughton and Marc John Jefferies performed the track as part of the soundtrack depicting The Notorious B.I.G.'s rise. The song's bold imagery and lyrics also influenced fashion trends, particularly Lil' Kim's iconic "money manicure," a dollar bill-inspired nail design created by manicurist Bernadette Thompson specifically for the 1995 music video, which symbolized wealth and unapologetic femininity in hip-hop aesthetics. This look contributed to Lil' Kim's status as a style icon, inspiring luxurious, neon-accented "get money" outfits that evolved into staples for female rappers in the decades following. As a symbol of 1990s female rap empowerment, "Get Money" showcased Lil' Kim's assertive verses on and sexual agency, challenging male-dominated narratives in hip-hop and paving the way for future . Her performance on the track highlighted themes of self-reliance and confidence, resonating in discussions of gender dynamics in the genre during retrospectives on women's roles in rap. In the , the song experienced renewed visibility on platforms, with users creating dance challenges and throwback edits set to its beat on , often celebrating its 90s hip-hop legacy. It has also garnered significant streaming traction, including millions of views across uploads of the official audio and fan tributes. The track's enduring appeal was evident at events like the 2016 VH1 Hip Hop Honors, where invited onstage for a collaborative performance, blending eras in a nod to its classic status. This influence extends to contemporary artists such as , whose bold persona and fashion choices echo Lil' Kim's trailblazing energy from "Get Money," positioning her as a modern successor in female-led hip-hop.

Remixes, samples, and covers

The official remix of "Get Money," titled "Gettin' Money (The Get Money Remix)," was released in 1996 by Bad Boy Records as part of an EP, featuring an extended verse by The Notorious B.I.G. that builds on his original contribution. This version, mixed by DJ Enuff and Lance "Un" Rivera, incorporates additional samples from Dennis Edwards and Siedah Garrett's "Don't Look Any Further," enhancing the track's club-ready energy with layered production elements. While no distinct "Club Mix" version appears in primary releases, the remix's extended format and rhythmic adjustments made it a staple in DJ sets during the mid-1990s East Coast hip-hop scene. "Get Money" has been widely sampled in hip-hop, with over 50 documented instances as of 2025, reflecting its enduring and hook derived from the original sample of Sylvia Striplin's "You Can't Turn Me Away," which has facilitated clearances through established chains. Notable examples include D.R.A.M.'s track "Get Money," which directly lifts the instrumental for a modern R&B-rap hybrid, and Kash Doll's 2018 self-titled "Get Money," where the hook is repurposed to emphasize female empowerment themes in contemporary rap. The Game and Lil Wayne's 2019 collaboration "A.I. with the Braids" also interpolates vocal elements, bridging boom-bap with West Coast trap influences. These usages have extended the song's reach into trap and pop-rap subgenres, where its confident lyricism and groove inspire beats emphasizing wealth and independence. Covers and live reinterpretations of "Get Money" highlight its performative legacy, particularly through Lil' Kim's solo renditions during her tours, including a notable 2006 performance that captured the track's raw energy without Junior M.A.F.I.A. backing. Indie rap artists have paid tribute via covers, such as acoustic and lo-fi versions around that strip down the production to focus on the lyrics' bravado. interpolated elements in her 2019 freestyle over the original during a radio session, adapting the flow to her signature style while nodding to the song's foundational role in female rap narratives.

References

  1. https://music.apple.com/us/song/get-money/390328888
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  3. https://www.songfacts.com/facts/junior-mafia/get-money
  4. https://genius.com/Junior-mafia-get-money-lyrics
  5. https://www.billboard.com/pro/notorious-bigs-15-biggest-hot-100-hits/
  6. https://www.capitalxtra.com/news/junior-mafia-now-biggie-smalls-lil-kim/
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  9. https://thhm.org/blog/terrence-klepto-harding-interview/
  10. https://www.xxlmag.com/junior-mafia-conspiracy-album/
  11. https://uproxx.com/peoplesparty/lil-kim-notorious-big-junior-mafia-kicked-door/
  12. https://www.youtube.com/watch?v=zgxhRgpUQZo
  13. https://www.discogs.com/release/5103329-Junior-MAFIA-Get-Money
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  15. https://genius.com/Junior-mafia-get-money-lyrics/q/producer
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  17. https://www.discogs.com/master/136043-Junior-MAFIA-Conspiracy
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  19. https://songbpm.com/%40junior-m-a-f-i-a/get-money
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  22. https://www.musicvf.com/Junior%2BM.A.F.I.A..alb
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  24. https://www.discogs.com/artist/173536-Junior-MAFIA
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  26. https://www.discogs.com/release/5538928-Junior-MAFIA-Featuring-The-Notorious-BIG-Get-Money
  27. https://www.worldradiohistory.com/Archive-All-Music/Gavin-Report/90/96/Gavin-1996-05-10.pdf
  28. http://www.michaelnamikas.com/wp-content/uploads/2017/09/Hit-Em-Up-Excerpt.pdf
  29. https://www.concertarchives.org/bands/junior-m-a-f-i-a
  30. https://www.vibe.com/lists/sean-puff-daddy-combs-bad-boy-records/
  31. https://maximumfun.org/episodes/heat-rocks/celebrating-lil-kims-hard-core-1996/
  32. https://www.imdb.com/title/tt9500018/
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  34. https://www.imdb.com/title/tt9500018/fullcredits/
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  40. https://www.hollywoodreporter.com/music/music-news/notorious-bigs-15-biggest-billboard-780083/
  41. https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Junior+M.A.F.I.A.&ti=Get+Money#search_section
  42. https://kworb.net/spotify/track/1WWaZxc7Jw0MIcehfMPeEU.html
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  49. https://www.ellecanada.com/beauty/makeup-and-nails/the-origin-story-of-lil-kim-s-money-manicure
  50. https://www.refinery29.com/en-us/2018/04/195700/female-rapper-style-history
  51. https://www.billboard.com/music/rb-hip-hop/ladies-first-31-female-rappers-who-changed-hip-hop-5923011/
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  53. https://www.youtube.com/watch?v=h2qsaELZCtE
  54. https://www.youtube.com/watch?v=e4oB6wYMcrI
  55. https://www.hotnewhiphop.com/840050-lil-kim-recalls-friendship-rich-homie-quan-touching-tribute-hip-hop-news
  56. https://www.npr.org/transcripts/1139460172
  57. https://www.whosampled.com/sample/780118/D.R.A.M.-Get-Money-Junior-M.A.F.I.A.-The-Notorious-B.I.G.-Get-Money/
  58. https://www.youtube.com/watch?v=WMITi4o7l9E
  59. https://www.youtube.com/watch?v=ekd9ZpuwqqA
  60. https://genius.com/Megan-thee-stallion-get-money-freestyle-lyrics
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