Community hub
0 subscribers8 pages, 0 posts
Recent from talks
All channels
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Be the first to start a discussion here.
Contribute something
Welcome to the community hub built to collect knowledge and have discussions related to Glen Cook.
Nothing was collected or created yet.
Glen Cook
View on Wikipediafrom Wikipedia
Glen Charles Cook (born July 9, 1944)[1] is an American writer of fantasy and science fiction, known for The Black Company and Garrett P.I. fantasy series.
Key Information
Biography
[edit]Cook was born in New York City.[1] Cook served in the United States Navy from 1962 to 1972 and specifically was attached, for a time, to a Marine Force Recon unit, the 3rd Marine Battalion.[2] During his time attached to the Force Recon unit, Cook participated in what he called "practice combat", and left active duty, "a month before [the unit] shipped out to Viet Nam".[3] He later worked his way through college. Cook began to write in earnest while working for General Motors at an auto assembly plant in a job which was "hard to learn, but [involved] almost no mental effort", and he wrote as many as three books per year.[4]
Cook wrote The Black Company, a novel published by Tor Fantasy, in May 1984. It began a gritty fantasy series of the same name (or Chronicles of the Black Company)[1] following an elite mercenary unit through several decades of its history. As of 2016, it comprises the novels published in three subseries 1984–85, 1989–90, and 1996–2000, plus recent short fiction.[1] It has become something of a cult classic, especially among current and former members of the military. When asked about the series' popularity among soldiers, Cook replied: "The characters act like the guys actually behave. It doesn't glorify war; it's just people getting on with the job. The characters are real soldiers. They're not soldiers as imagined by people who've never been in the service. That's why service guys like it."[5] Cook is also known for his Garrett P.I. series, which tells the haphazard adventures of hardboiled detective Garrett, and for his Dread Empire series.
List of works
[edit]References
[edit]- ^ a b c d e "Glen Cook – Summary Bibliography". ISFDB. Retrieved August 2, 2014.
- ^ "Cook, Glen 1944–". Encyclopedia.com. Retrieved 2021-04-19.
- ^ "The SF Site: An Interview with Glen Cook". SF Site. Retrieved 2021-04-19.
- ^ "The Glen Cook Interview". Archived from the original on July 30, 2016. Retrieved June 20, 2006.
- ^ "Strange Horizons Interview". Archived from the original on May 14, 2006. Retrieved June 20, 2006.
External links
[edit]
Wikiquote has quotations related to Glen Cook.
- Glen Cook at the Internet Speculative Fiction Database
- Glen Cook at the Internet Book List
- Novel synopses, cover art, and reviews at Fantasy Literature
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| Other | |
Glen Cook
View on Grokipediafrom Grokipedia
Biography
Early life and education
Glen Cook was born on July 9, 1944, in New York City. His family relocated to a farm in southern Indiana in 1947 and then moved to northern California in 1950, where he spent much of his childhood and adolescence.[7] During his upbringing in California, Cook developed an early interest in writing, beginning to compose short stories while in grade school. His exposure to science fiction and fantasy came through voracious reading, starting with his father's copy of Isaac Asimov's The Naked Sun, which sparked a lifelong passion for the genres despite initial parental disapproval.[7][8] Following his active duty discharge from the U.S. Navy in 1965, Cook attended the University of Missouri for two and a half years, supported by Navy funding. In 1970, he participated in the Clarion Writers' Workshop—one of its earliest sessions—where he honed his craft through intensive feedback, learning to streamline his prose and adapt to contemporary reader expectations; it was there that he also met his future wife, Carol. His workshop experience culminated in the publication of his short story "Song from a Forgotten Hill" in the 1971 Clarion anthology, edited by Robin Scott Wilson.[4][1][9]Military service
Glen Cook enlisted in the United States Navy in 1962 at the age of 18, shortly after graduating from high school in northern California.[10][11] His active service lasted from 1962 to 1965, during which he served primarily in non-combat roles.[10] During his tenure, Cook was attached to the Force Reconnaissance unit of the 3rd Marine Recon Battalion, where he underwent rigorous reconnaissance training and participated in simulated combat exercises, often referred to as "practice combat."[2] These duties involved intense preparation for potential field operations, including navigation, surveillance techniques, and team-based maneuvers, though his assignment remained stateside and focused on readiness rather than active engagements. Daily military life in the unit emphasized strict discipline, hierarchical structure, and the forging of close bonds among personnel, exposing Cook to the routines of barracks existence, physical conditioning, and unit cohesion.[2] In 1965, amid the escalating Vietnam War, Cook opted to leave active duty just one month before his unit was scheduled for deployment to Vietnam, a personal decision that allowed him to avoid combat involvement.[2] This timing reflected his choice to exit as the conflict intensified, though specific motivations beyond the impending overseas assignment are not detailed in available accounts. These military experiences provided Cook with insights into camaraderie and discipline that later informed his thematic interests in loyalty and war.Professional career and later years
Following his discharge from the U.S. Navy, Glen Cook joined General Motors, where he worked for 33 years in technical and assembly roles at an auto plant in St. Louis.[2] The repetitive nature of the job, which required minimal mental engagement after initial training, provided Cook with opportunities to mentally develop his writing projects during shifts, enabling him to produce up to three novels annually alongside his full-time employment and family commitments.[9] He has described the position as demanding physically but allowing mental space for creativity, including plotting stories while operating machinery on the assembly line.[12] Cook has long resided in the St. Louis, Missouri, area, where he maintains a private life focused on family and personal interests. He is married to Carol, whom he met at the Clarion Writers Workshop in 1970, and they have three sons.[11] Outside of writing, Cook enjoys stamp collecting and book collecting, with a passing interest in military history; he has occasionally sold books at local conventions but avoids broader public engagements.[2] Cook retired from General Motors in the mid-2000s, transitioning to full-time writing, though his output has since become more selective compared to his earlier productivity.[2] As of 2025, at age 81, he remains active in his literary career, with a new Black Company novel, Lies Weeping, released on November 4, 2025, and he granted a rare interview earlier that year discussing his ongoing work.[6][13] Cook continues to prioritize privacy, limiting public appearances and sharing few personal details beyond his professional endeavors.[4]Writing career
Debut and early works
Glen Cook's professional writing debut came in 1971 with the short story "Song from a Forgotten Hill," published in the anthology Clarion, edited by Robin Scott Wilson and released by Signet Books.[14] This story, set in a post-apocalyptic world ravaged by nuclear war, marked his entry into speculative fiction and stemmed from his participation in the Clarion Writers' Workshop.[2] Following this, Cook published several short stories in the early 1970s, primarily in genre magazines and anthologies, including "And Dragons in the Sky" in Clarion II (Signet, 1972) and "Appointment in Samarkand" in Witchcraft & Sorcery #7 (November 1972).[14] Other early pieces, such as "Sunrise" (1973) and "The Devil's Tooth" (1974), appeared in outlets like Fantastic and Vertex, reflecting his initial forays into science fiction themes of survival and otherworldliness amid limited circulation in niche publications.[15] Cook transitioned to novels with his first full-length work, The Heirs of Babylon (Signet, 1972), a post-apocalyptic science fiction novel depicting ritualistic wars in a technologically regressed world two centuries after a global conflict.[2] Published by Signet shortly after his short story debut, it established his reputation in the genre but received modest attention in small-press circles.[16] Despite this early output, Cook's production remained sporadic through the 1970s, as he balanced writing with a demanding role at General Motors, where he worked in various capacities, including assembly line positions that required minimal mental effort once mastered, allowing him to compose stories mentally during shifts and transcribe them at home.[2] This routine, while enabling steady progress, constrained his pace to a handful of publications annually, often in low-profile venues.[2] By the late 1970s, Cook shifted toward fantasy, debuting the genre with A Shadow of All Night Falling (Berkley, 1979), the first novel in his Dread Empire series, which introduced a sprawling world of wizards, demons, and political intrigue.[17] Published amid ongoing short fiction sales to magazines like The Magazine of Fantasy & Science Fiction, this work signified his growing focus on epic fantasy elements, diverging from the science fiction roots of his earlier efforts.[18] The novel's release by Berkley marked a step up from Signet's mass-market paperbacks, though Cook continued to navigate the challenges of part-time authorship at GM, producing works at a deliberate rate influenced by his day job's demands.[2]Major series
Glen Cook's most prominent multi-book series include the gritty military fantasy of The Black Company, the urban detective tales of the Garrett P.I. sequence, the epic scope of the Dread Empire, and the later supernatural intrigue of the Instrumentalities of the Night. These works showcase his blend of dark fantasy elements, moral ambiguity, and detailed world-building, often drawing on historical and mythological inspirations.[1] The Black Company series, Cook's breakthrough in the genre, follows the exploits of an elite mercenary unit chronicling its own history through the annals of its physician and annalist, Croaker. The core narrative spans the company's service to the sorcerous Lady and her empire, amid rebellions, betrayals, and supernatural threats like the imprisoned Dominator and his potential resurgence. Structured into three main arcs, the Books of the North (The Black Company , Shadows Linger , and The White Rose ) depict the company's initial entanglement in the Lady's wars against the rebellious White Rose, Darling, emphasizing survival in a world of sorcery and endless conflict. The Books of the South (Shadow Games and Dreams of Steel ) shift to the company's southward migration and internal schisms, including a spin-off, The Silver Spike , exploring rogue artifacts. The concluding Books of the Glittering Stone (Bleak Seasons , She Is the Darkness , Water Sleeps , and Soldiers Live ) return to the company's fragmented remnants facing apocalyptic forces in the enchanted Plain of Glittering Stone, resolving long-standing prophecies and loyalties. Debuting with Tor Fantasy, the series pioneered the subgenre of military fantasy by portraying war's brutality through flawed, camaraderie-bound soldiers rather than heroic archetypes. A 2025 addition to the Black Company universe extends its legacy with new mercenary tales.[19][20][6] The Garrett P.I. series blends hardboiled noir with fantasy, centering on Garrett, a retired Marine turned private investigator in the bustling, multi-species city of TunFaire. Over 12 novels from Sweet Silver Blues (1987) to Wicked Bronze Ambition (2013), with additional unpublished and short works, Garrett tackles cases involving missing persons, magical artifacts, and political conspiracies, often aided by his psychic partner, the Dead Man, and the pixie Morley Dotes. The series evolves from standalone mysteries to interconnected arcs exploring TunFaire's underbelly during the ongoing Karentine-Venageti war, incorporating elements like elves, vampires, and ratpeople while maintaining a witty, first-person voice that highlights Garrett's cynicism and resourcefulness.[21] The Dread Empire series, Cook's earliest major fantasy endeavor, unfolds across a vast world inspired by Eastern and Middle Eastern cultures, focusing on imperial conflicts, sorcery, and rebellion. Spanning a main trilogy (A Shadow of All Night Falling , October's Baby , All Darkness Met ), prequels (The Fire in His Hands , With Mercy Toward None ), and partial sequels (Reap the East Wind , An Ill Fate Marshalling ), the narrative centers on the expansionist Shinsan empire's sorcerous legions clashing with western kingdoms and prophetic figures like the wizard Varthlokkur and the zealot El Murid. Key arcs involve the empire's incursions into the west, power struggles among immortal sorcerers, and resistance movements against Shinsan's iron rule, culminating in incomplete tales of fragile alliances and divine interventions.[1][22] The Instrumentalities of the Night series, a later epic fantasy with medieval analogs, examines a world besieged by night-spawned horrors and religious schisms. Comprising four volumes from The Tyranny of the Night (2005) to Working God's Mischief (2014), it follows knight Piper Hecht and others navigating crusades, witchcraft, and the encroaching Great Wall of ice that unleashes imps and demons. The arcs intertwine political machinations across caliphates and kingdoms with supernatural incursions, emphasizing humanity's precarious foothold against ancient evils.[23]Recent publications
In the 2010s, Glen Cook completed his epic fantasy series The Instrumentalities of the Night with Working God's Mischief, published in 2014 by Tor Books as the fourth and final installment. This novel resolves major plotlines amid massive wars between human kingdoms and the resurgence of ancient, god-like entities known as the instrumentality, including divine interventions that reshape the world after the deaths of key rulers and the defeat of the Windwalker Kharoulke.[24] Cook returned to his seminal Black Company series with Port of Shadows in 2018, also from Tor Books, which integrates and expands upon earlier short stories to form a cohesive novel set between Shadows Linger and The White Rose. The book explores the company's early struggles under the Lady's rule, blending mercenary intrigue with supernatural threats in a prequel-like narrative.[25] Marking a significant resurgence, Cook launched the A Pitiless Rain arc—a new continuation of the Black Company chronicles—with Lies Weeping on November 4, 2025, published by Tor Books. This first volume introduces dual narration from new perspectives, including characters Arkana and Shukrat, to depict evolving company dynamics amid fresh conflicts in the post-Soldiers Live era; the arc is planned for at least five volumes, with the initial four already contracted for Russian publication.[13][6] Cook's output has slowed in recent years, influenced by his age of 81 in 2025 and the effects of retiring from a 33-year career at General Motors, where he previously wrote in focused bursts during breaks—a rhythm he found more productive than full-time dedication post-retirement.[6][26] In a 2025 interview with Grimdark Magazine, he discussed inspirations for these late works drawn from his military service and everyday life, noting a selective approach to projects while actively developing the fifth volume of A Pitiless Rain, with no announced collaborations or additional unpublished works.[6]Literary style and themes
Narrative techniques
Glen Cook frequently employs first-person, rotating viewpoint narration in his major series, particularly in The Black Company, where the story unfolds through the perspectives of low-ranking soldiers like the annalist Croaker, resulting in unreliable accounts and a fragmented, chronicle-like structure that mimics military dispatches. This technique immerses readers in the gritty, subjective experiences of the protagonists, emphasizing their limited knowledge of larger events and fostering a sense of immediacy and moral ambiguity. In the Garrett, P.I. series, the first-person voice adopts a hard-boiled, conversational tone, as if the detective Garrett is recounting his cases informally, blending cynicism with humor to heighten the noir atmosphere.[8][2] Cook's prose is characteristically sparse and economical, featuring short sentences, minimal descriptive passages, and a heavy reliance on action and dialogue to propel the narrative, evoking the terse style of military reports or frontline journals. He favors colloquial, modern language over ornate or archaic phrasing, drawing from everyday speech to make characters feel authentic and grounded, as seen in the unpolished banter among Black Company mercenaries. This approach avoids flowery exposition, allowing the story to unfold rapidly without unnecessary embellishment, though it can initially challenge readers accustomed to more immersive fantasy prose.[8] World-building in Cook's works occurs primarily through implication and character-driven revelation, eschewing direct exposition or info-dumps in favor of gradual disclosure via personal encounters and observations.[2] He deliberately omits maps to maintain narrative flexibility and prevent rigid boundaries, relying instead on evocative, real-world-inspired details—such as historical battles like Poitiers for the Dread Empire series—to suggest vast, lived-in settings without overwhelming the reader.[2][8] Cook masterfully blends genres across his oeuvre, incorporating noir detective elements into the fantasy of Garrett, P.I., where magical intrigue meets hard-boiled mystery reminiscent of Sam Spade tales, and infusing historical realism into the Dread Empire through depictions of political intrigue and warfare drawn from medieval conflicts.[2] His early science fiction works, such as the Starfishers trilogy, merge space opera with fantasy motifs, while later series like The Black Company fuse epic fantasy with the raw intensity of Vietnam-era war fiction.[2][8] Pacing in Cook's narratives is brisk and plot-driven, achieved through rapid progression, frequent cliffhangers, and the orchestration of ensemble casts that advance multiple subplots simultaneously, creating a sense of relentless momentum amid chaos. This technique is evident in The Black Company, where shifting viewpoints and concurrent threads build tension without resolving overarching conflicts prematurely, and in the Dread Empire, where intricate scheming propels the story across expansive timelines.[2]Core themes
Glen Cook's works frequently explore anti-war realism, portraying soldiers as flawed and weary mercenaries rather than heroic figures, drawing directly from his own military experiences. In the Black Company series, the mercenaries endure the brutalities of endless conflict without glorification, emphasizing the physical and psychological toll of warfare on ordinary individuals.[27] This theme underscores the futility and moral compromises inherent in military service, as seen in the Company's involvement in protracted, ambiguous campaigns.[28] Loyalty and betrayal form a core tension in Cook's narratives, particularly within tightly knit groups like the Black Company, where personal bonds often clash with the imperatives of survival and shifting allegiances. Characters navigate complex relationships marked by unwavering commitment to their comrades amid frequent acts of treachery driven by self-preservation or greater threats.[29] For instance, the Annalist Croaker's chronicles highlight how loyalty to the Company persists despite internal betrayals and external pressures, reflecting the precarious nature of trust in high-stakes environments.[27] The corruption of power recurs as a dominant motif, with wizards, tyrants, and empires depicted as tyrannical forces that erode morality and spawn rebellion, often leading to unintended consequences. In the Black Company, figures like the Dominator embody absolute power's dehumanizing effects, compelling protagonists to confront the ethical costs of serving such regimes.[30] This theme extends to the Dread Empire series, where imperial ambitions fuel cycles of domination and resistance, illustrating how power structures perpetuate suffering across cultures.[28] Cultural clashes, especially between Eastern and Western influences in the Dread Empire, probe themes of imperialism and otherness, portraying encounters between disparate societies as fraught with misunderstanding and exploitation. These interactions highlight the disruptive impact of expansionist forces on local traditions, without resolving into simplistic narratives of conquest or harmony.[28] Overarching moral ambiguity permeates Cook's fantasy, eschewing clear heroes and villains in favor of gray areas where actions defy traditional tropes, enhanced by subjective narrative voices that blur perspectives. Protagonists like those in the Black Company make choices in a world where right and wrong are relative, often dictated by survival rather than ideology, challenging readers to question absolute judgments.[30][27]Reception and legacy
Critical and popular reception
Glen Cook's early works in the 1970s and 1980s received mixed critical responses, often praised for their innovative blend of gritty realism and fantasy but critiqued for dense, terse prose that some found challenging or unconventional.[31][32] The debut of The Black Company in 1984 marked a turning point, shocking contemporary readers with its anti-heroic mercenary perspective and rejection of traditional epic tropes, earning acclaim for revitalizing the genre while alienating those expecting more conventional narratives.[33] Following its release, The Black Company cultivated a dedicated cult following, with fans passing copies among friends and rereading the series multiple times over decades, solidifying Cook's reputation as a pioneer of "grimdark" fantasy.[34] The series resonated particularly strongly with military readers, who appreciated its authentic portrayals of camaraderie, moral ambiguity, and the unglamorous realities of warfare, drawing from Cook's own U.S. Navy experience to depict soldiers as flawed, relatable figures rather than glorified heroes.[35][6] In the 1990s and 2000s, critics increasingly lauded Cook for subverting epic fantasy norms through gritty innovation and morally gray characters, with reviews highlighting the series' influence on subsequent dark fantasy works.[36] Publications such as Locus and SF Site noted its enduring appeal, emphasizing how the Black Company books blended war fiction intensity with fantasy quests to create refreshingly realistic narratives.[37][2] Reception in the 2010s and up to 2025 showed renewed interest, particularly with the 2018 novella Port of Shadows, which elicited mixed responses for its placement in the series chronology and occasional pacing issues, though it rekindled enthusiasm among longtime fans.[38] The announcement of Lies Weeping in 2025, the first volume in the new A Pitiless Rain arc, generated significant buzz, including positive early reviews and an interview in Grimdark Magazine that underscored Cook's lasting impact on the genre.[39][6] Tor Books' continued support, evidenced by frequent reprints and the series' millions of copies in print worldwide, reflects its sustained commercial success and broad readership.[40]Influence and awards
Glen Cook's The Black Company series, beginning in 1984, is credited with pioneering the grimdark subgenre of fantasy literature by blending military fiction with dark, morally relativistic narratives centered on a mercenary company, thereby influencing the development of gritty epic fantasy with ensemble casts.[28] This work's focus on flawed protagonists and the brutal realities of war has been cited as a forebear to later authors, including Joe Abercrombie's First Law trilogy and Mark Lawrence's Broken Empire series, which echo its terse style and anti-heroic perspectives in military SF/F.[28][41] Cook's approach to ensemble-driven stories, where no single hero dominates, further shaped epic series emphasizing group dynamics over individual quests.[42] The Garrett, P.I. series has similarly impacted urban fantasy by fusing hardboiled detective tropes with a fantastical setting in the city of TunFaire, featuring a human investigator navigating elves, dwarves, and magic amid noir-style mysteries, thus laying groundwork for detective-led urban fantasy narratives.[21] This blend of pulp influences like Raymond Chandler with fantasy elements prefigured later works in the subgenre, contributing to its evolution toward character-focused, intrigue-heavy tales in supernatural urban environments.[21] Despite his genre-shaping contributions, Cook has received no major awards such as the Hugo, Nebula, or World Fantasy, though he earned a Locus Award nomination for Best Fantasy Novel for The Swordbearer in 1983 and a Prometheus Award nomination for A Matter of Time in 1986.[43] His lack of wins is often attributed to the niche appeal of his military-focused themes and a prose style criticized as sparse or unpolished by some reviewers, which may not align with award juries' preferences for more descriptive or lyrical fantasy.[33] Cook's cultural legacy extends to media adaptations, notably inspiring the real-time tactics video game Myth: The Fallen Lords (1997), which drew directly from The Black Company's themes of doomed soldiers battling ancient evils, incorporating tactical RPG elements like unit management in a grim fantasy war.[44] In the post-2000 era, Cook's influence has seen revival amid the grimdark boom, with his works adopted in military reading circles for their authentic depictions of camaraderie and conflict drawn from his U.S. Navy service.[42] The 2025 publication of Lies Weeping, the first in a new Black Company arc titled A Pitiless Rain, underscores his ongoing relevance at age 81, reaffirming his foundational role in the subgenre.[45]Bibliography
Novel series
Glen Cook's novel series encompass several multi-volume fantasy epics, primarily published by Tor Books, with some early works issued by Berkley Publishing and later reissues consolidated under Tor. These series feature interconnected narratives spanning decades, often involving military fantasy, detective elements, and epic scopes. Below is a structured overview of his major series, including publication years, order, and brief identifiers.The Black Company
This dark fantasy series follows a mercenary company in a gritty world of sorcery and war, comprising 10 core novels published from 1984 to 2000 by Tor Books, subdivided into the Books of the North (chronicling the company's early service under the Lady), the Books of the South (focusing on exile and rebellion), and the Books of the Glittering Stone (detailing a return to the North and climactic battles). An additional novel, Port of Shadows (2018, Tor Books), serves as a bridge between the Books of the North and South. The core novels are:- The Black Company (1984)
- Shadows Linger (1984)
- The White Rose (1985)
- Shadow Games (1989)
- Dreams of Steel (1990)
- Bleak Seasons (1996)
- She Is the Darkness (1997)
- Water Sleeps (1999)
- Soldiers Live (2000)
- Lies Weeping (2025, first of the A Pitiless Rain arc)[13]
Garrett P.I.
An urban fantasy detective series centered on Garrett, a private investigator in a magic-infused city, consisting of 14 novels published from 1987 to 2013, primarily by ROC Books (an imprint of New American Library) with some later volumes by Tor Books. The series blends noir mystery with fantasy elements, starting with Sweet Silver Blues. The novels in order are:- Sweet Silver Blues (1987)
- Bitter Gold Hearts (1988)
- Cold Copper Tears (1988)
- Old Tin Sorrows (1989)
- Dread Brass Shadows (1990)
- Red Iron Nights (1991)
- Deadly Quicksilver Lies (1993)
- Petty Pewter Gods (1995)
- Faded Steel Heat (1999)
- Angry Lead Skies (2002)
- Whispering Nickel Idols (2005)
- Cruel Zinc Melodies (2009)
- Gilded Latten Bones (2010)
- Wicked Bronze Ambition (2013)
Dread Empire
This epic fantasy series explores political intrigue, sorcery, and conquest in a vast empire, with 6 core novels published from 1979 to 1988 (primarily by Berkley Publishing for the early volumes and Tor Books for later ones), beginning with A Shadow of All Night Falling and structured around the Books of the North and Books of the South arcs. Subsequent reissues and omnibus editions by Tor Books and Night Shade Books appeared in the 2000s and 2010s, such as A Cruel Wind (2002) and A Fortress in Shadow (2007), collecting earlier volumes. The core novels are:- A Shadow of All Night Falling (1979)
- October's Baby (1980)
- All Darkness Met (1980)
- The Fire in His Hands (1984)
- With Mercy Toward None (1985)
- Reap the East Wind (1987)
Instrumentalities of the Night
A late-career epic fantasy series depicting a world of religious wars, ancient powers, and cosmic threats, comprising 4 novels published from 2005 to 2014 by Tor Books, starting with The Tyranny of the Night. The novels in order are:- The Tyranny of the Night (2005)
- Lord of the Silent Kingdom (2007)
- Surrender to the Will of the Night (2010)
- Working God's Mischief (2014)