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Grup Yorum
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Grup Yorum is a band from Turkey known for their political songwriting. Grup Yorum (yorum means 'rendition' of a piece of art or music, 'interpretation' or 'commentary' in Turkish) has released twenty-three albums and one film since 1985. Some of the group's concerts and albums have been banned over the years, and some of the group members have been arrested, jailed, and tortured,[2] while 2 members of the group died of hunger strike over the Turkish state's treatment.[3][4][5][6][7][8] Yorum remains popular and their albums continue to sell well in Turkey and internationally. Yorum has also given concerts in Germany, Austria, Australia, France, Italy, the Netherlands, Belgium, Denmark, United Kingdom, Greece and Syria.[9]

Key Information

The group publishes an art, culture, literature, and music magazine entitled Tavir, and several group members manage a cultural center in the Okmeydanı neighborhood of Istanbul called İdil Kültür Merkezi.[10]

History

[edit]

In 1985, four friends at Marmara University formed Grup Yorum.[11] Influenced by the Latin American Nueva canción movement, they combined Turkish and Kurdish folk music and topical song with a left-wing, often satirical, perspective.[12] In 1987, their first album Siyrilip Gelen was released.[11] While the government frequently asserts that the group is tied to the DHKP-C, and it is not uncommon for the audience at their concerts to chant DHKP-C slogans, Grup Yorum is not formally affiliated with any other organization and its fans represent a broad range of Turkish and Kurdish left-wing orientations.[13]

They have sung about capitalism, imperialism, anti-Americanism, and the Turkish government's policies, which they say penalize the poor. One track is about the clearing of poor neighborhoods to make way for expensive skyscrapers. Grup Yorum was also the first band in Turkey to have a Kurdish song on an album. In 1993, a lorry containing their album Cesaret was on the way to Diyarbakır when it was stopped by Turkish Gendarmerie and the boxes containing the albums were shot at with live ammunition.

The group's composition has been in a constant state of change since its inception, and its members have continuously experienced political oppression, including over 400 arrests and trials (approximately 400). Their albums have been seized by police and their concerts banned, but despite this Grup Yorum has been one of the top-selling groups in the history of Turkey.[citation needed] The band gave their 25th anniversary concert on 12 June 2010 in İnönü Stadium, home to sports club Beşiktaş J.K. The concert was attended by 55,000 fans.[14] Starting in 2011, Grup Yorum began an annual series of free concerts entitled Tam Bağımsız Türkiye, the first two of which attracted 150,000 and 250,000 fans respectively.[15]

Towards the end of 2017, they released the album İlle Kavga (meaning 'struggle no matter what') [16] and their album cover shows instruments that were destroyed by police during a raid in 2016 on their cultural centre.[17]

Films

[edit]

F-Type

[edit]

Whilst the group is mostly known for the songs it creates, in 2012 they also produced a film called F-Tipi (F-Type). F-Tipi is a film about the experiences of political prisoners in F-Type prisons following the simultaneous "Return to Life Operation" in 19 prisons on 19 December 2000.[18] The film was developed by Grup Yorum and directed by 10 directors (Hüseyin Karabey, Ezel Akay, Reis Çelik, Aydın Bulut, Barış Pirhasan, Mehmet İlker Altınay, Sırrı Süreyya Önder, Vedat Özdemir).[19] The film premiered on 19 December 2012 at Atlas Cinema, Istanbul, and on 21 December 2012 it entered cinemas in Turkey.[20] The film, which was released for 14 weeks, was viewed by 75,643 people. One of the film's directors, Ezel Akay, said that the film had been subjected to censorship by the Istanbul Metropolitan Municipality even before it was released. Despite payment being made, film posters were not hung in the subway by the municipality, wall posters were removed, and people who were putting up the posters were detained. The film screening in Samsun was cancelled following the threatening of the cinema owners by police and supporters of the Nationalist Movement Party (MHP). The film was shown in many countries including the United Kingdom, Germany, and France.[20]

Mahalle (The Neighborhood)

[edit]

In a 2018 press statement, exiled Grup Yorum member İnan Altın said that a new film was in the process of being developed. He added that the police had raided the location of the filming, and that it was becoming impossible to create the film in Turkey. In October 2021 in a Twitter video, the group announced that the film was complete and going to be released shortly.[21]

The film named The Neighborhood was released on 20 May 2022 in cinemas across Europe, such as in the United Kingdom, France, Germany, and Switzerland.[22] The world premiere took place in Europe's largest cinema, Grand Rex, with close to 2000 people on 16 May. It tells the true story of the struggle against gentrification and drug gangs in the neighbourhood of Küçük Armutlu in Istanbul and contains real footage of police raiding and banning the film.

Treatment by the state

[edit]

On 18 January 2013, five members of the group were accused of DHKP-C membership and arrested.[23] They were released three days later.[24]

In October 2016 the Turkish police raided the İdil Cultural Center and destroyed music instruments belonging to the band.[25] Later the band published a video in which they played a song on their broken instruments.[26] In November 2016, eight members of Grup Yorum were arrested at a concert they gave. They were released the following spring.[27]

In February 2018, Ali Aracı, İbrahim Gökçek, Selma Altın, İnan Altın, Emel Yeşilırma, and İhsan Cibelik were placed on the wanted list of the Turkish government. These members were put on the grey list, which meant a 300,000 Turkish lira bounty on their heads.[28] Selma and İnan Altın left Turkey and applied for asylum in France in July 2018.[29] İbrahim Gökçek was detained on 26 February 2019 and sent to Silivri Prison on 1 March 2019.[30]

In just two years the İdil Cultural Center was raided 10 times and several members of the band were arrested.[31] On 22 January 2019 Sultan Gökçek and Betül Varan were released, while the members Seher Adıgüzel, Ferhat Kıl, Helin Bölek, Dilan Ekin, Bahar Kurt, Özgür Gültekin, Meral Hır and Duygu Yasinoğlu stayed in custody.[32] In February 2019, İbrahim Gökçek was again arrested and accused of being a member of DHKP-C.[33]

In November 2019, Cologne police raided a venue and banned a Grup Yorum concert which was due to take place in solidarity with members in Turkey.[34] The police statement said that the concert was forbidden, and that the venue where the concert would be held would be closed by the police.[35]

On Wednesday 5 August, 6 Grup Yorum members were arrested during a concert rehearsal at Beykoz, and at the same time the Idil Cultural Centre was raided. The 6 Grup Yorum members were released a few hours later.

As of 20 November 2020, Grup Yorum has announced on its Twitter account that 3 Grup Yorum members and 5 choir members are jailed.

Hunger strike

[edit]

In May 2019, several members of the Grup Yorum began a hunger strike[11] in protest to the treatment the band received from the Turkish government. Their demands included that the Turkish government end forbidding its free concerts and release band members from prison.[36] İbrahim Gökçek and Helin Bölek joined the hunger strike in June 2019.[37] Bölek and Bahar Kurt were released in November 2019, but they kept on fasting.[11] On 4 January Gökçek and Bölek turned their hunger strike into a death fast. Subsequently, Gökçek was released on 25 February 2020[36] but also kept on fasting.[38] On 11 March 2020, Bölek and Gökçek's house was raided by the police and were taken to hospital to receive treatment,[39] but as they announced opposition to the treatment, they were released again.[38] In April 2020, Helin Bölek died after 288 days of hunger strike in a house in Istanbul's Küçükarmutlu where she had been staging the hunger strike with Gökçek against the treatment of the band by the Turkish government.[6][7][8] On 5 May 2020, Gökçek ended his hunger-strike and was transferred to a hospital in Istanbul for treatment. He died on 7 May 2020.[40] On the following day the funeral was stopped by the police in the Istanbul neighbourhood of Sultangazi.[41] The police seized his coffin and brought his corpse to Kayseri, where he was buried.[42]

İzmir mosque controversy

[edit]

On 21 May 2020, instead of the adhan, Grup Yorum's version of the well-known resistance song "Bella Ciao" was aired from a number of minarets in İzmir. Turkish authorities arrested a woman that same day for the act, which they called an attack on mosques and religion.[43]

Members

[edit]

Current members

[edit]
  • Vocals : Selma Altın, Eren Olcay, Sultan Gökçek, Umut Gültekin, Ayfer Rüzgar, Betül Varan, Fırat Kıl, Sena Erkoç
  • Bağlama : İhsan Cibelik, Meral Hır, Emel Yeşilırmak
  • Classic/acoustic guitar : Muharrem Cengiz, Dilan Ekin, Ekimcan Yıldırım
  • Keyboard instruments : İnan Altın
  • Wind instruments : Ali Aracı, Selma Altın, İhsan Cibelik, Bahar Kurt, Dilan Poyraz, Betül Varan, Sena Erkoç
  • Bass guitar : Seher Adılgüzel
  • Percussion instruments : İnan Altın, Bergün Varan, Barış Yüksel
  • Choral vocals: Emel Yeşilırmak

Past members

[edit]
  • Vocals : Ayşegül Yordam(*), Efkan Şeşen, Hilmi Yarayıcı, İlkay Akkaya, Fikriye Kılınç, Özcan Şenver, Gülbahar Uluer, Selma Çiçek, Nuray Erdem, Mesut Eröksüz, Beril Güzel, Aylin Şeşen, Taner Tanrıverdi, Özgür Tekin, Öznur Turan, Aynur Dogan, Ezgi Dilan Balcı, Helin Bölek
  • Bağlama : Tuncay Akdoğan(*), Metin Kahraman(*), İrşad Aydın, Suat Kaya, Ufuk Lüker, Taner Tanrıverdi, Seckin Taygun Aydogan, Cihan Keşkek, Özgür Zafer Gültekin
  • Classic/acoustic guitar : Kemal Sahir Gürel(*), Elif Sumru Göker, Hakan Alak, Serdar Güven, Serdar Keskin, Ufuk Lüker, Vefa Saygın Öğütle, Erkan Sevil, Caner Bozkurt
  • Keyboard instruments : Kemal Sahir Gürel, Ufuk Lüker, Taci Uslu, Ali Papur
  • Wind instruments : Kemal Sahir Gürel
  • Bass guitar : Ejder Akdeniz, Hakan Alak, Ufuk Lüker, İbrahim Gökçek
  • Percussion instruments : Kemal Sahir Gürel, Ejder Akdeniz

(*) indicates a founding member.

Discography

[edit]

Studio albums

[edit]
  • Sıyrılıp Gelen (1987)[44]
  • Haziranda Ölmek Zor / Berivan (1991)
  • Türkülerle (1992)
  • Cesaret (1993)
  • Gel ki Şafaklar Tutuşsun (1993)
  • Hiç Durmadan (1993)
  • Cemo / Gün Gelir (1994)
  • İleri (1994)
  • Geliyoruz (1996)
  • Yürek Çağrısı (1998)
  • Destan (1998)
  • Yürüyüş (2003)
  • Feda (2005)
  • Yıldızlar Kuşandık (2006)
  • Başeğmeden (2008)
  • Halkın Elleri (2013)
  • Ruhi Su (2015)
  • İlle Kavga (2017)
  • Zafer Halayı (2025)

Singles and EPs

[edit]
  • Eylül (2001)[44]
  • Biz Varız (2003)

Compilations

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  • Marşlarımız (1997)[44]
  • Kucaklaşma (1998)
  • Seçmeler 15. Yıl (2000)

Songs

[edit]

See also

[edit]

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Grup Yorum

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from Grokipedia
Grup Yorum is a Turkish protest music ensemble founded in 1985 by four students at Marmara University in Istanbul amid the aftermath of the 1980 military coup, specializing in folk-inspired songs that blend Turkish and Kurdish musical traditions with revolutionary themes critiquing capitalism, imperialism, and state repression. Influenced by Latin American nueva canción and similar movements, the group has produced over 21 albums, sold more than two million records, and performed at mass political events, pioneering the inclusion of Kurdish-language tracks in Turkish albums and fostering a dedicated following among leftist activists. Despite achieving cultural prominence through its anthemic protest repertoire, Grup Yorum has endured systematic government crackdowns, including concert prohibitions, album confiscations, and repeated arrests of members on allegations of ties to the DHKP-C, a Marxist-Leninist group designated as terrorist by Turkey and several Western governments. These pressures culminated in high-profile hunger strikes by imprisoned members protesting jail conditions and performance bans, resulting in the deaths of vocalist Helin Bölek in March 2020 and bassist İbrahim Gökçek in May 2020 after 288 and 297 days without food, respectively, actions framed by authorities as responses to terrorism affiliations but by supporters as resistance to authoritarian censorship.

Formation and Early Years

Founding and Initial Influences (1985–1990)

Grup Yorum was founded in 1985 at Marmara University in Istanbul by four students seeking to channel resistance against the repressive aftermath of Turkey's 1980 , which had dismantled leftist organizations and imposed strict controls on political expression. The group's formation occurred amid a climate of widespread suppression of socialist and communist activities, with the coup's legacy including mass arrests, torture, and the banning of political music that critiqued the state. Initial members drew from university circles active in clandestine leftist networks, aiming to revive folk traditions as vehicles for ideological mobilization. The band's early influences blended Turkish and Kurdish folk music with the Latin American nueva canción movement, which emphasized socially conscious songwriting rooted in indigenous and working-class narratives to foster anti-imperialist and proletarian solidarity. This synthesis reflected a commitment to özgün müzik (original music), a Turkish protest genre that prioritized authentic, non-commercial expressions of class struggle over Western pop influences prevalent in the post-coup cultural landscape. Politically, the founders were shaped by Marxist-Leninist ideologies circulating in underground student groups, viewing music as a tool for consciousness-raising amid the state's monopoly on cultural production. From 1985 to 1990, Grup Yorum's initial activities centered on informal performances at university gatherings, factory strikes, and nascent protest rallies, where they tested compositions protesting economic inequality and military authoritarianism. These efforts faced immediate scrutiny, with early concerts often disrupted by police, foreshadowing the band's entanglement with state security apparatus. By releasing their debut album Sıyrılıp Gelen Sesler in 1987, the group began formalizing its output, incorporating saz and bağlama instruments to evoke Anatolian rural dissent while adapting urban revolutionary themes. This period solidified their orientation toward collective authorship, with rotating members contributing to lyrics that directly referenced historical uprisings and contemporary labor disputes, establishing a template for agitprop that prioritized ideological fidelity over artistic individualism.

First Albums and Growing Popularity

Grup Yorum released its debut album, Sıyrılıp Gelen, in 1987, consisting of folk-influenced protest songs that addressed themes of resistance and social struggle in post-1980 coup Turkey. The album, produced amid the repressive atmosphere following the military coup, drew from Turkish and emerging Kurdish musical traditions to critique state authority and champion workers' rights. Subsequent early releases, such as Cemo in 1989, expanded the band's output with marches and ballads that resonated in underground leftist networks. These albums faced intermittent seizures by authorities, yet circulated widely through informal distribution channels, fostering a dedicated audience among university students and labor activists who viewed the music as an extension of revolutionary organizing. By the early 1990s, Grup Yorum had established itself as a staple in Turkish protest culture, with performances at rallies drawing crowds despite frequent bans, contributing to sales exceeding millions across their catalog despite official obstructions.

Musical Style and Output

Folk and Protest Song Traditions

Grup Yorum's music is rooted in Turkish folk traditions, particularly Anatolian folk forms such as türkü—narrative ballads historically sung by rural communities to recount tales of love, loss, and resistance against authority—which the band adapts to contemporary political lyrics. These adaptations blend acoustic instrumentation like the bağlama (a long-necked lute central to Anatolian music) with rock elements, creating a hybrid folk-rock style that evokes communal storytelling while amplifying themes of class struggle and In the broader tradition of Turkish protest songs, Grup Yorum continues a lineage traceable to early 20th-century leftist compositions influenced by the labor movement and suppressed after the 1980 military coup, which banned political expression including Kurdish-language music. The band was among the first post-coup ensembles to incorporate Kurdish lyrics and melodies into their repertoire, reviving oral folk practices from southeastern Anatolian and Alevi communities that had been marginalized under state policies favoring homogenized Turkish nationalism. This integration fosters a sense of collective identity among listeners, as their songs often reinterpret historical türkü structures to narrate modern events, such as the 2014 Soma mine disaster where 301 workers died, transforming personal laments into calls for solidarity. Their approach aligns with the özgün müzik (original music) genre, which emerged in the 1970s as a vehicle for dissident expression by fusing folk authenticity with revolutionary messaging, prioritizing lyrical directness over commercial polish. Unlike purely commercial folk revivals, Grup Yorum's output emphasizes causal links between economic exploitation and resistance, drawing on empirical depictions of state violence and worker conditions to critique systemic power imbalances, as seen in tracks addressing imperialism and domestic repression. This fidelity to folk's improvisational and participatory roots has sustained their appeal, with over 10 million albums sold since 1985, despite bans on performances and recordings.

Discography Overview

Grup Yorum has released over 20 studio albums since their debut in 1987, characterized by a focus on revolutionary protest music, adaptations of Turkish folk traditions, and original compositions promoting Marxist-Leninist themes. Their output includes self-produced recordings distributed through independent channels, with several albums facing bans or restrictions in Turkey due to lyrical content endorsing armed struggle and anti-state sentiments. Annual releases were common in the early years, sustaining their role in leftist cultural movements, though production slowed amid legal pressures on members. Key early works established their style, such as the debut Sıyrılıp Gelen (1987), which featured raw folk-influenced tracks on social resistance, followed by Haziranda Ölmek Zor / Berivan (1991), blending Kurdish and Turkish elements in songs mourning political prisoners. Mid-period albums like Boran Fırtınası (1998) and compilations such as Seçmeler 15. Yıl (2000) expanded their catalog with marches and anthems, often recorded covertly. Later releases, including Başegmeden (2008), Halkın Elleri (2013), and İlle Kavga (2017), maintained thematic consistency while incorporating tributes to figures like in Dünden Yarına Ustalarımız / Ruhi Su (2015).
Album TitleRelease YearNotes
Sıyrılıp GelenDebut album introducing folk style.
Haziranda Ölmek Zor / Berivan1991Features themes of loss and resistance; bilingual elements.
Boran Fırtınası1998Emphasizes revolutionary marches.
Seçmeler 15. Yıl200015th-anniversary compilation of selections.
Başegmeden2008Focus on unyielding struggle.
Halkın Elleri2013Worker and peasant anthems.
İlle Kavga2017Final major release, intensifying calls for confrontation.
This discography reflects Grup Yorum's commitment to music as a tool for political mobilization, with limited commercial availability outside activist networks.

Key Songs and Themes

Grup Yorum's songs are characterized by themes of revolutionary resistance, anti-capitalist critique, and solidarity with oppressed groups, including workers, political prisoners, and victims of state violence. Drawing from Turkish folk traditions, their lyrics often invoke imagery of struggle against imperialism, economic exploitation, and government policies perceived as favoring elites over the poor. These themes reflect the band's Marxist-Leninist orientation, portraying societal conflicts through narratives of collective defiance and calls for socialist transformation. For instance, compositions frequently reference historical massacres, labor disasters, and human rights abuses to mobilize listeners toward activism. Prominent tracks exemplify these motifs. "Madenciden" depicts the grueling life of coal miners, emphasizing endurance in "dungeons" of exploitation to highlight class-based suffering and the human cost of resource extraction. "İnsan Pazarı" (Human Market) directly confronts labor market injustices, using stark metaphors to decry commodification of workers amid inequality, integrating folk elements to resonate with audiences facing socioeconomic disparities. Similarly, songs like "Çav Bella," an adaptation of the Italian anti-fascist anthem Bella Ciao, adapt partisan defiance to Turkish contexts of oppression, symbolizing unbreakable resolve against authoritarianism. Other notable works include "Bu Memleket Bizim" (This Country is Ours), which asserts popular sovereignty over national territory as a rallying cry against foreign influence and domestic elites, and "Cemo," a folk-rooted lament for lost comrades that underscores themes of mourning and perpetuated resistance. These tracks, often performed at protests, blend melodic accessibility with polemical content to foster communal identity and critique systemic power imbalances.

Political Ideology and Activism

Revolutionary Marxist-Leninist Orientation

Grup Yorum adheres to a revolutionary Marxist-Leninist framework, viewing history through the lens of class antagonism and advocating for the violent overthrow of bourgeois institutions to establish proletarian dictatorship. Their ideology posits that Turkey operates as a semi-colonial outpost of imperialism, particularly NATO-aligned forces, necessitating armed struggle by the working class and peasantry to achieve national liberation and socialism. This orientation draws from classical texts by Marx, Engels, Lenin, and Mao, emphasizing vanguardism, democratic centralism, and protracted people's war against fascist repression. Central to their principles is the rejection of reformism and parliamentary illusion, instead promoting cultural revolution through agitprop music that mobilizes the masses against exploitation, ethnic oppression, and state terror. Songs and statements frame the Turkish regime as a comprador fascist entity suppressing the proletariat, with calls for unity among workers, peasants, and intellectuals in building communist cells and guerrilla fronts. While denying formal membership in armed groups, the band's output aligns with Marxist-Leninist calls for destroying the old state apparatus, as evidenced in lyrics glorifying martyrs of class war and anti-imperialist fighters. Turkish security assessments link Grup Yorum's rhetoric to organizations like the DHKP-C, a Marxist-Leninist outfit pursuing urban guerrilla tactics, though the group maintains its role as a non-combatant agitator fostering revolutionary consciousness. This stance has drawn accusations of ideological propagation for terrorism, with over 500 concerts banned and members prosecuted under anti-terror laws since the 1990s. Internally, they operate on collective decision-making akin to Leninist cells, prioritizing ideological purity over commercialism to sustain long-term struggle.

Support for Armed Struggle and Separatist Causes

Grup Yorum has consistently expressed support for armed struggle as a component of its Marxist-Leninist ideology, viewing it as essential for proletarian revolution against state oppression. The band's lyrics often commemorate militants engaged in guerrilla warfare, portraying them as heroes in the fight against fascism and imperialism. This stance is evident in tracks that eulogize fallen fighters from organizations conducting armed operations, aligning with the group's self-identification as participants in broader revolutionary efforts since the 1980s. A primary focus of this support has been the Devrimci Halkın Kurtuluş Partisi-Cephesi (DHKP-C), a Marxist-Leninist faction known for urban bombings, assassinations, and clashes with Turkish security forces; the DHKP-C is designated a terrorist organization by Turkey, the United States, and the European Union. Specific songs include verses honoring DHKP-C members killed in 2015 confrontations, such as those referencing "comrades" who "fought to the end" against police raids, framing their deaths as martyrdom in the class war. Turkish authorities have cited these lyrics as glorifying , leading to bans on performances and arrests of band members under anti-terror laws. While Grup Yorum denies direct organizational ties, the thematic endorsement of DHKP-C tactics reflects a doctrinal commitment to "people's war" as a means to dismantle the capitalist state. On separatist causes, Grup Yorum has shown solidarity with Kurdish resistance, incorporating Kurdish-language songs into their repertoire and addressing ethnic oppression in southeastern Turkey, regions central to the Kurdistan Workers' Party (PKK) insurgency. Tracks like adaptations of revolutionary Kurdish anthems, performed at events abroad as recently as 2020, evoke themes of defiance against assimilation and military suppression, interpreted by critics as implicit backing for the 's armed campaign for autonomy or independence. The , designated a terrorist group by the same international bodies, has overlapped with left-wing causes in Turkey's radical milieu, and Grup Yorum's performances in Kurdish—uncommon for Turkish bands—have been labeled provocative by the government, contributing to charges of inciting separatism. However, the band's emphasis remains on anti-imperialist unity rather than explicit ethnic partition, prioritizing class solidarity across oppressed groups.

Public Performances and Protests

Grup Yorum's public performances frequently doubled as political rallies, integrating folk-rock protest songs with speeches advocating Marxist-Leninist revolution and solidarity with armed separatist movements. These events drew massive crowds of Turkish and Kurdish leftists, with annual open-air concerts in Turkey attracting hundreds of thousands of attendees until state restrictions intensified around 2015. A notable example occurred on January 1, 2016, when authorities cancelled a scheduled concert at İzmir's Atatürk Theatre, citing security concerns; approximately 50 young protesters gathered outside, only to face riot police deploying water cannons and pepper spray, leading to multiple arrests but no mainstream media coverage. In Ankara, band members publicly demonstrated against ongoing concert bans, highlighting their role in direct action against perceived censorship. The group routinely participated in major mass protests across Turkey, using performances to amplify calls for overthrowing the state and supporting groups like the DHKP-C, which Turkish courts designate as terrorist organizations. Following domestic crackdowns, including over 400 arrests and performance prohibitions by 2019, Grup Yorum conducted clandestine rooftop gigs in Istanbul and shifted to international venues, such as a European arena show with 12,500 attendees and events in Germany, France, Belgium, and London in the late 2010s. Recent protests have included solidarity concerts abroad, like a 2021 live event in Paris drawing international leftist participation and a 2024 series in Syria under the slogan supporting Palestine, amid Turkey's bans on their domestic appearances. These activities underscore the band's fusion of music with , often resulting in further legal repercussions from Turkish authorities labeling them subversive.

Controversies and Criticisms

Alleged Ties to Terrorist Organizations

Grup Yorum has faced repeated accusations from Turkish authorities of ties to the Devrimci Halk Kurtuluş Partisi-Cephesi (DHKP-C), a Marxist-Leninist organization designated as a terrorist group by Turkey, the United States, and the European Union. These allegations primarily stem from the band's lyrical endorsements of armed struggle and revolutionary violence, as well as purported organizational overlaps, leading to multiple arrests and indictments of members on charges of membership in or the DHKP-C. For instance, in 2016, several band members were detained for allegedly supporting the DHKP-C through performances and statements perceived as glorifying its activities. Further evidence cited by prosecutors includes Grup Yorum's songs explicitly praising DHKP-C militants and operations, such as tributes to fallen fighters, which Turkish courts have interpreted as aiding terrorist propaganda under anti-terrorism laws. In 2018, eleven members were arrested in raids, with authorities claiming the band served as a cultural front for DHKP-C recruitment and ideological dissemination, though the group has denied direct operational involvement, attributing the charges to political suppression of dissent. By 2020, six members appeared on Turkey's "grey list" of wanted suspects linked to terrorism, carrying bounties of 300,000 Turkish lira each, reinforcing official narratives of affiliation. Allegations of connections to the Kurdistan Workers' Party (PKK), another EU- and US-designated terrorist organization, have surfaced less prominently but include claims of solidarity performances and shared leftist platforms protesting Turkish military actions. However, these ties appear more ideological than structural, with no documented cases of direct PKK membership among band members, unlike the DHKP-C cases. Turkish intelligence has occasionally grouped Grup Yorum with broader far-left networks sympathetic to PKK separatism, but such assertions rely heavily on the band's protest repertoire rather than concrete operational evidence. The band's defenders, including international human rights observers, argue that these ties are overstated, framing the accusations as tools to criminalize cultural expression under expansive anti-terror statutes that conflate advocacy with incitement. Nonetheless, convictions have resulted in lengthy sentences—up to 13 years for some members—based on forensic analysis of lyrics, concert footage, and alleged logistical support, highlighting the Turkish state's view of Grup Yorum as an enabler of DHKP-C's urban guerrilla campaign.

Glorification of Violence in Lyrics and Actions

Grup Yorum's lyrics frequently depict armed confrontation and retribution against perceived oppressors, framing violence as a necessary response in instance, verses exhort listeners to "Hit! Hit! Hit! Hit! Hit with the Gatling gun! Hit! Let our passion become bullets; bombard atrocity with them!" Other lines declare, "The word is done with its practice. It is now the gun’s turn!" and "The poured blood will not remain unreciprocated. We will settle accounts!" These portrayals extend to saluting combatants, as in "Hello those who go down with guns in their hands!" Such content aligns with the band's Marxist-Leninist ideology, which endorses armed struggle against the state, though band members have described references as subtle tributes to resistance rather than direct incitement. The group has dedicated songs to members of the DHKP-C, a Marxist-Leninist organization designated as terrorist by Turkey, the United States, and the European Union for attacks including assassinations and bombings. Lyrics honoring slain DHKP-C militants killed in clashes with Turkish security forces emphasize their sacrifice, portraying them as martyrs in the fight against oppression. Beyond lyrics, Grup Yorum's actions have included public endorsements of violent actors. Band members attended funerals of DHKP-C militants, performing marches at a tomb in Tunceli province in 2016. One member was photographed marching alongside a DHKP-C suicide bomber during an anniversary event for the group. In 2015, the band addressed a audience via teleconference in support of parents of Safak Yayla, a DHKP-C militant killed in a 2015 police operation. These activities have drawn accusations of providing cultural cover for terrorism, with critics noting the band's concerts often feature chants for DHKP-C slogans.

Responses from Turkish Society and Government

The Turkish government has repeatedly condemned for alleged affiliations with the DHKP-C, a Marxist-Leninist organization designated as terrorist by Turkey, the United States, and the European Union, citing the group's lyrics and activities as propaganda that glorifies violence and supports armed struggle. In official responses, authorities have described the band's content as politically subversive and endangering public order, leading to judicial actions such as the May 2025 Ankara court ruling blocking 454 YouTube videos for promoting outlawed groups and violating anti-terrorism statutes. Turkish society exhibits sharp divisions in response to these controversies, with leftist and revolutionary sympathizers defending Grup Yorum as voices of dissent against authoritarianism, while nationalist, conservative, and mainstream commentators accuse the group of fomenting terrorism through endorsements of DHKP-C actions that have killed police and civilians. Critics have spotlighted specific lyrics, such as repeated calls to "Hit! Hit! Hit! ... with the Gatling gun" and exhortations for passion to fuel bullets, interpreting them as direct tributes to armed violence rather than mere artistic expression. Nationalist perspectives frame the band's output as akin to socialist terror propaganda, contrasting it with broader societal rejection of groups responsible for real-world attacks on security forces.

Bans, Arrests, and Concert Restrictions (1990s–2010s)

During the 1990s, Turkish authorities frequently banned concerts and arrested members, attributing these measures to the band's lyrics promoting revolutionary ideologies and alleged affiliations with outlawed organizations. On June 24, 1990, police intervened at a concert in İzmit, targeting vocalists Hilmi Yarayıcı and Elif Sumru Göker amid clashes with attendees. Earlier in 1990, nine band members were detained for two months on charges related to illegal activities. These actions reflected broader state crackdowns on leftist cultural expressions following the 1980 military coup's lingering effects and ongoing counterinsurgency efforts against groups like the PKK and Dev-Sol factions. By the 2000s, restrictions intensified under successive governments, with local governors routinely prohibiting performances on grounds of public security and anti-terrorism statutes, leading to the cancellation of dozens of scheduled events. Albums were seized by police for containing "propaganda" content, and members faced repeated detentions; for example, over 400 legal cases had accumulated against the group by the mid-2000s, many stemming from concert-related protests or song interpretations deemed supportive of armed groups. In the 2010s, particularly after the AKP's consolidation of power post-2010 constitutional referendum, concert bans became systematic, with authorities citing links to the DHKP-C—designated a terrorist organization by , the EU, and the US—as justification for preemptive prohibitions. The band's 2015 30th-anniversary concerts in cities like Adana, Ankara, and Tunceli were blocked, prompting protests where thousands defied orders by singing songs acapella. In November 2016, a Turkish court arrested eight members following raids, charging them with membership in illegal outfits. These measures extended to cultural centers, with police on rehearsal spaces, such as the 2013 operations documented by the band as part of ongoing repression under expanded anti-terror laws. Despite appeals, including public statements decrying the bans as violations of artistic rights, Grup Yorum's live performances remained heavily curtailed, forcing reliance on underground or online dissemination.

Hunger Strikes, Deaths, and Prison Conditions (2018–2020)

In mid-2019, several members of Grup Yorum, both imprisoned and at large, initiated hunger strikes to protest the Turkish government's ban on the group's concerts since 2016, ongoing arrests and detentions of band members on terrorism-related charges, repeated police raids on their cultural centers, and placement of members on wanted lists with bounties. The action began on May 16, 2019, for at least five imprisoned members, including Helin Bölek and İbrahim Gökçek, who were held in facilities such as Silivri Prison; by June, it expanded to include non-incarcerated participants. Demands also encompassed the release of detained comrades like Bahar Kurt and Barış Yüksel, dismissal of lawsuits against the group, and cessation of operations labeling their protest songs as terrorist propaganda. Many strikers escalated to "death fasts," involving total abstinence from food and minimal liquids or vitamins, leading to rapid health declines including organ failure and weight loss exceeding 30 kilograms in some cases. Bölek and , arrested earlier in 2019 amid raids targeting alleged links to the DHKP/C organization, were released in November 2019 on conditions including ending the protest, but continued outside prison. Bölek, aged 28, was forcibly hospitalized on March 11, 2020, and discharged on March 18 after rejecting intravenous treatment; she died on April 3, 2020, at an Istanbul residence on the 288th day of her strike. Gökçek, 39, faced similar interventions and paused his action only two days before his death on May 7, 2020, in an Istanbul hospital intensive care unit after 323 days, partly protesting the continued imprisonment of his wife, Sultan Gökçek. Prison conditions for Grup Yorum members during 2018–2020 involved standard high-security facilities amid Turkey's broader use of isolation units, which protesters cited as exacerbating their strikes through limited medical access and solitary confinement practices. In 2018, at least 11 members were incarcerated following operations against perceived terrorist sympathies expressed in lyrics and performances, with reports of denied family visits and inadequate healthcare contributing to the 2019 action's urgency. Government responses included temporary releases for some amid the COVID-19 pandemic but conditioned on halting strikes, alongside disruptions at funerals—such as tear gas deployment and mourner detentions—without conceding core demands until after the deaths. Other participants, including imprisoned members like Kurt, ended strikes following partial government amnesties, though long-term restrictions persisted.

Recent Developments and Ongoing Restrictions (2021–2025)

In the years following the 2020 hunger strikes, Turkish authorities maintained restrictions on , including a de facto nationwide ban on their concerts that originated in 2016 and persisted without formal lifting. No domestic performances were recorded or permitted between 2021 and 2025, with provincial governors explicitly prohibiting events citing risks of "terror propaganda." For instance, on July 24, 2025, the Tunceli governor banned alongside other groups for alleged promotion of outlawed organizations. The band's cultural centers, such as the İdil Cultural Centre in , faced repeated police raids; on February 6, 2024, authorities detained five members during activities at the venue. Arrests and detentions of members continued sporadically, often linked by officials to suspected affiliations with the DHKP-C, a designated terrorist group. Jailed members endured reported ill-treatment, including an incident in 2024 where prison guards allegedly broke the arm of Bahar Kurt, a band member serving a sentence for prior convictions related to organizational ties. Some members remained imprisoned as of 2025, with human rights groups documenting ongoing cases like that of Sultan Gökçek, targeted for lyrics deemed supportive of revolutionary violence. Internationally, the group evaded restrictions by performing abroad, including concerts in Moscow and Minsk in 2025 featuring anti-imperialist themes. Digital censorship intensified in 2025, reflecting broader efforts to curb the band's online presence amid claims of national security threats. On May 29, 2025, Turkish courts ordered YouTube to block access to 454 videos within the country, prompting accusations of platform complicity in suppression. Similar directives targeted , leading the service to warn of potential market exit from Turkey; the government justified blocks as preventing dissemination of content glorifying armed groups. In response, released all albums for free public download, framing the measures as political retaliation rather than legitimate security actions.

Members and Personnel

Core and Long-Term Members

Grup Yorum was established in 1985 at by four students responding to the repressive aftermath of Turkey's 1980 military coup: Ayşegül Yordam (vocals), Metin Kahraman (bağlama), Tuncay Akdoğan (bağlama), and Kemal Sahir Gürel (classical/acoustic guitar, keyboards, percussion). These founders shaped the band's fusion of Turkish and Kurdish folk elements with politically charged lyrics, releasing the debut album Sıyrılıp Gelen in 1987 and setting a trajectory for 21 studio albums that have sold over 2 million copies despite systemic obstacles. The group's collective structure, characterized by rotating participation amid over 400 lawsuits and repeated detentions of affiliates, has relied on long-term members to sustain operations and ideological consistency. Selma Altın, a solo and choir vocalist also playing wind instruments, joined by at least 2013, when she was arrested alongside other bandmates in a sweeping operation targeting leftist networks; she faced further wanted status and fled to exile in France in 2018 to evade incarceration. İhsan Cibelik, a bağlama player and wind instrumentalist, has similarly endured prolonged involvement, including arrests and placements on Turkey's "gray list" of wanted individuals with bounties, contributing to recordings and protests across multiple decades. Other persistent figures include İbrahim Gökçek (bass guitar, bağlama, guitar), who remained active until his death on May 7, 2020, after 323 days on hunger strike protesting concert bans and imprisonments; Gökçek's commitment spanned years of legal pressures and band continuity efforts. This resilience through core and long-term personnel has enabled to persist as a musical collective, even as founders like Yordam and Kahraman transitioned to solo or past roles.

Notable Departures, Arrests, and Fatalities

Helin Bölek, a vocalist for Grup Yorum, died on April 3, 2020, after 288 days on an indefinite protesting the arrests of band members on terrorism charges and bans on the group's concerts. Bölek had been imprisoned from 2016 to 2018 on allegations of links to the DHKP-C, a Marxist-Leninist group designated as terrorist by Turkey, the United States, and the European Union; she resumed the strike outside prison to demand unconditional releases and the lifting of restrictions. İbrahim Gökçek, the group's bassist, died on May 7, 2020, nearly a year into a hunger strike mirroring Bölek's demands, which he suspended days earlier amid critical health failure but could not halt his decline. Gökçek's action protested his wife's detention and broader group persecutions, including repeated raids on their cultural center; Turkish authorities attributed the strikes to affiliations with outlawed organizations, while supporters framed them as resistance to state suppression of dissent. Arrests have recurrently disrupted the group, often tied to alleged DHKP-C connections. In November 2016, eight members were detained by a Turkish court following operations targeting leftist networks post-coup attempt. By 2018, at least 11 remained in pretrial detention on similar terror charges, prompting initial hunger strikes in late 2018. Further raids in 2020, including one on the İdil Cultural Center, led to dozens of detentions, such as 93 arrests in November, encompassing recently released musicians like flutist Ali Aracı. Other participants like Bahar Kurt and Barış Yüksel joined the 2019 hunger strikes—enduring up to 196 days—but ended them before fatalities occurred, citing partial concessions such as releases, though core demands for ending bans persisted unmet. No prominent voluntary departures from the group are documented in available records, with personnel changes primarily stemming from legal pressures rather than internal splits.

Reception and Impact

Domestic Popularity Among Leftist Circles

Grup Yorum has maintained significant admiration within Turkey's leftist and revolutionary communities since its founding in 1985, where it is regarded as a vanguard of protest music that articulates themes of class struggle, anti-imperialism, and resistance against state repression. The group's folk-rock style, drawing from Anatolian traditions and revolutionary influences, resonates deeply with socialist activists, Kurdish progressives, and labor movements, positioning their lyrics as rallying cries for political mobilization rather than mere entertainment. This popularity manifests in large-scale public gatherings, exemplified by the annual "Tam Bağımsız Türkiye" free concerts starting in 2011, which drew crowds of 150,000 to 250,000 attendees in , primarily from leftist demographics seeking cultural affirmation of their ideologies. Even amid government bans on performances since the 1990s, solidarity events and underground dissemination of their music underscore enduring support, with hundreds of thousands of Turkish and Kurdish progressives participating in or invoking 's repertoire during demonstrations against authoritarian policies. Within these circles, the band's refusal to compromise—evident in persistent releases of politically charged albums despite confiscations and arrests—cements its status as an authentic voice of dissent, influencing younger revolutionaries and fostering a subculture where Grup Yorum songs serve as anthems for strikes and occupations. Hunger strikes by members in 2019–2020, protesting concert restrictions, elicited widespread backing from leftist musicians and organizations, highlighting the group's symbolic role in embodying collective defiance. This niche yet fervent following persists, as seen in ongoing digital sharing and public tributes, though confined largely to ideological enclaves rather than broader society.

International Attention and Criticisms

Grup Yorum has garnered international attention primarily through coverage of Turkish government actions against the group, including concert bans, arrests, and the deaths of members during hunger strikes protesting detention conditions. In March 2020, singer Helin Bölek died after 129 days on hunger strike, followed by bassist İbrahim Gökçek in May 2020 after 297 days, events reported by outlets like The Guardian as emblematic of broader crackdowns on dissent under anti-terrorism laws. Human rights organizations, including , have criticized these prosecutions as targeting artists for expression, noting in 2013 that five members faced terrorism charges without sufficient evidence beyond their music's political content. Solidarity efforts emerged from leftist and activist networks abroad, with figures like folk singer publicly supporting arrested members in 2016 against terrorism accusations. Campaigns by groups such as Samidoun and coverage in publications like Morning Star framed the band's plight as resistance to authoritarianism, amplifying calls for release of detainees and an end to bans on performances. In 2025, Turkish court orders blocking 454 Grup Yorum videos on prompted accusations of censorship against platforms complying with national security requests, drawing further scrutiny from . Criticisms of Grup Yorum internationally stem from alleged affiliations with the DHKP-C, a Marxist-Leninist organization designated as terrorist by Turkey, the United States, and the European Union for attacks including suicide bombings and assassinations. The Turkish government has cited these ties in raids on the band's Idil cultural center and member detentions, with prosecutors linking songs explicitly supporting DHKP-C to organizational membership. While the band denies direct militant involvement, asserting artistic solidarity with leftist causes, such connections have led to past attempts, like Germany's 2018 consideration of a ban, viewing the group as a potential front for subversive activities. This contrasts with human rights narratives emphasizing free speech, highlighting tensions between security concerns and expression rights in evaluations by Western entities.

Cultural Legacy Amid Political Division

Grup Yorum's music has profoundly shaped Turkey's protest culture, with songs like those commemorating the 2014 Soma mining disaster—where 302 workers perished—serving as rallying cries for labor rights and anti-capitalist sentiment. Their fusion of Anatolian folk traditions with revolutionary themes has fostered a collective identity among leftist audiences, positioning the band as a voice for the disenfranchised since their formation in 1985. Over four decades, they have produced 23 albums, adapting global revolutionary anthems such as "Çav Bella" into Turkish contexts to amplify anti-imperialist messages. This cultural resonance persists amid suppression, as evidenced by the band's 2025 decision to release all albums publicly in response to platform blocks, including 454 YouTube videos restricted by Turkish authorities on national security grounds. Their work has inspired international solidarity, such as Greek musicians covering their Gezi Park protest-era songs in 2020, underscoring a transnational appeal in resistance movements. Yet, this legacy divides sharply: while revered in socialist circles for proposing social alternatives through music and cultural independence, the group's lyrics endorsing armed struggle and ties to outlawed Marxist-Leninist factions like DHKP-C—designated a terrorist organization by Turkey, the EU, and the US—have prompted over 500 concert bans and terror-related prosecutions, framing their output as propaganda rather than art. The polarization reflects broader causal tensions in Turkey's polity, where 's emphasis on folk authenticity empowers grassroots mobilization but alienates state institutions viewing it as incitement; empirical listener data from underground distributions and protest usages indicate sustained influence among youth, even as official narratives dismiss it as extremist. Their enduring output, including a cultural magazine and film, proposes a pluralistic linguistic and artistic counter-narrative to dominant power structures, yet risks perpetuating cycles of division by prioritizing ideological confrontation over reconciliation.

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