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Minaret

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Minaret

A minaret is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (adhan) from a muezzin, but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires.

Two Arabic words are used to denote the minaret tower: منارة manāra and منار manār. The English word "minaret" originates from the former, via the Turkish version (minare). The Arabic word manāra (plural: manārāt) originally meant a "lamp stand", a cognate of Hebrew menorah. It is assumed to be a derivation of an older reconstructed form, manwara. The other word, manār (plural: manā'ir or manāyir), means "a place of light". Both words derive from the Arabic root n-w-r, which has a meaning related to "light". Both words also had other meanings attested during the early Islamic period: manār could also mean a "sign" or "mark" (to show one where to go) and both manār and manāra could mean "lighthouse".

The formal function of a minaret is to provide a vantage point from which the muezzin can issue the call to prayer, or adhan. The call to prayer is issued five times each day: dawn, noon, mid-afternoon, sunset, and night. In most modern mosques, the adhān is called from the musallah (prayer hall) via microphone to a speaker system on the minaret.

Additionally, minarets historically served a visual symbolic purpose. In the early 9th century, the first minarets were placed opposite the qibla wall. Oftentimes, this placement was not beneficial in reaching the community for the call to prayer. They served as a reminder that the region was Islamic and helped to distinguish mosques from the surrounding architecture. They also acted as symbols of the political and religious authority of the Muslim rulers who built them.

The region's socio-cultural context has influenced the shape, size, and form of minarets. Different regions and periods developed different styles of minarets. Typically, the tower's shaft has a cylindrical, cuboid (square), or octagonal shape. Stairs or ramps inside the tower climb to the top in a counterclockwise fashion. Some minarets have two or three narrow staircases fitted inside one another in order to allow multiple individuals to safely descend and ascend simultaneously. At the top of the stairs, a balcony encircles the upper sections of the tower and from here the muezzin may give the call to prayer. Some minaret traditions featured multiple balconies along the tower's shaft. The summit often finishes in a lantern-like structure and/or a small dome, conical roof, or curving stone cap, which is in turn topped by a decorative metal finial. Different architectural traditions also placed minarets at different positions relative to the mosque. The number of minarets by mosques was also not fixed: originally only one minaret accompanied a mosque, but some later traditions constructed more, especially for larger or more prestigious mosques.

Minarets are built out of any material that is readily available, and often changes from region to region. In the construction of the tall and slender Ottoman minarets, molten iron was poured into pre-cut cavities inside the stones, which then solidified and helped to bind the stones together. This made the structures more resistant to earthquakes and powerful winds.

The earliest mosques lacked minarets, and the call to prayer was often performed from smaller tower structures. The early Muslim community of Medina gave the call to prayer from the doorway or roof of the house of Muhammad, which doubled as a place for prayer, and this continued to be the practice in mosques during the period of the four Rashidun Caliphs (632–661).

The origin of the minaret is unclear. Many 19th-century and early 20th-century scholars traced the origin of minarets to the Umayyad Caliphate period (661–750) and believed that they imitated the church steeples found in Syria in those times. Others suggested that these towers were inspired by the ziggurats of Babylonian and Assyrian shrines in Mesopotamia. Some scholars, such as A. J. Butler and Hermann Thiersch, agreed that the Syrian minarets were derived from church towers but also argued that the minarets of Egypt were inspired by the form of the Pharos Lighthouse in Alexandria (which survived up until medieval times). K. A. C. Creswell, an orientalist and important early-20th-century scholar of Islamic architecture, contributed a major study on the question in 1926 which then became the standard scholarly theory on the origin of minarets for roughly fifty years.Creswell attributed the origin of minaret towers to the influence of Syrian church towers and regarded the spiral or helicoidal minarets of the Abbasid period as deriving from local ziggurat precedents, but rejected the possible influence of the Pharos Lighthouse. He also established that the earliest mosques had no minarets and he suggested that the first purpose-built minarets were built for the Mosque of Amr ibn al-As in Fustat in 673. In 1989 Jonathan Bloom published a new study which argued that the first true minaret towers did not appear until the 9th century, under Abbasid rule, and that their initial purpose was not related to the call to prayer.

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