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Le Grand Rex is a cinema and concert venue in Paris, France.

Key Information

Location and access

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It is located at No. 1, boulevard Poissonnière in the 2nd arrondissement, on the grands boulevards.

Its facades and roofs, as well as its hall and its decor, have been listed as a Monument historique since a decree on October 5, 1981.[1] This giant cinema has a capacity of more than 2,700 people in its great hall and posts an average attendance level of 1 million visitors per year.[2][3]

Le Grand Rex is served by the Metro lines 8 and 9 at the Bonne-Nouvelle station, as well as by bus lines 20, 32, and 39.

History

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In the early 1930s, Jacques Haïk, a wealthy movie producer, distributor and owner of the Olympia, got the idea of building a very extravagant cinema: which could have a capacity of more than 5000 spectators on a surface area of 2,000 m², with a ceiling peaking at more than 30 meters, representing a luminous starry vault.

Its designers are the architect Auguste Bluysen and the engineer John Eberson. The façade was designed by the sculptor Henri-Édouard Navarre and the decoration of the great hall was by Maurice Dufrêne.

The Grand Rex is a scale model of the famous Radio City Music Hall in New York City.

The cinema is also known for its interior décor. Specialized in "atmospheric halls", its architects built more than 400 decors of phantasmatic cities under cloudy, clear or starry skies in the United States.

Here, the great hall has been decorated by an "ancient Mediterranean" city in relief, located in the open air with its colorful walls reproducing the Art Deco atmosphere of the "French Riviera" villas.

All of the architect's desires were fulfilled, except for the number of seats, which originally had to be reduced to 3,300.[2]

The Grand Rex hall opens its doors on the evening of December 8, 1932, in the presence of the cinema's pioneer, Louis Lumière and 3,300 guests. The Three Musketeers by Henri Diamant-Berger is on the bill.[2]

It is one of the biggest halls in Paris.

The projection booth is located in the corbel of the rue Poissonnière. The angle lantern is actually a simple metal trellis on which was projected cement mortar.

The producer and director Émile Couzinet opened a small Rex in Bordeaux (800 seats), designed by the same architects, which stayed open until the 1970s.[2]

Despite the success of the Grand Rex, Jacques Haïk files for bankruptcy and sells it to Gaumont, before Jean Hellmann, Alan Byre and Laudy Lawrence buy it themselves.[2]

From the 1940s to the 1980s

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During the Occupation, the Grand Rex was requisitioned by the German army, which turned it into a Soldatenkino, saving it for its troops of soldiers on leave. In September 1942, it was the target of a bombing by the Détachement Valmy.[4] The cinema reopened on October 13, 1944, after the Liberation of Paris. It showed an American film, with chewing gums available during the intermission. From April 12 to June 22, 1945, it temporarily closed and turned into a welcome center for the repatriated war prisoners. In 1946, Pinocchio became the first Disney feature film to be shown there.[2]

At that time, the program of Grand Rex was divided into two parts, with an intermission in between: a first part with a musical opening and the news, a second part with attractions (waterfalls, erupting volcanos…) and then the proper film. Dancers, musicians, machinery and ushers were therefore necessary for the smooth running of the show.[2]

Starting on December 4, 1953, the first feature film in CinemaScope, The Robe, directed by Henry Koster, was projected there in tandem with the Normandie [fr] cinema located on the Champs-Elysées.[5] In 1950 already, during the screening of Gone with the Wind, the projectionist had enlarged the image during fire scenes.[2]

After the failure of the "Le Miroir de Neptune" (The Neptune Mirror) attraction in 1953 (swimmers performing in a transparent pool placed on the stage), the "Féerie des eaux" (Magic waters) attraction was created in March 1954, during which 3,000 liters are projected twenty meters high with lighting effects and a musical accompaniment. It is a success: water shows have enlivened the great hall every year at Christmas since 1954, the "Féerie des eaux" (Magic waters), shortly before the screening of the end-of-the-year Disney film.

In 1957, the escalator of the Grand Rex was inaugurated by Gary Cooper and Mylène Demongeot, superseding elevators.[2] It was the first time a European hall was equipped with such material.

In 1960, the cinema experienced a better attendance level than the Louvre Museum. Eight years later, the combination of the "Féerie des eaux" (Magic waters) and The Jungle Book enabled the Grand Rex to receive around 500,000 spectators.[2]

In 1963, Alfred Hitchcock presented his new movie, The Birds there.

In 1974, three small halls were added to the complex, at the location of the dressing and rehearsal rooms. The Rex Club, a disco club, replaces the "Rêve" dancing, a chic establishment which was created in 1932.[2]

Since the 1980s

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In 1984, the Grand Rex included seven halls, then eight in 1990, but without having needed to divide the great hall, going against a trend noticeable in other cinemas. The Grand Rex and its Art Deco facade are listed in the inventory of the Monument Historique in 1981.[2]

In 1988, "Le Grand Large" (The Great Large) was installed, a 300 square meters screen, making it the biggest (non-IMAX) screen in Europe.[6] Designed and created by Luc Heripret, it was inaugurated by Luc Besson’s The Big Blue, which totalled 700,000 tickets sold at the Grand Rex after months on the bill.[2]

In 1997, the Grand Rex opened its program to festivals, concerts and solo performances of many artists who perform on stage.

In 1988, the director Peter Jackson received an award for his film Bad Taste there, and, in 2002, the singer Britney Spears was present for the screening of Crossroads, causing a riot, during which some outside windows were shattered.[2]

In 2009, the façade was equipped with digital signs, whose light showcases its Art Deco column.[2]

In 2017, the great hall was renovated.[7]

In 2020, from February 22 to March 8, the singer Madonna played her last eight shows of her Madame X Tour.

While its contemporary attendance levels are usually close to a million spectators, the COVID-19 pandemic forced the Grand Rex to close in August 2020, after attempting at the end of the first lockdown in June, to screen retrospectives and thematic marathons.[8] Starting from December of the same year, the cinema is being fully renovated.[9]

The Grand Rex now has a capacity ranging from 2,700 to 2,800 spectators in its great hall.

It is renowned for hosting premieres with the films’ crews[2] as well as special events, called “Marathons”, which gather the fans of a franchise (i.e. Star Wars, the Marvel Cinematic Universe, various adaptations of Tolkien’s work, The Hunger Games).

In 2023, the film Oppenheimer premiered at the Grand Rex.

Technical specifications sheet

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  • Equipment: 7 halls of 2,702, 500, 262, 210, 155, 125 and 100 seats; screening in 35 mm and digital–stereophonic sound in Dolby/Digital Theater Systems
  • Owner: Marianne Hellmann
  • Operator: SAS Le Grand Rex Paris

The Great Hall

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  • 2,700 seats,
  • Large and comfortable leather chairs for the orchestra,
  • A mezzanine equipped with the same chairs as the orchestra,
  • A 2nd balcony with 1,200 seats,
  • A luminous arch,
  • A large adjustable stage (shows and concerts),
  • A stage screen which is 16.9 meters large and 7 meters high, located on the stage (under the luminous arch),
  • Three DP 32 4K projectors,
  • A screen named “Le Grand Large” (The Great Large), which is 24.9 meters large and 11.35 meters high (about 280 m²). It is uncoiled and coiled in front of the luminous arch.

Le Grand Large (The Great Large)

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This screen, one of the biggest in France and which takes up the entire available width of the hall, is hidden in the cinema’s ceiling and only comes out for screenings. While it is uncoiled in the dark, the spectators can discover an original presentation in 2D or 3D.

The audience is only seated on the 2nd balcony and ends up particularly close to the screen.

Projection: 2 Barco DP32 projectors in 4k.[10]

The Rex’s other halls

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Since 2017, the Grand Rex has renovated its halls every year. We can find:

  • Hall 2: 500 seats
  • Hall 3: 238 seats called the “Gotham” hall
  • Hall 5: 163 seats called the “Matrix” hall
  • Hall 4: 122 seats
  • Hall 7: 109 seats called the “Tron” hall
  • Hall 6: 78 seats called the “Love” hall

Rex Studios

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A 50-minute course is available behind the big screen, backstage and in the technical spaces of the cinema. Initiated by Francois Confino and Philippe Hellmann, it was designed and created by Luc Heripret, in collaboration with the set designer Pascal Mazoyer. The course presents the history of the Grand Rex before diving into the world of the cinema's occupations and special effects in an interactive and playful way: pedestrian and filmed course. The visitor gradually becomes the extra of a shooting before being projected in a film extract, whose recording they will be able to buy.

Escape Game

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In 2021, the Grand Rex offers its clients a new attraction which immerses the spectators in riddles to help save the greatest cinema classics. This escape game, which progresses through different rooms representing the main themes of the 7th art, forces the clients to focus on collecting a maximum of points.

It was designed and created by Luc Heripret and Team Break within the Rex Studios.

La Féerie des eaux (Magic waters)

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Each year, the Christmas Disney cartoon is traditionally screened in the Grand Rex great hall (screen under the arc).

The screening starts two weeks before the French national release.

As the opening act, the audience can attend a sound, light and water show called the Féerie des eaux (Magic waters). A huge pool and 1,200 colored water jets are placed on the stage for this.

References

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Bibliography

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Le Grand Rex is an iconic Art Deco cinema and concert venue in Paris, France, renowned as Europe's largest movie theater upon its opening in 1932 with a seating capacity of 3,300. Designed by French architect Auguste Bluysen in collaboration with American theater architect and interior decorator Maurice Dufrêne, it was commissioned by pioneering film producer Jacques Haïk as a homage to extravagant cinematic palaces like New York's . Situated at 1 Boulevard Poissonnière in the 2nd arrondissement, the venue was inaugurated on December 8, 1932, drawing 3,300 elegantly dressed guests to its opulent interior featuring starry ceilings, grand staircases, and mythical motifs that evoke a fantastical underwater or celestial realm. During , it was requisitioned by German forces and renamed "Soldatenkino" for exclusive use by soldiers, before reopening postwar in 1946 with the French premiere of Disney's . The 1950s marked further milestones, including a pioneering presentation of Gone with the Wind in 1950, during which the projectionist manually enlarged the image for dramatic fire scenes, cementing its role in cinematic innovation. Classified as a French historical by decree on November 30, 1981, Le Grand Rex has undergone significant renovations to preserve its heritage while adapting to modern needs, such as the addition of three smaller cinemas in 1974, facade modernization with digital LED elements in 2009, and a major overhaul from 2020 to 2025 (completed in early 2025) that included new air conditioning, restored frescoes, and upgraded projection systems. Today, it serves as a multifaceted entertainment hub under management, hosting blockbuster films in its main auditorium (now with about 2,800 seats), live concerts, spectacles, and immersive events, attracting approximately one million visitors annually and remaining a symbol of Parisian cultural glamour.

Overview

Location and Access

The Grand Rex is situated at 1 Boulevard Poissonnière in the , , with geographic coordinates of 48°52′14″N 2°20′52″E. This central location places it along the historic Grands Boulevards, a vibrant area known for its 19th-century architecture, proximity to other theaters like the Théâtre des Variétés, and nearby shopping districts such as the Passage du Grand-Cerf. Reaching the venue is straightforward via Paris's public transportation network. The closest metro stations are Bonne-Nouvelle on lines 8 and 9, just a short walk away, while Grands Boulevards station on line 9 is also nearby. Bus lines 20, 32, and 39 stop at Poissonnière - Bonne Nouvelle, providing additional options from various parts of the city. For accessibility, the main entrance features a nearly flat threshold (0-2 cm step) with a manual door that is monitored, allowing users to enter on the same level or via a slight . Adapted on-road is available approximately 150 meters away, with 10 designated spaces signposted for people with reduced mobility, though no private underground parking is provided on-site. Inside, there are 9 seats reserved for persons with reduced mobility (PRM) in the concert hall, accompanied by accessible toilets equipped with transfer bars and washbasins at 83 cm height; however, corridors narrow to 90 cm and doorways to 87 cm in some areas.

Architectural Features

The Grand Rex exemplifies architecture, drawing inspiration from American movie palaces of the early , particularly through its atmospheric theater design that evokes an exotic, immersive environment. Commissioned by cinema distributor Jacques Haïk and completed in 1932, the building was primarily designed by French architect Auguste Bluysen, with significant contributions from American theater architect , renowned for his atmospheric theaters, and interior decorator Maurice Dufrêne. This collaboration resulted in a fusion of streamlined geometric forms, luxurious materials, and exotic motifs, including Moorish pergolas and antique statues, blending neo-baroque ornamentation with Hollywood glamour. The exterior facade, sculpted by Henri-Édouard Navarre, features bold vertical lines, metallic accents, and the iconic neon signage that illuminates Boulevard Poissonnière, creating a beacon-like presence in Paris's Grands Boulevards district. Rising to a height of 36 meters with a corner tower originally intended for dynamic lighting effects, the facade embodies the era's fascination with modernity and spectacle. The facade was modernized in 2009 with digital LED elements. Classified as a historic monument by France's on October 5, 1981, the protected elements include the facades, roofs, main , and its decor, ensuring preservation of these defining features. A major renovation from 2020 to 2025 included restoration of the facade while adhering to heritage standards, as overseen by heritage authorities to maintain the monument's integrity. Inside the Great Hall, the architectural highlights center on the atmospheric ambiance, highlighted by a 30-meter-high starry vault ceiling that simulates a night sky with twinkling lights, golden decorative elements, and subtle atmospheric lighting to enhance the cinematic experience. The proscenium arch and surrounding decor, with their gilded motifs and exotic flourishes, contribute to the hall's opulent, otherworldly feel.

History

Construction and Early Years (1930s–1940s)

The Grand Rex was commissioned in 1931 by Jacques Haïk, a prominent French film producer and distributor of Tunisian origin, who envisioned creating one of Europe's most extravagant cinemas inspired by American movie palaces. Construction began that September under the direction of architects Auguste Bluysen and John Eberson, with the project completed in just over a year at a site on Boulevard Poissonnière in Paris's 2nd arrondissement. The venue opened on the evening of December 8, 1932, as the largest cinema in Europe, boasting an initial capacity of approximately 3,300 seats in its main auditorium—though Haïk had originally planned for over 5,000—across an expansive 2,000 square meters with a 30-meter-high ceiling. The opening gala featured the premiere of the French film Les Trois Mousquetaires, attended by cinema pioneer and 3,300 guests, marking a celebratory event that underscored the venue's status as a cultural . Throughout , the Grand Rex hosted numerous premieres of French films, alongside performances and live stage acts, drawing record-breaking crowds that highlighted its role in Paris's burgeoning entertainment scene. Its design, evoking a fantastical starry sky and architectural grandeur, enhanced the immersive experience for audiences during this of cinema. The outbreak of profoundly disrupted operations; in June 1940, following the German occupation of , the venue was requisitioned by Nazi forces and repurposed as the "Soldatenkino," a cinema exclusively for German soldiers where and other approved content were screened. The building sustained bomb damage in September 1942, leading to its closure until the . It reopened to the public on October 13, 1944, under interim management, resuming screenings with an American film to jubilant crowds. Financial strains on Haïk, exacerbated by the war, culminated in his , prompting the sale of the Grand Rex to Gaumont in 1946, which introduced new operational oversight as the venue adapted to the post-war era.

Post-War Developments (1950s–1980s)

Following the end of , during which the Grand Rex had been requisitioned by German forces as a Soldatenkino, the venue reopened on October 13, 1944, marking the beginning of its post-war recovery under strained economic conditions. Jacques Haïk's financial difficulties led to the cinema's sale to Gaumont in 1946, but the company operated it only briefly before transferring ownership in 1947 to Jean Hellmann, Alan Byre, and Laudy Lawrence, initiating a period of family stewardship that emphasized adaptation to changing entertainment landscapes. In 1946, under Gaumont management, the venue hosted the French premiere of Disney's , a significant postwar cultural milestone. In the 1950s, the Grand Rex introduced innovative spectacles to counter the emerging challenge of declining cinema attendance, which had peaked at over 360 million annually in the late 1950s but began to fall sharply by the mid-1960s due to the rapid spread of television ownership, reaching around 200 million by 1968 and further declining to approximately 150 million by the late 1970s. A key highlight was the debut of La Féerie des Eaux in March 1954, a water-based show featuring 3,000 liters of recycled water, 26 projectors, and choreographed fountains presented as a prelude to films like A Streetcar Named Desire, quickly becoming an annual Christmas tradition that drew families and boosted holiday viewership. The 1950s also saw technological advancements, including the adoption of CinemaScope for screenings such as the 1954 re-release of Gone with the Wind. This innovation helped sustain the venue's appeal amid broader industry pressures. The 1970s saw further adaptations under Philippe Hellmann's management, including the addition of three new screening halls in 1974 to create a multi-screen complex, allowing simultaneous showings of diverse films and alleviating pressure on the main auditorium. Renovations during this decade also modernized the facility, with updates to the sound systems enhancing audio quality for both cinematic and live presentations, while the programming shifted toward mixed-use events such as concerts to diversify revenue streams beyond traditional film screenings. By 1981, the Grand Rex's facade and interior were officially listed as a historical , spurring preservation efforts that balanced with ongoing operational needs.

Renovations and Recent Era (1990s–2025)

Since the 1990s, the Grand Rex has been operated by SAS Le Grand Rex , under the ownership of the Hellmann family, with Alexandre Hellmann serving as the current managing director since 2010. This period of stable family stewardship has emphasized preservation efforts, building on the venue's designation as a historic monument in 1981, which mandates careful oversight of renovations to maintain its integrity. A series of upgrades began in 2017 with the restoration of the main auditorium, focusing on interior enhancements to improve comfort and acoustics while preserving original features. The prompted a temporary closure on , 2020, due to plummeting attendance amid delayed film releases, allowing for a comprehensive that started in December 2020. This multi-year project included modernizing technical systems and interiors across multiple halls. By 2025, further restorations and facade updates had revitalized the exterior, blending historical elegance with contemporary functionality to enhance visitor experience. In recent years, the Grand Rex has hosted significant cultural milestones, including the Paris premiere of Oppenheimer in July 2023, underscoring its role in major film events. In February 2025, it was voted the world's most beautiful cinema by Time Out, recognizing its iconic design and immersive appeal. The venue adapted to post-pandemic challenges by introducing hybrid programming, incorporating concerts, live performances, and immersive experiences alongside traditional screenings, which contributed to France's broader cinema attendance recovery to pre-COVID revenue levels by 2024. A key addition was the Infinite premium auditorium, opened in December 2023 with nearly 300 reclining seats equipped for Dolby Atmos sound, offering luxurious, sensory-enhanced viewing.

Facilities

The Great Hall

The Great Hall, known as the Grande Salle, serves as the flagship auditorium of the Grand Rex and is Europe's largest cinema venue by seating capacity, accommodating 2,702 spectators across three levels: , , and . Behind its removable screen lies a substantial stage suitable for live performances, framed by a prominent arch that enhances the theatrical scale of the space. This configuration allows seamless transitions between film screenings and events, with the hall's overall dimensions supporting an expansive, immersive environment originally designed in 1932 to evoke the grandeur of New York's . At the heart of the hall is the "Le Grand Large" screen, measuring 24.9 meters in width by 11.35 meters in height, which ranks among the continent's largest non-IMAX surfaces and delivers vivid 2D and 3D presentations. The projection system employs three state-of-the-art 4K projectors to illuminate the vast canvas with high brightness and precision, ensuring consistent quality even in the hall's farthest reaches. Complementing these technical elements are distinctive visual and acoustic features: a signature starry ceiling depicting a luminous vault, and a /DTS setup that envelops audiences in multidimensional audio. Primarily utilized for blockbuster film screenings, the Great Hall also hosts concerts and large-scale spectacles, leveraging its versatile stage and acoustics for dynamic live productions. It holds a storied legacy of premieres, including Alfred Hitchcock's presentation of The Birds in 1963 and the European debut of Christopher Nolan's Oppenheimer in 2023, underscoring its status as a premier destination for cinematic milestones.

Other Screening Halls and Venues

The Grand Rex complex includes six auxiliary screening halls with capacities ranging from 100 to 500 seats, specifically 500, 262, 210, 155, 125, and 100 seats, enabling more intimate cinematic experiences compared to the primary auditorium. These halls are equipped for standard film projections in digital formats, supporting diverse programming such as mainstream releases and alternative screenings to accommodate varied audience preferences. Select halls feature advanced capabilities, including 3D projections for immersive viewing and IMAX-like setups in rooms like the Infinite auditorium, which utilizes RealD Ultimate Screen technology to deliver superior contrast, brightness, and depth perception. In early 2025, renovations enhanced these venues with premium upgrades, such as improved sound systems, reclining leather seating, and modular LED lighting to optimize atmosphere and comfort during screenings. Beyond public showings, the halls host private events, corporate presentations, and specialized sessions, allowing the Grand Rex to offer flexible scheduling across its seven total screening spaces for broader accessibility and event diversity. This integration supports simultaneous operations, with the smaller halls handling niche or overflow viewings to maximize the complex's overall throughput of approximately 4,000 seats.

Concert Space and Rex Club

The concert space at the Grand Rex, known as Salle 2, serves as a dedicated venue for live performances including music concerts and theatrical shows, with a capacity of approximately 500 seats. This hall was adapted for multifaceted event use following renovations in the 1980s, enabling it to host diverse programming separate from the complex's primary cinema operations. Equipped with specialized sound systems and lighting rigs optimized for live events, the space ensures high-quality audio and visual experiences while maintaining acoustic isolation from adjacent screening areas. Adjacent to the main facilities, the Rex Club operates as an underground nightclub established in the late , renowned for its focus on electronic music genres such as and . With a capacity of 800 patrons, the venue features a modular central DJ booth and has hosted resident DJs who contribute to its reputation as a cornerstone of Paris's nightlife scene, attracting international artists and fostering a vibrant since its inaugural electronic night in 1988. The club's technical infrastructure includes a state-of-the-art DnB multidiffusion sound system with around 70 speakers for balanced coverage and custom lighting by Matière Noire, utilizing direct and indirect light wells to enhance the industrial concrete aesthetic during performances. Notable events in the concert space often include annual live shows integrated with the Grand Rex's film festivals, such as musical performances accompanying cinema premieres or awards ceremonies like the Césars. Meanwhile, the Rex Club has played a pivotal role in Paris's electronic ecosystem, hosting seminal nights that launched careers and documented in a 2023 photobook spanning its 35-year history, solidifying its status as a global destination for club culture. Recent enhancements to these event areas, including updates to the Rex Club's infrastructure in 2023, continue to support their evolution into 2025.

Special Attractions

Rex Studios

Rex Studios is an interactive museum and guided tour experience at the Grand Rex cinema in , offering visitors a of and cinema . Launched in 1998 as Les Étoiles du Rex by owner Philippe Hellmann, the attraction was inspired by similar backstage tours at venues like New York's and has since welcomed over one million visitors. The 45-minute audio-guided tour, available in multiple languages including French, English, Spanish, Italian, German, and Russian, immerses participants in the evolution of filmmaking from the silent era through to modern (CGI). It begins with a ride in a transparent panoramic elevator that ascends 27 meters behind the screen of the Grand Hall, providing a unique vantage on the venue's Art Deco architecture and projection technology. The tour features a series of hands-on exhibits and demonstrations that highlight the technical and creative aspects of cinema. Visitors pass through recreated spaces such as the director's office, filled with props like filmstrips, Oscars, and autographed photos from stars including and , and a studio where they can experience voice recording techniques. In the special effects room, interactive demos allow participants to film scenes using green screens, simulating effects like those in classic sequences, while displays of archived images and movie posters trace the progression from early silent films to contemporary CGI productions. A highlight is the "tunnel of stars," where audio clips from icons like and play amid film extracts, offering insights into on-set preparations and the Grand Rex's role in hosting premieres. These elements emphasize practical filmmaking processes, including visits to the projection booth with its pre-digital equipment, contrasting historical methods with today's digital tools. Tours accommodate small groups of up to 15 people, with departures every five minutes to manage capacity effectively, allowing for a total of around 50 visitors per hourly slot during peak times. Access is integrated with the Grand Rex's main ticket sales, with standalone tickets priced at €12 full price for adults and €10 reduced price for children under 26 years, students, seniors 60+, unemployed, and large families, and bundled packages available with nearby attractions like the Grévin Wax Museum or chocolate-themed tours. The experience is recommended for ages 5 and older, though it is not wheelchair-accessible and may not suit those with claustrophobia, pregnant women, or accompanied by babies due to enclosed spaces like the elevator. Sessions run Tuesday through Thursday, Saturday, Sunday, holidays, and Monday/Friday during school holidays (Zone C) from 10 a.m. to 12 p.m. and 1:30 p.m. to 7 p.m., with group bookings handled separately via email. Educationally, Rex Studios underscores the Grand Rex's status as a French heritage site, classified as a historical monument since , by focusing on the venue's contributions to and the broader technical advancements in the industry. The tour promotes conceptual understanding of , from the silent era's mechanical innovations to CGI's digital revolution, through engaging, family-oriented activities that demystify the "magic" of movies without delving into exhaustive technical metrics. This approach positions Rex Studios as a key attraction for preserving and disseminating knowledge of French cinematic heritage amid the Grand Rex's ongoing role as Europe's largest .

Escape Game

The Escape Game at the Grand Rex, titled "Sauvez le Cinéma" (Save the Cinema), was introduced on June 9, 2021, as an interactive attraction themed around rescuing iconic classic films from a mysterious villainous threatening the cinematic . Players take on the role of infiltrators in the Grand Rex's studios, working to dismantle the device before it erases legendary movies forever, drawing on the venue's rich cinematic heritage for an immersive narrative. This launch aligned with the broader recovery of Paris's entertainment sector following restrictions, helping to draw families and groups back to experiential attractions amid a resurgence in in-person cultural activities. Gameplay consists of 45-minute sessions designed for teams of 2 to 7 participants, emphasizing collaborative puzzle-solving in a dynamic environment that differs from traditional locked-room formats by allowing movement across multiple areas. Challenges incorporate cinematic elements such as movie props, set replicas, and riddles tied to film history, requiring logical deduction and to progress, with adjustable difficulty levels suitable for beginners or more experienced players. The experience is available in French and English, making it accessible to diverse visitors, though it is not recommended for those with mobility issues or due to the physical navigation involved. Housed in a dedicated space within the Grand Rex complex's Rex Studios, the Escape Game utilizes the backstage areas for its sets, complementing the observational tours offered there without overlapping in format. Currently featuring the single "Sauvez le Cinéma" scenario year-round, it operates Tuesday through Sunday, holidays, and Monday/Friday during school holidays (Zone C) from 10 a.m. to 12 p.m. and 1:30 p.m. to 7 p.m., with bookings required online in advance. Pricing is €20 per person for the standalone game (2-7 players); €30 per person bundled with Rex Studios; €26 per person bundled with a (excluding 3D and Féerie des Eaux), reflecting its appeal as a draw in the post-pandemic era.

La Féerie des Eaux

La Féerie des Eaux debuted in 1954 as an annual event at the Grand Rex, marking a shift in programming toward immersive family spectacles that precede film screenings. The show utilizes 3,000 liters of water projected up to 20 meters high, illuminated to create enchanting visual effects in the venue's . At its core, the performance synchronizes dancing fountains with dynamic lighting, music, and projections, often featuring animations to enhance the magical atmosphere before the main film. Water jets, including flower patterns and a large Aqua Graphic curtain over 10 meters long, display animated characters while lasers and add layers of spectacle from and balconies. This integration transforms the hall into an interactive aquatic theater, captivating audiences with its blend of water choreography and cinematic elements. The show has evolved through periodic technological enhancements, with significant redesigns in the 2020s incorporating LED lighting, , and advanced for more vibrant and energy-efficient effects. For instance, the 2023–2024 edition featured over 2,500 water jets, 500 , and 26 multicolored spotlights, paired with themes from Disney classics like Frozen and . The 2025 edition, running from November 26, 2025, to January 4, 2026, continues this tradition with themes from Zootopia 2. Typically lasting 20 to 30 minutes, these updates maintain the show's brevity while amplifying its immersive quality during the holiday season. As a longstanding , La Féerie des Eaux draws thousands of families each year, fostering a sense of wonder that ties into French cultural customs of celebratory cinema during the festive period. Its annual pairing with Disney releases has solidified it as a beloved ritual, attracting up to 2,700 spectators per evening and contributing to the Grand Rex's reputation for innovative .

References

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