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Holloway Sanatorium
Holloway Sanatorium was an institution for the treatment of those suffering temporary mental illness, situated on 22 acres (9 ha) of aesthetically landscaped grounds near Virginia Water in Surrey, England, about 22 miles (35 km) south-west of Charing Cross. Its largest buildings, including one listed at Grade I, have been restored and supplemented as Virginia Park, a gated residential community featuring a spa complex, gymnasium, multi-purpose sports hall and an all-weather tennis court.
Construction was conceived by the wealthy philanthropist Thomas Holloway, which entailed an elaborate Franco-Gothic style by W. H. Crossland, and took place between 1873 and 1885. The imposing exteriors and interiors have a sister building, the Royal Holloway College about a mile north; Sir Nikolaus Pevsner regarded the two as the "summit of High Victorian design". In 1948 the site was transferred to the National Health Service. In the year 2000, after more than a decade of neglect, the buildings were restored and some of the grounds converted to houses which led to the site's renaming. Many of the original features have been preserved involving direction by English Heritage.
Thomas Holloway was a Victorian entrepreneur who made a fortune from the sale of his patent medicines, pills and ointments, designed to cure all ills.
Looking for ways in which to spend his fortune, Holloway turned to philanthropy, and became a champion of progressive mental health care. George III's madness had excited public opinion about the correct and humane treatment for the insane. Therefore, on 19 April 1861 Holloway attended a public meeting at the London Freemasons’ Hall in which Lord Shaftesbury, sincerely concerned with mental health, made a magnificent speech, calling for funds for the foundation of an asylum for the middle-class insane. Lord Shaftesbury appealed for £5,000 and received immediately contributions totaling £760, though none from Holloway. Holloway was impressed, and Shaftesbury received a letter from Holloway’s solicitor three years later announcing "a gentleman who is possessed of nearly a quarter of a million" and wished to see him with a view to disposing of that sum "for charitable uses".
The meeting took place on 25 May 1864 at which Holloway resolved to spend some of his fortune on the establishment of a sanatorium for the mentally sick of the middle classes "the professional breadwinner whose income ceases when he is unable to work". Pauper asylums gave refuge for the insane of the poorer classes, and care at private establishments could be bought by the rich, the middle classes neither deserved the former nor could afford the latter. Charity for the poor demeaned its recipients: as far as possible people should be assisted to help themselves. The proposed asylum was not intended for the permanently insane, but as a refuge in which the temporarily deranged should be assisted to resume their working lives. At that meeting Holloway told Shaftesbury that he intended to spend his fortune on a single building and in a single benefaction.
In 1872 that Holloway met with the Commissioners in Lunacy, who entered warmly into his plans and promised every assistance to produce a model building. He expressed some quite fixed feelings about architecture but was no expert and was assisted by Professor T. L. Donaldson and T. H. Wyatt (who were architects for the Commissioners in Lunacy). Donaldson (1795–1885) was a foremost architect, the first Professor of Architecture at University College London, co-founder of the Royal Institute of British Architects (RIBA), and its President in 1863-4. Thomas Henry Wyatt (1807–1880) similarly, who had been President of RIBA in 1870. Both Donaldson and Wyatt received some recompense for their services, the former 100 guineas and the latter 25 guineas. Holloway had a third adviser, George Godwin, editor of The Builder. Holloway's initial idea was that the design of the building should be purely Italian, modelled on the river frontage of Somerset House. However, by October 1871 he had had a change of heart and wrote to Donaldson: “You will see that I have gone into the grand old Flemish style. I know that your taste is classical and which I greatly admire, but perhaps all things considered the Gothic would be most appropriate, as we can get red brick in the neighbourhood and a large building in the Italian style ought, I believe, to have stone facings”.
The commissioners suggested that the best results would be obtained by submitting the plans to a competition of a limited number of architects. In September 1871 Holloway held the competition with the result that ten architects submitted eleven plans for the asylum. The architects who responded to the invitation to submit designs for the asylum were Crossland, Salomons & Jones; Alfred Smith; T. Roger Smith; Richard Phené Spiers; J. P. Seddon; J. S. Quilter; T. H. Watson; E. W. Godwin (two designs); F. & H. Francis and Thomas C. Hine. The winning entry, with a first premium award of £200, was by Crossland, Salomons and Jones. Alfred Smith was awarded the second premium of £100 and all the others received £50 for their trouble, except Hine, a Nottingham architect, who received only £25: possibly he had not actually been invited to submit a plan. The moneys were paid out in July 1872. In August 1872 the plans were placed on exhibition in the Regent Street gallery of E. Freeman.
William Henry Crossland later recalled that he had not wished to go into the competition on his own and had sought the assistance of distinguished Irish architect John Philpot Jones. Edward Salomons practised in Manchester where he and Jones had designed the Reform Club in 1870. It is possible that the two had met in Rochdale in 1866 when Crossland was engaged on the Town Hall and Salomons on the town's theatre. Crossland planned it to look like the Cloth Hall at Ypres (having tried this design the previous year in the building of Rochdale Town Hall) and the Great Hall was designed in the style of the gothic La Sainte-Chapelle in Paris. Jones, who had most of the work on the asylum design, died soon after the foundation stone was laid and Crossland records that most of the work then fell to him, Salomons being in Manchester. Crossland received commission of £7,620 – without travelling expenses for himself or his staff.
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Holloway Sanatorium
Holloway Sanatorium was an institution for the treatment of those suffering temporary mental illness, situated on 22 acres (9 ha) of aesthetically landscaped grounds near Virginia Water in Surrey, England, about 22 miles (35 km) south-west of Charing Cross. Its largest buildings, including one listed at Grade I, have been restored and supplemented as Virginia Park, a gated residential community featuring a spa complex, gymnasium, multi-purpose sports hall and an all-weather tennis court.
Construction was conceived by the wealthy philanthropist Thomas Holloway, which entailed an elaborate Franco-Gothic style by W. H. Crossland, and took place between 1873 and 1885. The imposing exteriors and interiors have a sister building, the Royal Holloway College about a mile north; Sir Nikolaus Pevsner regarded the two as the "summit of High Victorian design". In 1948 the site was transferred to the National Health Service. In the year 2000, after more than a decade of neglect, the buildings were restored and some of the grounds converted to houses which led to the site's renaming. Many of the original features have been preserved involving direction by English Heritage.
Thomas Holloway was a Victorian entrepreneur who made a fortune from the sale of his patent medicines, pills and ointments, designed to cure all ills.
Looking for ways in which to spend his fortune, Holloway turned to philanthropy, and became a champion of progressive mental health care. George III's madness had excited public opinion about the correct and humane treatment for the insane. Therefore, on 19 April 1861 Holloway attended a public meeting at the London Freemasons’ Hall in which Lord Shaftesbury, sincerely concerned with mental health, made a magnificent speech, calling for funds for the foundation of an asylum for the middle-class insane. Lord Shaftesbury appealed for £5,000 and received immediately contributions totaling £760, though none from Holloway. Holloway was impressed, and Shaftesbury received a letter from Holloway’s solicitor three years later announcing "a gentleman who is possessed of nearly a quarter of a million" and wished to see him with a view to disposing of that sum "for charitable uses".
The meeting took place on 25 May 1864 at which Holloway resolved to spend some of his fortune on the establishment of a sanatorium for the mentally sick of the middle classes "the professional breadwinner whose income ceases when he is unable to work". Pauper asylums gave refuge for the insane of the poorer classes, and care at private establishments could be bought by the rich, the middle classes neither deserved the former nor could afford the latter. Charity for the poor demeaned its recipients: as far as possible people should be assisted to help themselves. The proposed asylum was not intended for the permanently insane, but as a refuge in which the temporarily deranged should be assisted to resume their working lives. At that meeting Holloway told Shaftesbury that he intended to spend his fortune on a single building and in a single benefaction.
In 1872 that Holloway met with the Commissioners in Lunacy, who entered warmly into his plans and promised every assistance to produce a model building. He expressed some quite fixed feelings about architecture but was no expert and was assisted by Professor T. L. Donaldson and T. H. Wyatt (who were architects for the Commissioners in Lunacy). Donaldson (1795–1885) was a foremost architect, the first Professor of Architecture at University College London, co-founder of the Royal Institute of British Architects (RIBA), and its President in 1863-4. Thomas Henry Wyatt (1807–1880) similarly, who had been President of RIBA in 1870. Both Donaldson and Wyatt received some recompense for their services, the former 100 guineas and the latter 25 guineas. Holloway had a third adviser, George Godwin, editor of The Builder. Holloway's initial idea was that the design of the building should be purely Italian, modelled on the river frontage of Somerset House. However, by October 1871 he had had a change of heart and wrote to Donaldson: “You will see that I have gone into the grand old Flemish style. I know that your taste is classical and which I greatly admire, but perhaps all things considered the Gothic would be most appropriate, as we can get red brick in the neighbourhood and a large building in the Italian style ought, I believe, to have stone facings”.
The commissioners suggested that the best results would be obtained by submitting the plans to a competition of a limited number of architects. In September 1871 Holloway held the competition with the result that ten architects submitted eleven plans for the asylum. The architects who responded to the invitation to submit designs for the asylum were Crossland, Salomons & Jones; Alfred Smith; T. Roger Smith; Richard Phené Spiers; J. P. Seddon; J. S. Quilter; T. H. Watson; E. W. Godwin (two designs); F. & H. Francis and Thomas C. Hine. The winning entry, with a first premium award of £200, was by Crossland, Salomons and Jones. Alfred Smith was awarded the second premium of £100 and all the others received £50 for their trouble, except Hine, a Nottingham architect, who received only £25: possibly he had not actually been invited to submit a plan. The moneys were paid out in July 1872. In August 1872 the plans were placed on exhibition in the Regent Street gallery of E. Freeman.
William Henry Crossland later recalled that he had not wished to go into the competition on his own and had sought the assistance of distinguished Irish architect John Philpot Jones. Edward Salomons practised in Manchester where he and Jones had designed the Reform Club in 1870. It is possible that the two had met in Rochdale in 1866 when Crossland was engaged on the Town Hall and Salomons on the town's theatre. Crossland planned it to look like the Cloth Hall at Ypres (having tried this design the previous year in the building of Rochdale Town Hall) and the Great Hall was designed in the style of the gothic La Sainte-Chapelle in Paris. Jones, who had most of the work on the asylum design, died soon after the foundation stone was laid and Crossland records that most of the work then fell to him, Salomons being in Manchester. Crossland received commission of £7,620 – without travelling expenses for himself or his staff.