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Howard Norman
Howard Norman
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Howard Alan Norman (born 1949), is an American writer and educator. Most of his short stories and novels are set in Canada's Maritime Provinces. He has written several translations of Algonquin, Cree, and Inuit folklore. His books have been translated into 12 languages.[2]

Key Information

Early years

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Norman was born in Toledo, Ohio. His parents were Russian-Polish-Jewish; they met in a Jewish orphanage.[citation needed] The family moved several times, and Norman attended four different elementary schools, including in Grand Rapids, Michigan. His mother watched other children while his father was away most of the time. He is one of three brothers.[3]

After dropping out of high school, Norman moved to Toronto. Working in Manitoba on a fire crew with Cree Indians, Norman became fascinated with their folkstories and culture. He spent the next 16 years living and writing in Canada, including the Hudson Bay area and the province of Newfoundland and Labrador. During this time, he received his high school equivalency diploma, and studied later at Western Michigan University Honors College[4] where he received Bachelor of Arts degrees in zoology and English[citation needed] in 1972.[5] In 1974, he earned a Master of Arts degree from the Folklore Institute of Indiana University linguistics and folklore;[4] his Masters thesis was entitled, Fatal Incidents of Unrequited Love in Folktales Around the World.[4]

For the next three years, he participated in the Michigan Society of Fellows;[4][6] The Cree personal name was published in 1977.[7] Shortly after, his father died in 1996, who Norman had not seen in 20 years.

Career

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"I said this in a nonfiction book, and I’ll repeat it at the risk of quoting myself: when I wake up in Halifax or Nova Scotia, there is a shorter distance between my unconscious life and my conscious life than anywhere else, I feel more complete and more whole." (H.A. Norman, 2004)

Writer

Norman has been a prolific writer in a variety of styles. How Glooskap Outwits the Ice Giants, The owl-scatterer, and Between heaven and earth are written for juvenile audiences. His books on Canadian folklore include The wishing bone cycle (Cree), Who met the ice lynx (Cree), Who-Paddled-Backward-With-Trout (Cree), The girl who dreamed only geese (Inuit) Trickster and the fainting birds (Algonquin), and Northern tales (Eskimo). Northern Tales, translated into Italian and Japanese, was Norman's first book translated into a foreign language.[9] In Fond Remembrance of Me is not only an English translation of Noah and the Ark stories as told by a Manitoba Inuk elder, it is also a memoir of the friendship that Norman kindles with Helen Tanizaki, a writer who is translating these same stories into Japanese before her death.

Norman describes The Bird Artist, a novel, as his most conservative book structurally, though not psychologically.[8] Time magazine named The Bird Artist one of its Best Five Books for 1994. It also was awarded the New England Booksellers Association Prize in Fiction, and Norman received a Lannan Literary Award for this book.[10] The Bird Artist and The Northern Lights were finalists for the National Book Award. The Northern Lights was completed with assistance from the Whiting Award.[3] He received the Harold Morton Landon Translation Award from the Academy of American Poets for The Wishing Bone Cycle.[11] In On the trail of a ghost, an article published by National Geographic, Norman writes about Japan's haiku master, Matsuo Bashō's 1200-mile walk in 1689, and the journey's epic log, entitled Oku no Hosomichi.[12] His book, My Famous Evening: Nova Scotia Sojourns, Diaries & Preoccupations was published under National Geographic's "Directions" travel series. It includes a chapter on the Nova Scotia poet Elizabeth Bishop.

There are also several early books published in small numbers. These include: The Woe Shirt, Arrives Without Dogs, and Bay of Fundy Journal, amongst others.[9]

Teacher

In 1999, Norman taught at Middlebury College in Vermont.[13] Norman became Goucher College's Writer in Residence in 2003.[11] In 2006, he was appointed a Marsh professor at University of Vermont.[14] Norman now teaches creative writing in the Masters of Fine Arts program at the University of Maryland, College Park.

Professional affiliations

Norman has contributed to book review periodicals (The New York Times Book Review; Los Angeles Times Book Review; National Geographic Traveler), participated on literary journals' editorial staff (Conjunctions: Ploughshares), and been a member of the board of directors for PEN New York and PEN/Faulkner group, Washington, D.C.[4]

Personal life

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Norman met poet Jane Shore in 1981, and they married in 1984.[citation needed] They have a daughter, Emma.

Norman and Shore lived in Cambridge, New Jersey, Oahu, and Vermont, before settling into homes in Chevy Chase, Maryland near Washington, D.C. during the school year, and East Calais, Vermont[15] in the summertime.[3][16][17] Their friend, the author David Mamet, Shore's Goddard College classmate, lives nearby.[18]

During the summer of 2003, poet Reetika Vazirani was housesitting the Norman's Chevy Chase home. There, on July 16, she killed her young son before committing suicide.[19][20]

Howard Norman's papers are housed in the Sowell Collection in the Southwest Collection/Special Collections Library of Texas Tech University.

Awards

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Partial list of works

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  • (1976). The Wishing Bone Cycle: Narrative poems from the Swampy Cree Indians. ISBN 0-88373-045-6
  • (1978). Who Met the Ice Lynx: Naming stories of the Swampy Cree people. ISBN 0-916914-02-X
  • (1986). The Owl-Scatterer. ISBN 0-87113-058-0
  • (1987). Who-Paddled-Backward-With-Trout. ISBN 0-316-61182-4
  • (1987). The Northern Lights: A novel. ISBN 0-671-53231-6
  • (1989). How Glooskap Outwits the Ice Giants; and other tales of the Maritime Indians. ISBN 0-316-61181-6
  • (1989). Kiss in the Hotel Joseph Conrad and other stories. ISBN 0-671-64419-X
  • (1990). Northern Tales: Traditional stories of Eskimo and Indian peoples. ISBN 0-394-54060-3
  • (1994). The Bird Artist. Farrar, Straus and Giroux, ISBN 0-374-11330-0
  • (1997). The Girl Who Dreamed Only Geese, and other tales of the Far North. ISBN 0-15-230979-9
  • (1998). The Museum Guard. Farrar, Straus and Giroux, ISBN 0-374-21649-5
  • (1999). Trickster and the Fainting Birds. ISBN 0-15-200888-8
  • (2002). The Haunting of L. Farrar, Straus ISBN 0-374-16825-3
  • (2004). Between Heaven and Earth: Bird tales from around the world. ISBN 0-15-201982-0
  • (2004). My Famous Evening: Nova Scotia sojourns, diaries & preoccupations. ISBN 0-7922-6630-7
  • (2005). In fond Remembrance of Me. ISBN 0-86547-680-2
  • (2007). Devotion. ISBN 978-0-618-73541-9
  • (2008). "On the Trail of a Ghost". National Geographic. 213 (2), 137–149. Washington, DC: National Geographic Society. OCLC 227005140
  • (2010) What Is Left the Daughter ISBN 978-0-618-73543-3
  • (2013). I Hate to Leave This Beautiful Place. ISBN 978-0-547-38542-6
  • (2014). Next Life Might Be Kinder. ISBN 978-0-547-71212-3
  • (2017). My Darling Detective. ISBN 978-0544236103
  • (2019). The Ghost Clause. ISBN 978-0544987296
  • (2024). Come to the Window: A Novel. Publisher: W. W. Norton & Company, ISBN 9781324076339

In 1989, in the same issue of International Journal of American Linguistics, the American Indian language scholar Robert Brightman published an article titled "Tricksters and Ethnopoetics" in which he argued that the trickster cycle which appears in "The Wishing Bone Cycle" was originally recorded by the American linguist Leonard Bloomfield from the Cree story teller Maggie Achenam in 1925 and that Norman took Bloomfield's prose version and rewrote it in more poetic language.

References

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from Grokipedia
Howard Norman is an American novelist, translator, and educator known for his fiction that often draws on the landscapes, history, and melancholy atmosphere of Canada's Maritime Provinces, particularly Nova Scotia. His acclaimed novels, such as The Northern Lights and The Bird Artist, both finalists for the National Book Award in Fiction, explore themes of mystery, loss, and human connection, frequently incorporating elements of folklore and personal introspection. Norman began his literary career in the 1960s and 1970s translating oral literature from Inuit and First Nations traditions, including Cree stories, after spending time working in northern Canada and becoming immersed in Indigenous storytelling. These early experiences profoundly influenced his fiction, which blends narrative techniques drawn from folklore with contemporary settings. He has published numerous novels, including The Museum Guard, The Haunting of L, Devotion, What Is Left the Daughter, and My Darling Detective, as well as memoirs such as In Fond Remembrance of Me and I Hate to Leave This Beautiful Place, and books for children. He has received significant recognition, including the Lannan Award in Literature, three National Endowment for the Arts fellowships, and two National Book Award nominations. Norman teaches in the MFA program in creative writing at the University of Maryland and divides his time between Washington, D.C., and Vermont, while frequently returning to Nova Scotia, a region central to his literary imagination.

Early life

Howard Norman was born on April 4, 1949, in Toledo, Ohio. Limited details are publicly available about his family background and childhood, but his early adulthood involved extensive time in northern Canada, where he engaged with Indigenous communities and began translating oral narratives from Inuit and First Nations traditions. This period shaped his later literary work. Note: Sections regarding an acting career, death in 1992, or Texas residency have been removed as they pertain to a different individual with the same name.
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