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Ida Pollock
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Ida Julia Pollock (née Crowe;[1] 12 April 1908 – 3 December 2013) was a British writer of several short-stories and over 125 romance novels that were published under her married name, Ida Pollock, and under a number of different pseudonyms: Joan M. Allen; Susan Barrie, Pamela Kent, Averil Ives, Anita Charles, Barbara Rowan, Jane Beaufort, Rose Burghley, Mary Whistler and Marguerite Bell. She sold millions of copies over her 90-year career. She has been referred to as the "world's oldest novelist", who was still active at 105 and continued writing until her death.[2] On the occasion of her 105th birthday, Pollock was appointed honorary vice-president of the Romantic Novelists' Association, having been one of its founding members.[3]
Key Information
Ida and her husband, Lt Colonel Hugh Alexander Pollock, DSO (1888–1971), a veteran of war and Winston Churchill's collaborator and editor, had a daughter, Rosemary Pollock, who was also a romance writer. Ida's autobiography, Starlight, published in 2009 at 100 years, tells the story of the start of her career, her marriage, and the relation of her husband with his ex-wife Enid Blyton. She was also an oil painter, who was selected for inclusion in a national exhibition in 2004, at the age of 96.[4]
Biography
[edit]First years
[edit]Born Ida Julia Crowe on 12 April 1908 in Lewisham, Kent, England,[5] she was the daughter of Fanny Osborn, whose father was an architect in Victorian London, and her husband Arthur Crowe, but Pollock claimed to be illegitimate.[6] Still unmarried, her mother began an affair with a supposed Russian duke, but, after her parents' death, her mother married Arthur Crowe, an old widower with a distant connection to Lord Nelson. A year or so later her mother resumed her affair with her Russian lover and became pregnant, but her daughter obtained her husband's surname.[6] Her mother lived alone when Pollock was born, and she narrowly escaped being smothered with a pillow by the nurse who attended her birth.[7] Her mother had a difficult time raising her and she was almost adopted by a rich uncle.[6] Encouraged by her mother, she began to write while still at school. At 14, she published her first thriller, The Hills of Raven's Haunt.[citation needed]
At age 20, she was living with her mother in Hastings and already had several stories in major magazines and short novels in print.[8] She visited George Newnes's office in London, to sell her first full-length manuscript;[7] Palanquins and Coloured Lanterns, a novel set in 1920s Shanghai.[8] Six months later, she discovered they had mislaid it.[9] After they found it, she returned to London to meet one of its editors, the 39-year-old Hugh Alexander Pollock (1888–1971), a distinguished veteran of World War I. Hugh had been married since 1924 to his second wife, the popular children's writer Enid Blyton, and was divorced from his first wife, Marion Atkinson, with whom he had two sons, William Cecil Alexander (1914–16) and Edward Alistair (1915–69). George Newnes bought her manuscript and contracted with her to write two more novels.[7] She became a full-time writer in the 1930s, writing short stories under pseudonyms. Ida decided to travel alone to Morocco, after suffering a mental breakdown.[7]
World War II years and family
[edit]During World War II, Ida worked at a hostel for girls in London during the Blitz; at this time Hugh, who had left publishing to join the Army, was Commandant of a school for Home Guard officers.[10] Hugh had two daughters with Enid Blyton, Gillian Mary (later Baverstock; 1931–2007) and Imogen Mary (later Smallwood; born 1935), but his marriage had difficulties and his wife began a series of affairs. He offered Ida a post as civilian secretary at the Army Training Centre in the Surrey Hills. During a bungled firearms training session on a firing range, Hugh was hit by shrapnel and Ida contacted Enid, who declined to visit her husband because she was busy and hated hospitals.[7]
In 1941, Enid met Kenneth Fraser Darrell Waters, a London surgeon with whom she began another relationship, and the marriage had broken down. In May 1942, while Ida was visiting her mother's home in Hastings a bomb destroyed the house. She escaped unhurt, but her mother was in hospital for two weeks.[7] Hugh paid for Ida to stay at Claridges and he said he was divorcing his wife. To get a quick divorce, Hugh blamed himself for adultery at divorce petition. On 26 October 1943 Ida and Hugh were married at London's Guildhall Register Office, six days after Enid's marriage to Darrell Waters. In 1944 they had a daughter Rosemary Pollock who has also become a romance writer. Enid changed the names of their daughters and Hugh did not see them again, although Enid had promised access as part of his taking the blame for the divorce.[citation needed]
Romance writing career
[edit]After World War II, George Newnes, Hugh's old firm, decided not to work with him anymore. They also represented Enid Blyton and were not willing to let her go. After this the marriage experienced financial problems and, in 1950, Hugh had to declare bankruptcy while he struggled with alcoholism. Ida decided to write popular contemporary romances and sold her first novel to Mills & Boon in 1952. Being in print with several major international publishers at the same time, she decided to use multiple pseudonyms. In the 1950s she wrote as Susan Barrie, Pamela Kent, Rose Burghley, and Mary Whistler to Mills & Boon; as Averil Ives and Barbara Rowan to Ward Lock; as Anita Charles to Wright & Brown; and as Jane Beaufort to Collins. In 1964, she published under her married name, Ida Pollock, her first historical novel, The Gentle Masquerade, and after the success of it, Mills and Boon's "Masquerade" series of historical romances was launched.[8] Under her last pseudonym, Marguerite Bell, she also wrote historical romances. Most of her novels have been reprinted by Mills & Boon (or Harlequin in the United States).
During her marriage she travelled widely and lived in many parts of England. It was their daughter's asthma that brought the Pollocks to Cornwall. They also lived in Ireland, France, Italy, Malta and Switzerland, where they successfully obtained a lasting cure for Rosemary's debilitating condition.[7] Hugh died on 8 November 1971 in Malta, where he is buried in the British military cemetery. After her husband's death, Pollock returned with her daughter to England and they lived for several years in Wiltshire, before moving to Lanreath in 1986. In the 1970s she slowed the rhythm of publication, but continued to write. Besides romances, she published – as Barbara Rowan – a suspense novel, and her novel, A Distant Drum (2005), is based around the Battle of Waterloo. She has been referred to as the "world's oldest novelist" who was still active at 105.[11] After her death, her medieval story: Sir Faintheart was published in 2015, and there are still at least two unpublished Regency romances pending publication, including The Runaway.[2] Today many of her old novels are being reedited.
Later years
[edit]In addition to writing, Ida constructed model houses, usually scale miniatures of Georgian or Tudor buildings. She was also an oil painter, who was selected for inclusion in a national exhibition in 2004, at the age of 96.[8] But her sight deteriorated and she returned to writing.
After her 100th birthday, her autobiography, Starlight, was published on 15 November 2009, and she tells the story of the start of her career, her marriage, and the relation of her husband with his ex-wife Enid Blyton.
In 1960, she was a founding member of the Romantic Novelists' Association, and in 2010 she helped in its 50th anniversary.[7] On the occasion of her 105th birthday, she was appointed its honorary vice-president.
She died 3 December 2013, aged 105.[12]
Bibliography
[edit]As Ida Crowe
[edit]Single novels
[edit]- The Hills of Raven's Haunt, 1922
As Joan M. Allen
[edit]Single novels
[edit]- Palanquins and coloured lanterns, 1930?
- Her Chinese Captor, 1935
- Indian Love, 1935
Single novels
[edit]- Mistress of Brown Furrows, 1952
- Gates of Dawn, 1954
- Marry a Stranger, 1954
- Carpet of dreams, 1955
- Hotel Stardust = Hotel at Treloan, 1955
- Dear Tiberius = Nurse Nolan, 1956
- So Dear to my Heart, 1956
- The House of the Laird, 1956
- Air Ticket, 1957
- Four Roads to Windrush, 1957
- Heart Specialist, 1958
- Stars of San Cecilio, 1958
- The wings of the morning, 1960
- Bride in Waiting, 1961
- Moon at the Full, 1961
- Royal Purple, 1962
- A Case of Heart Trouble, 1963
- Mountain Magic, 1964
- Castle Thunderbird, 1965
- No Just Cause, 1965
- Master of Melincourt, 1966
- Rose in the Bud, 1966
- The Quiet Heart, 1966
- Accidental Bride, 1967
- Victoria and the Nightingale, 1967
- Wild Sonata, 1968
- The Marriage Wheel, 1968/12
- Night of the Singing Birds, 1970/04
Omnibus collections
[edit]- Marry A Stranger / Rose in the Bud / Marriage Wheel, 1976
- House of the Laird / A Case of Heart Trouble / The Quiet Heart, 1976
- Return to Tremarth / Night of the Singing Birds / Bride in Waiting, 1980
Anthologies in collaboration
[edit]- Golden Harlequin Library Vol. X: The Wild Land Isobel Chance / Surgeon for Tonight / Four Roads to Windrush (1971) (with Isobel Chace by Elizabeth Houghton)
- Golden Harlequin Library Vol. XVII: No Silver Spoon / Nurse Nolan / The Time and the Place (1971) (with Jane Arbor and Essie Summers)
- Golden Harlequin Library Vol. XXI: The Doctor's Daughters / Gates of Dawn / The Gift at Snowy River (1972) (with Anne Weale and Joyce Dingwell)
- Children's Nurse / Heart Specialist / Child Friday (1972) (Sara Seale and Kathryn Blair)
- Romance Treasury (1975) (with Karin Mutch and Yvonne Whittal)
- Harlequin Classic Library (1980) (with Elizabeth Hoy, Alex Stuart, Mary Burchell, Juliet Shore, Jean S. MacLeod, Elizabeth Houghton and Jill Tahourdin)
(* Novels reedited as Ida Pollock)
Single novels
[edit]- Moon over Africa*, 1955
- Desert Doorway, 1956
- City of Palms, 1957
- Sweet Barbary, 1957
- Meet Me in Istanbul*, 1958
- Dawn on the High Mountain, 1959
- Flight to the Stars, 1959
- The Chateau of Fire 1961
- Bladon's Rock = Doctor Gaston, 1963
- The Dawning Splendour, 1963
- Enemy Lover 1964
- Gideon Faber's Chance* = Gideon Faber's Choice, 1965
- Star Creek, 1965
- The Gardenia Tree, 1965
- Cuckoo in the Night, 1966
- White Heat, 1966
- Beloved Enemies, 1967
- The Man Who Came Back, 1967
- Desert Gold, 1968
- Man from the Sea, 1968
- Nile Dusk, 1972/12
- Night of Stars, 1975/12
Anthologies in collaboration
[edit]- Golden Harlequin Library Vol. VIII: Choose The One You'll Marry / Sweet Barbary / Senior Surgeon at St. David's (1970) (with Mary Burchell and Elizabeth Gilzean)
Single novels
[edit]- Haven of the Heart, 1956
- The Secret Heart, 1956
- Doctor's Desire = Desire for the Star, 1957
- The Uncertain Glory = Nurse Linnet's Release, 1957
- Island in the Dawn, 1958
- Love in Sunlight = Nurse for the Doctor, 1958
- Master of Hearts, 1959
Omnibus collections
[edit]- Island in the Dawn / Fox and His Vixen, 1975
Single novels
[edit]- The Black Benedicts, 1956
- My Heart at Your Feet, 1957
- One Coin in the Fountain, 1957
- Interlude for Love, 1958
- The Moon and Bride's Hill, 1958
- Autumn Wedding, 1962
- The King of the Castle, 1963
- White Rose of Love, 1963
Single novels
[edit]- Silver Fire = In Care of the Doctor, 1956
- Flower for a Bride, 1957
- Love is Forever, 1957
- Mountain of Dreams, 1958
- The Keys of the Castle, 1959
- House of Sand, 1986/08
Anthologies in collaboration
[edit]- Golden Harlequin Library Vol. XXXIII: Flower for a Bride / Bachelors Galore / Hope for the Doctor (1970) (with Essie Summers and Margaret Malcolm)
- Tuesday's Jillaroo / Fires of Toretta / The Keys of the Castle (1985) (with Kerry Allyne and Iris Danbury)
Single novels
[edit]- A Nightingale in the Sycamore, 1957
- Dangerous Lover = Dangerous Love, 1959
- Love in High Places, 1960
- A Quest for Lovers, 1963
- Interlude in Snow, 1964
Single novels
[edit]- (* Novels reedited as Susan Barrie)
- And Be Thy Love, 1958
- Love in the Afternoon, 1959
- The Sweet Surrender, 1959
- Bride by Arrangement, 1960
- A Moment in Paris, 1961
- Highland Mist, 1962
- The Garden of Don Jose*, 1965/06
- Man of Destiny, 1965/10
- A Quality of Magic, 1966
- The Afterglow = Alpine Doctor, 1966
- Bride of Alaine, 1966/10
- Folly of the Heart, 1967/04
- The Bay of Moonlight, 1968/01
- Return to Tremarth*, 1969/08
Anthologies in collaboration
[edit]- Golden Harlequin Library Vol. XXV: And be Thy Love / Doctor Memsahib / Black Charles (1962) (with Juliet Shore and Esther Wyndham)
Single novels
[edit]- Enchanted Autumn, 1959
- Escape to Happiness, 1960
- Sunshine Yellow, 1961
- Pathway of Roses, 1962
- The Young Nightingales, 1967
Single novels
[edit]- The Gentle Masquerade, 1964
- The Uneasy Alliance, 1965
- Lady in danger, 1967
- Summer Conspiracy 1969/02
- Country Air, 1970/08
Timeline Series
[edit]- Sir Faintheart, 2015/04
Non fiction
[edit]- Starlight, 2009
(* Novels reedited as Ida Pollock)
Single novels
[edit]- A Rose for Danger*, 1977/05
- The Devil's Daughter* 1978/07
- Bride by Auction, 1989/11
- Sea Change 2002/07
- A Distant Drum, 2005/01
Anthologies in collaboration
[edit]- The Runaways / Eleanor and the Marquis / A Rose for Danger / The Secret of Val Verde (1977) (with Jane Wilby, Judith Polley and Julia Herbert)
- Eleanor and the Marquis / The Runaways / A Rose for Danger / Puritan Wife (1977) (with Jane Wilby, Judith Polley and Elizabeth De Guise)
References and sources
[edit]- ^ crimefictioniv
- ^ a b World's oldest romantic novelist Ida Pollock releases 124th book at age of 105
- ^ Author Ida, 105, hailed by fellow novelists, archived from the original on 7 July 2013
- ^ Ida Pollock's Gallery, retrieved 9 December 2008
- ^ Ida Pollock at Saatchi Online
- ^ a b c d e f g h Ida's life is every bit as dramatic as her many novels
- ^ "Ida Pollock – obituary". The Daily Telegraph. 12 December 2013. Retrieved 30 April 2014.
- ^ House of Stratus, Ida Pollock, archived from the original on 5 August 2010
- ^ Ida Pollock becomes RNA Honorary Vice President. 105 years old and still writing
- ^ Williams, John (6 December 2013). "Lanreath romantic novelist Ida Pollock dies, aged 105". This Is Cornwall. Archived from the original on 6 December 2013. Retrieved 6 December 2013.
- ^ Susan Barrie in Fantastic Fiction, archived from the original on 29 August 2008, retrieved 10 October 2008
- ^ Pamela Kent in Fantastic Fiction, archived from the original on 5 December 2008, retrieved 10 October 2008
- ^ Averil Ives in Fantastic Fiction, archived from the original on 8 January 2009, retrieved 10 October 2008
- ^ Anita Charles in Fantastic Fiction, archived from the original on 7 January 2009, retrieved 10 October 2008
- ^ Barbara Rowan in Fantastic Fiction, archived from the original on 11 October 2008, retrieved 10 October 2008
- ^ Jane Beaufort in Fantastic Fiction, retrieved 10 October 2008[permanent dead link]
- ^ Rose Burghley in Fantastic Fiction, archived from the original on 14 February 2009, retrieved 10 October 2008
- ^ Mary Whistler in Fantastic Fiction, archived from the original on 3 December 2008, retrieved 10 October 2008
- ^ Ida Pollock in Fantastic Fiction, retrieved 10 October 2008
- ^ Marguerite Bell in Fantastic Fiction, archived from the original on 13 February 2009, retrieved 10 October 2008
Ida Pollock
View on GrokipediaBiography
Early life and education
Ida Julia Crowe, known later as Ida Pollock, was born on 12 April 1908 in Lewisham, then part of Kent and now in south-east London, to the unmarried Fanny Osborn. Her mother later married Arthur Crowe, an old widower, and Ida took his surname. Pollock later claimed to have been born illegitimate, with her mother raising her as a single parent amid challenging family dynamics; some accounts suggest her biological father was a supposed Russian duke her mother met at a ball in Greenwich.[4][5] Osborn, who harbored a deep love of reading, became a profound influence on her daughter's early interests.[5] This maternal passion for literature exposed Pollock to books from a young age, fostering her self-taught knowledge through extensive reading rather than formal advanced studies.[3] Pollock's childhood was marked by an early determination to pursue writing. At the age of 10, she decided to become a writer, inspired by the stories she devoured and her mother's encouragement, who even purchased a typewriter to support her ambitions.[6] She began crafting fiction in her early teens, honing her skills while navigating a modest upbringing in south-east London.[3] Formally, Pollock attended Manor Lane School, where her talent emerged early; she won a prize for composition, and one of her initial short stories was published in the Christian Herald, earning her five shillings.[4] By age 14, in 1922, she completed and published her first novel, the thriller The Hills of Raven's Haunt, marking the beginning of her lifelong commitment to writing.[7]Marriage and family
Ida Pollock first encountered Hugh Alexander Pollock, a lieutenant colonel and World War I veteran, in the 1930s while visiting his publishing office, but their relationship deepened during the early years of World War II when they reconnected amid the uncertainties of the conflict.[6] On 26 October 1943, shortly after Hugh's divorce from children's author Enid Blyton, the couple married at London's Guildhall Register Office.[6][8] Hugh, who had left his editorial role at the publishing house George Newnes to serve as commandant of a Home Guard officers' school, shared Ida's passion for literature; he had collaborated with Winston Churchill on writings about World War I, fostering their mutual literary interests.[8][9] The war profoundly shaped their early marriage, with Ida working at a hostel for girls in London during the Blitz, where she endured intense bombing raids—one in 1942 nearly killed her while Hugh was stationed overseas.[6] These wartime pressures, including frequent relocations across England to evade dangers and adapt to Hugh's military duties, tested their resilience but also drew them closer, as Ida began honing her writing skills amid the upheaval, producing short stories to cope with the era's hardships.[6] In 1944, their daughter Rosemary was born in Guildford, Surrey, adding joy to their lives; Rosemary later followed in her parents' footsteps as a romance novelist.[6][8] Hugh's career as an editor and his connections in the publishing world provided a supportive environment for Ida's emerging authorship, though financial strains from the postwar period, including his 1950 bankruptcy after a war memoir project, influenced their family dynamics.[10] The couple enjoyed a partnership rooted in shared creativity until Hugh's death on 8 November 1971 in Malta, where they had settled in later years.[11][6]Later life and death
Following the death of her husband Hugh in 1971, Ida Pollock returned to England with her daughter Rosemary and resided in Wiltshire for several years before relocating to Lanreath, Cornwall, in 1986, where she spent the remainder of her life.[12] In Lanreath, Pollock engaged in hobbies such as oil painting and constructing model houses, often creating detailed scale miniatures of Georgian or Tudor-style buildings. Her oil paintings earned recognition when one was selected for a national exhibition at the Mall Galleries in 2004, at the age of 96.[13] Pollock maintained her writing productivity well into advanced age, dictating manuscripts to her daughter until she was 105, and was acknowledged as the world's oldest active novelist at that time.[1][14] She died peacefully on 3 December 2013 in a nursing home near her home in Lanreath, Cornwall, at the age of 105. Pollock was survived by her daughter Rosemary, a romance novelist who assisted with her mother's later works.[1][3]Writing career
Early publications
Ida Pollock began her writing career in her teenage years, publishing short stories that reflected her early interest in fiction, inspired by her mother's love of reading. These initial contributions appeared in various periodicals during the 1920s, marking her entry into professional writing while still a student.[3][15] By the 1930s, Pollock had begun publishing novels under variations of her maiden name, Ida Crowe, and the pseudonym Joan M. Allen. This period involved experimentation with genres outside romance, including adventure and exotic settings, as she sought to establish herself in a competitive literary market. Her early novels were published through independent outlets predating her later association with Mills & Boon.[15][16] A notable example from this phase is Coloured Palanquins and Coloured Lanterns, published in the mid-1930s under Joan M. Allen, which is set in 1920s Shanghai and explores themes of cultural intrigue and personal adventure. This work represented her first full-length novel and demonstrated her ability to blend descriptive narrative with international locales, drawing from her growing interest in global travel.[16][3]Romance novels under pseudonyms
Ida Pollock began her romance writing career in 1952 when she sold her first novel to Mills & Boon, marking the start of a prolific output that resulted in over 125 romance novels published primarily through the company.[17] This partnership with Mills & Boon, the British precursor to Harlequin, allowed her to focus on contemporary romances that emphasized emotional depth and exotic settings, contributing to her long-term success in the genre.[3] To maximize her productivity and broaden her market presence, Pollock adopted a strategy of writing under multiple pseudonyms, enabling her to release several books annually without oversaturating the market under a single name. At one point, she published up to 40 novels in five years across different identities. Key pseudonyms included Susan Barrie, under which she wrote over 25 novels; Pamela Kent, with dozens of titles; Rose Burghley, accounting for around 13 works; and others such as Averil Ives, Mary Whistler, and Anita Charles, each contributing significantly to her total output of more than 70 books specifically for Mills & Boon.[18][19][20][3] Pollock maintained an active writing career for over six decades, continuing to produce novels into her later years and dictating her final works until shortly before her death in 2013 at age 105. Her books achieved substantial commercial success, with millions of copies sold worldwide over nine decades, appealing to a dedicated readership through their blend of romance and adventure.[21][22][1]Autobiography and other works
In addition to her extensive body of romance fiction, Ida Pollock ventured into non-fiction with her autobiography Starlight: A Memoir, published in November 2009 by New Generation Publishing when she was 100 years old. The memoir chronicles her personal life, from her childhood inspirations drawn from her mother's love of reading to her marriage, travels, and the evolution of her prolific writing career spanning over eight decades. It provides intimate reflections on her creative process, including how she began crafting stories as a teenager and adapted to various genres and pseudonyms throughout her professional journey.[23] Under her own name, Pollock authored historical novels that diverged from her typical contemporary romances, blending period settings with dramatic narratives. Her debut in this vein, The Gentle Masquerade (1964), marked a successful shift toward historical fiction, exploring Regency-era intrigue and romance, which encouraged further publications in the genre by Mills & Boon. Much of her historical output retained romantic elements while emphasizing historical accuracy and character-driven plots. Pollock also explored divergent genres under the pseudonym Barbara Rowan, including a suspense novel, House of Sand (1986), which combines mystery, thriller elements, and interpersonal drama in an exotic setting threatened by modernization. Additionally, she penned two children's and young adult books under this name: Denial of Rights (1991) and Igor and Mom (1991), aimed at younger readers with themes of family, rights, and everyday adventures. These works represent her experimentation beyond adult romance, showcasing her versatility in crafting engaging stories for diverse audiences.[24][25] Following her death in 2013, two Regency-era romances—her 124th and 125th novels—were published posthumously in 2014, along with her medieval tale Sir Faintheart in April 2015 as part of the Timeline series, offering a short, evocative story of chivalry and faint-hearted heroism in a historical context.[1][26] Throughout her career, she contributed short stories to various publications, often outside her primary romance focus, including early pieces inspired by global travels and personal observations that appeared in magazines during the mid-20th century. These contributions highlighted her skill in concise narrative forms and added depth to her literary output.Themes and legacy
Recurring themes
Ida Pollock's romance novels frequently featured character archetypes centered on handsome, older male protagonists paired with inexperienced young female leads, reflecting a dynamic where the hero provides maturity, worldliness, and reassurance to the heroine.[1][27] These archetypes emphasized the appeal of the older man as more interesting and capable of guiding the narrative's emotional journey, often portraying the heroine as a virgin navigating unfamiliar romantic territories.[5][28] Her stories commonly unfolded in diverse settings, including exotic, far-flung locations, historical backdrops, and the British countryside, creating grand and dramatic environments that heightened the romantic tension.[1][27] Chance meetings in such places—on trains, cruises, or during isolation like being snowed in—served as catalysts for the plots, blending everyday escapism with adventurous locales.[27] These backdrops often incorporated elements of mystery and movement, transforming simple romances into tales of discovery and reunion.[29] Central plot elements included themes of forbidden love, social class differences, and emotional growth, where protagonists overcame barriers like societal expectations or past misunderstandings to achieve union.[5] Infidels and reunited lovers frequently appeared, underscoring resilience and the triumph of hope over adversity, with chaste kisses symbolizing pure affection rather than physical intensity.[5][28] Over her decades-long career, Pollock's themes evolved from postwar escapism, offering readers relief through hopeful narratives amid global uncertainties, to later works incorporating greater introspection on personal maturity and relational depth.[22] This progression aligned with broader shifts in romance fiction, adapting to societal changes while maintaining a focus on emotional resolution.[30] Pollock's style remained consistently clean and wholesome, prioritizing emotional depth and romance over explicit content, which positioned her novels as vehicles for inspiration and fantasy without sensationalism.[22][29] Her emphasis on adventure intertwined with heartfelt connections ensured accessibility and enduring appeal in the genre.[29]Recognition and influence
Ida Pollock gained widespread recognition in her later years for her extraordinary longevity and productivity as a romance novelist, earning the title of the world's oldest working novelist at age 105. Despite her advanced age, she continued writing actively until shortly before her death in 2013, dictating her manuscripts to her daughter and releasing her 124th novel that year, with a 125th posthumously published. This remarkable endurance highlighted her as an inspirational figure for writers, emphasizing persistence and creativity over decades in the genre.[3][31][32] In 2013, on her 105th birthday, Pollock was appointed honorary vice-president of the Romantic Novelists' Association (RNA), an organization she had co-founded in the 1960s to support and promote romantic fiction. This honor acknowledged her foundational role in elevating the status of romance writing in the UK literary scene, where she contributed to its professionalization through her extensive output of over 120 novels, many published by Mills & Boon. While she received no major literary awards during her career, her recognition stemmed from her sheer volume of work—selling millions of copies worldwide—and her embodiment of the genre's enduring appeal.[3][5][7] Pollock's influence extended to her family and the broader romance community, notably inspiring her daughter, Rosemary Pollock, who also became a successful romance novelist and assisted in transcribing her mother's later works. Media coverage amplified her legacy, including interviews on BBC Radio Cornwall where she discussed her early writing and a Telegraph obituary that celebrated her as a prolific author of chaste love stories featuring independent heroines. Her career served as a model for aspiring writers, demonstrating how romance literature could provide escapism and emotional refuge, as evidenced by the daily letters of appreciation from readers throughout her life.[5][3][4]Bibliography
As Ida Crowe
Under the pseudonym Ida Crowe—her maiden name—Ida Pollock published a single novel, marking her youthful debut in the thriller genre. The Hills of Raven's Haunt (1922) was written and completed when Pollock was 14 years old, distinguishing it as a mystery rather than the romance fiction that defined her later career.[7][27][32] This early work appeared through modest early 20th-century publishing channels, with Pollock's output limited to this one title under the name, reflecting her initial foray into professional writing before shifting pseudonyms and genres.[7]As Joan M. Allen
Under the pseudonym Joan M. Allen, Ida Pollock produced a limited body of work in the 1930s, consisting of approximately 40 novels over five years that represented a transitional phase from her initial short fiction to her later focus on structured romance narratives. These publications built on her early writing experiences in the 1920s, shifting toward longer-form general fiction infused with exotic locales and adventurous plots. Many of these early novels remain obscure and are not fully cataloged in modern databases.[16] A representative example is her debut novel under this name, Coloured Palanquins and Coloured Lanterns, published in the mid-1930s and set amid the intrigue of China.[16] This work exemplifies the pre-romance style of the period, blending elements of travel and cultural exoticism in a narrative driven by atmospheric descriptions of Eastern settings rather than conventional romantic tropes.[16] The novel's publication marked Pollock's emergence as a professional author, with its evocative title reflecting the palanquins—traditional Chinese litters—and colorful lanterns that symbolized the story's oriental allure.[16] These Joan M. Allen titles were characterized by their brevity and episodic structure, often exploring peril and rescue in distant lands, serving as a bridge to the more formulaic romances she would develop under subsequent pseudonyms. Despite their commercial success at the time, few details survive about the full catalog, underscoring the transitional nature of this output in her prolific career.As Susan Barrie
Under the pseudonym Susan Barrie, Ida Pollock produced over 30 romance novels, primarily published by Mills & Boon, spanning from 1952 to 1970. These works focused on contemporary romantic themes, often featuring strong female protagonists navigating love, career, and social expectations in British and international settings.[6] Representative single novels include:- Mistress of Brown Furrows (1952)
- The Gates of Dawn (1954)
- Marry a Stranger (1954)
- Carpet of Dreams (1955)
- Hotel Stardust (also published as Hotel at Treloan, 1955)
- Dear Tiberius (also published as Nurse Nolan, 1956)
- The House of the Laird (1956)
- So Dear to My Heart (1956)
- Air Ticket (1957)
- Four Roads to Windrush (1957)
- Heart Specialist (1958)
- The Stars of San Cecilio (1958)
- The Wings of the Morning (1960)
- Moon at the Full (1961)
- Bride in Waiting (1961)
- Royal Purple (1962)
- A Case of Heart Trouble (1963)
- Mountain Magic (1964)
- Castle Thunderbird (1965)
- Master of Melincourt (1966)
- The Quiet Heart (1966)
- Rose in the Bud (1966)
- Accidental Bride (1967)
- Victoria and the Nightingale (1967)
- The Marriage Wheel (1968)
- Wild Sonata (1968)
- Return to Tremarth (1969)
- Night of the Singing Birds (1970)
As Pamela Kent
Under the pseudonym Pamela Kent, Ida Pollock authored 23 romance novels, primarily published between 1955 and 1975, which often featured exotic international settings such as Africa, the Middle East, Istanbul, and various European locales.[6] These works emphasized romantic adventures in distant and culturally rich environments, drawing from Pollock's own travels.[6] No collaborative anthologies are attributed to this pseudonym based on available bibliographic records.[6] The following is a chronological list of her novels as Pamela Kent:- Moon Over Africa (1955)[6]
- Desert Doorway (1956)[6]
- City of Palms (1957)[6]
- Sweet Barbary (1957)[6]
- Meet Me in Istanbul (1958)[6]
- Flight to the Stars (1959)[6]
- The Chateau of Fire (1961)[6]
- Dawn On the High Mountain (1961)[6]
- Journey in the Dark (1962)[6]
- Bladon's Rock (1963; also published as Doctor Gaston)[6]
- The Dawning Splendour (1963)[6]
- Enemy Lover (1964)[6]
- The Gardenia Tree (1965)[6]
- Gideon Faber's Chance (1965; also published as Gideon Faber's Choice)[6]
- Cuckoo in the Night (1966)[6]
- White Heat (1966)[6]
- Beloved Enemies (1967)[6]
- The Man Who Came Back (1967)[6]
- Desert Gold (1968)[6]
- Man from the Sea (1968)[6]
- Nile Dusk (1972)[6]
- Star Creek (1975)[6]
- Night of Stars (1975)[6]
As Averil Ives
Under the pseudonym Averil Ives, Ida Pollock published seven romance novels in the late 1950s, focusing on themes of love, medical professions, and exotic settings typical of mid-20th-century popular romance.[6] These single novels, primarily issued by publishers such as Mills & Boon and Ward Lock, include:- Haven of the Heart (1956)
- The Secret Heart (1956)
- Desire for the Star (1957; also published as Doctor's Desire)
- The Uncertain Glory (1957; also published as Nurse Linnet's Release)
- Island in the Dawn (1958)
- Love in the Sunlight (1958; also published as Nurse for the Doctor)
- Master of Hearts (1959)
As Anita Charles
Under the pseudonym Anita Charles, Ida Pollock authored eight single romance novels, published by Wright & Brown between 1956 and 1963. These works exemplify her early career output in the genre, featuring standalone stories of love, often set in picturesque or dramatic locales, without series continuations or anthologies.[38][6] The novels include:- The Black Benedicts (1956)[39]
- My Heart at Your Feet (1957)[40]
- One Coin in the Fountain (1957)
- Interlude for Love (1958)
- The Moon and Bride's Hill (1958)
- Autumn Wedding (1962)
- The King of the Castle (1963)
- White Rose of Love (1963)
As Barbara Rowan
Under the pseudonym Barbara Rowan, Ida Pollock published a diverse array of works spanning romance, suspense, and young adult fiction, diverging from the predominantly romantic output of her other pseudonyms. This body of work includes five romance novels primarily from the late 1950s, one suspense novel blending mystery and romance elements, and two young adult books focused on adolescent experiences.[6][24][41]Romance Novels
- Silver Fire (1956), also published as In Care of the Doctor.[6]
- Flower for a Bride (1957).[6]
- Love Is for Ever (1957).[6]
- Mountain of Dreams (1958).[6]
- The Keys of the Castle (1959).[6] These titles exemplify Pollock's early career focus on romantic narratives, often set in evocative locations with themes of love and personal discovery.[24]
Suspense Novel
- House of Sand (1986), a gripping thriller incorporating mystery and romantic tension, marking a departure into suspense territory within her oeuvre.[6][41]
Young Adult Fiction
- Igor and Mom (1990), a story exploring family dynamics suitable for younger readers.[6][42]
- Denial of Rights (1991), centering on fifteen-year-old Lindsey Crawford's experiences in a short-term care facility, addressing themes of institutional challenges and personal growth.[6][42]
As Jane Beaufort
Under the pseudonym Jane Beaufort, Ida Pollock published five single romance novels between 1957 and 1964, focusing on themes of love and adventure in contemporary settings.[6] These works, primarily issued by Mills & Boon, include:- A Nightingale in the Sycamore (1957), a story of romance amid family tensions.[6]
- Dangerous Lover (1959), also known as Dangerous Love, exploring perilous attractions.[6]
- Love in High Places (1960), set against an Austrian backdrop of high-society intrigue.[6]
- A Quest for Lovers (1963), detailing a journey toward romantic fulfillment.[6]
- Interlude in Snow (1964), featuring a winter romance with emotional depth.[6]
As Rose Burghley
Under the pseudonym Rose Burghley, Ida Pollock authored numerous romance novels, primarily published between 1958 and 1969, focusing on themes of love, destiny, and exotic settings typical of mid-20th-century popular fiction.[6] These single novels contributed to her extensive output for publishers like Mills & Boon and Harlequin, with titles often reissued in omnibus collections of her own works. Some titles, such as Return to Tremarth, were re-edited under other pseudonyms like Susan Barrie.[34] Her Rose Burghley bibliography includes the following titles:- And Be Thy Love (1958)[6]
- Love in the Afternoon (1959)[6]
- The Sweet Surrender (1959)[6]
- Bride By Arrangement (1960)[6]
- A Moment in Paris (1961)[6]
- Highland Mist (1962)[6]
- The Garden of Don Jose (1964)[6]
- Man of Destiny (1965)[6]
- The Afterglow (1966; also published as Alpine Doctor)[6]
- Bride of Alaine (1966)[6]
- A Quality of Magic (1966)[6]
- Folly of the Heart (1967)[6]
- The Bay of Moonlight (1968)[6]
- Return to Tremarth (1969)[6]
As Mary Whistler
Under the pseudonym Mary Whistler, Ida Pollock authored a series of single romance novels published primarily by Mills & Boon, with subsequent reissues by Harlequin in the late 1960s and 1970s. These works typically explored themes of romantic escape, personal transformation, and emotional fulfillment against picturesque backdrops, aligning with the conventions of mid-20th-century category romance.[18] The pseudonym was one of several Pollock employed for her prolific output to Mills & Boon, allowing her to produce dozens of titles over decades.[4] The following table lists the single novels attributed to Mary Whistler, including original publication details and notable reissues where applicable:| Title | Original Publisher and Year | Harlequin Reissue (Year and Number) |
|---|---|---|
| Enchanted Autumn | Mills & Boon (1959) | Harlequin Romance #1151 (1968) |
| Escape to Happiness | Mills & Boon (1960) | Harlequin Romance #1965 (1976) |
| Sunshine Yellow | Mills & Boon (1961) | Harlequin Romance #1194 (1968) |
| Pathway of Roses | Mills & Boon (1962) | Harlequin Romance #1550 (1971) |
| The Young Nightingales | Mills & Boon (1967) | Harlequin Romance #1228 (1968) |
As Ida Pollock
Ida Pollock began publishing historical romances under her own name in the mid-1960s, following the success of her earlier works under pseudonyms. These novels, often featuring Regency-era settings and themes of intrigue and romance, were issued by Mills & Boon and marked a shift toward more overt historical fiction in her oeuvre.[18][8] Her single novels under this byline include:- The Gentle Masquerade (1964), a tale of deception and budding affection amid aristocratic society.[18]
- The Uneasy Alliance (1965), exploring tensions in a forced partnership during the Regency period.[18]
- Lady in Danger (1967), centered on a heroine navigating peril and romance in early 19th-century England.[18]
- Summer Conspiracy (1969), involving secretive plots and emotional entanglements in a rural estate.[18]
- Country Air (1970), depicting life and love in the English countryside during the Regency era.[18]
As Marguerite Bell
Under the pseudonym Marguerite Bell, Ida Pollock specialized in historical romances, producing a select body of work that emphasized Regency-era intrigue, Napoleonic tensions, and romantic entanglements in period settings. This final pseudonym, introduced in the late 1970s, represented her shift toward more exclusively historical narratives as she entered the later decades of her prolific career, with publications spanning from 1977 to 2005.[49][50] Pollock's output under Marguerite Bell included five single novels, all published by Harlequin as part of their historical romance line, featuring strong-willed heroines confronting societal constraints and passionate conflicts. These works drew on her established storytelling prowess, blending adventure, emotional depth, and historical authenticity without venturing into contemporary themes. Representative examples highlight her ability to evoke vivid 19th-century atmospheres, such as the social whirl of London or the perils of wartime Europe.[49] In the 1980s, Pollock released Bride by Auction (1989), a tale of an unconventional marriage arrangement amid Regency high society, underscoring themes of independence and unforeseen alliances that characterized her later historical explorations. This publication aligned with her sustained productivity during the decade, as she continued to refine her focus on empowered female protagonists navigating rigid class structures.[49] Her Marguerite Bell novels extended into the 1990s and early 2000s, effectively bookending her career with evocative period pieces. Sea Change (2002), set against the backdrop of Anglo-French hostilities in 1803, follows a captain's wife entangled in kidnapping and espionage, illustrating Pollock's skill in weaving romance with geopolitical drama. The series concluded with A Distant Drum (2005), where a young widow grapples with family obligations and a marquis during the Battle of Waterloo, marking a poignant capstone to her historical oeuvre under this name. These later works, published well into her nineties, demonstrated her enduring commitment to the genre and contributed to her reputation as a versatile romance author.[50]| Title | Publication Year | Key Setting and Theme |
|---|---|---|
| A Rose for Danger | 1977 | Regency England; desire, mystery, and rival suitors testing a heroine's resolve.[51] |
| The Devil's Daughter | 1978 | 1816 London; clash of wills between a determined woman and a marquess in high society.[49] |
| Bride by Auction | 1989 | Regency era; a forced marriage leading to unexpected passion and social upheaval. |
| Sea Change | 2002 | 1803 England-France tensions; abduction, loyalty, and romance amid naval intrigue. |
| A Distant Drum | 2005 | Napoleonic Wars (Waterloo); family duty, scandal, and rekindled affections in wartime. |
