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Igo Sym
Karol Juliusz "Igo" Sym (3 July 1896 – 7 March 1941) was a Polish actor and collaborator with Nazi Germany. He was killed in Warsaw by members of the Polish resistance movement.
Sym was born in Innsbruck, the son of Anton Sym, a Pole from Niepołomice in Galicia, and his Austrian wife, Julia (née Sepp). During World War I he served in the Austro-Hungarian Army, becoming a lieutenant. After the war, he served in the Polish Armed Forces infantry in the rank of a First Lieutenant, until in 1921 he took up the job of a bank attorney.
Sym's screen debut took place in 1925 with the role of Tadeusz Wyzewicz, a lawyer, in the Polish silent film Vampires of Warsaw (of which no copy is known to exist). Handsome and athletic, he often played aristocrats and army officers. In 1927 he left for Vienna, where he signed a contract with the Sascha-Film production company. In late 1920s Sym worked mainly in Austria and Germany, appearing with such actresses as Marlene Dietrich, Anny Ondra and Lilian Harvey in silent movies like Die Pratermizzi and Café Elektric directed by Gustav Ucicky.
At the beginning of the 1930s, Sym returned to Poland and settled in Warsaw. He largely ceased working in motion pictures, instead appearing on the Warsaw theatre stage. He entertained by singing, dancing and playing the musical saw; he notably taught Dietrich to play the instrument.
After the Invasion of Poland on 1 September 1939, Sym stayed in German-occupied Warsaw. Known before the war for his pro-German stance, the actor signed the Volksliste, thus becoming a Volksdeutscher. Due to his fame, the Germans considered him an asset in legitimizing their authority. The General Government's propaganda department therefore made him director of Warsaw's Theater der Stadt Warschau, formerly Teatr Polski (the Polish Theater). Sym was also director of the Nur für Deutsche cinema, the Helgoland (formerly the Palladium), and licensee of the Teatr Komedia.[citation needed]
Sometime in late 1939, Sym became a Gestapo agent. According to preserved documents, he had collaborated with Berlin since before 1 September 1939. At the beginning of the war he helped set a trap which caught actress Hanka Ordonówna (who had been Sym's prewar screen partner and a friend from Warsaw's theaters).[citation needed] Polish resistance quickly learned about this, and a group of agents led by Teatr Komedia actor Roman Niewiarowicz started tracking Sym's activities.[citation needed]
On 10 October 1941, the film Heimkehr debuted in Berlin's Ufa-Palast am Zoo cinema. The Nazi propaganda movie directed by Gustav Ucicky told a story about the pre-1939 German minority in Poland's Volhynia, resettled during Nazi–Soviet population transfers.[citation needed]
The Germans, presented as noble, peace-loving people, were brutally persecuted by vicious Poles. In the final scene, Polish soldiers lead arrested Germans to execution; however, Wehrmacht airplanes and tanks appear, saving the community. Sym did not perform in the film, but he actively collaborated in its production, casting Polish actors who were more or less willing to take part.[citation needed] Several actors refused, including Kazimierz Junosza-Stępowski. Sym finally found some actors who were accepted by director Ucicky. After the war, these actors were punished for collaborating with the Germans.[citation needed]
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Igo Sym
Karol Juliusz "Igo" Sym (3 July 1896 – 7 March 1941) was a Polish actor and collaborator with Nazi Germany. He was killed in Warsaw by members of the Polish resistance movement.
Sym was born in Innsbruck, the son of Anton Sym, a Pole from Niepołomice in Galicia, and his Austrian wife, Julia (née Sepp). During World War I he served in the Austro-Hungarian Army, becoming a lieutenant. After the war, he served in the Polish Armed Forces infantry in the rank of a First Lieutenant, until in 1921 he took up the job of a bank attorney.
Sym's screen debut took place in 1925 with the role of Tadeusz Wyzewicz, a lawyer, in the Polish silent film Vampires of Warsaw (of which no copy is known to exist). Handsome and athletic, he often played aristocrats and army officers. In 1927 he left for Vienna, where he signed a contract with the Sascha-Film production company. In late 1920s Sym worked mainly in Austria and Germany, appearing with such actresses as Marlene Dietrich, Anny Ondra and Lilian Harvey in silent movies like Die Pratermizzi and Café Elektric directed by Gustav Ucicky.
At the beginning of the 1930s, Sym returned to Poland and settled in Warsaw. He largely ceased working in motion pictures, instead appearing on the Warsaw theatre stage. He entertained by singing, dancing and playing the musical saw; he notably taught Dietrich to play the instrument.
After the Invasion of Poland on 1 September 1939, Sym stayed in German-occupied Warsaw. Known before the war for his pro-German stance, the actor signed the Volksliste, thus becoming a Volksdeutscher. Due to his fame, the Germans considered him an asset in legitimizing their authority. The General Government's propaganda department therefore made him director of Warsaw's Theater der Stadt Warschau, formerly Teatr Polski (the Polish Theater). Sym was also director of the Nur für Deutsche cinema, the Helgoland (formerly the Palladium), and licensee of the Teatr Komedia.[citation needed]
Sometime in late 1939, Sym became a Gestapo agent. According to preserved documents, he had collaborated with Berlin since before 1 September 1939. At the beginning of the war he helped set a trap which caught actress Hanka Ordonówna (who had been Sym's prewar screen partner and a friend from Warsaw's theaters).[citation needed] Polish resistance quickly learned about this, and a group of agents led by Teatr Komedia actor Roman Niewiarowicz started tracking Sym's activities.[citation needed]
On 10 October 1941, the film Heimkehr debuted in Berlin's Ufa-Palast am Zoo cinema. The Nazi propaganda movie directed by Gustav Ucicky told a story about the pre-1939 German minority in Poland's Volhynia, resettled during Nazi–Soviet population transfers.[citation needed]
The Germans, presented as noble, peace-loving people, were brutally persecuted by vicious Poles. In the final scene, Polish soldiers lead arrested Germans to execution; however, Wehrmacht airplanes and tanks appear, saving the community. Sym did not perform in the film, but he actively collaborated in its production, casting Polish actors who were more or less willing to take part.[citation needed] Several actors refused, including Kazimierz Junosza-Stępowski. Sym finally found some actors who were accepted by director Ucicky. After the war, these actors were punished for collaborating with the Germans.[citation needed]
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