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Igo Sym
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Karol Juliusz "Igo" Sym (3 July 1896 – 7 March 1941) was a Polish actor and collaborator with Nazi Germany. He was killed in Warsaw by members of the Polish resistance movement.
Key Information
Early career
[edit]This section needs additional citations for verification. (February 2022) |
Sym was born in Innsbruck, the son of Anton Sym, a Pole from Niepołomice in Galicia, and his Austrian wife, Julia (née Sepp). During World War I he served in the Austro-Hungarian Army, becoming a lieutenant. After the war, he served in the Polish Armed Forces infantry in the rank of a First Lieutenant, until in 1921 he took up the job of a bank attorney.
Sym's screen debut took place in 1925 with the role of Tadeusz Wyzewicz, a lawyer, in the Polish silent film Vampires of Warsaw (of which no copy is known to exist). Handsome and athletic, he often played aristocrats and army officers. In 1927 he left for Vienna, where he signed a contract with the Sascha-Film production company. In late 1920s Sym worked mainly in Austria and Germany, appearing with such actresses as Marlene Dietrich, Anny Ondra and Lilian Harvey in silent movies like Die Pratermizzi and Café Elektric directed by Gustav Ucicky.
At the beginning of the 1930s, Sym returned to Poland and settled in Warsaw. He largely ceased working in motion pictures, instead appearing on the Warsaw theatre stage. He entertained by singing, dancing and playing the musical saw;[1] he notably taught Dietrich to play the instrument.[2]
Collaboration
[edit]After the Invasion of Poland on 1 September 1939, Sym stayed in German-occupied Warsaw. Known before the war for his pro-German stance, the actor signed the Volksliste, thus becoming a Volksdeutscher.[3] Due to his fame, the Germans considered him an asset in legitimizing their authority. The General Government's propaganda department therefore made him director of Warsaw's Theater der Stadt Warschau, formerly Teatr Polski (the Polish Theater). Sym was also director of the Nur für Deutsche cinema, the Helgoland (formerly the Palladium), and licensee of the Teatr Komedia.[citation needed]
Sometime in late 1939, Sym became a Gestapo agent. According to preserved documents, he had collaborated with Berlin since before 1 September 1939. At the beginning of the war he helped set a trap which caught actress Hanka Ordonówna (who had been Sym's prewar screen partner and a friend from Warsaw's theaters).[citation needed] Polish resistance quickly learned about this, and a group of agents led by Teatr Komedia actor Roman Niewiarowicz started tracking Sym's activities.[citation needed]

On 10 October 1941, the film Heimkehr debuted in Berlin's Ufa-Palast am Zoo cinema. The Nazi propaganda movie directed by Gustav Ucicky told a story about the pre-1939 German minority in Poland's Volhynia, resettled during Nazi–Soviet population transfers.[citation needed]
The Germans, presented as noble, peace-loving people, were brutally persecuted by vicious Poles. In the final scene, Polish soldiers lead arrested Germans to execution; however, Wehrmacht airplanes and tanks appear, saving the community. Sym did not perform in the film, but he actively collaborated in its production, casting Polish actors who were more or less willing to take part.[citation needed] Several actors refused, including Kazimierz Junosza-Stępowski. Sym finally found some actors who were accepted by director Ucicky. After the war, these actors were punished for collaborating with the Germans.[citation needed]
Sym's collaboration with the Germans contrasts with the conduct of his younger brother, Ernest, who, during his official activities as a chemist, clandestinely produced explosives for Poland's Home Army.[citation needed]
Assassination
[edit]In early 1941, the headquarters of the underground Polish resistance group Union of Armed Struggle (ZWZ) decided to eliminate the collaborator. Sym's behavior was loudly trumpeted by the Nazis, and his assassination would show the Poles that the underground movement was active and always ready to punish all traitors. At first, the ZWZ planned to poison the actor, but later decided to shoot him instead.
When Roman Niewiarowicz informed the ZWZ that Sym would leave for Vienna on 8 March 1941, the resistance decided to kill the collaborator before that date. To carry out the assassination, the ZWZ selected the commando group "ZOM" of the Intelligence Department of the Warsaw-City District, led by Bohdan "Szary" Rogoliński.
At 7:10 a.m. on 7 March 1941, two Polish agents knocked at the door of Sym's 4th floor apartment at 10 Mazowiecka Street in Warsaw. The agents – Rogoliński and Roman "Srebrny" Rozmiłowski – told Sym that they were postmen carrying a dispatch. Both were covered by Wiktor "Mały" Klimaszewski. On opening the door, Sym was asked to confirm his name, which he did. One of the agents then shot Sym dead with a Vis pistol.
Aftermath
[edit]
On the same day, German loudspeakers on the streets announced that hostages had been taken as revenge for Sym's death. Then, posters signed by a Dr. Ludwig Fischer appeared on the walls stating that more hostages would be taken and curfew would be enforced from 8 p.m. to 5 a.m. [citation needed]
Fischer threatened to shoot all hostages unless those responsible for assassination were found. All theatres were closed, and about 120 people were arrested, including teachers, physicians, lawyers and actors. The population of Warsaw was given three days to find Sym's murderers. [citation needed]
As nobody was found, on 11 March in Palmiry, 21 hostages were executed. Several actors were also arrested and sent to Auschwitz, among them such notable figures as directors Stefan Jaracz and Leon Schiller.[4]
Filmography
[edit]- Vampires of Warsaw (1925)
- The Unthinkable (1926)
- Die Pratermizzi (1926)
- Café Elektric (1927)
- Tingel-Tangel (1927)
- Die Beichte des Feldkuraten (1927)
- Dive (1928)
- Kaiserjäger (1928)
- Die Frau von gestern und morgen (1928)
- Spitzenhöschen und Schusterpech (1928)
- Love in May (1928)
- Rich, Young and Beautiful (1928)
- Modellhaus Crevette (1928)
- Der Dieb im Schlafcoupée (1929)
- Adieu Mascotte (1929)
- The Woman of Yesterday and Tomorrow (1928)
- Once You Give Away Your Heart (1929)
- Die Dame auf der Banknote (1929)
- What Price Love? (1929)
- The Model from Montparnasse (1929)
- Archduke John (1929)
- The Mistress and her Servant (1929)
- My Sister and I (1929)
- Das Erlebnis einer Nacht (1930)
- Helene Willfüer, Student of Chemistry (1930)
- Gigolo (1930)
- The Right to Love (1930)
- Only on the Rhine (1930)
- Vienna, City of Song (1930)
- Das Wolgamädchen (1930)
- The Old Song (1930)
- Moritz Makes his Fortune (1931)
- Kasernenzauber (1931)
- Ich heirate meinen Mann (1931)
- The Song of the Nations (1931)
- Pałac na kółkach (1932)
- An Auto and No Money (1932)
- Spy (1933)
- Przebudzenie (1934)
- Milosc maturzystki (1935)
- A Diplomatic Wife (1937)
- Serenade (1937)
- Złota Maska (1939)
- Żona i nie żona (1939)
References
[edit]- ^ Thomas Staedeli Portrait of the actor Igo Sym.
- ^ Daniel Spoto: Marlene Dietrich. Heyne Verlag, München 1992, pg. 61.
- ^ Bernhard Chiari; Jerzy Kochanowski (2003) Die polnische Heimatarmee, p. 449, Oldenbourg Verlag, ISBN 978-3-48656-715-1 (in German)
- ^ Bogusław Kunach (12 January 2003). "Być tym, co słynie. Igo Sym" (in Polish). Gazeta Wyborcza. Archived from the original on 6 March 2012. Retrieved 5 February 2010.
External links
[edit]- Egzekucja Igo Syma — article at e-teatr.pl (in Polish)
- 'How Igo Sym died?' An interview with Roman Rozmiłowski – the executor of the sentence – 'Chronicles of Terror' testimony database
- Igo Sym at filmpolski.pl (in Polish)
- Portrait of the actor Igo Sym by Thomas Staedeli at cyranos.ch
- Trials of German Major War Criminals: Volume 7 Archived 2007-06-10 at the Wayback Machine at www.nizkor.org
- Igo Sym at IMDb
- Photographs and literature
Igo Sym
View on GrokipediaEarly life and military service
Birth and background
Karol Juliusz Sym, later known professionally as Igo Sym, was born on 3 July 1896 in Innsbruck, Austria-Hungary. [4] [5] [6] He entered the world in what is now Austria, but his heritage linked him to Poland through family descent. [7] Sym's early life unfolded against the backdrop of the Austro-Hungarian Empire, where he developed ties to Polish identity prior to the conclusion of World War I. [7] This background positioned him at the intersection of Austrian birth and Polish cultural affiliation before his later military involvement. [4]Military service
During World War I, Sym served in the Austrian army. [1] After Poland regained independence in November 1918, he joined the Polish Armed Forces, serving in the infantry until 1921. [8] He attained the rank of First Lieutenant during this period. [8] Born in Austria to a Polish father, Sym's family ties to Poland influenced his decision to join the newly formed Polish military, contributing to the defense and consolidation of the Second Polish Republic in its formative years. [8] In 1921, Sym completed his military service and transitioned to civilian life, taking a position as a bank attorney before eventually pursuing a career in acting. [8]Acting career
Silent film era
Following his discharge from the Polish army in 1921, Igo Sym transitioned into acting and made his film debut in 1925 with the Polish silent production Wampiry Warszawy (The Vampires of Warsaw), directed by Wiktor Biegański, in which he portrayed an advocate. [9] [2] His early roles in Polish cinema during the mid-1920s included appearances in O czym się nie myśli (1926) and Kochanka Szamoty (1927), establishing him in domestic productions. [2] In 1927, Sym relocated to Vienna and signed an exclusive contract with Sascha-Filmstudios, shifting his focus to Austrian silent films. [2] A handsome and athletic performer, he was typecast as classy gentlemen, aristocrats, and army officers—roles often requiring tailcoats or uniforms that aligned with his prior military experience as a lieutenant in the Austrian army during World War I and later in Polish service. [2] [1] Notable among these was Café Elektric (1927), directed by Gustav Ucicky, where he played the architect Max Stöger opposite Marlene Dietrich in a morally upright supporting role. [2] [10] He also appeared that year in Pratermizzi alongside Anny Ondra. [2] By 1929, Sym had moved to Berlin and participated in German silent films, including Adieu Mascotte and Wenn du einmal dein Herz verschenkst, both co-starring Lilian Harvey, as well as Die Herrin und ihr Knecht with Henny Porten. [2] His international work across Poland, Austria, and Germany during the silent era consistently highlighted his elegant, sophisticated screen persona. [2]Sound film era
Igo Sym successfully transitioned to sound films at the end of the 1920s, initially concentrating his work in German-language productions in Austria and Germany where he continued to be typecast as elegant gentlemen, aristocrats, and military officers, often appearing in tailcoats or uniforms.[1][7] In the early 1930s he appeared in several Austrian and German films, including Wien, du Stadt der Lieder (1930) as Pepi, Pokornys Sohn, Handsome Gigolo, Poor Gigolo (1930) as Gigolo, Old Song (1930) as Hans von Langen, and Kasernenzauber (1931) as Leutnant von Rhoden.[7] Around 1932 Sym returned to Poland and settled in Warsaw, where he shifted his primary focus to stage work in revues and operettas while making occasional film appearances.[1] His Polish-language roles in the 1930s included Pałac na kółkach (1932) as director Eugeniusz Rańcewicz, Szpieg w masce (1933) as the head of Polish counterintelligence, Przebudzenie (1934) as a music teacher, and Dyplomatyczna żona (1937) as a tenor.[11] He also featured in the German production Serenade (1937), directed by Willi Forst, as Ferdinand Lohner, first violin.[7] By the late 1930s Sym's screen appearances had become rarer as he devoted more time to theatrical performances in Warsaw.[2]Collaboration with Nazi Germany
Activities during the occupation of Poland
Following the German invasion of Poland in September 1939, Igo Sym remained in occupied Warsaw rather than fleeing or being displaced. [2] As an actor with a known pre-war pro-German stance, he quickly aligned with the occupying authorities, signing the Deutsche Volksliste (also referred to as the Reichsliste) to declare himself a Volksdeutscher. [12] This ethnic German classification provided him with protected status and privileges under Nazi racial policies, distinguishing him from the Polish population and enabling early cooperation with German administration in the city. [13] Sym participated in the reorganization of theatrical life in occupied Warsaw, taking a leading role in managing the German-controlled theaters. [2] As a representative of the Wien-Film company in Warsaw, he worked within the German cultural apparatus to restructure and oversee stage productions aligned with occupation policies. [14] In 1940, Sym engaged in efforts to recruit Polish actors for minor roles in the German propaganda film Heimkehr (Homecoming), directed by Gustav Ucicky. [14] These activities reflected his growing involvement in Nazi cultural initiatives aimed at producing anti-Polish propaganda, though he did not appear in the film himself. [15]Role as Gestapo agent
Igo Sym served as a Gestapo agent in occupied Warsaw during World War II.[16] He collaborated with the Nazi authorities as an informant, with his involvement documented from late 1939 onward.[2] Preserved documents indicate that Sym had already been cooperating with Berlin prior to the German invasion of Poland on September 1, 1939.[2] As a Gestapo collaborator, Sym denounced Polish actors and cultural figures who refused to participate in Nazi-sponsored activities or propaganda theaters under the occupation regime.[17] His betrayals targeted members of the Polish artistic community resistant to German cultural oversight, contributing to their arrests and persecution.[17] This role marked him as a notorious figure among Warsaw's cultural circles and granted him protected status from the occupying authorities.[18]Assassination and aftermath
Execution by Polish resistance
Igo Sym was assassinated on 7 March 1941 by members of the Polish resistance in his Warsaw apartment.[19][3] The operation was conducted by operatives of the Union of Armed Struggle (ZWZ), the armed wing of the Polish underground state and precursor to the Armia Krajowa.[20] Two agents disguised as postmen arrived at his residence at approximately 7:10 a.m., knocked on the door, verified Sym's identity upon his answering, and immediately shot him dead.[19] The execution was carried out as retribution for his activities as a Gestapo collaborator and informant during the German occupation of Poland.[3] Sym died on the spot from the gunshot wounds.[19]Reprisals by German authorities
In response to the assassination of Igo Sym by the Polish resistance on 7 March 1941, the German occupying authorities in Warsaw implemented immediate reprisals against the civilian population. [3] On 11 March 1941, German forces executed 21 Polish hostages by firing squad in the Palmiry forest near Warsaw as a direct act of retaliation for Sym's killing. [21] [22] The occupation administration publicized the executions through posted announcements and newspaper notices, explicitly stating that the hostages were killed in reprisal for the murder of Igo Sym, whom they described as a loyal collaborator. [23] Such reprisals exemplified the broader Nazi policy of collective punishment in occupied Poland, under which civilians were systematically targeted to deter resistance activities and suppress opposition to German rule and its local agents. [21]Burial and immediate consequences
Igo Sym was buried on 12 March 1941 at Powązki Cemetery in Warsaw, where he was interred in the grave of his father, Antoni Sym. [24]References
- https://commons.wikimedia.org/wiki/File:Announcement_of_death_of_Polish_hostages_executed_after_the_death_of_Igo_Sym.jpg
