Hubbry Logo
Phil Keaggy discographyPhil Keaggy discographyMain
Open search
Phil Keaggy discography
Community hub
Phil Keaggy discography
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Phil Keaggy discography
Phil Keaggy discography
Phil Keaggy discography
View on Wikipedia
from Wikipedia

Phil Keaggy discography
Studio albums46
Live albums7
Compilation albums6
Tribute albums9

This is a listing of official releases by Phil Keaggy, an American acoustic and electric guitarist and vocalist.

Studio albums

[edit]
  • What a Day, 1973
  • Love Broke Thru, 1976
  • Emerging Phil Keaggy Band, 1977, reissued on CD in 2000 as Re-Emerging minus one song plus four new ones
  • The Master and the Musician, 1978 instrumental album, later reissued on CD with bonus track. A 30th anniversary edition was released in 2008 and included a bonus disc of alternate takes and an interview.
  • Ph'lip Side, 1980, released in two versions (one song different and in different sequence)
  • Town to Town, 1981
  • Play thru Me, 1982
  • Underground, 1983, later reissued on CD with a different track sequence
  • Getting Closer!, 1985, later reissued on CD with a different track sequence and bonus tracks
  • Way Back Home, (original) 1986
  • The Wind and the Wheat, 1987, instrumental album
  • Phil Keaggy and Sunday's Child, 1988
  • Find Me in These Fields, 1990
  • Beyond Nature, 1991, instrumental album
  • Revelator, 1993, six-track EP preview of the album Crimson and Blue, with abridged and extended versions of "John the Revelator"
  • Crimson and Blue, 1993
  • Blue, 1994
  • Way Back Home, (reissue) 1994, heavily revised version of 1986 album
  • True Believer, 1995
  • Acoustic Sketches, 1996, instrumental album
  • 220, 1996, instrumental album
  • On the Fly, 1997, instrumental album
  • Phil Keaggy, 1998
  • Premium Jams, 1999, double instrumental album
  • Music to Paint By: Still Life, 1999, instrumental album
  • Music to Paint By: Electric Blue, 1999, instrumental album
  • Music to Paint By: Splash, 1999, instrumental album
  • Music to Paint By: Brushstrokes, 1999, instrumental album
  • Majesty and Wonder, 1999, Christmas album
  • An Angel's Christmas, 1999, Christmas album
  • Inseparable, 2000, released in a two disc version (21 tracks), then later in the year as a single disc (17 tracks)
  • Uncle Duke, 2000, lyrics written originally as poetry by Keaggy's uncle Dave "Duke" Keaggy
  • Zion, 2000
  • Lights of Madrid, 2000, instrumental album
  • Cinemascapes, 2001, instrumental album
  • In the Quiet Hours, 2001, instrumental album
  • Hymnsongs, 2002, instrumental album
  • Freehand (Acoustic Sketches II), 2003, acoustic instrumental album
  • Special Occasions, 2003
  • It's Personal, 2004, lyrics originally written as poetry by Keith Moore
  • Uncle Duke, 2005, re-issue of Uncle Duke, with bonus material
  • Jammed!, 2006, instrumental album. Selections and remixes from Premium Jams, with bonus material.
  • Roundabout, 2006, instrumental album
  • Dream Again, 2006
  • Two of Us, 2006, instrumental album with Mike Pachelli
  • Acoustic Cafe, 2007. Primarily an album of covers, many of which are duets. Guest vocalists include Randy Stonehill.
  • The Song Within, 2007, acoustic instrumental album
  • Phantasmagorical: Master and Musician 2, 2008, instrumental album
  • Welcome Inn, 2009, Christmas album
  • Frio Suite, 2009, instrumental album with Jeff Johnson
  • Inter-Dimensional Traveler, 2010, instrumental album. The album is the debut project from "The Phil Keaggy Trio", a group consisting of Keaggy, keyboardist Jack Giering and Glass Harp drummer John Sferra.
  • Songs for Israel, 2010, includes Randy Stonehill, Bob Bennett and Buck Storm
  • Cosmic Rumpus, 2011, instrumental album. The album is the second project from "The Phil Keaggy Trio" but now credited as "The Jack Giering Trio", a group consisting of Keaggy, keyboardist Jack Giering and Glass Harp drummer John Sferra.
  • Live from Kegworth Studio, 2012.
  • The Cover of Love, 2012.
  • WaterSky, 2012, instrumental album with Jeff Johnson
  • Infinity Unleashed, 2014, instrumental album. The album is the third project from "The Phil Keaggy Trio" but now credited as "John Sferra Trio", a group consisting of Keaggy, keyboardist Jack Giering and drummer John Sferra.
  • All at Once, 2016, via a Kickstarter campaign.
  • Love Broke thru" 50th anniversary Deluxe Edition , 2025, via a Kickstarter campaign.

Live albums

[edit]
  • Phil Kägi, 2006, two-disc set from the 2006 Swiss Tour (Switzerland release only)
With 2nd Chapter of Acts and "A Band Called David"
With Randy Stonehill
  • Together Live!, 2005
Compassion All-Star Band
  • 1 By 1 (One by One) Live!, 1988. In addition to Keaggy, the band features Margaret Becker (vocals, guitar), Randy Stonehill (vocals, guitar), John Andrew Schreiner (keyboards, vocals), Rick Cua (bass, vocals), Mike Mead (drums, percussion) and Joe English (drums, percussion, vocals).
With Glass Harp
  • Live at Carnegie Hall, 1997. This concert had originally been recorded in 1971 but remained in the vaults until 1997. One track, "Do Lord", appeared on Keaggy's compilation album Time: 1970-1995 prior to the official release of Live at Carnegie Hall.
  • Strings Attached, 2000 (double album). This collection also features live versions of several Keaggy solo tunes such as "From the Beginning", "Chalice", "Inseparable", "John the Revelator", "True Believer", "Shades of Green", "Overture (for Guitar and Orchestra)", and "Tender Love".
  • Stark Raving Jams, 2004 (triple album). Includes live versions of Keaggy's solo material such as "Salvation Army Band" (listed as "SAB Jam") and "Nothing But the Blood of Jesus".
  • Glass Harp Live at the Beachland Ballroom 11.01.08.

Compilations

[edit]
  • Prime Cuts, 1987 UK release only. Features selected tracks from Keaggy's 1980-85 albums
  • The Best of Keaggy: The Early Years 1973-1978, 1989 (unauthorized release)
  • Time 1: 1970-1995, 1995
  • Time 2: 1970-1995, 1995
  • What Matters, 2001. This nine-song compilation draws mostly from the albums Phil Keaggy and Crimson and Blue. "Tell Me How You Feel" from Sunday's Child is also included as is a new song "What Matters". The album was produced and released exclusively for the International Bible Society.
  • History Makers, 2003
  • Happy Valentine's Day, 2006. This limited edition release showcased various love songs that Phil had recorded over the years.

Soundtrack albums

[edit]
  • Southern Girls, from the 2012 film by Carl Jackson. Available for download (only) from iTunes and Amazon. The movie and soundtrack feature a collection of previously released Keaggy material.

On tribute albums

[edit]
  • No Compromise: Remembering the Music of Keith Green, Various Artists, 1992. Keaggy contributes backing vocals to Russ Taff's rendition of "Your Love Broke Through". Keaggy had previously recorded his own version of the song for his 1976 album Love Broke Thru
  • Strong Hand of Love: A Tribute to Mark Heard, Various Artists, 1994. Keaggy contributes a recording of Heard's "I Always Do", a song featured first on his Phil Keaggy and Sunday's Child album in 1988.
  • Orphans of God, Various Artists, 1996. This is a second tribute album to Mark Heard. Keaggy sings and plays on a remake of "Everything is All Right". Keaggy originally recorded the song featured for his 1988 album Phil Keaggy and Sunday's Child.
  • The Jesus Record, Rich Mullins & A Ragamuffin Band, 1998. Keaggy performs "All the Way to Kingdom Come".
  • Coming Up! A Tribute to Paul McCartney, Various Artists, 2001. Keaggy sings and plays on a cover version of "Somedays", a song that McCartney originally recorded for his 1997 album Flaming Pie.
  • Making God Smile: A Tribute to Beach Boy Brian Wilson, Various Artists, 2002. Keaggy sings and plays on a cover version of "Good Vibrations".
  • Come Together: America Salutes The Beatles, Various Artists, 2003. Keaggy and PFR team up for a remake of "We Can Work It Out".
  • Full Circle: A Celebration of Songs and Friends, Charlie Peacock, 2004. A collection of Charlie Peacock songs re-recorded by various artists. Keaggy and Bela Fleck provide instrumental backing to Sarah Groves' vocals on "In the Light".
  • A Musical Tribute To C.S. Lewis, Various Artists, 2005. Keaggy song "Addison's Walk" from Beyond Nature
  • Life is Precious: A Tribute to Wes King, Various Artists, 2006. Keaggy contributes a rendering of "Getting Used to the Darkness".
  • Yesterday: A Tribute to John Lennon and Paul McCartney, 2006, with Pat Coil and Mark Douthit. Keaggy sings and plays guitar on "And I Love Her".

Other collaborations

[edit]
  • 25 Songs of Christmas, Various Artists, 1982. Includes Keaggy's instrumental version of "We Three Kings".
  • Exercise for Life, Various Artists, 1983. Album from Stormie Omartian. Keaggy's song "Just a Moment Away" included.
  • C.A.U.S.E. (Christian Artists United to Save the Earth), Various Artists, 1985. Keaggy, along with many other Christian artists, contributed to the making of audio and video recording of the song, "Do Something Now."
  • Fight the Fight: Rescue the Unborn, Various Artists, 1985.
  • Shake: Christian Artists Face the Music, Various Artists, 1988. Interviews, songs, and snippets featuring artists on the Myrrh label.
  • Our Hymns, Various Artists, 1989. Keaggy contributes a cover of "O God Our Help in Ages Past".
  • Our Christmas, Various Artists, 1990. Keaggy sings a duet with Kim Hill on "God Rest Ye Merry Gentlemen." Hill also arranged the song.
  • The Rock Revival: Feeling the Spirit, Vol. 1, Various Artists, 1991. Includes Keaggy's work with Paul Clark on "Listen Closely" and "Song of Love" with Keaggy, Paul Clark, Mike Burhart, John Mehler and Jay Truax.
  • New Young Messiah, Various Artists, 1993. Keaggy plays the instrumental "Pastorale".
  • Love Songs for a Lifetime-30 Great Love Songs, Various Artists, 1996. Keaggy sings "What A Wonder You Are" with Michele Pillar.
  • Sing Me to Sleep, Daddy, Various Artists, 1997. Keaggy performs "Brahms' Lullaby".
  • Surfonic Water Revival, 1998. Keaggy plays guitar on "Surfer's Paradise" and "California Blue".
  • Seize the Day and Other Stories, Carolyn Arends, 2000. Keaggy adds electric guitar on the live "Go with God".[1]
  • The Prayer of Jabez Music: a Worship Experience, Various Artists, 2001. Keaggy and Geoff Moore team up for the duet "Touch of Greatness".
  • City on a Hill: Sing Alleluia, Various Artists, 2002. Keaggy plays guitar on "The Lord's Prayer", and sings on "Communion".
  • One, Neal Morse, 2004. Keaggy has a guitar solo during the songs "The Creation" and "The Separated Man", and sings a duet with Neal on the song "Cradle to the Grave".
  • His Passion (the Christ): Remembering the Sacrifice, Various Artists, 2004. Keaggy sings a version of the old spiritual "Were You There When They Crucified My Lord".
  • Behold the Lamb of God, Andrew Peterson and Various Artists, 2004
  • Sweet Dreams and Starry Nights, Various Artists, 2005. Keaggy performs "Brahms' Lullaby".
  • Christmas Treasures, Various Artists, 2006. Keaggy contributes acoustic instrumental versions of "Coventry Carol" and "In the Bleak Midwinter".
  • Resurrection Worship, Various Artists, 2009. Keaggy contributed the song "He is Risen".
  • CPR 3, Various Artists, 2009. Keaggy contributes a re-recorded version of the song "Passport". The original version appears on Keaggy's 1995 album Sounds.
  • Far Away from Everyday, Brad Hoyt, 2013. Keaggy collaborated on the song "Look Inside".
  • The Courts of the King: The Worship Music of Ted Sandquist, 1977. Worship music album that includes artists Nedra Ross, Ted Sandquist, Lynn Nichols, Phil Madeira, Terry Anderson and The Love Inn Company
  • No Eye Has Seen, instrumental (single) collaboration with Michael Lewis, 2025

With The Squires

[edit]
  • Unofficial Demo (c. 1966)
  • Official Demo; recorded at United Audio studios, (c. 1966)
  • "Batmobile" (single), "I Don't Care" (b-side); Penguin Records (c. 1966)

With The New Hudson Exit

[edit]
  • "Come with Me" (single), "Waiting For Her" (b-side); Date Records (c. 1967)

With Glass Harp

[edit]
Singles
  • "Where Did My World Come From?", 1969. B-side: "She Told Me".
Albums
  • Glass Harp, 1970
  • Synergy, 1971
  • It Makes Me Glad, 1972
  • Song in the Air, 1977 (Compilation album)
  • Live at Carnegie Hall, 1997
  • Strings Attached, 2000
  • Hour Glass, 2003
  • Stark Raving Jams, 2004
  • Glass Harp Live At The Beachland Ballroom 11.01.08, 2010

With Cosmic Cathedral

[edit]
  • Deep Water, 2025

Collaborative works

[edit]
With Muriel Anderson
  • Uncut Gems, 2003. Featuring contributions from special guest Stanley Jordan.
With Mike Pachelli
With Jeff Johnson
  • Frio Suite, 2009
  • WaterSky, 2012
  • WinterSky Live, 2015
  • Cappadocia, 2019
With Tyler Bender Band
  • The Rain, 2009
With Randy Stonehill
  • Together Live!, 2005
  • Mystery Highway, 2009
With Scott Dente and Wes King
With Jerry Marotta and Tony Levin
  • The Bucket List, 2019
With Rex Paul
  • Illumination, 2019
With Mike Pachelli
  • Adventure-us, 2022

Selected list of session work

[edit]

Videos

[edit]
  • Phil Keaggy in Concert: St. Charles IL, 2004 (DVD)
  • Philly Live!, 2004 (DVD)
  • Phil Keaggy and Randy Stonehill: Together Live!, 2005 (DVD)
  • Electric Guitar Style, 2005 (Instructional DVD)
  • Acoustic Guitar Style, 2005 (Instructional DVD)
  • Glass Harp LIVE Circa '72 (DVD), 2006
  • The Master & the Musician: 30 Years Later Tour, 2008 (DVD)

Keaggy also appears on the video Muriel Anderson's All Star Guitar Night Concert in 2000. The two guitarists collaborate for a performance of "Tennessee Morning" from Keaggy's 220 album. Keaggy accompanies Michael Card on "The Poem of Your Life" in Card's 2002 concert video Scribbling in the Sand: The Best of Michael Card.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Phil Keaggy discography

View on Grokipedia
from Grokipedia
Phil Keaggy's discography encompasses over 60 solo albums, eight releases with his band , and numerous collaborative projects, spanning more than five decades of work in , , acoustic, and genres. Keaggy's recording career began in 1970 with 's self-titled debut , a pioneering effort in that established his reputation as a . His solo output commenced in 1973 with What a Day, marking the start of a prolific run that blended vocal-driven faith-based songs with intricate compositions. Key early releases include Love Broke Thru (1976) and the landmark The Master and the Musician (1978), which showcased his fusion of rock, jazz, and classical influences. Throughout the 1980s and 1990s, Keaggy maintained a steady release schedule with albums like Crimson and Blue (1993) and Find Me in These Fields (1991), earning Dove Awards for The Wind and the Wheat (1987) and Beyond Nature (1992), among others. Later works, such as the acoustic series Acoustic Sketches (1996), All at Once (2016), Strings & Sonnets (2024) with , and Deep Water (2025) with Cosmic Cathedral, highlight his evolution toward more contemplative and fingerstyle guitar-focused recordings, while collaborations like Mystery Highway (2009) with and others expanded his catalog into folk and Americana territories. Overall, his discography reflects a commitment to innovative guitar artistry within , with much of his catalog available through digital platforms and his official webshop.

Early career bands

With The Squires

Phil Keaggy joined , a garage rock band from , in the mid-1960s as a teenage lead guitarist. The group formed around 1964 and included members Al Frano on guitar, Jim Love on drums, and Bob Flamisch on bass, with Keaggy contributing guitar and occasional vocals. Active during the height of the British Invasion's influence on American youth culture, The Squires drew from that sound in their raw, energetic performances typical of the era's garage bands. The band's earliest recordings were informal demos captured in 1965, marking Keaggy's first foray into studio work. One unofficial tape, recorded at Ducy Music, featured tracks like "Just A-Walkin'", "", and the instrumental "Rendezvous"; these circulated privately among friends and had limited distribution. A more polished official demo followed later that year at United Audio studios, including songs such as "Time’s Up", "As A Boy", "Just To Be Near You", and "A Star In The Sky"—the latter containing a reversed guitar lick that later inspired elements in Keaggy's work with . In 1966, achieved their sole commercial release with the 7-inch single "Batmobile" b/w "I Don't Care" on Penguin Records (catalog nos. 16161/16162). Keaggy co-wrote "Batmobile" with a friend, and the tracks received some local radio airplay, showcasing the band's proto-psychedelic garage style. The group disbanded later that year amid lineup changes and Keaggy's transition to other local acts, including a brief stint with The Volume Four. These formative recordings highlighted Keaggy's emerging guitar talent, laying groundwork for his innovative playing in subsequent endeavors.

With The New Hudson Exit

The New Hudson Exit was a garage rock band based in , that formed in 1967 as an evolution of the earlier high school group Volume Four. joined on guitar and shared vocals after the breakup of his prior band, , bringing a Beatles-inspired influence to the lineup, which also featured Tom Huzjak on guitar and vocals, Mitch Benhke on bass, and Bob Barbone on drums. This phase came several years after Keaggy's 1962 accident, in which he lost his right at age 11, prompting him to adapt his playing technique using three fingers on his fretting hand. The band's sole release during Keaggy's tenure was the 1967 single "Come With Me" b/w "Waiting For Her" on Date Records (catalog 2-1576), capturing their energetic, teen-oriented sound with verve and drive suited to the era's echoes. "Come With Me," a Keaggy original, invited listeners with its upbeat invitation, while the B-side reflected similar pop-rock sensibilities. After Keaggy's departure in February 1968 amid personal restlessness, vocal strain, and anxiety, the band continued briefly, issuing another single, "Too Many " b/w an unspecified track, on Peace Records later that year before disbanding around 1969 due to shifting commitments among members. Additional unreleased material included demos recorded at Cleveland Recording Company for Date Records and a full acetate LP of originals alongside covers like a distinctive rendition of Curtis Mayfield's "People Get Ready," though no commercial deal materialized from New York sessions. The New Hudson Exit's short existence highlighted Keaggy's early professional steps in secular rock, serving as a bridge from garage band origins toward his later pursuits in more thematic and faith-oriented music.

With Glass Harp

Glass Harp was formed in 1969 in , by guitarist and vocalist , drummer John Sferra, and bassist Daniel Pecchio, marking one of the earliest ensembles in the emerging genre. The trio's sound blended elements, extended improvisations, and faith-inspired lyrics, drawing comparisons to acts like and the Experience while pioneering a spiritual dimension in . Their original run from 1969 to 1972 established a foundation for prog-infused , influencing subsequent bands in the genre through Keaggy's innovative guitar work and the group's dynamic live performances. The band's debut album, (Decca, 1970), introduced their signature style with tracks like "Can You See Me" and "Children's Fantasy," highlighting Keaggy's soaring leads and the group's harmonious interplay. This was followed by Synergy (Decca, 1971), which emphasized extended jams including "The Answer" and "Mountains," capturing their exploratory live energy in a studio setting. The final original studio release, It Makes Me Glad (Decca, 1972), featured songs such as "Do Lord" and "Let's Live Together," blending upbeat rockers with reflective pieces before the band's initial breakup. In 1977, a compilation Song in the Air (Star Song, 1977) was issued, drawing from earlier material with a holiday emphasis on the title track alongside selections like "One Day at a Time" and "David & Goliath." Following a period of inactivity, reunited in the , culminating in the live album Live at (Special Friends Productions, 1997), recorded during a high-profile reunion and including renditions of classics like "Look in the Sky" and "Changes." The momentum continued with Strings Attached (self-released, 2001), a double-disc acoustic set reinterpreting hits such as "Do Lord" and "Can You See Me" in an intimate format. Hour Glass (self-released, 2003) marked their first full studio reunion in decades, with original compositions like "What's in Your Heart" and "Everlasting Light" showcasing matured songwriting. Stark Raving Jams (self-released, 2004), a triple-disc live collection, captured extended improvisations including "California Jam '72" and "Children's Fantasy," emphasizing the band's jamming prowess. A later reunion yielded Glass Harp Live at Beachland Ballroom (self-released, 2010), featuring energetic performances of staples like "Never Is a Long Time" and "John the Revelator." These reunions in the and revitalized Glass Harp's legacy, solidifying their role as trailblazers in progressive and inspiring ongoing appreciation for their fusion of technical skill and thematic depth.

Solo releases

Studio albums

Phil Keaggy's solo studio albums chronicle a career marked by innovation within and instrumental guitar traditions, commencing with his 1973 debut and encompassing over 35 releases through 2025. These works blend vocal-driven faith explorations with intricate, often ambient guitar compositions, evolving from 1970s pop-rock roots to later experimental, acoustic, and fusion styles that emphasize spiritual themes and technical mastery. Keaggy's output reflects his transition from major labels to independent production, allowing greater creative freedom in later decades. His initial solo efforts laid the foundation for a distinctive sound influenced by his background. What a Day (1973, New Song Productions) served as his debut, featuring Christian pop-rock tracks like the title song and "Rejoice," which captured an optimistic, melody-rich ethos. Followed by Love Broke Thru (1976, New Song Productions), this album included the titular hit co-written with , highlighting collaborative songwriting and accessible radio appeal within the emerging scene. The ambitious The Master and the Musician (1978, New Song Productions) introduced a conceptual suite mixing instrumentals and vocals, such as "Pilgrim's Flight," to explore depth through guitar . The 1980s albums shifted toward polished production and genre experimentation under major labels. Ph'lip Side (1980, Myrrh Records) infused funky rock elements, exemplified by the worship staple "As the Deer." Town to Town (1981, Myrrh Records) delivered radio-friendly anthems like "Life Comes a-Runnin'," broadening Keaggy's audience. Subsequent releases, including the worship-oriented Play Thru Me (1982, Myrrh Records) and the boundary-pushing Underground (1983, Myrrh Records), demonstrated versatility, while Getting Closer (1985, Myrrh Records) embraced pop sensibilities and Way Back Home (1986, Myrrh Records) incorporated acoustic introspection. The purely instrumental The Wind and the Wheat (1987, Myrrh Records) showcased ambient textures. Into the late 1980s and 1990s, Keaggy balanced vocal and instrumental projects amid label changes. Sunday's Child (1988, Myrrh Records) featured renewed ties with Randy Stonehill on tracks like "Tell Me How You Feel." The acoustic Find Me in These Fields (1991, Reunion Records) and instrumental Beyond Nature (1992, Sparrow Records) highlighted natural themes, preceding the energetic rock of Crimson and Blue (1993, Sparrow Records), its companion Blue (1993, Sparrow Records), and Revelator (1993, Sparrow Records). True Believer (1995, Reunion Records) reinterpreted covers with fresh arrangements. Self-releases dominated from the mid-1990s, emphasizing guitar-centric innovation. Albums like Acoustic Sketches (1996, self-released), 220 (1996, self-released) with its rapid-fire techniques, and On the Fly (1997, self-released) captured spontaneous jams. Seasonal offerings included the vocal A Christmas Gift (1998, Word Records) and instrumental Majesty and Wonder (1999, Word Records). The expansive Inseparable (2000, Sparrow Records) and instrumental Zion (2000, Gotek Records) coexisted with cover collections Uncle Duke (2001, Word Records) and its sequel The Uncle Duke Project (2005, self-released). Cinematic Cinemascapes (2001, Word Records), hymnal Hymnsongs (2002, Word Records), acoustic sketches Freehand (2003, self-released), and personal It's Personal (2004, self-released) underscored thematic depth, alongside instrumentals like Roundabout (2006, self-released), Acoustic Cafe (2007, self-released), The Song Within (2007, self-released), and the sequel-like Phantasmagorical (2008, self-released). The familial Welcome Inn (2009, Gazillion Records) and interpretive The Cover of Love (2012, self-released) preceded the rock-infused All at Once (2016, self-released) and further instrumental collections like Acoustic Sketches 3 (2021, self-released).
YearAlbumLabelKey Highlights
1973What a DayNew Song ProductionsDebut solo; Christian pop-rock; title track
1976Love Broke ThruNew Song ProductionsTitle track hit; collaboration
1978The Master and the MusicianNew Song Productions; conceptual suite; instrumental/vocal mix
1980Ph'lip SideMyrrh RecordsFunky rock; ""
1981Town to TownMyrrh RecordsRadio-friendly; "Life Comes a-Runnin'"
1982Play Thru MeMyrrh RecordsWorship focus
1983UndergroundMyrrh RecordsExperimental
1985Getting CloserMyrrh RecordsPop production
1986Way Back HomeMyrrh RecordsAcoustic elements
1987The Wind and the WheatMyrrh RecordsInstrumental
1988Sunday's ChildMyrrh RecordsCollaborations with
1991Find Me in These FieldsReunion RecordsAcoustic
1992Beyond NatureInstrumental
1993Crimson and BlueRock return
1993Companion album; rock tracks
1993RevelatorInstrumental companion
1995True BelieverReunion RecordsCovers
1996Acoustic SketchesSelf-releasedGuitar instrumentals
1996220Self-releasedSpeed guitar
1997Self-releasedJam sessions
1998A Christmas GiftHoliday
1999Majesty and WonderInstrumental Christmas
2000Inseparable
2000Gotek RecordsInstrumental
2001Covers
2001CinemascapesFilm-inspired instrumentals
2002HymnsongsAcoustic hymns
2003FreehandSelf-releasedAcoustic Sketches II
2004It's PersonalSelf-releasedIntrospective
2005The Uncle Duke ProjectSelf-releasedExpanded covers
2006RoundaboutSelf-releasedInstrumental
2007Acoustic CafeSelf-releasedLive-like studio
2007The Song WithinSelf-released25th anniversary edition
2008PhantasmagoricalSelf-releasedExperimental
2009Welcome InnGazillion RecordsFamily project
2012The Cover of LoveSelf-releasedStandards
2016All at OnceSelf-releasedRecent rock
2021Acoustic Sketches 3Self-releasedInstrumental guitar sketches

Live albums

Phil Keaggy's live albums capture his renowned improvisational guitar prowess in real-time performances, often featuring extended solos and audience engagement that highlight his technical virtuosity and emotional depth. These recordings span from early career highlights to more intimate settings, emphasizing acoustic and electric explorations of his catalog. With three live albums under his solo banner, they showcase Keaggy's ability to blend structured songs with spontaneous jams. The 1991 release Live! on Reunion Records marks an early live set, drawing from Keaggy's evolving solo sound with energetic renditions of fan favorites that underscore his transition from band work to individual expression. This album features raw, unpolished performances emphasizing guitar-driven dynamics and audience interaction during a pivotal period in his career. Jammed! (2006, self-released) serves as a studio-live hybrid of jams, where Keaggy's guitar leads spontaneous sessions like "Kegworth Speaks" and "Blueberry Jam," mimicking concert energy through layered improvisations that evoke live audience interaction. Finally, Live From Kegworth Studio (2011, self-released) offers an intimate studio live experience, with Keaggy performing unaccompanied acoustic sets including "Salvation Army Band" and "Chalice," allowing his improvisational solos to unfold in a personal, resonant space that connects directly with listeners.

Compilation albums

Phil Keaggy has released several compilation albums throughout his solo career, primarily curating selections from his earlier studio recordings to highlight key periods, themes, or instrumental works. These collections serve as retrospectives, often remastering or recontextualizing tracks without introducing substantial new material, allowing fans to access highlights in thematic groupings. One of the earliest such efforts is the two-volume Time series, released in 1995 by . Time, Vol. 1 covers material from 1974 to 1991, compiling early hits and fan favorites like "I've Just Begun (Again)" and "Love Divine," drawn from albums such as What a Day and The Master and the Musician. Time, Vol. 2, released concurrently, focuses on mid-career tracks from 1992 to 1995, including selections from Crimson and Blue and live performances, emphasizing Keaggy's evolving vocal and guitar style during this transitional phase. In 1999, Keaggy self-released Premium Jams on Records, a double-disc collection featuring 19 previously unreleased studio tracks such as "Log Jam" and "Traffic Jam." This set curates extended guitar improvisations and jams, showcasing his technical prowess in a purely musical format without vocals or lyrics. The year 2001 saw the release of What Matters (also titled Songs About What Matters), a self-released nine-track overview on IBS Publishing, drawing primarily from the 1989 self-titled album and 1993's Crimson and Blue. It includes one new track, "What Matters," but otherwise compiles reflective songs like "Shouts of Joy" to encapsulate personal and spiritual themes from his career. History Makers, issued in 2003 by ICC Records (in association with Sparrow), is a remastered compilation of Christian-oriented hits spanning Keaggy's catalog, with 16 tracks including "The Reunion" and "Father, Son, and Holy Ghost." This collection highlights his impact in , selecting songs that underscore faith-based narratives. Also in 2003, Special Occasions was self-released as a 22-track set of rarities and outtakes, featuring acoustic renditions and lesser-known pieces like "I'll Be Loving You" and "Jennifer," sourced from various sessions across decades. It provides a deeper dive into archival material, appealing to dedicated listeners. Anniversary editions represent another facet of Keaggy's compilations, expanding on landmark albums. The 2007 The Master & the Musician: 30th Anniversary Edition, self-released on Strobie Music, augments the original 1978 release with bonus tracks, alternate mixes, and liner notes, including previously unavailable instrumentals to commemorate its enduring influence. Similarly, the 2014 What a Day: 40th Anniversary Edition, self-released, remasters the 1974 debut with additional bonuses like demos and live cuts, preserving its folk-rock essence while updating audio quality. In 2025, Love Broke Thru (2025 remaster) was self-released, offering an updated edition of the 1976 album with improved sound.
TitleYearLabelKey Focus
Time, Vol. 11995SparrowEarly hits (1974–1991)
Time, Vol. 21995SparrowMid-career tracks (1992–1995)
Premium Jams1999 (self)Instrumental jams
What Matters2001IBS Publishing (self)Career overview with spiritual themes
History Makers2003ICC/Sparrow highlights
Special Occasions2003SelfRarities and outtakes
The Master & the Musician: 30th Edition2007Strobie (self)Expanded reissue of 1978 album
What a Day: 40th Edition2014SelfRemastered 1974 debut with bonuses
Love Broke Thru (2025 remaster)2025SelfRemastered 1976 album

Collaborative and group releases

Phil Keaggy Band

The Phil Keaggy Band emerged in the mid-1970s as a collaborative ensemble led by guitarist and vocalist , marking a transitional phase in his career following his work with . The band's sole original album, Emerging, was released in 1978 on NewSong Records (NS004), featuring a lineup of Keaggy on guitar and lead vocals, Lynn Nichols on guitars, Phil Madeira on keyboards, Dan Cunningham on bass, and Terry Andersen on drums. Recorded at Hedden West Studios in August 1977, the album blended elements with Christian lyrical themes, including representative tracks like "Where Is My Maker?" (a reflective on ) and "Ryan's Song" (an tribute dedicated to Keaggy's son). Other notable songs such as "Struck By The Love" and "Take A Look Around" highlighted the band's dynamic interplay, with contributions from guest musicians like Karl Fruh on and Ray Papai on . In April 2000, the band reconvened for Re-Emerging, a remastered CD reissue of Emerging on Records, omitting the original track "Gentle Eyes" but adding four new bonus recordings from February 2000 to refresh the material with a contemporary edge. The expanded tracklist incorporated originals like "Theme" and "Turned On The Light" alongside fresh compositions such as "My Auburn Lady" (written by Keaggy), "Mighty Lord" (by ), "You're My Hero" (by Keaggy and ), and a cover of "Amelia Earhart's Last Flight." This reunion effort, involving core members including Keaggy, , and , bridged the gap between the band's roots and Keaggy's evolving solo style, emphasizing themes of redemption and spiritual growth central to . Extending the band's legacy into the 2010s, the Phil Keaggy Trio—a stripped-down configuration—released Inter-Dimensional Traveler in October 2010 on Strobie Records, featuring Keaggy on guitars, Jack Giering on bass, and John Sferra (Keaggy's longtime Glass Harp collaborator) on drums. The all-instrumental album explored jazz-fusion and progressive influences across 12 tracks, including the title opener "Inter-Dimensional Traveler," "New Day," and "Thin Ice," delivering an updated, exploratory sound that echoed the original band's innovative spirit while aligning with Keaggy's instrumental prowess in his solo work. Collectively, these projects underscored the Phil Keaggy Band's role in fostering family-oriented Christian rock, connecting Keaggy's early group dynamics to his broader discographic contributions.

Other collaborations

Phil Keaggy has participated in a variety of duo, trio, and multi-artist collaborations outside his band and solo endeavors, often exploring diverse genres through partnerships with fellow musicians. These projects, spanning from the early 1990s to 2025, highlight his adaptability across pop-rock, instrumental, ambient, jazz, and progressive styles. In 1992, Keaggy contributed background vocals to Russ Taff's rendition of "Your Love Broke Through" on the multi-artist tribute album No Compromise: Remembering the Music of Keith Green, a compilation honoring the late Christian musician with various artists covering Green's songs. The 1997 album Invention, co-billed with Wes King and Scott Dente on , features pop-rock tracks blending blues, progressive, and acoustic elements, with Keaggy contributing guitar and co-writing several songs like "Watch My Back" and "." On the 1998 multi-artist project The Jesus Record (Sparrow Records), a posthumous completion of ' work, Keaggy provided lead vocals for "All the Way to Kingdom Come" and guitar throughout, joining artists like and in a folk-rock tribute to ' life. Keaggy teamed up with guitarist Mike Pachelli for the 2006 instrumental album Two of Us (Solid Air Records), a collection of live improvised guitar duets emphasizing acoustic and electric interplay across 13 tracks. The 2009 release Mystery Highway, a self-released collaboration with on Oddbody Music, delivers road-themed pop-rock songs such as "Who's Your Driver" and "Backwards on Her Bike," infused with humor and storytelling. Also in 2009, Keaggy and keyboardist Jeff Johnson issued the instrumental album Frio Suite on Ark Records, inspired by the and featuring ambient, compositions like "Of Time & The Frio" and "Like Walking on Water." In 2011, Keaggy partnered with percussionist Kyle Jones for the ambient album (Strobie Records), incorporating non-Western instruments in tracks such as "Ebullience" and "Saffron Chai" to create ethereal soundscapes. The 2012 symphonic instrumental Watersky (Ark Records), another outing with Jeff Johnson, evokes reflective moods through pieces like "When We Were Young" and "WaterSky," blending piano, guitar, and orchestral elements. That same year, Keaggy joined the Jack Giering Trio (with Giering on keyboards and John Sferra on drums) for the self-released jazz album Cosmic Rumpus, a follow-up to their prior work, featuring improvisational tracks including "In Your Arms" and "Topsey Treme, Pt. 1." In 2014, Keaggy collaborated with the John Sferra Trio (Sferra on drums, Giering on keyboards) for the progressive rock album Infinity Unleashed, self-released and comprising energetic instrumentals like "Cognitive Hammer" and "Flower of Life." In 2019, Keaggy released the all-instrumental in collaboration with bassist and drummer , featuring 12 original tracks such as "Sometimes We Up" and "Midland Crisis" that showcase improvisational rock and jazz elements. Keaggy reunited with Jeff Johnson for the 2021 instrumental album on Ark Records, presenting contemplative ambient and pieces evoking serene landscapes. In April 2025, Keaggy contributed guitar to the progressive rock album Deep Water by the supergroup Cosmic Cathedral, alongside on keyboards and vocals, on drums, and Byron House on bass, with tracks like "Deep Water Suite: Launch Out, Pt. 1." Also in 2025, Keaggy collaborated with on the instrumental single "No Eye Has Seen." These more than ten projects underscore Keaggy's genre-spanning versatility in collaborative settings.

Additional contributions

Soundtrack albums

has contributed several instrumental albums featuring atmospheric and evocative guitar work suitable for visual media. These releases, often self-produced or issued through Christian labels, draw from his broader instrumental style to create immersive soundscapes. The Music to Paint By series, released in 1999 by (a imprint), comprises four albums inspired by visual artistry and intended to accompany creative or meditative activities, including potential applications. Brushstrokes features delicate pieces evoking artistic processes, with tracks like "The " and "Watercolours" blending folk and ambient elements. Splash explores fluid, impressionistic themes through compositions such as "Foreshadow" and "Floating On Ice," emphasizing dynamic textures. Electric Blue incorporates for more vibrant, colorful interpretations, while Still Life focuses on serene, contemplative arrangements like "Recollections" and " ," all recorded at Keaggy's Studio. In 2000, Keaggy self-released Lights of Madrid, a collection of 15 flamenco-influenced guitar instrumentals capturing Spanish cultural motifs, including the title track and "A Field of Flowers." The album highlights intricate nylon-string guitar techniques. Cinemascapes, issued in 2001 by , consists of 16 orchestral-tinged guitar tracks composed with cinematic potential, such as "The Road Home" and "Big Ben On The ," blending swells with Keaggy's signature fingerstyle. Keaggy's 2008 self-released Phantasmagorical: Master & Musician 2, produced at his home studio and mastered by Richard Dodd, presents 12 experimental pieces like "Like Snow Before The Sun" and "Cascading," utilizing elements for surreal atmospheres. These five releases highlight Keaggy's instrumental work with evocative qualities.

On tribute albums

Phil Keaggy has contributed to numerous tribute compilations honoring prominent figures in Christian and , often delivering guest guitar performances, vocals, or support that emphasize his melodic and emotive style. These appearances, totaling seven across his career, underscore his role as a respected collaborator who brings fresh interpretations to classic songs, frequently adapting his acoustic and techniques to complement the honoree's vision. Key examples include his backing vocals on Russ Taff's rendition of "Your Love Broke Through" from the 1992 tribute No Compromise: Remembering the Music of , a collection celebrating the late singer-songwriter's impactful catalog. Keaggy also played guitar on "All the Way to Kingdom Come" for the 1998 Sparrow release The Jesus Record, a collaborative project associated with that posthumously completed ' unfinished songs following his death in 1997. Keaggy's tributes to songwriter further exemplify his interpretive approach, with vocals and guitar on "I Always Do" from the 1994 compilation Strong Hand of Love: A Tribute to Mark Heard. This track was later reissued on the expanded 1996 double-disc set Orphans of God, where Keaggy also performed "," featuring additional guitar layers and backing vocals from Heard himself. Other notable contributions include bass guitar on "The Coloring Song" by The Choir for the 1996 Petra tribute Never Say Dinosaur, highlighting Keaggy's rhythmic support in a rock context. In broader rock tributes, he joined PFR for a cover of ' "" on the 1995 album : America Salutes . Keaggy also provided guitar on "" by Brother's Keeper for the 1998 surf music tribute .
Album TitleYearLabelContribution
No Compromise: Remembering the Music of Keith Green1992Sparrow RecordsBacking vocals on "Your Love Broke Through" (with Russ Taff)
Strong Hand of Love: A Tribute to Mark Heard1994Fingerprint RecordsVocals and guitar on "I Always Do"
Come Together: America Salutes The Beatles1995Virgin RecordsVocals and guitar on "I Saw Her Standing There" (with PFR)
Orphans of God1996Fingerprint RecordsVocals and guitar on "Everything Is Alright"
Never Say Dinosaur1996Word RecordsBass on "The Coloring Song" (with The Choir)
The Jesus Record1998Reunion RecordsGuitar on "All the Way to Kingdom Come" (with Rick Elias, Jimmy Abegg, Mark Robertson)
Surfonic Water Revival1998Upstart RecordsGuitar on "California Blue" (with Brother's Keeper)
These selections represent Keaggy's emphasis on guitar-driven covers.

Selected session work

Phil Keaggy has contributed guitar work and vocals to over 20 albums by other artists in the (CCM) genre and beyond, spanning from the to the , often enhancing tracks with his signature acoustic and solos. His session contributions frequently supported fellow CCM pioneers, adding melodic depth and technical flair to projects in rock, pop, and styles. Notable examples include his electric and acoustic guitar parts, along with backing vocals, on Paul Clark's Come Into His Presence (1974), where Keaggy's playing complemented the album's folk-rock arrangements. On ' In the Volume of the Book (1975), he provided guitars and solos across multiple tracks, contributing to the group's harmonious vocal-driven sound. In 1977, Keaggy supplied guitars for John Fischer's Inside, bolstering the singer-songwriter's introspective folk tunes. His work featured on Michael and Stormie Omartian's Seasons of the Soul (1978), a reflective pop project. Keaggy continued with guitars on Jamie Owens-Collins' Straight Ahead (1980), aiding the album's straightforward rock edges. He delivered lead guitar on & Broken Heart's More (1983), infusing energy. For Randy Stonehill's Celebrate This Heartbeat (1984), Keaggy added duet vocals, enhancing the personal storytelling. A appears on Greg X. Volz's The River Is Rising (1986), tying into Volz's post-Petra rock phase. In 1987, his solo graced ' Same Girl, supporting her contemporary worship pop. Later, Keaggy contributed to Stonehill's The Lazarus Heart (1994), adding texture to the indie-leaning tracks. These sessions highlight Keaggy's versatility and influence within CCM circles.
YearArtistAlbumRole
1974Paul ClarkCome Into His PresenceElectric & Acoustic Guitar, Vocals
19752nd Chapter of ActsIn the Volume of the BookGuitars, Guitar Solos
1977John FischerInsideGuitars
1978Michael and Stormie OmartianSeasons of the SoulLead Guitar
1980Jamie Owens-CollinsStraight AheadGuitars
1983Mylon LeFevre & Broken HeartMoreLead Guitar
1984Randy StonehillCelebrate This HeartbeatDuet Vocals
1986Greg X. VolzThe River Is RisingGuitar Solo
1987Twila ParisSame GirlAcoustic Guitar Solo
1994Randy StonehillThe Lazarus HeartElectric Guitar

Videos

Phil Keaggy has released several video productions throughout his career, encompassing live DVDs, , and promotional clips that highlight his virtuosic guitar playing and collaborative performances. These releases, primarily from the late 1990s onward, emphasize visual demonstrations of his fingerstyle techniques, acoustic and electric solos, and band dynamics, often self-produced or through independent labels. Key examples include anniversary celebrations and educational content aimed at guitar enthusiasts. One of the earliest notable video releases is Glass Harp: Live at Carnegie Hall (1997), a DVD capturing the reunion performance of Keaggy's formative band Glass Harp at the iconic venue, featuring extended improvisational sets showcasing their progressive rock style with Keaggy on lead guitar. Released by Special Friends, the video preserves the band's raw energy from the 1970s era, including tracks like "Can You See Me" and "Do Lord," providing a visual archive of their live prowess. Keaggy's instructional videos include (Alfred Music, approx. 2000s), where he demonstrates advanced fingerpicking patterns and harmonic approaches, offering practical lessons for intermediate players focused on acoustic techniques. This release underscores Keaggy's role as a pedagogical influence in . Keaggy's solo concert videos gained prominence with Philly Live! (2004), a DVD of an intimate acoustic performance in , highlighting unaccompanied renditions of originals and covers that illustrate his dynamic picking and emotional delivery. Self-released, it captures the essence of his live solo shows, emphasizing storytelling through guitar. The 2008 DVD The Master and the Musician (30 Years Later Tour) marks a , documenting a live recreation of Keaggy's seminal 1978 with a full band, including reinterpreted tracks like "The Victor" and "Abraham," filmed during the anniversary tour to celebrate its enduring impact on Christian instrumental music. Produced by Strobie Records, the video blends archival footage with contemporary performances, offering insights into Keaggy's evolving style. Instructional content continued with Electric Guitar Style (2005) and Acoustic Guitar Style (2006), both self-released DVDs where Keaggy breaks down his signature techniques, such as , , and alternate tunings, using slow-motion breakdowns and play-along segments to teach aspiring guitarists. These videos, available through his official store, focus on practical application rather than , drawing from his decades of experience. More recently, promotional video clips for Strings & Sonnets (2024), a collaborative album with poet Malcolm Guite, were shared on Bandcamp and YouTube, featuring short performances and recitations that pair Keaggy's acoustic guitar with spoken-word poetry, such as previews of "The Singing Bowl" and "C.S. Lewis," to promote the project's fusion of music and literature. These digital shorts, released via self-distribution, extend Keaggy's visual outreach into multimedia storytelling. Additional releases like Phil Keaggy Live in Concert: St. Charles, IL (DVD, self-released) and From the Top of the Fret (2007 DVD with Stephen Housden) further expand his video catalog, with the former capturing a full live set and the latter an instructional duet on advanced fretboard navigation. Overall, Keaggy's 5-7 major video releases prioritize visual guitar demonstrations, distinguishing them from his audio discography by showcasing performance nuances and teaching elements.

References

  1. http://www.philkeaggy.com/bio
  2. http://www.philkeaggy.com/discography-1
  3. https://philkeaggyfriends.bandcamp.com/album/strings-sonnets
  4. https://insideoutmusic.bandcamp.com/album/deep-water-24-bit-hd-audio
  5. https://www.buckeyebeat.com/glassharp.html
  6. http://www.museweb.com/keaggy/iv95.html
  7. https://www.discogs.com/artist/1343931-The-Squires-4
  8. https://www.45cat.com/record/21576
  9. https://www.buckeyebeat.com/newhud.html
  10. https://www.allmusic.com/artist/glass-harp-mn0000664341
  11. https://glassharp.bandcamp.com/
  12. http://www.philkeaggy.com/discography
  13. https://www.discogs.com/master/212979-Glass-Harp-Glass-Harp
  14. https://www.discogs.com/release/3159432-Phil-Keaggy-With-Glass-Harp-Song-In-The-Air
  15. https://www.discogs.com/release/2994979-Glass-Harp-Live-At-Carnegie-Hall
  16. https://www.jesusfreakhideout.com/artists/PhilKeaggy.asp
  17. https://www.discogs.com/artist/461872-Phil-Keaggy
  18. https://www.allmusic.com/album/freehand-mw0000315625
  19. https://pk-studioinstrumentals.bandcamp.com/album/acoustic-sketches-3
  20. https://www.philkeaggy.com/discography
  21. https://philkeaggy.bandcamp.com/
  22. https://philkeaggylive.bandcamp.com/album/centennial-hall-new-york-city-3-23-1991
  23. https://www.discogs.com/release/1765318-Phil-Keaggy-Jammed
  24. https://www.discogs.com/release/4772553-Phil-Keaggy-Live-From-Kegworth-Studio
  25. https://philkeaggy.bandcamp.com/album/live-from-kegworth-studio
  26. https://www.discogs.com/release/1790371-Phil-Keaggy-Time-1
  27. https://www.discogs.com/release/1790509-Phil-Keaggy-Time-2
  28. https://www.discogs.com/release/10524640-Phil-Keaggy-Premium-Jams
  29. https://www.sessiondays.com/2020/11/1999-phil-keaggy-premium-jams/
  30. https://www.discogs.com/release/6331975-Phil-Keaggy-Songs-About-What-Matters
  31. https://www.christianmusicarchive.com/album/songs-about-what-matters
  32. https://www.discogs.com/release/8870539-Phil-Keaggy-History-Makers
  33. https://jesusfreakhideout.com/cdreviews/SpecialOccasions.asp
  34. https://pk-deluxestudiovocalalbums.bandcamp.com/album/special-occasions-deluxe
  35. http://www.philkeaggy.com/store
  36. https://philkeaggy.weebly.com/discography.html
  37. https://pk-deluxestudiovocalalbums.bandcamp.com/album/love-broke-thru-2025-remaster
  38. https://www.discogs.com/release/1765617-Phil-Keaggy-Band-Emerging
  39. https://www.philkeaggy.com/discography-1
  40. https://www.discogs.com/release/4466065-Phil-Keaggy-Band-ReEmerging
  41. https://www.christianmusicarchive.com/album/reemerging
  42. https://www.discogs.com/release/9877178-Phil-Keaggy-Trio-With-Jack-Giering-John-Sferra-Inter-Dimensional-Traveler
  43. https://www.discogs.com/release/6062461-Various-No-Compromise-Remembering-The-Music-Of-Keith-Green
  44. https://www.allmusic.com/album/invention-mw0000595864
  45. https://www.discogs.com/release/2342235-Rich-Mullins-And-A-Ragamuffin-Band-The-Jesus-Record
  46. https://www.discogs.com/release/11725448-Phil-Keaggy-Mike-Pachelli-Two-Of-Us
  47. https://www.discogs.com/release/3431553-Phil-Keaggy-Randy-Stonehill-Mystery-Highway
  48. https://jeffjohnsonarkmusic.bandcamp.com/album/frio-suite
  49. https://www.discogs.com/release/10382846-Phil-Keaggy-and-Kyle-Jones-Numen
  50. https://jeffjohnsonarkmusic.bandcamp.com/album/watersky
  51. https://www.discogs.com/release/10254405-John-Sferra-Trio-With-Jack-Giering-Phil-Keaggy-Infinity-Unleashed
  52. https://keaggylevinmarotta.bandcamp.com/album/the-bucket-list
  53. https://jeffjohnsonarkmusic.bandcamp.com/album/ravenna
  54. https://nealmorse.com/product/cosmic-cathedral-deep-water/
  55. https://www.discogs.com/release/10474725-Phil-Keaggy-Music-To-Paint-By-Brushstrokes
  56. https://www.amazon.com/Splash-Music-Paint-Phil-Keaggy/dp/B0006TU71M
  57. https://girdermusic.com/collections/phil-keaggy/jazz
  58. https://www.discogs.com/release/5712317-Phil-Keaggy-Music-To-Paint-By-Still-Life
  59. https://pk-studioinstrumentals.bandcamp.com/album/lights-of-madrid-with-sheet-music
  60. https://www.discogs.com/release/5306357-Phil-Keaggy-Lights-Of-Madrid
  61. https://www.allmusic.com/album/lights-of-madrid-mw0000108051
  62. https://www.amazon.com/Cinemascapes-Phil-Keaggy/dp/B00005R8HG
  63. https://www.discogs.com/release/4170997-Phil-Keaggy-Cinemascapes
  64. http://www.philkeaggy.com/store/phantasmagorical
  65. https://pk-studioinstrumentals.bandcamp.com/album/phantasmagorical
  66. https://www.jesusfreakhideout.com/cdreviews/Phantasmagorical.asp
  67. http://www.museweb.com/keaggy/cdiscog.html
  68. https://music.apple.com/us/album/the-jesus-record/1167844516
  69. https://www.discogs.com/release/3750991-Various-Orphans-Of-God
  70. https://rateyourmusic.com/artist/phil_keaggy/credits/
  71. http://www.christianmusicarchive.com/artist/phil-keaggy
  72. https://www.discogs.com/release/11347237-Stonehill-The-Lazarus-Heart
  73. https://www.philkeaggy.com/store?category=DVD
  74. https://www.amazon.com/Live-Carnegie-Hall-Glass-Harp/dp/B000004BA6
  75. https://www.alfred.com/acoustic-guitar/p/00-VH0138/
  76. https://www.amazon.com/Philly-Live-Phil-Keaggy/dp/B000BFO08W
  77. https://www.discogs.com/release/5566434-Phil-Keaggy-The-Master-And-The-Musician-30-Years-Later-Tour
  78. https://www.ebay.com/itm/204672614877
  79. https://www.youtube.com/watch?v=otwwJ012ypU
  80. https://www.discogs.com/release/11888860-Phil-Keaggy-Stephen-Housden-From-The-Top-Of-The-Fret
Add your contribution
Related Hubs
User Avatar
No comments yet.