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Ira Aldridge
Ira Frederick Aldridge (July 24, 1807 – August 7, 1867) was an American-born British actor, playwright, and theatre manager, known for his portrayal of Shakespearean characters. James Hewlett and Aldridge are regarded as the first Black American tragedians.
Born in New York City, Aldridge's first professional acting experience was in the early 1820s with the African Grove Theatre troupe. Facing discrimination in America, he left in 1824 for England and made his debut at London's Royal Coburg Theatre. As his career grew, his performances of Shakespeare's classics eventually met with critical acclaim and he subsequently became the manager of Coventry's Coventry Theatre Royal. From 1852, Aldridge regularly toured much of Continental Europe and received top honours from several heads of state. He died suddenly while on tour in Poland and was buried with honours in Łódź.
Aldridge is the only actor of African-American descent honoured with a bronze plaque at the Shakespeare Memorial Theatre in Stratford-upon-Avon. Two of Aldridge's daughters, Amanda and Luranah, became professional opera singers.
Aldridge was born in New York City to Reverend Daniel and Luranah (also spelled Lurona) Aldridge on July 24, 1807, but a few early biographies state that he was born in Bel Air, Maryland. At the age of 13, Aldridge went to the African Free School in New York City, established by the New-York Manumission Society for the children of free black people and slaves. They were given a classical education, including English grammar, writing, mathematics, geography, and astronomy. His classmates at the school included James McCune Smith, Alexander Crummell, Charles L. Reason, George T. Downing, and Henry H. Garnet.
Aldridge's first professional acting experience was in the early 1820s with the African Company, a group founded and managed by William Henry Brown and James Hewlett. In 1821, the group built the African Grove Theatre, the first resident African-American theatre in the United States. The short-lived company was the subject of protests by neighbors, attacks by a rival company, and a racist parody published by newspaper editor and Sheriff of New York Mordecai Manuel Noah. This hostility indicated few prospects for Aldridge's acting career in America. Aldridge made his acting debut as Rolla, a Peruvian character in Richard Brinsley Sheridan's Pizarro. He may have also played the male lead in Romeo and Juliet, as reported later in an 1860 memoir by his schoolfellow, Dr. James McCune Smith.
Confronted with the persistent discrimination which black actors had to endure in the United States, Aldridge emigrated to Liverpool, England, in 1824 with actor James Wallack. During this time the Industrial Revolution had begun, bringing about radical economic change that helped expand the development of theatres. The British parliament had abolished slavery in the UK in the 11th century, had outlawed the Atlantic slave trade and was moving toward abolishing slavery in the British Empire, which increased the prospect of black actors from abroad looking to perform.
Having limited onstage experience and lacking popular recognition, Aldridge concocted a story of his African lineage, claiming to have descended from the Fulani princely line. By 1831, Aldridge had temporarily taken the name of Keene, a homonym for the then popular British actor, Edmund Kean. Aldridge observed a common theatrical practice of assuming an identical or similar name to that of a celebrity in order to garner attention. In addition to being called F. W. Keene Aldridge, he would later be called African Roscius, after the famous Roman actor of the first century BCE.
In May 1825, at the age of 17, Aldridge first appeared on the London stage in a low profile production of Othello. On October 10, 1825, Aldridge made a much more high-profile debut at London's Royal Coburg Theatre, and became the first African-American actor to establish himself professionally in a foreign country. He played the lead role of Oroonoko in The Revolt of Surinam, or A Slave's Revenge; this play was an adaptation of Thomas Southerne's Oroonoko (itself adapted from Aphra Behn's original work).
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Ira Aldridge
Ira Frederick Aldridge (July 24, 1807 – August 7, 1867) was an American-born British actor, playwright, and theatre manager, known for his portrayal of Shakespearean characters. James Hewlett and Aldridge are regarded as the first Black American tragedians.
Born in New York City, Aldridge's first professional acting experience was in the early 1820s with the African Grove Theatre troupe. Facing discrimination in America, he left in 1824 for England and made his debut at London's Royal Coburg Theatre. As his career grew, his performances of Shakespeare's classics eventually met with critical acclaim and he subsequently became the manager of Coventry's Coventry Theatre Royal. From 1852, Aldridge regularly toured much of Continental Europe and received top honours from several heads of state. He died suddenly while on tour in Poland and was buried with honours in Łódź.
Aldridge is the only actor of African-American descent honoured with a bronze plaque at the Shakespeare Memorial Theatre in Stratford-upon-Avon. Two of Aldridge's daughters, Amanda and Luranah, became professional opera singers.
Aldridge was born in New York City to Reverend Daniel and Luranah (also spelled Lurona) Aldridge on July 24, 1807, but a few early biographies state that he was born in Bel Air, Maryland. At the age of 13, Aldridge went to the African Free School in New York City, established by the New-York Manumission Society for the children of free black people and slaves. They were given a classical education, including English grammar, writing, mathematics, geography, and astronomy. His classmates at the school included James McCune Smith, Alexander Crummell, Charles L. Reason, George T. Downing, and Henry H. Garnet.
Aldridge's first professional acting experience was in the early 1820s with the African Company, a group founded and managed by William Henry Brown and James Hewlett. In 1821, the group built the African Grove Theatre, the first resident African-American theatre in the United States. The short-lived company was the subject of protests by neighbors, attacks by a rival company, and a racist parody published by newspaper editor and Sheriff of New York Mordecai Manuel Noah. This hostility indicated few prospects for Aldridge's acting career in America. Aldridge made his acting debut as Rolla, a Peruvian character in Richard Brinsley Sheridan's Pizarro. He may have also played the male lead in Romeo and Juliet, as reported later in an 1860 memoir by his schoolfellow, Dr. James McCune Smith.
Confronted with the persistent discrimination which black actors had to endure in the United States, Aldridge emigrated to Liverpool, England, in 1824 with actor James Wallack. During this time the Industrial Revolution had begun, bringing about radical economic change that helped expand the development of theatres. The British parliament had abolished slavery in the UK in the 11th century, had outlawed the Atlantic slave trade and was moving toward abolishing slavery in the British Empire, which increased the prospect of black actors from abroad looking to perform.
Having limited onstage experience and lacking popular recognition, Aldridge concocted a story of his African lineage, claiming to have descended from the Fulani princely line. By 1831, Aldridge had temporarily taken the name of Keene, a homonym for the then popular British actor, Edmund Kean. Aldridge observed a common theatrical practice of assuming an identical or similar name to that of a celebrity in order to garner attention. In addition to being called F. W. Keene Aldridge, he would later be called African Roscius, after the famous Roman actor of the first century BCE.
In May 1825, at the age of 17, Aldridge first appeared on the London stage in a low profile production of Othello. On October 10, 1825, Aldridge made a much more high-profile debut at London's Royal Coburg Theatre, and became the first African-American actor to establish himself professionally in a foreign country. He played the lead role of Oroonoko in The Revolt of Surinam, or A Slave's Revenge; this play was an adaptation of Thomas Southerne's Oroonoko (itself adapted from Aphra Behn's original work).