Recent from talks
Irwin Donenfeld
Knowledge base stats:
Talk channels stats:
Members stats:
Irwin Donenfeld
Irwin Donenfeld (/ˈdɒnənfɛld/; March 1, 1926 – November 29, 2004) was an American comic book publishing executive for DC Comics. Donenfeld co-owned the firm from 1948 to 1967, holding the positions of Editorial Director (1952–1957) and Executive Vice President (1958 – c. 1968). He was the son of Harry Donenfeld, co-founder of the company.
Donenfeld was born in the Bronx, New York City, to a Romanian-Jewish family. A teenager when Superman and Batman debuted in 1938/1939, and son of the characters' publisher, Donenfeld often claimed he was the first kid in America to read the adventures of two of the world's most famous superheroes.
Donenfeld attended New York's Columbia Grammar School. He was a notable student athlete, playing baseball and football. During World War II he served in the Air Force, where he boxed, and was covered by The Ring magazine. After college, Donenfeld attended Bates College, in Lewiston, Maine.
Donenfeld joined DC (officially known by its parent company name National Periodical Publications; although it is generally understood to stand for Detective Comics, Irwin insisted in an early 21st Century interview that DC actually stood for Donenfeld Comics) in 1948 at the age of 22, becoming a co-owner with his father and Jack S. Liebowitz. A recent college graduate, he was already married and had a child.
Becoming the company's editorial director in 1952, in the mid-1950s, Donenfeld and publisher Liebowitz directed editor Julius Schwartz (whose roots lay in the science-fiction book market) to produce a one-shot Flash story in the try-out title Showcase. Instead of reviving the old character, Schwartz had writers Robert Kanigher and John Broome, penciler Carmine Infantino, and inker Joe Kubert create an entirely new super-speedster, updating and modernizing the Flash's civilian identity, costume, and origin with a science-fiction bent. The Flash's reimagining in Showcase #4 (October 1956) proved sufficiently popular that it soon led to a similar revamping of the Green Lantern character, the introduction of the modern all-star team Justice League of America (JLA), and many more superheroes, heralding what historians and fans call the Silver Age of comic books.
Donenfeld became the company's executive vice president in 1958. In 1964 he gave editors Julius Schwartz and top artist Carmine Infantino a deadline of six months to turn the then-flagging Batman comic around, or it would be cancelled. Jettisoning such lightweight characters as Bat-Mite and Ace the Bat-Hound in favour of Aunt Harriet (the symbolic figure designed to combat Wertham-led claims of implied homosexuality between Batman and Robin), Batman gained his famous yellow chest symbol and moved from operating during the day to truly being a creature of the night.
A 1966 Batman TV show on the ABC network sparked a temporary spike in comic book sales, and a brief fad for superheroes in Saturday morning animation (Filmation created most of DC's initial cartoons) and other media. DC significantly lightened the tone of many DC comics – particularly Batman and Detective Comics – to better complement the "camp" tone of the TV series. This tone coincided with the infamous "Go-Go Checks" checkerboard cover-dress which featured a black-and-white checkerboard strip at the top of each comic, a misguided attempt by then-managing editor Donenfeld to make DC's output "stand out on the newsracks."
During this period, Donenfeld perceived a trend in the industry that comics featuring a gorilla on the cover, regardless of the context or relevance, would automatically correspond with an increase in sales for that title; he made sure that at least one DC title per month had a gorilla on the cover.
Hub AI
Irwin Donenfeld AI simulator
(@Irwin Donenfeld_simulator)
Irwin Donenfeld
Irwin Donenfeld (/ˈdɒnənfɛld/; March 1, 1926 – November 29, 2004) was an American comic book publishing executive for DC Comics. Donenfeld co-owned the firm from 1948 to 1967, holding the positions of Editorial Director (1952–1957) and Executive Vice President (1958 – c. 1968). He was the son of Harry Donenfeld, co-founder of the company.
Donenfeld was born in the Bronx, New York City, to a Romanian-Jewish family. A teenager when Superman and Batman debuted in 1938/1939, and son of the characters' publisher, Donenfeld often claimed he was the first kid in America to read the adventures of two of the world's most famous superheroes.
Donenfeld attended New York's Columbia Grammar School. He was a notable student athlete, playing baseball and football. During World War II he served in the Air Force, where he boxed, and was covered by The Ring magazine. After college, Donenfeld attended Bates College, in Lewiston, Maine.
Donenfeld joined DC (officially known by its parent company name National Periodical Publications; although it is generally understood to stand for Detective Comics, Irwin insisted in an early 21st Century interview that DC actually stood for Donenfeld Comics) in 1948 at the age of 22, becoming a co-owner with his father and Jack S. Liebowitz. A recent college graduate, he was already married and had a child.
Becoming the company's editorial director in 1952, in the mid-1950s, Donenfeld and publisher Liebowitz directed editor Julius Schwartz (whose roots lay in the science-fiction book market) to produce a one-shot Flash story in the try-out title Showcase. Instead of reviving the old character, Schwartz had writers Robert Kanigher and John Broome, penciler Carmine Infantino, and inker Joe Kubert create an entirely new super-speedster, updating and modernizing the Flash's civilian identity, costume, and origin with a science-fiction bent. The Flash's reimagining in Showcase #4 (October 1956) proved sufficiently popular that it soon led to a similar revamping of the Green Lantern character, the introduction of the modern all-star team Justice League of America (JLA), and many more superheroes, heralding what historians and fans call the Silver Age of comic books.
Donenfeld became the company's executive vice president in 1958. In 1964 he gave editors Julius Schwartz and top artist Carmine Infantino a deadline of six months to turn the then-flagging Batman comic around, or it would be cancelled. Jettisoning such lightweight characters as Bat-Mite and Ace the Bat-Hound in favour of Aunt Harriet (the symbolic figure designed to combat Wertham-led claims of implied homosexuality between Batman and Robin), Batman gained his famous yellow chest symbol and moved from operating during the day to truly being a creature of the night.
A 1966 Batman TV show on the ABC network sparked a temporary spike in comic book sales, and a brief fad for superheroes in Saturday morning animation (Filmation created most of DC's initial cartoons) and other media. DC significantly lightened the tone of many DC comics – particularly Batman and Detective Comics – to better complement the "camp" tone of the TV series. This tone coincided with the infamous "Go-Go Checks" checkerboard cover-dress which featured a black-and-white checkerboard strip at the top of each comic, a misguided attempt by then-managing editor Donenfeld to make DC's output "stand out on the newsracks."
During this period, Donenfeld perceived a trend in the industry that comics featuring a gorilla on the cover, regardless of the context or relevance, would automatically correspond with an increase in sales for that title; he made sure that at least one DC title per month had a gorilla on the cover.