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Trancers
Theatrical release poster
Directed byCharles Band
Written by
Produced byCharles Band
Starring
CinematographyMac Ahlberg
Edited byTed Nicolaou
Music by
Distributed byEmpire Pictures
Release dates
  • November 7, 1984 (1984-11-07) (U.K.)
  • May 22, 1985 (1985-05-22) (U.S.)
Running time
76 minutes
CountryUnited States
LanguageEnglish

Trancers (also released as Future Cop) is a 1984 American science fiction action film directed by Charles Band and starring Tim Thomerson, Helen Hunt, and Art LaFleur. It is the first film in the Trancers series. Thomerson plays Jack Deth, a Philip Marlowe-esque police detective from the 23rd century who travels to the 1980s to bring his old nemesis to justice. The film portrays a unique method of time travel: people can travel back in time by injecting themselves with a drug that allows them to take over the body of an ancestor.

Plot

[edit]

Jack Deth is a retired police trooper in the 23rd century who has been called back into service to assist in hunting down Martin Whistler, a criminal mastermind who uses psychic powers to turn people into mindless "Trancers" and carry out his orders. Deth can identify a tranced individual by scanning them with a special bracelet. All trancers appear as normal humans at first, but once triggered, they become savage killers with twisted features.[1]

Before he can be caught, Whistler escapes back in time using a drug-induced time-traveling technique. Whistler's consciousness travels down his ancestral bloodline, arrives in 1985, and takes over the body of a Los Angeles police detective named Weisling. Once Deth discovers what Whistler has done, he destroys Whistler's body—effectively leaving him trapped in the past with no vessel to return to—and chases after him through time the same way. Deth ends up in the body of one of his ancestors: a journalist named Phil Dethton.

With the help of Phil's date from the night before—a punk rock girl named Lena—Deth goes after Whistler, who has begun to "trance" other victims. Whistler plots to eliminate the future governing council members of Angel City (the future name of Los Angeles), who are being systematically wiped out of existence by Whistler's murder spree of their ancestors. Deth arrives too late to prevent most of the murders and can only safeguard Hap Ashby, a washed-up former pro baseball player, who is the ancestor of the last surviving council member, Chairman Ashe.

Deth is given some high-tech equipment, which is sent to him in the past: his sidearm (which contains two hidden vials of time drugs to send him and Whistler back to the future) and a "long-second" wristwatch, which temporarily slows time, stretching one second to 10. The watch has only enough power for one use, but he later receives another watch.

During the end fight with Whistler, one of the drug vials in Jack's gun breaks, leaving only one vial to get home. Jack is forced to make a choice: kill the innocent Weisling (who is possessed by the evil Whistler), or use the vial to send Whistler back to 2247, which would strand Jack in the present. Jack chooses to inject Weisling with the vial, saving the lieutenant's life but condemning Whistler to an eternity without a body to return to. Jack decides to remain with Lena in 1985, although observing him from the shadows is McNulty, his boss from the future, who has traveled down his own ancestral line, ending up in the body of a young girl.[2]

Cast

[edit]

Production

[edit]

The idea of the film came from the producer's admiration of Humphrey Bogart's work.[3]

Reception

[edit]

On Rotten Tomatoes the film has an approval rating of 83% based on reviews from 6 critics.[4] Variety described it as having a similar premise to The Terminator but falling short of that film.[5] Kevin Thomas of the Los Angeles Times instead called it "a textbook example of efficient, effective exploitation film making."[6]

Neil Gaiman reviewed Trancers for Imagine magazine, and stated that it was "funny, comic-book, and fun, I enjoyed it immensely."[7]

Creature Feature gave the movie two stars, finding the story a mess but noted that some of the sequels are better.[8]

Thomerson preferred this film to the sequels finding it more visceral and character driven.[9]

The Encyclopedia of Science Fiction found that while it is an action film, it has many science fiction ideas and an interesting punk look.[10]

The Conway Daily Sun praised the film, especially Thomerson's and Hunt's performances.[11]

James Cameron reportedly enjoyed the film and began recommending Danny Bilson and Paul DeMeo for other projects.[12][13][14]

Home media

[edit]

Trancers was released on VHS and LaserDisc in 1985, DVD in 2000, and Blu-ray in 2014.

On October 18, 2022, a two-disc collector's edition of the film was released on 4K Ultra HD Blu-ray, containing the director's commentary, the Trancers: City of Lost Angels short, behind-the-scenes, and more.

A black and white version of the film was released on February 7, 2025.[15]

Sequels

[edit]

The film spawned five direct-to-video sequels: Trancers II: The Return of Jack Deth (1991), Trancers III: Deth Lives (1992), Trancers 4: Jack of Swords (1994), Trancers 5: Sudden Deth (1994), and Trancers 6 (2002). Additionally, Trancers: City of Lost Angels was shot in between the first and second films. The 20-minute short was a part of the unreleased 1988 anthology film Pulse Pounders, but was released separately on DVD in 2013. The film has since started a franchise of six main films.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Trancers

View on Grokipedia
from Grokipedia
Trancers is a 1984 American directed and produced by , starring as Jack Deth, a tough trooper from the year 2247 who travels back in time to 1985 to prevent the criminal Martin Whistler (Michael Stefan) from using psychic powers to transform people into zombie-like "trancers" and alter the course of history. The plot follows Jack Deth, a retired law enforcer in a dystopian future Angel City, who is recalled to duty after Whistler escapes execution by fleeing to the past, where he targets the ancestors of the ruling council to seize power. Inhabiting the body of his 1985 ancestor—a hard-boiled detective—Jack teams up with punk rocker (), the descendant of a council member, to hunt down Whistler's trancers, mindless slaves who attack on command, while navigating the unfamiliar environment with rudimentary future tech like a serum that detects trancers and a time-travel device. The film blends elements of , , and horror, featuring a synth-heavy and low-budget effects characteristic of Pictures' output. Released in the United States on May 22, 1985, following a premiere in the on November 7, 1984, Trancers runs 85 minutes and was written by and Paul De Meo, with and in supporting roles as fellow officers and victims. It received positive critical reception for its energetic pacing and Thomerson's charismatic performance, earning an 89% approval rating on based on nine reviews, though audience scores are more mixed at 54%. Often hailed as a cult classic, the film draws comparisons to and for its aesthetics and time-travel premise, despite its modest $400,000 budget. Trancers spawned a franchise, with five sequels produced between 1991 and 2002 by , continuing Jack Deth's adventures across time periods, though Thomerson stars in the first five films; the series explores escalating threats from trancers and new villains in medieval, Wild West, and modern settings. The original film's enduring popularity has led to recent 4K restorations and releases, cementing its status in 1980s B-movie sci-fi lore.

Plot and characters

Plot

In the year 2247, in the dystopian metropolis of Angel City—the remnants of submerged after a catastrophic —police trooper Jack Deth is pulled from retirement by the ruling council to apprehend the escaped criminal mastermind Martin Whistler. Whistler possesses potent psychic abilities that allow him to hypnotically control the weak-willed, transforming them into zombie-like slaves known as Trancers, who obey his commands without question and exhibit until destroyed. Fearing for the future, the council reveals that Whistler has fled to 1985 using a revolutionary method involving a fluid serum injected to transfer one's consciousness into the body of a direct ancestor, enabling possession while the physical form in the origin time remains in stasis. Jack volunteers for the mission and is sent back to 1985 Los Angeles, a vibrant, pre-quake city untouched by the future's devastation, where he inhabits the body of his ancestor, a mild-mannered journalist named Phil Dethton. Armed with a futuristic watch that accelerates time flow around targets—causing Trancers to rapidly age and disintegrate into dust—and vials of the same serum for detecting their presence through chemical reaction, Jack navigates the unfamiliar 1980s environment. He quickly allies with Leena, Phil's tough and resourceful girlfriend and the ancestor of a future council member, who provides local knowledge and vehicles, sparking a romantic connection amid the chaos as they evade Whistler's minions. Whistler's scheme unfolds: possessing the body of an LAPD detective, he systematically assassinates the ancestors of the future council's seven members to erase their lineage and seize power in the altered timeline, turning ordinary citizens into Trancers to eliminate obstacles and protect his operations. As Jack and race against time, they discover most ancestors have already been killed, leaving only one survivor: an elderly, alcoholic former player living in destitution on . Jack protects the man while systematically dismantling Whistler's network of Trancers in gritty urban settings, from seedy alleys to abandoned buildings, using his future weaponry and street smarts honed from centuries of enforcement. The duo's bond deepens through shared perils, with proving instrumental in decoding clues from Phil's journalistic contacts. In the climactic confrontation at an abandoned building, Jack faces Whistler directly; after a fierce hand-to-hand struggle and using the last vial of time serum to send Whistler's consciousness back to 2247 where he is executed, Jack defeats his foe, ensuring the council's bloodline endures and the original future is preserved. With no serum left to return, Jack chooses to remain in with .

Cast

The principal cast of Trancers is led by as Jack Deth, a 22nd- and 23rd-century trooper known for his gruff, Bogart-inspired demeanor that infuses the film with a noir-inflected sci-fi tone. portrays Leena, a punk rocker and Phil Dethton's love interest in 1985 who teams up with Deth to hunt the trancers, bringing a resourceful and spirited presence to the ensemble. Michael Stefani plays Martin Whistler, the psychic villain whose cult-leading abilities drive the central conflict, contributing to the film's blend of horror and action elements. appears as McNulty, Deth's boss from the future who provides oversight, adding and camaraderie to the dynamic. rounds out the principal roles as Engineer Raines, a key support figure whose performance enhances the futuristic procedural vibe. Supporting actors include as Chairman Spencer, a high-ranking official in the future setting; Anne Seymour as The Controller (also known as Chairman Ashe), providing authoritative guidance; and Miguel Fernandes as Officer Lopez (sometimes credited as Serrano), a ally in the past. These performers collectively amplify the film's low-budget charm, with their portrayals emphasizing tough, quippy interactions that underscore the story's time-travel adventure tone without overshadowing the leads.
ActorRoleDescription
Jack Deth22nd/23rd-century trooper with a hard-boiled, noir style.
1985 love interest and ally aiding Deth against the trancers.
Michael StefaniMartin Whistler antagonist leading a mind-controlled .
McNultyDeth's boss from the future, providing oversight and comic relief.
Engineer RainesTechnical support from the future timeline.
Chairman SpencerFuture governmental leader.
Anne SeymourThe ControllerOverseeing authority figure.
Miguel FernandesOfficer LopezContemporary police officer assisting the investigation.

Production

Development

Charles Band, who served as both director and producer on Trancers, conceived the film as a low-budget project blending with noir elements, drawing inspiration from classic archetypes exemplified by Humphrey Bogart's tough, world-weary protagonists in 1940s cinema. Band aimed to craft a story centered on a hard-boiled future cop pursuing a across time, adapting the noir trope to a futuristic setting to create an affordable yet engaging narrative. The script was penned by and Paul De Meo, who were relatively new to feature writing at the time; Bilson, previously an assistant and cameraman for Band, collaborated with De Meo to develop the screenplay after Band pitched the core time-travel concept. Produced by Pictures, Band's independent company specializing in , Trancers was made on a modest of $400,000, emphasizing efficient storytelling and practical effects to fit the constraints of low-budget production. Casting focused on performers suited to the film's gritty, B-movie aesthetic, with Tim Thomerson selected for the lead role of Jack Deth due to his established tough-guy persona from prior character roles in action and comedy projects. Helen Hunt, fresh out of college and building her career after early television appearances, was cast as Leena in one of her first major film roles, leveraging a personal connection through her father's acquaintance with Band's family. The supporting cast was assembled rapidly from the pool of available B-movie actors, allowing for quick pre-production turnaround. Central to the film's conceptualization were the "Trancers"—psychic zombies created through mind control by the —serving as a cost-effective antagonist horde that avoided expensive makeup or effects, paired with an innovative time-travel mechanism via ancestral possession to enable low-budget period shifts without elaborate sets. These elements provided original hooks tailored to Empire Pictures' resource limitations, distinguishing Trancers as a clever synthesis of horror and sci-fi tropes.

Filming

Principal photography for Trancers took place entirely in , , utilizing the city's industrial districts to create a gritty, post-apocalyptic atmosphere blending noir aesthetics with futuristic decay. Key locations included the Capitol Milling Warehouse at 1231 N. Spring Street, where scenes featured Jack Deth and parking scooters in front of weathered signage, as well as intersections like Alameda Street and East 2nd Street in the Arts District, and broader industrial zones that provided a desolate, urban wasteland backdrop without extensive set construction. Filming commenced in the summer of 1984 on a compressed schedule typical of low-budget productions, allowing the crew to capture the film's time-travel sequences and action set pieces efficiently within urban environments. The production relied heavily on practical effects to depict the zombie-like Trancers, employing special makeup from Mechanical and Makeup Imageries to achieve their pallid, entranced appearances through prosthetics and cosmetics rather than digital enhancements, as CGI was not yet viable. Stunts were executed on location with minimal alterations, emphasizing and vehicle chases using real props and performers to maintain a raw, tangible energy. The original score, composed by Mark Ryder and Phil Davies, featured synth-heavy electronic instrumentation that underscored the film's atmospheric tension and retro-futuristic tone, with pulsating tracks enhancing chase scenes and dystopian reveals; , brother of producer , contributed scores to later entries in the series but not . Soundtrack elements drew from 1980s influences, creating an immersive without orchestral complexity due to budget limitations. In , editing prioritized a fast-paced rhythm to amplify the action-thriller elements, with quick cuts between timelines and confrontations to heighten urgency on a modest timeline. incorporated futuristic effects through practical audio layering, such as synthesized whooshes and echoes for time-travel portals and Trancer activations, mixed to evoke a sense of otherworldly intrusion in the 1980s setting without advanced digital tools.

Release

Theatrical release

Trancers premiered in the on November 7, 1984, marking its initial international rollout under Empire Pictures distribution. In the United States, the film received a starting with preview screenings in on November 23, 1984, followed by a wider but still constrained rollout on May 22, 1985, also handled by Empire Pictures. This independent distribution model resulted in a modest theatrical presence, primarily targeting drive-ins and second-run theaters rather than major multiplexes. Marketing for Trancers positioned it as a B-movie sci-fi action thriller blending elements with zombie-like antagonists, drawing comparisons to films like and . Promotional posters prominently featured star as the grizzled Jack Deth, emphasizing his tough-guy persona against a futuristic backdrop to appeal to genre enthusiasts. Empire Pictures' campaign focused on low-budget allure, with trailers highlighting high-concept action sequences to attract fans of cult sci-fi fare. Internationally, the film saw varied release strategies and localized titles to suit regional markets, such as Guardianes del futuro in and O Exterminador do Século 23 in . These adaptations occurred following the film's completion in 1984, with European markets often receiving earlier access than the U.S. theatrical circuit. No major film festival appearances were recorded for the initial rollout, underscoring its direct path to niche audiences via independent channels.

Home media

The film Trancers was first released on in 1985 by Pictures, marking its initial entry into the market shortly after its theatrical debut. A DVD edition followed on March 28, 2000, distributed by , providing enhanced accessibility for fans of the cult sci-fi series. In 2014, released a Blu-ray version on November 18, featuring remastered color correction and to improve upon earlier formats. A significant upgrade came with the 4K collector's edition on October 18, 2022, also from , sourced from a new scan of the original camera negative for superior visual fidelity. This two-disc set included a standard Blu-ray and packed special features, emphasizing the film's enduring appeal. Restoration efforts for these higher-quality versions involved detailed work on the source materials to preserve the low-budget production's gritty aesthetic while enhancing clarity and detail. On February 7, 2025, a stylized black-and-white "noir" edition titled Trancers Noir premiered exclusively on the streaming service, converting the original footage to silver-toned as a homage to the film's inspirations, complete with an introduction by director . As of 2025, the film remains available for digital streaming on platforms such as and , broadening its reach to modern audiences. Collector’s sets, including the Trancers: The Ultimate Deth Collection from 2011, bundle the original with its sequels for comprehensive viewing of the franchise.

Reception

Critical reception

Upon its release, Trancers received generally positive reviews from critics, particularly for its efficient low-budget execution, earning an 89% approval rating on based on nine reviews. It holds a Metacritic score of 64 out of 100 based on six critic reviews. Kevin Thomas of the praised the film as "so shameless, unpretentious and fast-paced, in fact, it's actually a lot of fun," describing it as a "textbook example of efficient, effective exploitation filmmaking." Critics highlighted strong performances, with Tim Thomerson's charismatic portrayal of the grizzled future cop Jack Deth earning particular acclaim for its tough, wisecracking energy, while brought spirited enthusiasm to her role as his partner. In retrospective assessments from the 2020s, outlets like have celebrated Trancers as a "hyper-stylish" and charming B-movie, emphasizing its punk-rock vibe and less self-serious take on tropes, though acknowledging imperfections in pacing and narrative consistency. The film received no major awards or nominations.

Box office and commercial performance

Trancers was produced on a low budget of $400,000. The film's U.S. theatrical gross remains unavailable, but estimates suggest modest earnings attributable to a poor distribution deal with Pictures, which restricted its theatrical availability and made it difficult for audiences to find in cinemas. The limited theatrical rollout further compounded these challenges by limiting exposure. Following its initial commercial underperformance in 1985, Trancers shifted toward success in home video formats and international markets, where it gained a broader audience.

Legacy

Sequels

The Trancers series continued beyond the original 1984 film with five direct-to-video sequels, all produced on low budgets primarily by Charles Band's Full Moon Entertainment, emphasizing the franchise's shift to economical, straight-to-home-video releases that maintained the core concept of time-traveling lawman Jack Deth battling zombie-like Trancers. Trancers II (1991), directed by , sees Jack Deth () pulled back into action six years after the original events, returning to 1985 to combat a new wave of Trancers unleashed by a rogue scientist experimenting with the creatures' hypnotic powers. The film connects directly to the first by revisiting the 1980s setting and Deth's reluctant heroism, while introducing new allies and escalating the Trancer threat. Trancers III (1992), directed by C. Courtney Joyner, transports Deth to the year 2247 to confront a resurrected Trancer leader and prevent an ancestral purge that could alter the future timeline, with his wife Alice (Helen Hunt, reprising her role from the original) aiding in the fight alongside a reformed criminal. This entry ties into the series' lore by resolving lingering threats from prior films and highlighting Hunt's character as a key emotional anchor for Deth. The subsequent entries—Trancers 4: Jack of Swords (1994) and Trancers 5: Sudden Deth (1994), both directed by , and Trancers 6 (2002), directed by Jay Woelfel—feature looser continuity, shifting Deth into alternate dimensions and medieval-inspired worlds where he battles evolved Trancers ruling oppressive societies, with Thomerson starring in the fourth and fifth films while the sixth substitutes a body-swapped lacking his physical presence. These later installments prioritize action spectacle over strict timeline adherence, often reusing Trancer mechanics to pit Deth against tyrannical overlords in fantastical settings. Additionally, the short film Trancers: City of Lost Angels (filmed in 1988 and released in 2013 as a DVD extra), directed by Band, serves as a midquel set in 1988 Los Angeles, depicting Deth evading an assassin dispatched from the future to eliminate him shortly after the original story's events. In total, the franchise comprises six films, underscoring its endurance as a low-budget direct-to-video series that extended the original's punk-noir sci-fi aesthetic across decades.

Cult status

Trancers gained a devoted following as a in the 1990s, largely through widespread availability and occasional midnight screenings that highlighted its playful fusion of sci-fi noir aesthetics, time-travel adventure tropes, and Tim Thomerson's charismatic performance as the grizzled future cop Jack Deth. The film's low-budget approach has left a mark on subsequent independent sci-fi productions, drawing frequent parallels to higher-profile works like and for its dystopian visuals and pursuit narrative, while being lauded for its unpretentious, entertaining accessibility that democratized those influences for genre enthusiasts. In recent years, Trancers has seen renewed interest, with a December 2024 feature dubbing it a " midnight movie" for its holiday-tinged setting and retro-futuristic energy. This revival continued into 2025 with the release of Trancers Noir, a black-and-white edition emphasizing its roots, accompanied by an introduction from director . Dedicated fan communities gather at genre conventions, where Full Moon Features often showcases the film alongside merchandise and panels, cementing Trancers' enduring status as a cornerstone of Empire Pictures' and Full Moon's B-movie legacy.

References

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