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Joanna MacGregor
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Joanna MacGregor
Joanna Clare MacGregor CBE (born 16 July 1959) is a British concert pianist, conductor, composer, and festival curator. She is Head of Piano at the Royal Academy of Music and a professor of the University of London. She was artistic director of the International Summer School & Festival at Dartington Hall from 2015 to 2019.
MacGregor grew up in North London, and was educated at home, with her brother and sister, by her parents; she won a free place to South Hampstead High School at the age of 11. Her mother is a piano teacher and taught her when she was a young child, and her father worked in the printing trade. MacGregor began studying with Christopher Elton at the age of seventeen, and read music at New Hall (now Murray Edwards College, Cambridge) (1978–81) where she was taught composition by Hugh Wood. After Cambridge, she pursued postgraduate studies at the Royal Academy of Music. She became Head of Piano at the Royal Academy of Music in 2011.
In the early years of her performing career, MacGregor was a prolific composer for the theatre (including work for Cheek by Jowl, and Oxford Stage Company's production of Hamlet at Elsinore Castle and the Edinburgh Festival). She was one of the first artists to be selected for the Young Concert Artists Trust in 1985, and has since performed in more than seventy countries, appearing as a solo artist with many of the world's leading orchestras, including the New York Philharmonic, London Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, Oslo Philharmonic Orchestra, Chicago Symphony Orchestra and Berlin Symphony Orchestra, London Philharmonia, Melbourne Symphony and Sydney Symphony Orchestras, Hong Kong Philharmonic, BBC Symphony and Salzburg Camerata.
The conductors with whom she has worked include Pierre Boulez, Sir Simon Rattle, Sir Colin Davis, Michael Tilson Thomas, and Valery Gergiev, and she has appeared in many of the world's greatest venues, including the Wigmore Hall, Southbank Centre and the Barbican in London, Sydney Opera House, New York's Lincoln Center, Leipzig Gewandhaus, the Concertgebouw in Amsterdam and the Mozarteum concert hall in Salzburg.
Between 1997 and 2000, MacGregor was Professor of Music at Gresham College, London, giving free public lectures. She was appointed as Professor of Performance at Liverpool Hope University in 2007.
MacGregor is particularly known for her Bach interpretations and recordings, and was invited by Sir John Eliot Gardiner to perform the Goldberg Variations at the Royal Albert Hall in April 2013. She is also currently performing the complete Mozart concertos and Beethoven sonatas, and performed the complete Chopin Mazurkas to widespread acclaim in 2010. Alongside core piano repertoire, she has premiered many landmark compositions – including piano concertos by Sir Harrison Birtwistle, Django Bates, Hugh Wood, John Adams, Alasdair Nicolson, Jonathan Harvey and James MacMillan – and has commissioned over 100 new works.
MacGregor made her conducting debut in 2002 and regularly directs her own orchestral projects, including an all-Mozart programme with the Royal Philharmonic Orchestra and Bach with the Hallé. She enjoys a close artistic partnership as conductor and performer with Britten Sinfonia, in programmes ranging from classical music to collaborations with jazz and world musicians, including Andy Sheppard, Seb Rochford, Nitin Sawhney and Arve Henriksen. In 2009 she opened the London Jazz Festival with Britten Sinfonia and Arabic singer and oud virtuoso Dhafer Youssef, hailed by The Times as 'the future of music'. Their fifteen-year orchestral partnership has continued with tours in Europe and Latin America.
She created (with composer Alasdair Nicolson) the Platform Festival of contemporary and improvised music, which ran at the ICA in London from 1991 until 1993; a series of music events, SoundCircus, ranging from Elvis Costello and Courtney Pine to Ensemble Modern and Steve Reich, at Bridgewater Hall, Manchester (1997–99); a celebration of British contemporary music (featuring Tom Ades) for the New York Philharmonic (1999); and Cross Border with Jin Xing's Contemporary Dance Theatre of Shanghai, combining Chinese traditional music with computer technology and film. Cross Border toured China in 2003.
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Joanna MacGregor
Joanna Clare MacGregor CBE (born 16 July 1959) is a British concert pianist, conductor, composer, and festival curator. She is Head of Piano at the Royal Academy of Music and a professor of the University of London. She was artistic director of the International Summer School & Festival at Dartington Hall from 2015 to 2019.
MacGregor grew up in North London, and was educated at home, with her brother and sister, by her parents; she won a free place to South Hampstead High School at the age of 11. Her mother is a piano teacher and taught her when she was a young child, and her father worked in the printing trade. MacGregor began studying with Christopher Elton at the age of seventeen, and read music at New Hall (now Murray Edwards College, Cambridge) (1978–81) where she was taught composition by Hugh Wood. After Cambridge, she pursued postgraduate studies at the Royal Academy of Music. She became Head of Piano at the Royal Academy of Music in 2011.
In the early years of her performing career, MacGregor was a prolific composer for the theatre (including work for Cheek by Jowl, and Oxford Stage Company's production of Hamlet at Elsinore Castle and the Edinburgh Festival). She was one of the first artists to be selected for the Young Concert Artists Trust in 1985, and has since performed in more than seventy countries, appearing as a solo artist with many of the world's leading orchestras, including the New York Philharmonic, London Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, Oslo Philharmonic Orchestra, Chicago Symphony Orchestra and Berlin Symphony Orchestra, London Philharmonia, Melbourne Symphony and Sydney Symphony Orchestras, Hong Kong Philharmonic, BBC Symphony and Salzburg Camerata.
The conductors with whom she has worked include Pierre Boulez, Sir Simon Rattle, Sir Colin Davis, Michael Tilson Thomas, and Valery Gergiev, and she has appeared in many of the world's greatest venues, including the Wigmore Hall, Southbank Centre and the Barbican in London, Sydney Opera House, New York's Lincoln Center, Leipzig Gewandhaus, the Concertgebouw in Amsterdam and the Mozarteum concert hall in Salzburg.
Between 1997 and 2000, MacGregor was Professor of Music at Gresham College, London, giving free public lectures. She was appointed as Professor of Performance at Liverpool Hope University in 2007.
MacGregor is particularly known for her Bach interpretations and recordings, and was invited by Sir John Eliot Gardiner to perform the Goldberg Variations at the Royal Albert Hall in April 2013. She is also currently performing the complete Mozart concertos and Beethoven sonatas, and performed the complete Chopin Mazurkas to widespread acclaim in 2010. Alongside core piano repertoire, she has premiered many landmark compositions – including piano concertos by Sir Harrison Birtwistle, Django Bates, Hugh Wood, John Adams, Alasdair Nicolson, Jonathan Harvey and James MacMillan – and has commissioned over 100 new works.
MacGregor made her conducting debut in 2002 and regularly directs her own orchestral projects, including an all-Mozart programme with the Royal Philharmonic Orchestra and Bach with the Hallé. She enjoys a close artistic partnership as conductor and performer with Britten Sinfonia, in programmes ranging from classical music to collaborations with jazz and world musicians, including Andy Sheppard, Seb Rochford, Nitin Sawhney and Arve Henriksen. In 2009 she opened the London Jazz Festival with Britten Sinfonia and Arabic singer and oud virtuoso Dhafer Youssef, hailed by The Times as 'the future of music'. Their fifteen-year orchestral partnership has continued with tours in Europe and Latin America.
She created (with composer Alasdair Nicolson) the Platform Festival of contemporary and improvised music, which ran at the ICA in London from 1991 until 1993; a series of music events, SoundCircus, ranging from Elvis Costello and Courtney Pine to Ensemble Modern and Steve Reich, at Bridgewater Hall, Manchester (1997–99); a celebration of British contemporary music (featuring Tom Ades) for the New York Philharmonic (1999); and Cross Border with Jin Xing's Contemporary Dance Theatre of Shanghai, combining Chinese traditional music with computer technology and film. Cross Border toured China in 2003.
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