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Ken Alexander
Ken Alexander
Ken Alexander
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Kenneth Alexander (born January 4, 1953) was an American stock car racing driver during the 2000s. He competed full-time in the NASCAR Southeast Series and the ASA Series before moving up to race part-time in the NASCAR Busch Series.[1] Alexander is also the owner of A & M Cleaning Products, which made the Greased Lightning degreaser an occasional sponsor for Alexander's NASCAR career.

Key Information

Racing career

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Alexander made eight starts in the Busch Series in 2001 and four starts in 2002. In 2001, he drove seven races for Jay Robinson and one for Tony Hall. Ken Alexander made all his 2002 starts for Hubert Hensley. During the Bristol race in March, Alexander became a major nuisance as he was very slow on the track and caused or got caught up in multiple accidents during the race before finally dropping with ten laps to go, doing major damage to the front of his car and breaking the radiator after running into the back of Stacy Compton in an incident that was caused by Greg Biffle turning Kevin Harvick into the wall; Harvick and Biffle would get into it after the race in what would be one of the most notable fights of the season. The bad race also proved to be Alexander's final NASCAR Busch Series start as he hasn't appeared at another NASCAR sanctioned race since.

Motorsports career results

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NASCAR

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(key) (Bold – Pole position awarded by qualifying time. Italics – Pole position earned by points standings or practice time. * – Most laps led.)

Busch Series

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NASCAR Busch Series results
Year Team No. Make 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 NBSC Pts Ref
1999 Ken Alexander 03 Chevy DAY CAR LVS ATL DAR TEX NSV BRI TAL CAL NHA RCH NZH CLT DOV SBO GLN MLW MYB PPR GTY IRP MCH BRI DAR RCH DOV
DNQ 		CLT CAR MEM PHO HOM N/A 0 [2]
2000 DAY CAR
DNQ 		LVS ATL DAR BRI TEX NSV TAL CAL RCH
DNQ 		NHA CLT DOV SBO MYB GLN MLW NZH PPR GTY IRP MCH BRI DAR RCH DOV CLT CAR MEM PHO HOM N/A 0 [3]
2001 Jay Robinson Racing 49 Pontiac DAY CAR LVS ATL DAR BRI TEX NSH TAL CAL RCH NHA NZH CLT DOV KEN MLW GLN CHI GTY PPR IRP MCH BRI
43 		DAR 58th 461 [4]
Ford RCH
30 		KAN
37
Chevy DOV
32 		MEM
30 		PHO
32 		CAR
36 		HOM
PRW Racing 77 Ford CLT
41
2002 Hensley Motorsports 63 Chevy DAY CAR
33 		LVS
35 		DAR
29 		BRI
31 		TEX NSH TAL CAL RCH NHA NZH CLT DOV NSH KEN MLW DAY CHI GTY PPR IRP MCH BRI DAR RCH DOV KAN CLT MEM ATL CAR PHO HOM 74th 268 [5]

References

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Ken Alexander

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from Grokipedia
Ken Alexander is a Scottish theatre director and writer known for his versatile work across drama, comedy, musical theatre, and pantomime, with a reputation for creating engaging, audience-focused productions that blend clarity, visual flair, wit, warmth, and strong storytelling. He is currently based in Sydney, Australia, after building an extensive career in Scotland collaborating with prominent venues and companies including Perth Theatre, Gaiety Theatre Ayr, Borderline Theatre Company, Oran Mor (A Play, A Pie and A Pint), Cumbernauld Theatre, and Pitlochry Festival Theatre. His notable directing credits include multiple productions of the pantomime Cinderella at Gaiety Theatre Ayr, the acclaimed revival of Ann Marie Di Mambro's Tally’s Blood at Perth Theatre and on Scottish tour, as well as new plays and other works with leading Scottish playwrights such as Morna Young, Linda Duncan McLaughlin, Anne Downie, and Peter Arnott. Described as a “genuine shape-shifter” capable of handling both large-scale commercial pantomime and intimate contemporary pieces, Alexander maintains long-standing relationships with theatres like Gaiety Ayr, where he has also contributed as a co-writer, creative producer, and director of touring shows.

Early life

Limited verified details are available regarding his early life, family background, or formative influences prior to his career in theatre.

Personal life

Ken Alexander maintains a private personal life, with limited publicly available information about his family, residence details beyond professional bases, or interests outside of his directing and writing career. He has not shared extensive personal details in public profiles, focusing primarily on his professional contributions to theatre. No major industry awards, nominations, or formal recognition are prominently documented in available sources, though his reputation is built on long-term collaborations and audience engagement in Scottish theatre.
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