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Khujo
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Key Information
Willie Edward Knighton Jr. (born March 13, 1972), better known as Khujo, is an American rapper. He is one-fourth of Goodie Mob (along with T-Mo, Cee-Lo, and Big Gipp), and one-half of The Lumberjacks (with T-Mo).
Life and career
[edit]Khujo was born in Atlanta, Georgia. He is the only featured guest to appear on every single Outkast album, including Big Boi's solo album. Khujo has released a new book titled "Straight out the A" that focuses on his life and the development of the Dirty South movement from OutKast to Goodie Mob. Khujo is a very spiritual man known for his distinct, grunty voice and free-flowing rhyming style. He rhymes about all aspects of street life, often intertwining those subject with God metaphorically or directly. In June 2002, he was involved in a car crash that resulted in the amputation of his right leg below the knee.[1]
He released his debut solo album, The Man Not the Dawg, in 2002.
Discography
[edit]With Goodie Mob
[edit]- Soul Food (1995), LaFace Records
- Still Standing (1998), LaFace Records
- World Party (1999), LaFace Records
- One Monkey Don't Stop No Show (2004), Koch
- Age Against the Machine (2013), The Right Records
With The Lumberjacks
[edit]- Livin' Life as Lumberjacks (2005), Koch
- A.T.L. 2 (A-Town Legends 2) (The Lumberjacks & Pastor Troy) (2008) Siccness Records/ Flix
With Willie Isz
[edit]- Georgiavania (2009), Lex
Solo
[edit]- The Man Not the Dawg (2002), Street Level
- Mercury (2007), Day One Music
- G-Mob Godfather (2009)
- Echoes of a Legend (2020)
- Area 51 (2023)
Singles
[edit]- Still In Me (2021)
- Boy Stop (2022)
- Bills (2022)
- Hold On featuring (Damion Jones) (2022)
- Digital Poison (2022)
- Git Dey Azz (2023)
- Crisis (2023)
- Time To Make The Doughnuts (2023)
- Splashy (2023)
- Area 51 (2023)
- Whatever (2023)
- The Rise Of Machines with (T-Mo, Cavie) (2023)
- So High featuring James Artissen (2024)
- So High (Energy Remix) with James Artissen (2024)
- Ha Haaa with James Artissen (2024)
- All Night with James Artissen (2025)
Guest Vocals
[edit]- Mainstream {1996} ___ OutKast, T-Mo
- Smooth Shit {1998} ___ Witchdoctor, T-Mo
- Y'all Scared {1998} ___ OutKast, T-Mo, Big Gipp
- Problems {2000} ___ P.A., Rico Wade
- Gasoline Dreams {2000} ___ OutKast
- Crooked Booty {2001} ___ Andre 3000, Sleepy Brown, Cee-Lo
- Dungeon Rats {2001} ___ Backbone, T-Mo, Witchdoctor, Big Rube
- They Comin {2001} ___ The Lumberjacks
- Uhh Ohh {2001} ___ Lil Jon, Bo Hagon
- Calling All Zones {2003} ___ Ying Yang Twins, Hitman Sammy Sam
- Let's Fight {2003) ___ Big Gipp, T-Mo
- Reset {2003} ___ OutKast, Cee-Lo
- Corner Cuttin' {2005} ___ Gucci Mane
- N2U {2006} ___ OutKast
- Do it Big {2007} ___ stic.man
- OPR8R {2008} ___ Shape of Broad Minds
- Georgia (Remix) {2009} ___ Cunninlynguists, Killer Mike
- Tangerine {2010} ___ Big Boi, T.I.
- Still Kaps {2012} ___ JJ Doom
References
[edit]- ^ Saraceno, Christina (June 27, 2002). "Khujo Injured in Car Crash". Rolling Stone. Archived from the original on May 9, 2006. Retrieved May 6, 2010.
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Khujo
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Early life
Family background and childhood
Willie Edward Knighton Jr., better known by his stage name Khujo, was born on March 13, 1972, in Atlanta, Georgia.[11] He was raised primarily by his mother alongside at least one brother in Atlanta's urban neighborhoods during the 1970s and 1980s, a period marked by the city's evolving Black communities and cultural vibrancy.[12][13] His extended family, including additional brothers, aunts, and cousins, provided a supportive network that influenced his formative years.[13] Khujo's father was largely absent from his early childhood, though the two later developed a close relationship before the father's tragic unsolved murder, which was profiled on the television series The First 48.[14] These family dynamics, set against Atlanta's Southern roots and socioeconomic challenges, shaped his early experiences in the city's predominantly Black Southwest side communities.[14][13] As a child, he attended Peyton Forest Elementary School, immersing himself in the local environment that would later inform his worldview.[13]Initial exposure to music
Khujo's initial exposure to music occurred amid Atlanta's burgeoning hip-hop scene in the late 1980s and early 1990s, a period when the city transitioned from peripheral influences like Miami bass music to developing its own distinctive Southern sound. Local venues such as skating rinks and underground gatherings served as hubs for emerging talent, where bass-heavy tracks from artists like Kilo Ali and Raheem the Dream echoed through the streets, blending electro-funk rhythms with regional storytelling. This environment, still overshadowed by East and West Coast dominance, fostered a gritty, community-driven hip-hop culture that emphasized Southern identity and resilience.[15][16] His musical influences drew heavily from funk and soul traditions, particularly Parliament, which a mentor introduced to him during his youth, inspiring an appreciation for layered, funky arrangements infused with social commentary. Complementing this were foundational hip-hop acts that shaped his rhythmic style, including the Fat Boys, Whodini, Big Daddy Kane, and Run-D.M.C., whose energetic flows and party-oriented lyrics resonated with Atlanta's vibrant nightlife. Additional influences included Sheek Louch and the Geto Boys from Texas, further grounding his tastes in grit and cultural pride that permeated early rap.[17][18] Khujo's first forays into rapping began experimentally as a hype man in local groups, where he honed his stage presence before developing his own lyrical voice through freestyling at community spots like the Jelly Bean skating rink. These informal sessions connected him to key figures in Atlanta's network, including producers from Organized Noize, laying the groundwork for broader ties to the emerging Dungeon Family collective, known for its fusion of funk, soul, and hip-hop innovation in basement studios across the city. This pre-professional phase emphasized raw, unpolished expression, reflecting the DIY ethos of Atlanta's underground scene.[17][19]Career
Formation and rise with Goodie Mob
In the early 1990s, Khujo (born Willie Edward Knighton Jr.) and T-Mo Goodie (born Robert Barnett) formed a rap duo known as the Lumberjacks, performing together in Atlanta's emerging hip-hop scene and contributing verses to OutKast's 1994 debut album Southernplayalisticadillacmuzik.[20] They soon connected with fellow Atlanta natives CeeLo Green (born Thomas DeCarlo Callaway) and Big Gipp (born Cameron Gipp), childhood friends of OutKast members André 3000 and Big Boi, who also appeared on the same OutKast project.[20] This collaboration marked the initial coming-together of the four, who shared roots in Atlanta's southwest side and a common interest in blending street narratives with soulful, funk-infused production. Organized Noize—a production trio consisting of Rico Wade, Ray Murray, and Sleepy Brown—played a pivotal role in formally assembling the group as Goodie Mob around 1994, drawing them into the Dungeon Family collective, an influential Atlanta-based hip-hop extended family that included OutKast and other local talents.[21] The Dungeon Family operated out of Wade's mother's basement in East Point, Georgia, dubbed "the Dungeon," where sessions fostered a raw, organic sound rooted in Southern Black experiences. In late 1994, LaFace Records co-founder L.A. Reid signed the quartet to a deal, requiring them to unite as a full group for their debut project, solidifying Goodie Mob's lineup and launching their rise in the Southern hip-hop landscape.[20] Goodie Mob's breakthrough came with their debut album Soul Food, released on November 7, 1995, via LaFace Records and primarily produced by Organized Noize. The album captured the essence of Atlanta's "Dirty South" aesthetic, emphasizing regional pride, social commentary, and live instrumentation drawn from funk and soul traditions. Standout tracks like "Cell Therapy"—a stark critique of police surveillance and racial profiling—propelled the group to national attention as the lead single, peaking at number 39 on the Billboard Hot 100. Soul Food earned gold certification from the RIAA in 1996 for sales exceeding 500,000 units, establishing Goodie Mob as pioneers in elevating Southern hip-hop's visibility.[22][23] Building on this momentum, Goodie Mob released their sophomore album Still Standing on April 7, 1998, again helmed by Organized Noize. The record delved deeper into themes of perseverance amid urban struggles, with the title track serving as an anthem of resilience. It peaked at number 6 on the Billboard 200 and number 2 on the Top R&B/Hip-Hop Albums chart, while achieving RIAA gold status for over 500,000 copies sold. Still Standing further cemented the group's influence in the late-1990s Southern rap scene, showcasing their distinctive vocal interplay and narrative depth.[24][25][23]Solo career and independent releases
Khujo Goodie launched his solo career with the release of his debut album, The Man Not the Dawg, on November 5, 2002, through the independent label A To Z Records.[26] The project marked a departure from his Goodie Mob work, delving into personal and gritty narratives that explored street life and introspection, though it achieved limited commercial success upon release. Following this, Khujo continued his independent trajectory with Mercury in 2007 via Koch Records, an album that maintained his signature conscious hip-hop style while incorporating denser production elements reflective of mid-2000s Southern rap influences.[27] He followed up with G'Mob Godfather in 2008 on the independent Fei Fie Delish label, further emphasizing self-reliant artistry amid shifting label dynamics away from major imprints.[28] In the 2020s, Khujo embraced fully independent releases, self-distributing Echoes of a Legend on April 17, 2020, through platforms like Bandcamp.[29] This 15-track effort highlighted themes of resilience and legacy, featuring collaborations with artists such as CeeLo Green, Big Gipp, T-Mo Goodie, Daz Dillinger, and B-Real, and showcased a matured production approach blending raw lyricism with contemporary beats. Khujo's most recent solo project, Area 51, arrived on November 10, 2023, as another independent endeavor with production handled primarily by The Drill Team, including contributors like Dae One and Jackpot Beats.[30] The 12-track album underscored motifs of perseverance and introspection, debuting at No. 25 on the Apple Music Hip-Hop Top 200 chart and featuring a single guest appearance by Radio 3000, demonstrating his ongoing evolution toward streamlined, self-produced Southern hip-hop sounds.[31]Collaborations and side projects
Khujo formed the hip hop duo The Lumberjacks alongside fellow Goodie Mob member T-Mo, releasing their sole studio album Livin' Life as Lumberjacks in 2004, which showcased a raw Southern rap style with tracks emphasizing street narratives and group chemistry.[32] The project highlighted their independent efforts amid Goodie Mob's evolving lineup, blending gritty lyricism with production rooted in Atlanta's hip hop sound.[33] In 2009, Khujo partnered with producer Jneiro Jarel to create the alternative hip hop duo Willie Isz, debuting with the album Georgiavania on Lex Records, an experimental release that fused psychedelic elements, soul samples, and unconventional beats to explore themes of Southern identity and introspection.[34] The collaboration marked a departure from traditional rap structures, earning praise for its innovative sound while maintaining Khujo's signature gravelly delivery.[35] Khujo maintained a longstanding affiliation with OutKast, appearing as a guest rapper on every one of their albums from Southernplayalisticadillacmuzik (1994) through Big Boi's solo debut Sir Lucious Left Foot... The Son of Chico Dusty (2010), making him the only artist to achieve this distinction.[36] Notable contributions include verses on "Southernplayalisticadillacmuzik" from their debut, "SpottieOttieDopaliscious" from Aquemini (1998), "Gasoline Dreams" from Stankonia (2000), and "Church" from Speakerboxxx/The Love Below (2003), where his introspective flows complemented OutKast's genre-blending innovation. These features underscored his integral role in the Dungeon Family collective, fostering cross-pollination within Atlanta's hip hop scene.[37] Beyond these, Khujo contributed to various Dungeon Family endeavors, including guest spots on projects like the collective's Even in Darkness (2001) compilation and subsequent member albums, reinforcing the group's emphasis on soulful, socially conscious Southern rap. In recent years, he has appeared on tracks such as "So High" with James Worthy (2023)[38] and "All Night" featuring James Artissen (2025),[39] continuing to engage in collaborative releases that blend veteran lyricism with emerging producers.[40]Personal life
2002 car accident and recovery
On June 25, 2002, Khujo, whose real name is Willie Edward Knighton Jr., was involved in a serious car accident in Atlanta, Georgia, when he fell asleep at the wheel of his Cadillac SUV while driving home from an early morning recording session.[41][6] The crash resulted in severe injuries to his right leg, necessitating emergency surgery at a local hospital where doctors amputated the limb below the knee to prevent further complications.[6][42] Khujo was reported to be in stable condition following the procedure, though initial assessments raised concerns about potential additional amputations.[42] During his hospitalization, Khujo underwent immediate postoperative care, including pain management and wound treatment, as he began adapting to the loss of his leg.[41] The physical recovery process involved rehabilitation to build strength and mobility, supported by community fundraising efforts; for instance, a basketball tournament organized by fellow rapper Ludacris raised approximately $10,000 toward a prosthetic leg.[41] Emotionally, Khujo initially grappled with the trauma, experiencing periods of depression as he processed the life-altering event, but he maintained an overall positive outlook, drawing strength from his support network.[43] In reflections on the incident, Khujo has emphasized themes of survival and faith, crediting his spiritual beliefs for guiding him through the ordeal and helping him view the accident as a transformative experience rather than a defeat.[41] He has described feeling God's presence during recovery, which reinforced his resilience and shifted his mindset toward gratitude and continued personal growth.[41] By September 2002, reports indicated he was in good spirits and focused on rehabilitation, marking the early stages of his adjustment to a prosthetic and renewed purpose.[41]Family and later personal developments
Khujo Goodie maintains a close family life with his wife and four sons, emphasizing his role as an involved father in their upbringing and daily activities.[44][45] His father, Willie Knighton Sr., a Vietnam War veteran, was murdered in Atlanta in the 1990s; the case was profiled on A&E's "The First 48" in 2020 but remains unsolved.[14] Following his 2002 car accident, which necessitated the amputation of his right leg below the knee, Khujo adapted to life with a prosthetic limb and receives ongoing disability payments to support his household.[45] He has voiced aspirations to advocate for individuals with similar disabilities, including plans to establish non-profit organizations aiding veterans and children who require prosthetic limbs.[44] In later years, Khujo encountered substantial financial hardships, filing for bankruptcy in 2012 amid $170,000 in debts and facing home foreclosure in 2014 over $200,000 in unpaid mortgage obligations, issues compounded by medical expenses from his accident.[45] As a personal creative endeavor, he authored the book Straight Out of the "A": Sbw, published in 2011, which delves into the cultural dynamics of Atlanta's hip-hop landscape.[46]Legacy
Influence on Southern hip hop
Khujo, as a founding member of Goodie Mob, played a pivotal role in pioneering the Dirty South sound, characterized by soulful production and conscious, introspective lyrics that distinguished Southern hip hop from East and West Coast styles. Through Goodie Mob's debut album Soul Food (1995), the group introduced a raw, authentic representation of Atlanta's urban life, blending funk samples with socially aware narratives that emphasized community struggles and resilience.[3][47] This approach helped popularize the term "Dirty South," a phrase originating from Dungeon Family affiliate Cool Breeze and featured on Goodie Mob's track of the same name, reflecting the gritty power dynamics of Southern cities and marking a shift toward regional pride in hip hop.[47][48] Within the Dungeon Family collective, Khujo contributed to a mentorship ecosystem that nurtured emerging talent and solidified Atlanta's dominance in hip hop. As part of this extended family, which included producers Organized Noize, Goodie Mob guided artists like OutKast by sharing studio spaces and collaborative ethos, influencing their evolution from funk-infused Southernplayalisticadillacmuzik (1994) to broader experimental sounds.[49][50] Khujo's involvement extended to encouraging authenticity among protégés, a principle that echoed in the lyrical dexterity of later Atlanta rappers such as Ludacris, who drew from the Dungeon Family's template of blending street narratives with polished delivery.[50][48] Khujo's work consistently wove themes of Southern identity, spirituality, and social issues, providing a blueprint for conscious Southern rap that prioritized cultural reflection over bravado. Tracks like "Dirty South" from Soul Food celebrated regional heritage while addressing systemic inequities, inspiring a generation to infuse hip hop with spiritual introspection and critiques of poverty and racism.[3][49] These elements not only elevated Goodie Mob's status but also fostered a lasting impact on the genre's emphasis on personal and communal growth.[48]Recent activities and tributes
In 2024, Khujo Goodie released the single "Showtime" on March 29 via Maverick Global Distribution, marking a return to his raw, authentic style rooted in Southern rap traditions. The track, described by Khujo as a declaration of readiness for any challenge and a reintroduction of his enduring prowess as a top-tier MC transcending hip-hop generations, has been praised for reaffirming his longevity in an evolving genre.[51][52][53] Following the death of Dungeon Family co-founder Rico Wade on April 13, 2024, from heart failure at age 52, Khujo joined fellow members of the collective—including OutKast's Big Boi and André 3000, Goodie Mob, and Killer Mike—for a public reunion tribute in Atlanta. This event honored Wade's pivotal role in shaping the Dungeon Family's legacy and Atlanta's hip-hop sound, with Khujo sharing personal reflections in interviews about the profound loss, noting that Wade's passing "ripped the heart" out of the group and the city.[54][55][56] In October 2025, the Dungeon Family reunited for a major tribute to Rico Wade at ONE Musicfest in Atlanta, featuring performances and reflections from Khujo, Big Boi, André 3000, and others, celebrating Wade's enduring influence on Southern hip hop. Later that month, on October 26, Khujo joined Big Gipp for a panel discussion at a screening of "The Saviors of the South" honoring Atlanta's hip-hop legacy. Khujo also participated in tributes surrounding OutKast's induction into the Rock & Roll Hall of Fame on November 8, 2025, highlighting the interconnected Dungeon Family contributions.[57][58][59] In May 2025, Khujo released the single "Urban Warfare," continuing to explore themes of resilience and street life through his gravelly delivery.[60] Amid these tributes, Khujo has remained active in discussions motivating younger artists, cautioning them about industry pitfalls in 2024-2025 interviews and social media appearances. He has emphasized the need for awareness against exploitative record labels that target "young, dumb, and desperate" talent, while encouraging authenticity and resilience drawn from his own career spanning decades. These insights, shared through platforms like his Showtime ATL Podcast, underscore his commitment to guiding the next generation in preserving hip-hop's integrity.[61]Discography
Albums with Goodie Mob
Goodie Mob's debut album, Soul Food, released on November 7, 1995, by LaFace Records, established the group's signature blend of socially conscious Southern hip hop, produced primarily by Organized Noize.[62] The album features 16 tracks, with highlights including "Cell Therapy," which critiques police surveillance and systemic oppression; "Dirty South," featuring Big Boi of OutKast, celebrating regional pride; and the title track "Soul Food," evoking everyday Southern life through vivid storytelling.[62] Khujo, alongside CeeLo Green, Big Gipp, and T-Mo, delivers verses on nearly every song, contributing his gravelly, introspective flow to themes of struggle and resilience, such as his raw reflections on street life in "Thought Process" and communal bonds in "Fighting."[62] It achieved gold certification from the RIAA in 1996, selling over 500,000 copies and marking a pivotal moment in elevating Atlanta's hip hop scene.[23] The group's second album, Still Standing, arrived on April 7, 1998, via LaFace Records, building on their debut with production from Organized Noize and Cypress Hill's DJ Muggs, who infused harder-edged beats on tracks like "Black Ice (Sky High)."[25] Key songs include the title track "Still Standing," a defiant anthem of perseverance, and "They Don't Dance," sampling Sly & the Family Stone for a funky critique of materialism. Khujo's verses emphasize gritty narratives, such as his segment on survival in "The Experience," showcasing his role in grounding the album's themes of urban endurance.[63] Commercially, it peaked at number six on the Billboard 200 and earned gold certification from the RIAA, reflecting sustained popularity despite internal creative tensions.[23] World Party, the third studio album, was released on December 21, 1999, by LaFace/Arista Records, shifting toward a more polished, party-oriented sound while retaining conscious undertones, with production from Organized Noize and others like Earthtone III.[64] Standout tracks feature "World Party," an upbeat call for unity, and "Get Rich to This," blending humor with social commentary on wealth disparities. Khujo contributes his signature deep-voiced verses across the project, notably on "Just a Bitch," where he addresses gender dynamics in relationships. Though its commercial performance was slightly lower than predecessors, it still attained RIAA gold status, underscoring the group's enduring appeal amid evolving industry pressures.[23] The reunion album Age Against the Machine, released on August 27, 2013, by The Right Records, marked the full quartet's return after CeeLo Green's 2000 departure for solo pursuits, during which Khujo, T-Mo, and Big Gipp continued as a trio before reconciling.[65] Produced by a mix of collaborators including CeeLo and Organized Noize, it navigates mature themes of aging and activism on tracks like "Special Education," featuring Janelle Monáe, and "Pinstripes," with T.I. Khujo's contributions highlight his evolved lyricism, delivering poignant bars on legacy and recovery in "Valleujah." The project reflects renewed group dynamics, blending nostalgia with experimentation, though it faced mixed reception for its eclectic style.[66]Solo albums
Khujo Goodie's debut solo album, The Man Not the Dawg, was released on November 5, 2002, by A To Z Records, preceding his life-altering car accident later that year. The project features 14 tracks emphasizing Southern hip hop introspection and street narratives, with standout collaborations including Goodie Mob members on "How We Ride In Dah South" and appearances from Atlanta rappers like Murder and Slip Matola. Key themes revolve around personal identity and regional pride, as heard in tracks like "Off Dah R.I.P." and "Bendin' Cornas," produced by a mix of local talents that underscore his Dungeon Family roots.[67][68] In 2008, Khujo released G'Mob Godfather on April 15 via an independent label, a 14-track album presented as Goodie Mob Presents Khujo Goodie. It explores Atlanta street life and family ties with gritty production and features from T-Mo Goodie and other affiliates, including tracks like "King Shit" and "Red Clay Boys," highlighting his raw lyricism and Dungeon Family connections.[69] Following his recovery from the 2002 accident, Khujo released Mercury on July 31, 2007, via Koch Records, marking his return to solo work with 16 tracks blending conscious lyricism and gritty Southern production. The album explores themes of resilience, spirituality, and urban survival, highlighted in songs like "The Good Die Young" and "President's Song," which reflect on societal issues and personal growth. Featuring guests such as Jazze Pha and Jagged Edge, it received mixed reception for its raw delivery but solidifies Khujo's post-accident evolution in hip hop.[27][70][71] In 2020, Khujo independently released Echoes of a Legend on April 17 through his Bandcamp platform, a 15-track effort spanning 42 minutes that reunites him with Goodie Mob affiliates like CeeLo Green, Big Gipp, and T-Mo. The album delves into legacy, perseverance, and Southern blues influences, with notable cuts like "Go Further" featuring Big Mike and "Don't Care Nuthin Bout It [Mob Remix]" emphasizing motivational narratives and hip hop authenticity. Produced primarily by Khujo himself, it pays homage to his career trajectory while incorporating West Coast guests such as Daz Dillinger and B-Real for cross-regional appeal.[29][72][73] Khujo's most recent solo album, Area 51, arrived on November 10, 2023, as an independent 12-track release distributed via platforms like Spotify and Apple Music, clocking in at 35 minutes. Drawing on extraterrestrial and conspiratorial motifs, the project addresses cultural commentary, artistic versatility, and enduring relevance in hip hop, with tracks like "Long Ago" featuring Radio 3000 showcasing his signature flow over trap-infused beats. Self-produced and reflective of his independent era, it highlights Khujo's continued exploration of socially conscious themes without major label support.[74][75][76]Singles and EPs
Khujo, as a founding member of Goodie Mob, contributed to several breakthrough singles from the group's early albums, which helped establish the Dungeon Family's influence in Southern hip hop. The 1995 single "Cell Therapy" from Soul Food peaked at number 39 on the Billboard Hot 100 and number 17 on the Hot R&B/Hip-Hop Songs chart, addressing themes of paranoia and urban survival.[77] Subsequent releases included "Soul Food" (1996), which reached number 64 on the Hot 100 and number 31 on the R&B chart, celebrating Southern cuisine and culture, and "Dirty South" (also 1996), charting at number 92 on the Hot 100 and number 53 on R&B.[77] From Still Standing (1998), "They Don't Dance No Mo'" hit number 53 on the R&B chart, while "Black Ice (Sky High)" featuring OutKast peaked at number 50 on the Hot 100 and number 48 on R&B, blending funk samples with Atlanta's emerging sound.[77] Later Goodie Mob singles like "Get Rich to This" (1999) featuring Big Boi and Backbone reached number 65 on the R&B chart, and "What It Ain't (Ghetto Enuff)" (2000) featuring TLC bubbled under at number 103 on R&B.[77] In his solo career, Khujo released several singles tied to his albums or as standalone tracks, often reflecting personal resilience and Atlanta roots. Early efforts include "This Is How We Ride in (Dah South)" (2002) from The Man Not the Dawg, a 12-inch vinyl single on BloodKonnect Inc. that showcased his gritty lyricism.[78] "Like Diss" appeared as a promotional CD single around the same era on Koch Records, though it did not achieve significant chart success.[7] Post-2010 releases gained traction independently; "Bills" (2022) is a standalone single emphasizing financial struggles in the trap era. More recent singles include "Boy Stop" (2022), a raw critique of inauthenticity, and "Showtime" (2024) on Maverick Global Distribution, which Khujo promoted as a return to authentic Southern rap, released on March 29.[51][79] Other 2024-2025 outputs feature "So High" (with James Worthy), "Ha Haaa," "All Night," and "Pray for Me" (June 20, 2025), distributed via Humble Sound Records and other platforms as digital singles, highlighting his ongoing productivity.[80][81][1] Khujo has not released standalone EPs, but non-album singles and collaborations occasionally surface outside full projects, such as "Bendin' Corna's / Shawtly" (early 2000s double A-side on BloodKonnect Inc.) and "Urban Warfare" (2023 digital single).[7] These tracks often appear on streaming platforms like Spotify and Apple Music, where his catalog includes over a dozen solo singles since 2020, focusing on introspective and street narratives without major commercial charting.[81]| Notable Singles | Year | Chart Peak (Billboard) | Album/Context | Label |
|---|---|---|---|---|
| Cell Therapy (Goodie Mob) | 1995 | Hot 100: #39; R&B: #17 | Soul Food | LaFace |
| Soul Food (Goodie Mob) | 1996 | Hot 100: #64; R&B: #31 | Soul Food | LaFace |
| Dirty South (Goodie Mob) | 1996 | Hot 100: #92; R&B: #53 | Soul Food | LaFace |
| Black Ice (Sky High) (Goodie Mob feat. OutKast) | 1998 | Hot 100: #50; R&B: #48 | Still Standing | LaFace |
| They Don't Dance No Mo' (Goodie Mob) | 1998 | R&B: #53 | Still Standing | LaFace |
| Showtime (Solo) | 2024 | N/A | Standalone | Maverick Global |
| So High (Solo feat. James Worthy) | 2024 | N/A | Standalone | Humble Sound |