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Kristopher Carter
Kristopher Carter
Kristopher Carter
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Key Information

Kristopher Lee Carter (born February 5, 1972) is an American composer. He grew up in San Angelo, Texas and lives in Los Angeles, California.[1]

Carter was born in San Antonio, Texas. In 1993, he graduated magna cum laude from the University of North Texas. As a student, he won first prize in the 1992 UNT Concerto/Aria competition with his symphonic overture, A Titan's Epitaph. The University of North Texas Symphony Orchestra, under the direction of Anshel Brusilow, first performed the overture in 1993. After that, Carter received commissions for concert works from cellist Carter Enyeart, saxophonist Robert Austin and the University of North Texas Men's Chorus in 1994. The work commissioned by Austin, Grand Duo Concertante, has been featured on several nationally syndicated college radio programs In 1995.

Carter began his career as one of the youngest composers to work for Warner Bros. He received an Emmy Award for Batman Beyond and has received five other Emmy nominations. His fifteen independent feature films have screened at festivals including South by Southwest, Slamdance, the Atlanta Film Festival, Shriekfest and the 2008 Park City Film Music Festival, where his feature "Yesterday Was A Lie" won a Gold Medal for Best Impact Of Music In A Feature Film.

He made his Hollywood Bowl debut in 2001 with a commission from John Mauceri and the Hollywood Bowl Orchestra. In the record world, he has collaborated with The Wallflowers' Rami Jaffee and blues guitarist Kenny Wayne Shepherd. Carter was named Commissioning Composer of the Year by the Texas Music Teachers Association and also received a fellowship to Robert Redford's Sundance Composers Institute. He served as the first Composer-In-Residence of the Bel Canto Northwest Opera Festival and has given clinics across the country on film composition.

Works

[edit]

DC Animated Universe

[edit]
Year Title Note
1994–95 Batman: The Animated Series The series made its debut in 1992, while Carter came in 1994 a
1996–2000 Superman: The Animated Series a
1997–99 The New Batman Adventures a
1999–2001 Batman Beyond ac
2001 Batman Beyond: Return of the Joker b
2001–02 The Zeta Project ac
2001–04 Justice League a
2004–06 Justice League Unlimited a
2010–22 Young Justice a
2017 Batman and Harley Quinn a
2019 Justice League vs. the Fatal Five a

Other DC Animated Works

[edit]
Year Title Note
2003–06 Teen Titans a
2006 Teen Titans: Trouble in Tokyo a
2006–08 Legion of Super Heroes ac
2008–10 Batman: The Brave and the Bold ac
2016 Batman: The Killing Joke a
Batman: Return of the Caped Crusaders a
2017 Batman vs. Two-Face a
2020 DC Showcase: The Phantom Stranger

Marvel animated works

[edit]
Year Title Note
2008–09 Spectacular Spider-Man a
2012–19 Avengers Assemble a
2018 Marvel Rising: Initiation a
Marvel Rising: Secret Warriors a
2019 Marvel Rising: Chasing Ghosts a
Marvel Rising: Heart of Iron a
Marvel Rising: Operation Shuri a
Marvel Rising: Playing with Fire a

Other animated works

[edit]
Year Title Note
2008–10 Ben 10: Alien Force a
2010–12 Ben 10: Ultimate Alien a
2012 Ben 10: Destroy All Aliens a
Scooby-Doo! Mask of the Blue Falcon a
2017 Scooby-Doo! Shaggy's Showdown a
2018 Scooby-Doo! & Batman: The Brave and the Bold a

Other works

[edit]
Year Title Note
2016 Siren b
  • ^a This work that was composed with other music composers, especially with Michael McCuistion and Lolita Ritmanis.
  • ^b The work was composed solely by Carter.
  • ^c The work that has theme song composed by Carter.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Kristopher Carter

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Kristopher Carter is an American composer specializing in music for film and television, best known for his Emmy-winning main title theme for the animated series Batman Beyond. Born on February 5, 1972, in San Antonio, Texas, he grew up in San Angelo and began his professional career at age 22 as one of the youngest composers to score episodes for Warner Bros., starting with Batman: The Animated Series. Over more than 30 years, Carter has composed evocative scores for numerous projects, including Teen Titans, Justice League, Batman: The Killing Joke, and V/H/S: Viral, often collaborating with composers like Lolita Ritmanis and Michael McCuistion. His work blends orchestral elements with electronic and industrial influences, earning him one Daytime Emmy Award for Batman Beyond in 2001, seven additional Emmy nominations, and several Annie Award nominations and wins, including the 2024 Annie for Best Music in Television/Media for Babylon 5: The Road Home. Beyond television, Carter has scored independent films such as Dance of the Dead (which received a Gold Medal for Best Use of Music at the 2008 Park City Film Music Festival) and Yesterday Was a Lie, while also serving as an orchestra conductor, pianist, and electronic music producer under the alias The Kr Protocol. He resides in Los Angeles, California, and has lectured on composition at institutions including the University of Southern California (USC) and the University of California, Los Angeles (UCLA).

Early life and education

Upbringing

Kristopher Carter was born on February 5, 1972, in , , and grew up in the small West Texas town of San Angelo. Carter's initial exposure to music came through piano lessons during his childhood, with his earliest recollection of composing occurring at age 13. Prompted by his piano teacher to create an original piece, he began experimenting with writing , approaching it intuitively by "jump[ing] in and find[ing] my own way." This self-taught spark ignited his passion for composition, influenced heavily by as he aspired to become a rock star. Throughout high school in San Angelo, Carter actively pursued diverse musical opportunities, playing bass and keyboards in local rock bands while also participating in orchestra and various ensembles. These experiences allowed him to build a broad foundation in performance and collaboration, honing his skills across genres before advancing to formal studies.

College years

Kristopher Carter enrolled at the University of North Texas College of Music in 1990, pursuing a Bachelor of Music degree in composition. During his studies, he demonstrated exceptional talent by being named the Outstanding Undergraduate Student in Composition in 1993, as recognized in the university yearbook. He graduated with his BM in composition that same year. In 1992, Carter won first prize in the UNT Concerto Competition with his symphonic overture A Titan's , a significant milestone that highlighted his emerging compositional voice and provided opportunities for professional performance. This victory underscored his development in orchestral writing, fostering skills essential for his future career in scoring for media. The competition experience allowed him to engage deeply with the university's symphony orchestra, where he also played , enhancing his practical understanding of dynamics and . Carter's major compositional output during this period culminated in the premiere of A Titan's by the UNT Symphony Orchestra in 1993. The piece, structured in three continuous movements, was composed starting on December 25, 1991, and served as a to the fall of the , blending dramatic orchestral elements to evoke themes of decline and reflection. Program notes described it as a symphonic work that received positive attention within the university community for its emotional depth and technical sophistication. Carter's college years were shaped by influential mentors in the UNT College of Music, including professors Martin Mailman, Jean Mainous, Joán Groom-Thornton, Cindy McTee, and , who inspired his versatility across orchestral and emerging electronic music styles through rigorous training and exposure to diverse compositional techniques. These campus experiences, including participation in ensembles and interactions with peers like future collaborators, honed his ability to integrate traditional with innovative , laying the foundation for his professional trajectory.

Professional career

Entry into industry

Kristopher Carter entered the professional music industry shortly after graduating from the University of North Texas in 1993, leveraging his composition training to secure an apprenticeship at Warner Bros. Animation. At age 22, Carter joined Warner Bros. Animation in 1994 as one of the youngest composers ever hired by the studio, beginning his career under the mentorship of composer Shirley Walker. His first major scoring assignment came that year for an episode of Batman: The Animated Series (1994–1995), where he assisted Walker by composing portions of the score, marking his transition from academic projects to high-profile television animation. This opportunity arose after Walker, impressed by Carter's independent student film scores demonstrated during a college introduction via her son, invited him to apprentice on the series and contribute incrementally to its music. From 1994 onward, Carter focused on accumulating credits in animated television scoring at , honing his skills through collaborative roles on episodic content without pursuing solo feature projects initially. Specializing in keyboard and as his primary instruments—alongside proficiency in , , , , and guitar—he navigated early challenges such as adapting to the fast-paced demands of weekly episode production and integrating synthesizers with orchestral elements under Walker's guidance. A key breakthrough came through this apprenticeship, which provided hands-on experience in professional and conduction, solidifying his foundation in the competitive field of scoring.

Style and collaborations

Kristopher Carter's compositional style is characterized by a fusion of industrial, orchestral, and electronic elements, creating dynamic soundscapes that enhance the intensity of narratives in . His approach often incorporates heavy industrial influences, evident in the main title theme for , where aggressive percussion and synthesized textures evoke a futuristic, gritty atmosphere. This blending allows Carter to transition seamlessly between sweeping orchestral passages and pulsating electronic rhythms, drawing from his background in synthesist work to layer tension and heroism in scores. Throughout his career, Carter has served as an orchestrator, conductor, and synthesist, roles that underscore his versatility in bridging live instrumentation with digital production. In 2001, he made his debut at the with a commissioned suite from his music, premiered by and the , highlighting his ability to adapt film scores for concert settings. These multifaceted contributions enable him to craft immersive auditory experiences that balance emotional depth with high-energy action. Carter's professional partnerships form a cornerstone of his work, particularly his long-term collaborations with composers and Michael McCuistion through their production company, Dynamic Music Partners, established in 2004. This trio operates as a shared scoring team on DC animated projects, pooling their expertise to divide labor efficiently while maintaining individual creative voices, a model that has sustained their involvement in animation scoring for over two decades. Beyond animation, Carter has collaborated with musicians like of and blues guitarist on recording projects, integrating rock and blues influences into his broader portfolio. Venturing into independent electronic music under the alias The Kr Protocol, Carter released his debut EP Activate on July 9, 2018, marking a departure from his film scoring roots toward superhero-themed EDM. The four-track EP features high-energy tracks like "Kryptosynthesis" and "Legion," produced entirely by Carter with contributions from vocalists and drummers, emphasizing danceable beats and thematic motifs inspired by lore rather than narrative synchronization. This project showcases his electronic production skills in a standalone format, diverging from the orchestral constraints of television and to explore personal sonic experimentation.

Awards and recognition

Emmy Awards

Kristopher Carter received a Emmy Award in 2001 for Outstanding Music Direction and Composition for his work on the Batman Beyond, shared with composers , , and Michael McCuistion. This recognition highlighted the innovative industrial and orchestral score that defined the series' futuristic tone. Carter has earned a total of six additional Emmy nominations across Daytime and Primetime categories, primarily for individual achievement in animation music composition and direction. These include multiple nods for collaborative efforts with Ritmanis and McCuistion as part of Dynamic Music Partners.
YearAward TypeCategoryWorkNotes
2000Daytime EmmyOutstanding Achievement in Music Direction and CompositionBatman BeyondShared with Shirley Walker, Lolita Ritmanis, Michael McCuistion
2002Daytime EmmyOutstanding Achievement in Music Direction and CompositionThe Zeta ProjectShared with Shirley Walker, Lolita Ritmanis, Michael McCuistion
2003Daytime EmmyOutstanding Achievement in Music Direction and CompositionThe Zeta ProjectShared with Michael McCuistion, Lolita Ritmanis
2007Daytime EmmyOutstanding Achievement in Music Direction and CompositionLegion of Super HeroesShared with Michael McCuistion, Lolita Ritmanis
2008Daytime EmmyOutstanding Achievement in Music Direction and CompositionLegion of Super HeroesShared with Michael McCuistion, Lolita Ritmanis
2010Primetime EmmyOutstanding Music Composition for a Series (Original Dramatic Score)Batman: The Brave and the Bold ("Mayhem of the Music Meister!")Shared with Michael McCuistion, Lolita Ritmanis; co-composed songs with Neil Patrick Harris
These Emmy achievements, particularly the early win for , established Carter as a key figure in DC animated scoring, fostering ongoing collaborations on superhero projects and underscoring his expertise in blending orchestral and electronic elements for dynamic storytelling.

Other awards

Carter has received five Annie Award nominations for his contributions to animated television productions, including work on and a 2004 nomination for Outstanding Music in an Animated Television Production for the episode "Divide & Conquer," shared with collaborators and Michael McCuistion. In the realm of independent film, Carter earned a Gold Medal for Best Use of Music in a Feature Film for his score to the sci-fi mystery Yesterday Was a Lie at the 2008 Park City Film Music Festival, recognizing the score's impactful integration with the narrative. For his original concert music, Carter's piano and orchestra work "Autumn Ruminations," the first movement of his Seasons Suite for Piano, received two Bronze Telly Awards in 2021 for its production. Similarly, the second movement, "Boreal Twilight," garnered two Bronze Telly Awards in 2023, highlighting the suite's evocative seasonal themes and orchestral arrangements. Beyond these, Carter was named Commissioning Composer of the Year by the Texas Music Teachers Association and selected for a fellowship at the Sundance Composers Institute under . He also served as the first Composer-in-Residence at the Northwest Opera Festival, and has received commissions from various festivals for new works.

Works

DC animated projects

Kristopher Carter's involvement in DC animated projects began early in his career with contributions to the DC Animated Universe (DCAU). He composed episode scores for Batman: The Animated Series from 1994 to 1995, marking his entry into scoring for Warner Bros. Animation at age 22. Carter continued with full scores for Superman: The Animated Series, spanning 1996 to 2000, where he collaborated with composers like Shirley Walker and Harvey R. Cohen to craft orchestral cues emphasizing the hero's majestic yet vulnerable persona. His work extended to Batman Beyond (1999-2001), for which he created the main title theme featuring heavy industrial influences that evoked a futuristic Gotham. Selections from the series' score, including Carter's contributions, were released in soundtrack albums, with Volume 3 on September 19, 2025. In the early 2000s, Carter scored episodes of The Zeta Project (2001-2002), a spin-off from Batman Beyond focusing on themes of artificial intelligence and pursuit, and contributed to Justice League (2001-2004), delivering epic, team-oriented musical motifs that underscored ensemble dynamics. He also scored episodes of Teen Titans (2003–2006), blending high-energy action themes with emotional cues for the young heroes' team dynamics. Carter contributed to Legion of Super-Heroes (2006–2008), creating futuristic orchestral scores for the team's interstellar adventures in the 31st century. For Batman: The Brave and the Bold (2008–2011), he provided adventurous, lighthearted music to accompany Batman's episodic team-ups with various heroes. Later, Carter's DC work shifted to newer universes, including the main title theme and episode scores for across seasons 1 through 4 (2010-2013, 2019-2022), blending orchestral and electronic elements to support the series' evolving superhero team narratives. For DC animated films, Carter co-composed the score for Batman: The Killing Joke (2016) with Michael McCuistion and , incorporating dark, jazz-inflected tones to mirror the story's psychological depth. He also contributed to (2017), providing chaotic, rock-tinged cues that highlighted the film's irreverent tone. Most recently, Carter scored Batman and Superman: Battle of the Super Sons (2022), crafting high-stakes action themes for the father-son conflict. Throughout these projects, Carter often collaborated with voice actors such as Mark Hamill, whose iconic Joker portrayal in Batman: The Animated Series episodes he scored added to the atmospheric tension of his musical underscoring. His DC themes frequently drew on industrial sounds to amplify the gritty, urban edge of the universe.

Marvel animated projects

Kristopher Carter, as part of the Dynamic Music Partners trio with Lolita Ritmanis and Michael McCuistion, composed the score for the animated series The Spectacular Spider-Man, which aired from 2008 to 2009. The team provided music for all 26 episodes, crafting orchestral themes that emphasized Peter Parker's youthful struggles and high-stakes action sequences, including web-slinging chases and villain confrontations. Specific episodes, such as "Nature vs. Nurture" and "Blueprints," featured Carter's contributions to dynamic cues blending suspenseful strings with energetic percussion to heighten the superhero drama. Carter's work extended to Avengers Assemble, where Dynamic Music Partners scored the entire series across its five seasons from 2012 to 2019, encompassing 127 episodes. They developed main themes and episode-specific music that captured the ensemble dynamics of Earth's Mightiest Heroes, incorporating bold brass fanfares and rhythmic motifs for team battles against threats like and Hydra. The orchestral style evolved with the show's seasons, adding layers of intensity for escalating conflicts while maintaining heroic undertones suited to the . In the Marvel Rising franchise, Carter contributed to the 2018 animated film Marvel Rising: Secret Warriors and the 2019 shorts Marvel Rising: Initiation, Chasing Ghosts, and Playing with Fire. These projects featured scores emphasizing empowerment and diversity among young heroes like and , with Carter's cues highlighting fast-paced action and emotional growth through uplifting melodies and percussive drives. The music supported the franchise's focus on next-generation Avengers, using modular themes that adapted to crossover narratives in the shorts.

Other animated projects

Kristopher Carter contributed to the score for the Ben 10: Alien Force, which aired from 2008 to 2010 as a sequel to the original series, focusing on the adventures of teenage and his alien-transforming Omnitrix. Working as part of the Dynamic Music Partners trio with Michael McCuistion and , Carter helped craft the series' energetic and action-oriented themes, including battle motifs that underscored high-stakes alien confrontations across its three seasons and 46 episodes. His contributions extended to related projects in the franchise, such as Ben 10: Ultimate Alien (2010–2012), where he continued providing thematic music for evolving storylines involving interstellar threats and character development. In 2012, Carter served as conductor and co-composer for the animated film ! Mask of the Blue Falcon, a crossover mystery blending the classic gang with the 1970s superhero Dynomutt from . Collaborating again with McCuistion and Ritmanis, he delivered a playful, nostalgic score that incorporated retro-inspired cues to evoke the era's vibe, supporting the film's 78-minute runtime filled with comedic chases and unmaskings at a comic convention. Carter provided original music for the animated segments in the 2014 horror anthology film V/H/S: Viral, the third entry in the found-footage franchise, which weaves interconnected tales of chaos and horror. His contributions focused on tense, atmospheric soundscapes for the animated portions, enhancing the film's experimental blend of live-action and within its wraparound narrative of a police chase and viral media frenzy. More recently, Carter co-composed the score for the 2023 animated science-fiction film Babylon 5: The Road Home, a Warner Bros. Animation production that serves as a sequel to the 1990s live-action series, following key character John Sheridan through alternate timelines and interdimensional encounters. Teaming with McCuistion and Ritmanis, he created an orchestral soundtrack blending epic space opera motifs with emotional character themes, released as a 37-track digital album featuring cues like "Interstellar Changes" and "Delenn Love Theme." The score supports the film's 108-minute exploration of legacy and multiverse elements, animated by Studio Mir.

Film and live-action scores

Kristopher Carter has composed scores for numerous independent feature films, with a particular emphasis on sci-fi and horror genres, where he employs atmospheric and industrial influences to enhance narrative tension and emotional depth. Over his career, he has contributed music to 15 independent features, often blending orchestral elements with electronic textures to create immersive soundscapes that support the visual storytelling in live-action projects. His approach draws from his background in scoring, allowing him to adapt dynamic, character-driven cues to the demands of narrative cinema. One of Carter's notable early film scores was for the 2008 independent sci-fi mystery Yesterday Was a Lie, directed by James Kerwin, which screened at festivals including and Slamdance. The film's score earned a for Best Use of Music in a at the 2008 Park City Film Music Festival, praised for its innovative integration of noir-inspired motifs and subtle electronic layers that underscore the story's psychological complexity. That same year, Carter scored the indie horror-comedy Dance of the Dead, directed by , utilizing pulsating rhythms and eerie to amplify the film's zombie-apocalypse humor and high-energy action sequences. In 2016, Carter provided the score for the SiREN, a Universal/Chiller TV production directed by Jesse Gustafson, where his atmospheric electronics and tense orchestral swells heightened the supernatural dread and isolation themes central to the plot. More recently, he composed for Give Till It Hurts (2022), a drama directed by Thomas L. Callaway, collaborating with composers Michael McCuistion and to deliver a poignant, melody-driven that explores themes of sacrifice and resilience. In 2023, Carter scored the short Howl at the Dead, directed by , featuring haunting electronic ambiences and thematic motifs for strings that evoke the eerie bond between a family and their pet in a haunted setting. These works exemplify Carter's versatility in live-action scoring, consistently prioritizing emotional resonance over conventional genre tropes.

Concert and original music

Kristopher Carter has composed a range of concert works, including orchestral and piano solo pieces, distinct from his film and television scoring. His debut in the concert arena occurred in 2001 with a commissioned world premiere performed by conductor and the at the . Subsequent performances of his concert music have featured ensembles such as the Helix Collective and Cinematic Symphony. A prominent example of Carter's concert compositions is the Seasons Suite for piano and orchestra, a four-movement work exploring seasonal themes. The first movement, "Autumn Ruminations," was composed and orchestrated by Carter in August 2020 amid global challenges, with the solo piano part performed and engineered by him at his Los Angeles home studio; the orchestral elements were recorded by the Macedonian Symphonic Orchestra under conductor Oleg Kondratenko. Released as a single in October 2020, it marks the initial installment of the suite, planned as a year-long project with subsequent movements. The second movement, "Boreal Twilight," followed in 2023, featuring piano and orchestral recording at FAME Studios in Muscle Shoals, Alabama, and emphasizing evocative twilight imagery in boreal landscapes. Carter has conducted live performances of his concert works at international festivals, including the Krakow Film Music Festival and Fimucité in Tenerife, where he also served as piano soloist. In addition to orchestral concert pieces, Carter has pursued original electronic music under the moniker The Kr Protocol, blending melodic EDM with superhero-inspired themes. His debut EP, Activate, released in July 2018, includes four tracks co-written and produced by Carter, featuring vocalists such as Katherine Liner and . Live DJ sets under this project have appeared at events like CONvergence and the in 2022. Carter served as the inaugural Composer-in-Residence for the Northwest Opera Festival, where he contributed standalone compositions and engaged in educational clinics on composition.

References

  1. https://www.kristophercarter.com/about/
  2. https://www.imdb.com/name/nm0141766/bio/
  3. https://www.imdb.com/name/nm0141766/
  4. https://www.imdb.com/name/nm0141766/awards/
  5. https://annieawards.org/legacy/51st-annie-awards
  6. https://dynamicmusicpartners.com/kristopher-carter/
  7. https://www.themoviedb.org/person/497701-kristopher-carter
  8. https://asturscore.com/especiales/interview-dynamic-music-partners/
  9. https://www.linkedin.com/in/kristopher-carter-70516a47
  10. https://texashistory.unt.edu/ark:/67531/metapth61058/m1/65/
  11. https://music.unt.edu/news/two-alumni-receive-animation-award-nominations-0.html
  12. https://digital.library.unt.edu/ark:/67531/metadc805/m1/23/
  13. https://northtexan.unt.edu/issues/2010-summer/behind-scenes.html
  14. https://digital.library.unt.edu/ark:/67531/metadc805/
  15. https://digital.library.unt.edu/ark:/67531/metadc805/m1/31/
  16. https://northtexan.unt.edu/notable-alumni/kristopher-carter.html
  17. https://www.industrycentral.net/features/clef_notes/k_carter
  18. https://www.kristophercarter.com/
  19. https://www.latimes.com/archives/la-xpm-2001-aug-13-ca-33608-story.html
  20. https://dynamicmusicpartners.com/dynamic-music-partners/
  21. https://www.thekrprotocol.com/news/
  22. https://www.thekrprotocol.com/2018/07/
  23. https://kraft-engel.com/wp-content/uploads/clients/lolita-ritmanis/RITMANIS-Lolita.pdf
  24. https://www.imdb.com/title/tt0147746/awards/
  25. https://www.tvguide.com/tvshows/batman-beyond/1000243883/
  26. https://www.imdb.com/title/tt0260662/awards/
  27. https://www.imdb.com/event/ev0000206/2007/1/
  28. https://www.imdb.com/title/tt0775372/awards/
  29. https://www.televisionacademy.com/awards/nominees-winners/2010/outstanding-music-composition-for-a-series-original-dramatic-score
  30. https://dynamicmusicpartners.com/teen-titans/
  31. https://dynamicmusicpartners.com/yesterday-was-a-lie/
  32. https://www.imdb.com/event/ev0001000/2008/1/
  33. https://filmfreeway.com/KristopherCarter
  34. https://dynamicmusicpartners.com/composer/kristopher-carter/
  35. https://dynamicmusicpartners.com/superman-the-animated-series/
  36. https://www.kristophercarter.com/about
  37. https://filmmusicreporter.com/2025/09/18/details-for-batman-beyond-vol-3-soundtrack-album-revealed/
  38. https://dynamicmusicpartners.com/the-zeta-project/
  39. https://dynamicmusicpartners.com/credits/
  40. https://filmmusicreporter.com/2017/06/10/michael-mccuistion-kristopher-carter-lolita-ritmanis-scoring-batman-and-harley-quinn/
  41. https://filmmusicreporter.com/2022/10/16/batman-and-superman-battle-of-the-super-sons-soundtrack-album-details/
  42. https://open.spotify.com/album/23cXppP0FUglQ2KOPKzvFN
  43. https://dynamicmusicpartners.com/the-spectacular-spider-man/
  44. https://www.imdb.com/title/tt1233135/fullcredits
  45. https://www.imdb.com/title/tt1354505/fullcredits
  46. http://dynamicmusicpartners.com/wp-content/uploads/2020/01/DMP_Onesheet.pdf
  47. https://theannotator.net/post/184563425951/dynamic-music-partners-marvel-rising-chasing
  48. https://dynamicmusicpartners.com/ben-10-alien-force/
  49. https://www.tunefind.com/artist/kristopher-carter-lolita-ritmanis-michael-mccuistion
  50. https://www.encompassmusicpartners.com/our-work/ben-10-alien-force
  51. https://www.imdb.com/title/tt2586070/fullcredits/
  52. https://www.tvguide.com/movies/scooby-doo-mask-of-the-blue-falcon/cast/2030300949/
  53. https://www.soundtrakd.com/movie/vhs-viral-2014
  54. https://dynamicmusicpartners.com/new-project-released-babylon-5-the-road-home-soundtrack-released/
  55. https://music.apple.com/us/album/babylon-5-the-road-home-original-soundtrack/1711039546
  56. https://open.spotify.com/album/1wC8bKGdKBOJKv7mgsm0Hm
  57. https://www.imdb.com/title/tt0926063/
  58. https://www.imdb.com/title/tt4151198/fullcredits
  59. https://www.kristophercarter.com/autumn-ruminations-released/
  60. https://www.instagram.com/reel/C8EXUUFNCR_/
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