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Laidback Luke
Laidback Luke
from Wikipedia

Key Information

Lucas Cornelis van Scheppingen (born 22 October 1976), better known under his stage name Laidback Luke, is a Filipino-born Dutch DJ and record producer.[2] He notably remixed the Robin S. song, "Show Me Love" which charted at No. 11 on the UK charts in 2009. He is also the founder of Mixmash Records.[3]

Career

[edit]

Lucas van Scheppingen was born to a Dutch father, Kees van Scheppingen and Filipina mother, Lucy Baruelo in Manila and grew up in Hoofddorp, Netherlands together with his younger brother, Asley. He had a passion for music since a young age.[4][5] Luke began his career in 1992. He credits Gaston Steenkist as an early mentor.[1] He has worked with artists such as David Guetta, Steve Angello, the percussionist Nebat Drums, Sebastian Ingrosso, Axwell, Example and Junior Sanchez and played throughout Europe and North America as well as shows in Japan and Ibiza.[6] He has released three studio albums: Psyched Up (1998), Electronic Satisfaction (2002), Cream Ibiza Super You & Me (2011) as well as a mix album, Windmill Skill (2003). In 2003, van Scheppingen did a remix of the Daft Punk song "Crescendolls" for the duo's remix album Daft Club. Luke has released his own mix album, titled Ibiza Closing Party, as a free covermount CD in the October 2008 issue of Mixmag.

In 2012, Laidback Luke was nominated for the best European DJ award from the 27th Dance Music Awards. He appeared in the 2016 Grammy-nominated documentary film about American DJ and producer Steve Aoki, titled I'll Sleep When I'm Dead.[7]

Personal life

[edit]

Luke was previously married two times and has three children. He married his current wife, Ashley Reina van Scheppingen, on 22 February 2020.[8]

Laidback Luke practices kung fu, especially Choy Li Fut, and represented the Netherlands at the World Championship 2013 in China.[9]

In March 2018, he was featured on the cover of Men's Health NL, and talked about his kung fu career.[10]

Discography

[edit]
  • Electronic Satisfaction (2002)
  • Focus (2015)

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Laidback Luke (born Lucas Cornelis van Scheppingen, October 22, 1976) is a Filipino-Dutch DJ, , and remixer renowned for his influential work in , spanning , , and EDM genres. Born in , , to a Dutch father and Filipina mother, he grew up in , , in a musical family and began producing tracks as a teenager in the mid-1990s, initially drawing from graffiti art and kung fu influences in his creative process. Rising to prominence in the , Laidback Luke founded the independent label Mixmash Records in 2004, which has released music from emerging talents and established acts in the dance scene. His breakthrough came with high-impact productions like "" (2011) and the remix of Robin S.'s "Show Me Love" (2008) with , which peaked at number 11 on the UK Singles Chart and revitalized the classic house anthem for a new generation. He has since amassed a catalog of over 500 releases, including albums such as Psyched-Up: Early Works '96-'98 (1999), Electronic Satisfaction (2002), and Focus (2015). Laidback Luke's career highlights include collaborations with leading figures like David Guetta, Diplo, Martin Garrix, Steve Aoki, and Example, as well as remixes for artists such as Robin S. Named the best producer of 2008 by peers such as Guetta and Martin Solveig, he achieved his highest ranking of #17 on DJ Mag's Top 100 DJs poll in 2010 and appeared in the list for nine consecutive years. Known for his high-energy live performances and mentorship in the industry, he continues to tour globally and innovate through projects like his CODE/RED events and recent collaborations, including a 2025 remix honoring James Brown with the late icon's grandson, as well as a major catalog deal for Mixmash Records in September 2025.

Early life

Childhood and background

Laidback Luke, born Lucas Cornelis van Scheppingen on October 22, 1976, in , , was the child of a Dutch father and a Filipina mother. This mixed heritage instilled a multicultural foundation from an early age, blending Filipino traditions with Dutch influences in his family life. At the age of four, van Scheppingen immigrated to the with his family, settling in where he spent his formative years. Growing up in this environment, he was immersed in a diverse that shaped his worldview, including exposure to various global influences through the Netherlands' multicultural society. His family played a central role in this upbringing, providing a supportive household that emphasized creativity and expression. Van Scheppingen's early years were marked by significant exposure to music within his household, described as a "really musical " where all members engaged with instruments and sounds. His father played guitar and even created his own beats in the 1980s, while his mother was an accomplished singer, fostering an environment rich in auditory diversity from classical to contemporary styles. This constant presence of music, combined with the multicultural backdrop of his heritage and new home, laid the groundwork for his artistic inclinations. As a teenager, van Scheppingen developed a strong interest in visual arts, particularly graffiti, which became a prominent outlet for his creativity during his youth in the Netherlands. This passion for street art highlighted his rebellious and expressive side, gaining him local recognition before he pivoted toward music production as a defining shift in his artistic path.

Initial interests and entry into music

As a child, van Scheppingen showed strong artistic inclinations, beginning to draw at age four and progressing to as a teenager, which served as his initial creative outlet in the vibrant street . However, after being caught graffitiing at age 16, he sought a safer avenue for expression and pivoted toward , viewing electronic production as a modern equivalent to tagging urban spaces. This transition occurred around the mid-1990s, as the risks and diminishing thrill of graffiti prompted him to channel his energy into sound creation. In 1992, at age 15, van Scheppingen began experimenting with music production using rudimentary equipment, including an computer demonstrated by a friend, which allowed him to manipulate and compose tracks digitally—a novel concept at the time before widespread access to advanced sound cards. His setup soon expanded with affordable synthesizers like a Roland D-5 and a borrowed , enabling him to craft beats inspired by emerging Dutch rave and house scenes. A pivotal boost came from mentorship under Dutch DJ and producer Gaston Steenkist of the duo , who recognized van Scheppingen's potential and supplied him with essential gear such as additional synthesizers, effects units, and a mixing desk to refine his productions. This guidance helped transition his hobby into semi-professional output, focusing on raw and elements that blended energetic rhythms with experimental sampling. By 1995, at age 18, van Scheppingen released an early single "Act the Fool" on Touché Records, marking his entry into the Dutch electronic scene with a track characterized by punchy grooves and -infused percussion. This was followed by additional early and releases, including contributions to compilations like Loud Flava Vol. 1, which showcased his developing style of high-energy, dancefloor-oriented tracks produced on limited resources.

Career

Early career and underground beginnings

Laidback Luke emerged in the Dutch underground electronic music scene in the mid-1990s, initially focusing on and productions after signing his first record deal in 1995. His debut vinyl release, the single "Act The Fool," came out that year on the local label Touché, marking his entry into the club-oriented vinyl market. He followed this with a series of EPs and singles on independent Dutch labels such as Groove Alert Records and Subspace, including the Loud Flava series (1995–1997) and the SLK EP (1996), which showcased his developing sound rooted in energetic rhythms and influences. Under the mentorship of Gaston Steenkist of , who guided his early production techniques, Laidback Luke honed his skills and began DJing in 1996 to better tailor his tracks for club play. His output remained prolific through the late 1990s, with releases like "Phantazee / This Reality" (1997) on Subspace and "Music's Always On My Mind" (1998) on Touché/Subspace, building a following among European DJs and club promoters. These underground efforts established him as a reliable presence in the ' nascent electronic scene, where he experimented with blending grooves and emerging electro elements. In 1999, Laidback Luke compiled his foundational tracks into the debut album Psyched-Up (The Early Works '96-'98) on Touché, which captured his evolution from raw experiments to more accessible tracks and gained traction in European club circuits for its high-energy vibe suited to late-night sets. This period also saw him venturing into remixes, including a notable rework of Daft Punk's "Crescendolls" for their 2003 , signaling his shift toward electro- while enhancing his reputation beyond the . By the late 1990s, he had secured club residencies in Dutch venues and began international gigs, leveraging his growing discography to perform across and connect with the burgeoning global community.

Rise to prominence and major collaborations

Laidback Luke's ascent to mainstream recognition began in the late 2000s, building on his underground and techno foundations to forge high-profile partnerships that amplified his presence in the global scene. A pivotal moment came in 2008 with his collaboration with on a of Robin S.'s classic "Show Me Love," featuring the original vocalist; the track peaked at No. 11 on the UK Singles Chart and spent 15 weeks in the top 100, marking one of his earliest commercial breakthroughs. This release showcased his ability to blend nostalgic elements with contemporary production, helping propel him into broader audiences during the burgeoning EDM era. Further elevating his profile, Laidback Luke teamed up with —comprising , , and —for the 2009 single "Leave the World Behind," featuring , which became a staple and exemplified the progressive house sound dominating European clubs at the time. He also contributed remixes to David Guetta's hits, including "" featuring in 2009, infusing Guetta's electro-house tracks with his signature energetic drops and thereby bridging his style with one of the decade's top producers. These partnerships positioned him at the forefront of the EDM explosion, as his productions gained traction in mainstream outlets and international tours. In the early 2010s, Laidback Luke's original tracks further solidified his influence, such as the 2011 collaboration "" with British rapper Example, a high-energy anthem that captured the genre's vocal-driven momentum and contributed to the global EDM boom alongside contemporaries like Zedd's "Clarity." His rising stature earned him a nomination for Best European DJ at the 27th Annual International Dance Music Awards in 2012, recognizing his impact on the international circuit. This period of prominence culminated in his appearance in the 2016 documentary I'll Sleep When I'm Dead, a film chronicling Steve Aoki's career, where Laidback Luke shared insights into the relentless touring lifestyle defining EDM artists of their generation.

Label founding and production evolution

In 2004, Laidback Luke co-founded Mixmash Records with Olga Heijns as an outlet for his own productions and emerging talent, focusing initially on and its subgenres like and . Over the next decade, the label expanded significantly, releasing hundreds of tracks and establishing itself as a cornerstone of the EDM scene by nurturing a roster that blended underground sounds with festival-ready anthems, culminating in a 2014 reboot with a refreshed and continued output through the 2010s. Luke's own productions during this period reflected his deepening involvement with the label, including his debut full-length album Electronic Satisfaction in 2002, which captured his early house influences through layered, groove-oriented tracks released just before Mixmash's launch. By 2015, he returned to album format with Focus on Mixmash, a 16-track collection featuring collaborations that showcased his matured songwriting and pop-infused electronic arrangements. His production techniques evolved notably from the analog-heavy house era of the early 2000s—rooted in tech-house and with vinyl-based workflows and hardware synthesizers—to embracing digital EDM tools by the mid-2010s, enabling more precise , virtual instrumentation, and rapid iteration for big-room and contexts. This shift allowed him to transition from underground club tracks like his 2003 single "We Can Not Get Enough" to mainstream hits incorporating software-driven drops and vocal processing. Mixmash's growth was bolstered by Luke's role in signing and mentoring up-and-coming artists, including Dutch house producer Chuckie, with whom he collaborated on label releases like "1234" in 2012, and the Bingo Players, whose electro-house tracks and remixes appeared on the imprint starting in the late 2000s. These partnerships helped propel the artists to international recognition while reinforcing Mixmash's reputation for spotting innovative talent in the evolving EDM landscape. In September 2025, the label's master rights catalog was acquired by Armada Music's BEAT Music Fund.

Recent projects and tours

In 2022, Laidback Luke openly discussed his experience with burnout during a Billboard interview, attributing it to the intense demands of the EDM boom and the pressures of constant touring and production, which led him to step back and focus on personal reinvention through practices like and selective collaborations. This pivot marked a shift toward more intentional projects, emphasizing creative renewal over volume. By 2024, he signed back to Dim Mak Records after a seven-year hiatus, launching with the single "One on One," a collaboration with his son Marlonbeats (also known as Beats by Marlon) to celebrate the younger artist's 21st birthday. Building on this momentum into 2025, Laidback Luke continued releasing music through Dim Mak, including the bass house track "SIPPIN'," the high-energy "It Clicked," and "MAMI" with Henry Fong, alongside a groundbreaking remix collaboration "I Got Soul (Super Bad)" featuring James Brown's estate, marking the first official electronic rework of the Godfather of Soul's catalog. These releases highlighted his evolving sound, blending house, tech house, and nostalgic elements while prioritizing meaningful partnerships. In May 2025, he launched the CODE/RED world tour, a high-energy production showcasing reinvention through superhero-themed visuals, bloghouse, and Dutch house influences, with phases including stops in Las Vegas, San Diego, New Orleans, and Tulsa. On the live front, Laidback Luke maintained a robust presence at major events, performing multiple sets and participating in panels at (ADE) in October 2024, where he discussed creative reinvention alongside artists like . In July 2025, he made history at Tomorrowland by hosting the festival's largest back-to-back set ever, involving 16 DJs under his Super You&Me party banner, and delivered a mainstage performance that integrated his martial arts-inspired energy. These appearances underscored his ongoing global influence, with the CODE/RED tour extending into late 2025 across .

Musical style and influences

Genre development and signature sound

Laidback Luke's musical journey began in the with hard-raving tracks, such as his 1995 release "Act the Fool" on Touché Records, characterized by driving rhythms suited for underground rave scenes. By the late , he transitioned to tech-house influences, evident in remixes like "Music’s Always on My Mind" (1998, Touché/Plastic City), which incorporated groovier, house-oriented elements while retaining electronic edge. Entering the , Laidback Luke shifted toward electro- and broader anthems, as seen in "We Can Not Get Enough" (2003, United Records), blending funky basslines with uplifting melodies. This era marked his embrace of live performance dynamics, exemplified by the Windmill Skill mix album (2003), a 70-minute compilation of 35 tracks that simulated club energy through seamless transitions and pop-infused selections, designed for both dance floors and casual listening. His signature sound emerged here with upbeat, melodic drops that fused high-energy percussion and accessible hooks, creating anthemic builds ideal for European festival circuits. In the 2010s, Laidback Luke adapted to the rise of big room EDM, producing festival-ready tracks like "Step By Step" (Big Room Mix, 2010, Stealth Records) and "" (2015, Mixmash Records), which featured massive drops and mainstream pop sensibilities. He further innovated within the emerging genre around 2013—coined by as a blend of grooves and EDM intensity, incorporating garage elements for a fresh, experimental vibe—alongside artists like . This style highlighted his hallmark melodic progressions and euphoric breakdowns, often layered with silky vocals to enhance crowd engagement. By the 2020s, Laidback Luke continued evolving within trends, releasing tracks like "It Clicked" (2025, Dim Mak Records) that combined bouncy Dutch melodies with overdriven bass, reflecting his ongoing reinvention through high-energy, innovative production. His sound consistently integrates Filipino-Dutch heritage via vibrant, positive rhythms that merge tropical warmth with precise European beat structures, maintaining an optimistic, hands-in-the-air essence across genres.

Key influences and artistic philosophy

Laidback Luke's musical influences draw heavily from electronic pioneers and his cultural heritage. Early in his career, he was inspired by Daft Punk's innovative sound, leading him to experiment with similar electro and styles in his initial productions. His Filipino roots also play a significant role, infusing his work with elements of upbeat, sing-along melodies that reflect the cheerful pop traditions of the , contrasting with the harder edges from his Dutch upbringing. Central to Laidback Luke's artistic philosophy is the concept of "teaching through music," where he actively mentors emerging artists via structured platforms and online resources. Through Mixmash Records and collaborations like the Tomorrowland Academy courses, he shares techniques on creative DJing, stem separation, and AI integration in mixing, emphasizing preparation and fundamentals drawn from his background. He extends this approach via tutorials and vlogs, providing free lessons on production basics to democratize access to electronic music skills. Laidback Luke prioritizes authenticity and continuous reinvention in his creative process, as highlighted in his 2025 interview, where he advocates returning to underground roots like bloghouse while evolving his sound to stay relevant. This philosophy manifests in projects like the "1000 BPM" track with Nostalgix, blending high-energy experimentation with genuine artistic expression over trend-chasing. He maintains a deliberate balance between commercial achievements—such as major label signings—and his underground DJ heritage, ensuring his work honors the scene's origins amid mainstream success.

Personal life

Family and relationships

Laidback Luke, whose real name is Lucas Cornelis van Scheppingen, married Ashley Reina van Scheppingen on February 22, 2020. The couple welcomed their first child together, a son named L.J., on October 4, 2022. Prior to this marriage, van Scheppingen had three children from previous relationships, including his son Marlon, born in 2003. Van Scheppingen's family life has increasingly intertwined with his music career, exemplified by his 2024 collaboration with Marlon, who performs as marlonbeats. The father-son duo released the track "One On One" on Dim Mak Records in August 2024, marking Marlon's entry into production and DJing as a birthday gift from his father. This project highlights how van Scheppingen involves his children in his professional world, fostering a shared passion for electronic music. Having split his time between the and the earlier in his career before basing himself primarily in the to pursue opportunities in the EDM scene, van Scheppingen relies on his 's support during extensive global tours. His wife and children provide emotional stability amid the demands of travel. In interviews, he has discussed experiencing burnout during the height of the EDM boom in the early 2010s, when industry pressures led to creative exhaustion. He has described his family as a vital grounding force in sustaining a long-term career while prioritizing relational bonds.

Martial arts practice and competitions

Laidback Luke, whose real name is Lucas Cornelis van Scheppingen, has been a dedicated practitioner of kung fu for over two decades, incorporating the discipline into his daily routine for physical and mental fitness. He holds certification as a teacher in the Hung Sing lineage of , enabling him to instruct at local schools in the and lead seminars internationally. His competitive career highlights include representing the Dutch national team at the 2013 World Championships of Kung Fu in , where he secured four gold medals and one silver across various forms and sets, underscoring his proficiency in traditional weapons and hand forms. Laidback Luke has continued competing sporadically, including at the 2017 championships where he earned three gold, two silver, and one bronze medals, though he emphasizes ongoing training primarily for health benefits rather than titles. The principles of kung fu, particularly and perseverance, have profoundly influenced Laidback Luke's approach to his music career, providing structure amid demanding tours and production schedules. He has described how the martial art's emphasis on "excellence through hard work" translates to consistent creative output and resilience in the EDM industry. In 2024 and 2025, Laidback Luke maintained his practice alongside global tours, hosting a kung fu at the Zheng Dao Lo Martial Arts Academy in the in April 2024 to share techniques with students of all levels. He continued training rigorously during travels, integrating sessions into his schedule to sustain fitness and balance family responsibilities.

Legacy and impact

Awards and nominations

Laidback Luke has earned notable recognition within the community through various industry awards and polls, highlighting his contributions as a DJ and producer. In 2012, he received a nomination for Best European DJ at the 27th Annual International Awards (IDMA), alongside prominent figures such as and Tiësto. In 2010, his collaboration with , "Leave the World Behind," won Best House/Garage Track at the IDMA. Laidback Luke has also been nominated three times in the Beatport Music Awards for his remix work and productions. Additionally, he has appeared in DJ Mag's Top 100 DJs poll on multiple occasions, achieving a career-high ranking of #17 in 2010, followed by #20 in 2011, #50 in 2014, #64 in 2015, and #79 in 2016, with a reappearance in 2025. In 2016, Laidback Luke featured in the documentary film I'll Sleep When I'm Dead, a profile of Steve Aoki that earned a Grammy nomination for Best Music Film at the 59th Annual Grammy Awards in 2017. While he has not secured major award wins since 2016, Laidback Luke has maintained prominence as a consistent headliner at global festivals, including Ultra Music Festival and Tomorrowland.

Contributions to EDM and mentorship

Laidback Luke has played a pivotal role in elevating the Dutch electronic dance music (EDM) scene to global prominence, particularly during the late and early mainstream surge. As a pioneering figure in the ' house and electro subgenres, he contributed through high-profile collaborations and remixes that bridged underground sounds with commercial appeal, helping propel Dutch acts like and Disclosure into international . His work with Mixmash Records, founded in 2004, further amplified this influence by scouting and releasing tracks from emerging Dutch talent, fostering a that emphasized innovative production and crowd-engaging performances central to EDM's worldwide expansion. Central to his mentorship efforts is Mixmash Records, which serves as a platform for nurturing up-and-coming artists by providing production guidance, release opportunities, and career advice. Luke has personally shaped the trajectories of notable EDM figures, including , , , and , offering hands-on support in songwriting, mixing, and industry navigation to promote authentic development over quick fame. In 2022, he launched "Kung Fu," a dedicated initiative to mentor new producers, drawing from his discipline to emphasize resilience and skill-building in the competitive EDM landscape. Additionally, through global workshops and online courses such as his Creative DJing masterclass on Tomorrowland Academy and Digital DJ Tips, he has trained thousands of aspiring DJs in techniques like bootlegs, mashups, and live improvisation, conducting sessions at events like to democratize access to professional skills. Luke's advocacy for artist authenticity has been a cornerstone of his educational impact, particularly in critiquing ghost production practices that undermine genuine creativity. In a 2022 interview, he described ghost production as a "dirty word" in the industry, arguing it erodes trust and personal growth by allowing performers to rely on uncredited collaborators for core elements like mixing and mastering, which he insists on handling himself to maintain integrity. This stance, reiterated in discussions through 2025, aligns with his mentorship philosophy of encouraging self-reliance and transparency, influencing a shift toward more ethical production standards amid EDM's commercialization. His 2025 signing to Dim Mak Records exemplifies this ongoing commitment, as he collaborates with and elevates emerging acts like Linney on the label, blending his veteran expertise with fresh talents to sustain the genre's innovative edge.

Discography

Studio albums

Laidback Luke's studio discography is relatively sparse, reflecting his primary focus on singles, remixes, and collaborations throughout his career. His original full-length albums emphasize evolving electronic sounds, from early influences to more experimental electro and modern EDM elements. Only three works are recognized as studio albums, with the most recent released a decade ago. Psyched-Up (The Early Works '96-'98) (1999), released through Touché Records, marked Laidback Luke's debut full-length project, compiling and expanding on his early productions from to with a strong emphasis on grooves and upbeat rhythms. The album received positive attention within Europe's burgeoning scene, praised for its energetic tracks like "Make Some Noise" and "En Route," which showcased his emerging talent as a Dutch blending funky basslines and vocal samples. Electronic Satisfaction (2002), issued by United Recordings in collaboration with Virgin, represented a stylistic shift for Laidback Luke, incorporating electro influences alongside elements to create a more dynamic and futuristic sound palette. Tracks such as "E.S." and "Give Me a Reason" highlighted this transition, fusing sharp synths and driving beats that appealed to international club audiences and solidified his reputation for innovative electronic production. After a 13-year hiatus from full-length releases, Focus (2015) arrived via Cloud 9 Dance, marking Laidback Luke's return to the studio format with a collaborative EDM approach featuring artists like , D.O.D, and Marc Benjamin. The 17-track collection, including standouts like "Neon Sunrise" with Benassi and "We Party" with D.O.D, emphasized high-energy drops and vocal hooks tailored for festival play, reflecting his matured production style in the big room era. Since Focus, Laidback Luke has not released any additional , instead channeling his creative output into singles and collaborative EPs that continue to evolve his sound within the EDM landscape.

Mix and compilation albums

Laidback Luke's contributions to the mix and genre began with his debut effort, Windmill Skill, released in 2003 on United Recordings. This DJ mix compilation featured a selection of electro and tracks, showcasing his early curation style and marking a pivotal release in his transition toward more prominent DJ-oriented projects. The album included high-energy selections from artists like Jaimie Fanatic and his own productions, emphasizing seamless transitions and club-ready vibes that reflected the burgeoning Dutch scene. Throughout the , Laidback Luke contributed to several compilations associated with Ultra Music, including mixed sets and featured selections that highlighted his role in the label's electronic music output. Notable among these was his involvement in Cream Ibiza (2011), a DJ-mix compilation that captured the high-octane atmosphere of club nights with tracks blending and vocal elements from various artists. These releases helped solidify his reputation as a capable of bridging mainstream appeal with underground energy during Ultra's expansion in the EDM landscape. In the late and beyond, Laidback Luke expanded his mix series through Mixmash Radio, a weekly show launched under his Mixmash Records label, with episodes compiled and released digitally starting around 2019. Episodes like Mixmash Radio 254 and Mixmash Radio 253 featured exclusive previews, remixes, and new tracks from emerging producers, often running 25-30 minutes and emphasizing and genres. This ongoing series, available on platforms like , served as a platform for label artists and international talents, promoting fresh sounds weekly. By 2025, Laidback Luke introduced the "Laidback Luke SELECTS" series on Tomorrowland's One World Radio, a monthly mix format debuting in early 2025 that focuses on set openers, closers, classics, throwbacks, and demos from rising artists. Episodes such as the July 2025, October 2025, and November 2025 installments deliver curated selections in his signature energetic style, with each show highlighting one "demo of the month" to spotlight unsigned talent. This initiative underscores his commitment to mentorship, using mixes to elevate new voices in while maintaining a connection to festival culture. Through these mix and compilation projects, Laidback Luke has consistently promoted emerging talent by integrating unsigned demos and label newcomers into his sets, fostering a supportive ecosystem for up-and-coming DJs and producers within the global EDM community.

Notable singles and remixes

Laidback Luke's notable singles often highlight his collaborative approach, blending high-energy and electro elements with prominent artists. One early standout is "Leave the World Behind" (2008), a collaboration with featuring , which became a defining track in the progressive scene and achieved significant club play across . In 2011, "Turbulence" with featuring marked another peak, peaking at No. 66 on the UK Singles Chart and amassing approximately 41 million streams on as of November 2025, underscoring its enduring festival appeal. More recently, "One On One" (2024), co-produced with his son Marlonbeats on Dim Mak Records, fused grooves and marked a personal milestone, released as a gift and gaining traction in big room sets. His remixes have similarly elevated classic tracks into modern anthems. The 2008 remix of Robin S.'s "Show Me Love," produced alongside Steve Angello, reached No. 11 on the UK Singles Chart, spending 15 weeks in the Top 75, and has accumulated approximately 180 million Spotify streams as of November 2025, revitalizing the 1993 house classic with punchy electro drops. In a nod to ongoing influence, a 2025 extended mix of "We Found Love" (originally released in 2020 with Steff da Campo) surfaced on platforms like Audiomack, refreshing the future house original with updated production for contemporary streaming audiences. Early extended plays from Laidback Luke's career laid foundational elements of his sound. "Loud Flava Vol. 1" (1995) on Groove Alert Records captured his initial foray into funky, sample-heavy , reflecting mid-1990s Dutch electronic influences. By 2025, his EP output included the "I Took a Pill in (The Forest Remix Pack)," featuring multiple remixes of Mike Posner's track, which showcased his versatility in adapting pop hits for EDM contexts and contributed to his label Mixmash's remix catalog. These releases, alongside chart successes like "Natural Disaster" with Example (No. 37 , 2012), illustrate his evolution from underground EPs to globally streamed singles, with total Spotify streams exceeding 682 million across his catalog as of November 2025.

References

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