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Late Bronze Age Troy
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Late Bronze Age Troy
Troy in the Late Bronze Age was a thriving coastal city consisting of a steep fortified citadel and a sprawling lower town below it. It had a considerable population and extensive foreign contacts, including with Mycenaean Greece. Geographic and linguistic evidence suggests that it corresponds to the city of Wilusa known from Hittite texts. Its archaeological sublayers Troy VIh and Troy VIIa are among the candidates for a potential historical setting for the myths of the Trojan War, since aspects of their architecture are consistent with the Iliad's description of mythic Troy and they show potential signs of violent destruction.
Late Bronze Age Troy includes parts of the archaeological layers known as Troy VI and Troy VII. Troy VI was built c. 1750 BC. Its final sublayer, Troy VIh, was destroyed c. 1300 BC. The early sublayers of Troy VII were contemporary with the late period of Mycenaean culture and the Hittite Empire. The later layers were contemporary with the Greek Dark Ages and the Neo-Hittite states.
Troy VI and VII were given separate labels by early excavators, but scholarly consensus holds that the first several sublayers of Troy VII were in fact continuations of the earlier city. As a result, some researchers have suggested relabeling Troy VIIa as Troy VIi and Troy VIIb1 as Troy VIj, with Troy VII beginning at the sublayer standardly known as VIIb2. Although the substance of this proposal is widely accepted, the original nomenclature is still generally used to avoid confusion.
Troy VI–VII was a major Late Bronze Age city consisting of a steep fortified citadel and a sprawling lower town below it. It was a thriving coastal city with a considerable population, equal in size to second-tier Hittite settlements. It had a distinct Northwest Anatolian culture and extensive foreign contacts, including with Mycenaean Greece, and its position at the mouth of the Dardanelles has been argued to have given it the function of regional capital, its status protected by treaties. Aspects of its architecture are consistent with the Iliad's description of mythic Troy, and several of its sublayers (VIh and VIIa) show potential signs of violent destruction. Thus, these sublayers are among the candidates for a potential historical setting of those myths.
Troy VI and VII were given separate labels by early excavators, but current research has shown that the first several sublayers of Troy VII were in fact continuations of the earlier city. Although some scholars have proposed revising the nomenclature to reflect this consensus, the original terms are typically used to avoid confusion.
Troy VI existed from around 1750 BC to 1300 BC. Its citadel was divided into a series of rising terraces, of which only the outermost is reasonably well-preserved. On this terrace, archaeologists have found the remains of freestanding multistory houses where Trojan elites would have lived. These houses lacked ground-floor windows, and their stone exterior walls mirrored the architecture of the citadel fortifications. However, they otherwise display an eclectic mix of architectural styles, some following the classic megaron design, others even having irregular floorplans. Some of these houses show potential Aegean influence, one in particular resembling the megaron at Midea in the Argolid. Archaeologists believe there may have been a royal palace on the highest terrace, but most Bronze Age remains from the top of the hill were cleared away by classical era building projects.
The citadel was enclosed by a massive wall whose limestone base is visible to modern day visitors. These walls were periodically renovated, expanding from an initial width of one point two metres (3.9 ft) to five metres (16 ft) around 1400 BC. During the Bronze Age they would have been overlaid with wood and mudbrick superstructures, reaching a height over nine metres (30 ft). The walls were built in a "sawtooth" style made up of seven metres (23 ft)-ten metres (33 ft) segments which joined at shallow angles. This characteristic is common in the walls of Mycenaean citadels, though at Troy it is also found in other buildings, suggesting that it may have been decorative. The walls also have a notable slope, similar to those at other sites including Hattusa. However, the walls differ from contemporary Aegean and Anatolian sites both in their lack of figural sculpture and in their masonry. While Troy VI's walls were made entirely of close-fitting ashlars, contemporary sites typically used ashlars around a rubble core.
Troy VI's walls were overlooked by several rectangular watchtowers, which would also have provided a clear view of Trojan plain and the sea beyond it. The citadel was accessed by five gates, which led into paved and drained cobblestone streets. Some of these gates featured enormous pillars which serve no structural purpose and have been interpreted as religious symbols. The halls were built in megaron style, resembling Mycenaean architecture.
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Late Bronze Age Troy
Troy in the Late Bronze Age was a thriving coastal city consisting of a steep fortified citadel and a sprawling lower town below it. It had a considerable population and extensive foreign contacts, including with Mycenaean Greece. Geographic and linguistic evidence suggests that it corresponds to the city of Wilusa known from Hittite texts. Its archaeological sublayers Troy VIh and Troy VIIa are among the candidates for a potential historical setting for the myths of the Trojan War, since aspects of their architecture are consistent with the Iliad's description of mythic Troy and they show potential signs of violent destruction.
Late Bronze Age Troy includes parts of the archaeological layers known as Troy VI and Troy VII. Troy VI was built c. 1750 BC. Its final sublayer, Troy VIh, was destroyed c. 1300 BC. The early sublayers of Troy VII were contemporary with the late period of Mycenaean culture and the Hittite Empire. The later layers were contemporary with the Greek Dark Ages and the Neo-Hittite states.
Troy VI and VII were given separate labels by early excavators, but scholarly consensus holds that the first several sublayers of Troy VII were in fact continuations of the earlier city. As a result, some researchers have suggested relabeling Troy VIIa as Troy VIi and Troy VIIb1 as Troy VIj, with Troy VII beginning at the sublayer standardly known as VIIb2. Although the substance of this proposal is widely accepted, the original nomenclature is still generally used to avoid confusion.
Troy VI–VII was a major Late Bronze Age city consisting of a steep fortified citadel and a sprawling lower town below it. It was a thriving coastal city with a considerable population, equal in size to second-tier Hittite settlements. It had a distinct Northwest Anatolian culture and extensive foreign contacts, including with Mycenaean Greece, and its position at the mouth of the Dardanelles has been argued to have given it the function of regional capital, its status protected by treaties. Aspects of its architecture are consistent with the Iliad's description of mythic Troy, and several of its sublayers (VIh and VIIa) show potential signs of violent destruction. Thus, these sublayers are among the candidates for a potential historical setting of those myths.
Troy VI and VII were given separate labels by early excavators, but current research has shown that the first several sublayers of Troy VII were in fact continuations of the earlier city. Although some scholars have proposed revising the nomenclature to reflect this consensus, the original terms are typically used to avoid confusion.
Troy VI existed from around 1750 BC to 1300 BC. Its citadel was divided into a series of rising terraces, of which only the outermost is reasonably well-preserved. On this terrace, archaeologists have found the remains of freestanding multistory houses where Trojan elites would have lived. These houses lacked ground-floor windows, and their stone exterior walls mirrored the architecture of the citadel fortifications. However, they otherwise display an eclectic mix of architectural styles, some following the classic megaron design, others even having irregular floorplans. Some of these houses show potential Aegean influence, one in particular resembling the megaron at Midea in the Argolid. Archaeologists believe there may have been a royal palace on the highest terrace, but most Bronze Age remains from the top of the hill were cleared away by classical era building projects.
The citadel was enclosed by a massive wall whose limestone base is visible to modern day visitors. These walls were periodically renovated, expanding from an initial width of one point two metres (3.9 ft) to five metres (16 ft) around 1400 BC. During the Bronze Age they would have been overlaid with wood and mudbrick superstructures, reaching a height over nine metres (30 ft). The walls were built in a "sawtooth" style made up of seven metres (23 ft)-ten metres (33 ft) segments which joined at shallow angles. This characteristic is common in the walls of Mycenaean citadels, though at Troy it is also found in other buildings, suggesting that it may have been decorative. The walls also have a notable slope, similar to those at other sites including Hattusa. However, the walls differ from contemporary Aegean and Anatolian sites both in their lack of figural sculpture and in their masonry. While Troy VI's walls were made entirely of close-fitting ashlars, contemporary sites typically used ashlars around a rubble core.
Troy VI's walls were overlooked by several rectangular watchtowers, which would also have provided a clear view of Trojan plain and the sea beyond it. The citadel was accessed by five gates, which led into paved and drained cobblestone streets. Some of these gates featured enormous pillars which serve no structural purpose and have been interpreted as religious symbols. The halls were built in megaron style, resembling Mycenaean architecture.