Leslie Caron

Leslie Claire Margaret Caron (French: [lɛsli kaʁɔ̃]; born 1 July 1931) is a French and American actress and dancer. She is the recipient of a Golden Globe Award, two BAFTA Awards and a Primetime Emmy Award, in addition to nominations for two Academy Awards.

Caron began her career as a ballerina. She made her film debut in the musical An American in Paris (1951), followed by roles in The Man with a Cloak (1951), Glory Alley (1952) and The Story of Three Loves (1953), before her role of an orphan in Lili (also 1953), which earned her the BAFTA Award for Best Foreign Actress and garnered nominations for an Academy Award and a Golden Globe Award.

As a leading lady, Caron starred in films such as The Glass Slipper (1955), Daddy Long Legs (1955), Gigi (1958), Fanny (1961), Guns of Darkness (1962), The L-Shaped Room (1962), Father Goose (1964) and A Very Special Favor (1965). For her role as a single pregnant woman in The L-Shaped Room, Caron, in addition to receiving a second Academy Award nomination, she won the Golden Globe Award for Best Actress in a Motion Picture – Drama and a second BAFTA Award.

Caron's other roles include Is Paris Burning? (1966), The Man Who Loved Women (1977), Valentino (1977), Damage (1992), Funny Bones (1995), Chocolat (2000) and Le Divorce (2003). In 2007, she won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for portraying heiress and rape victim, Lorraine Delmas, in Law & Order: Special Victims Unit.

Caron was born in Boulogne-sur-Seine, Seine (now Boulogne-Billancourt, Hauts-de-Seine), the daughter of Margaret (née Petit), an American dancer on Broadway, and Claude Caron, a French chemist, pharmacist, perfumer and boutique owner who founded the artisanal perfumier Guermantes. While her older brother, Aimery Caron, became a chemist like their father, Leslie was prepared for a performing career from childhood by her mother. Her great-grandfather, Ernest Caron was a distinguished Parisian politician of the Belle Époque and her grandmother Andrée Caron was a grandchild of Armand Savalle, the global still maker. Her family lost its wealth during World War II and could not provide a dowry for Caron. "My mother said: 'There's only one profession that leads you to marrying money and becoming a princess or duchess, and that's ballet.' ... My grandfather whispered heavily: 'Margaret, you want your daughter to be a whore?' I heard it. This has always followed me".

Of the lost fortune, Caron recalled, "My mother died of it". Her mother, who had grown up in poverty, could not cope with their reduced circumstances. She became depressed and an alcoholic and, at age 67, killed herself.

Caron was initially a ballerina. Gene Kelly discovered her in the Roland Petit company "Ballet des Champs Elysées" and cast her to appear opposite him in the musical An American in Paris (1951), a role for which a pregnant Cyd Charisse was originally cast. The prosperity, sunshine and abundance of California was a cultural shock to Caron. She had lived in Paris during the German occupation, which left her malnourished and anemic. She later remarked how nice people were in comparison to wartime Paris, in which poverty and deprivation had caused people to be bitter and violent. She had a friendly relationship with Kelly, who nicknamed her "Lester the Pester" and "kid". Kelly helped the inexperienced Caron—who had never spoken on stage—adjust to filmmaking..

Her role led to a seven-year MGM contract. The films which followed included the musical The Glass Slipper (1955) and the drama The Man with a Cloak (1951), with Joseph Cotten and Barbara Stanwyck. Still, Caron has said of herself: "Unfortunately, Hollywood considers musical dancers as hoofers. Regrettable expression."^{[citation needed]} She also starred in the musicals Lili (1953, receiving an Academy Award for Best Actress nomination), with Mel Ferrer; Daddy Long Legs (1955), with Fred Astaire; and Gigi (1958) with Louis Jourdan and Maurice Chevalier.