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Machinations
Machinations are an Australian synth-pop band which formed in 1980. They reached the top 20 on the Kent Music Report albums chart with Big Music in 1985. Their top 30 hits on the related singles chart are "Pressure Sway", "No Say in It", "My Heart's on Fire" and "Do to You". By 1989 the group had disbanded. They briefly reunited in 1997 and then reformed in 2012.
Machinations formed in 1980 in Sydney with the line up of Tim Doyle on guitar; Fred Loneragan on lead vocals; and Tony Starr on keyboards, vocals, and drum machine. Doyle and Starr had started song writing together at the end of 1979 using electronic instruments. Their school friend, Loneragan, joined, and in early 1980 Machinations played their first show at Garibaldi's in Darlinghurst. Another school friend, Nero (Nick) Swan, soon joined on bass guitar.
In late 1980, with the assistance of radio station Triple J, the band recorded tracks at Trafalgar Studios for the new music program. In November 1980 they entered a studio with Lobby Loyde as producer. The band's debut single, "Average Inadequacy", was released on 26 August 1981. Their debut self-titled, four-track extended play followed on 20 November; both appeared on the independent Phantom Records label. Machinations were managed by SCAM (Suss City Artist Management), which consisted of Sally Collins in partnership with Loyde. SCAM also managed The Triffids, Sardine v, The Sunnyboys, Tablewaiters and Local Product. "Average Inadequacy" created interest for Mushroom Records's imprint White Records Label to sign the band and reissue that single with a new B-side, "Machinations of Dance" in March 1982.
In January 1983 the group released the single, "Jack". It was followed by "Pressure Sway" in April, which peaked at No. 21 on the Australian Kent Music Report singles chart. Shelley Dempsey of The Canberra Times described it as "probably [the band's] piece de resistance, (or most thrashed song, at least)". In the United States it reached No. 40 on the Billboard Club Play Singles chart[citation needed].
In April 1983, Machinations released their debut album, Esteem, which peaked at No. 54 on the Kent Music Report albums chart. It was produced by Russell Dunlop. Woroni found that their live show is "tightly paced clever pop music" and that "it's gratifying to see that that punch has found its way on" the "very satisfying and worthwhile album". "Jumping the Gap" was released in October 1983. Dempsey declared that lead singer "Loneragan gives a high-powered performance which is probably rivalled only by Midnight Oil's Peter Garrett". Henry Downes provided percussion at live shows with the band and created the artwork for "Jumping the Gap".
Following the album's release, and an Australian tour supporting Joe Jackson, Machinations added Warren McLean on drums. Previously they had used a drum machine, Roland CR-78. The band recorded their second album, Big Music, at Rhinoceros Studios using Julian Mendelsohn as producer. Australian musicologist, Ian McFarlane, declared that the group "[emerged] with the smoothest and most fully realised album of [their] career". Big Music was released in June 1985 and peaked at No. 20.
Big Music provided three charting singles. The lead single, "No Say in It" was released in August 1984. The group found Mendelsohn "was really great to work with" on the single. They postponed working on the rest of the album until the producer was once again available. "No Say in It" is the band's highest charting single, it peaked at No. 14. The second single, "My Heart's On Fire" followed in May 1985 and reached No. 27. "You Got Me Going Again" was released in August and made No. 39. The album's fourth single, "Execution of Love", released in December failed to chart. Naomi Star provided backing vocals on most of the album, although Inez Lawson and Anne Redmond were featured on "No Say in It".
On 13 July 1985, Machinations performed three tracks, "Pressure Sway", "My Heart's On Fire" and "No Say in It", for the Oz for Africa concert (part of the global Live Aid program). It was broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. The group developed a cult following in dance clubs during the mid-1980s. The Canberra Times' Andrew Ferrington felt they "have to be one of the best dance bands in the country at present. And Big Music is one of the best Australian dance albums about. It captures beat, depth and harmony that could well have eluded the Machis. The second side is by far the better. Led by 'No Say', the four other songs combine to give an exhausting record of the band at its best".
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Machinations
Machinations are an Australian synth-pop band which formed in 1980. They reached the top 20 on the Kent Music Report albums chart with Big Music in 1985. Their top 30 hits on the related singles chart are "Pressure Sway", "No Say in It", "My Heart's on Fire" and "Do to You". By 1989 the group had disbanded. They briefly reunited in 1997 and then reformed in 2012.
Machinations formed in 1980 in Sydney with the line up of Tim Doyle on guitar; Fred Loneragan on lead vocals; and Tony Starr on keyboards, vocals, and drum machine. Doyle and Starr had started song writing together at the end of 1979 using electronic instruments. Their school friend, Loneragan, joined, and in early 1980 Machinations played their first show at Garibaldi's in Darlinghurst. Another school friend, Nero (Nick) Swan, soon joined on bass guitar.
In late 1980, with the assistance of radio station Triple J, the band recorded tracks at Trafalgar Studios for the new music program. In November 1980 they entered a studio with Lobby Loyde as producer. The band's debut single, "Average Inadequacy", was released on 26 August 1981. Their debut self-titled, four-track extended play followed on 20 November; both appeared on the independent Phantom Records label. Machinations were managed by SCAM (Suss City Artist Management), which consisted of Sally Collins in partnership with Loyde. SCAM also managed The Triffids, Sardine v, The Sunnyboys, Tablewaiters and Local Product. "Average Inadequacy" created interest for Mushroom Records's imprint White Records Label to sign the band and reissue that single with a new B-side, "Machinations of Dance" in March 1982.
In January 1983 the group released the single, "Jack". It was followed by "Pressure Sway" in April, which peaked at No. 21 on the Australian Kent Music Report singles chart. Shelley Dempsey of The Canberra Times described it as "probably [the band's] piece de resistance, (or most thrashed song, at least)". In the United States it reached No. 40 on the Billboard Club Play Singles chart[citation needed].
In April 1983, Machinations released their debut album, Esteem, which peaked at No. 54 on the Kent Music Report albums chart. It was produced by Russell Dunlop. Woroni found that their live show is "tightly paced clever pop music" and that "it's gratifying to see that that punch has found its way on" the "very satisfying and worthwhile album". "Jumping the Gap" was released in October 1983. Dempsey declared that lead singer "Loneragan gives a high-powered performance which is probably rivalled only by Midnight Oil's Peter Garrett". Henry Downes provided percussion at live shows with the band and created the artwork for "Jumping the Gap".
Following the album's release, and an Australian tour supporting Joe Jackson, Machinations added Warren McLean on drums. Previously they had used a drum machine, Roland CR-78. The band recorded their second album, Big Music, at Rhinoceros Studios using Julian Mendelsohn as producer. Australian musicologist, Ian McFarlane, declared that the group "[emerged] with the smoothest and most fully realised album of [their] career". Big Music was released in June 1985 and peaked at No. 20.
Big Music provided three charting singles. The lead single, "No Say in It" was released in August 1984. The group found Mendelsohn "was really great to work with" on the single. They postponed working on the rest of the album until the producer was once again available. "No Say in It" is the band's highest charting single, it peaked at No. 14. The second single, "My Heart's On Fire" followed in May 1985 and reached No. 27. "You Got Me Going Again" was released in August and made No. 39. The album's fourth single, "Execution of Love", released in December failed to chart. Naomi Star provided backing vocals on most of the album, although Inez Lawson and Anne Redmond were featured on "No Say in It".
On 13 July 1985, Machinations performed three tracks, "Pressure Sway", "My Heart's On Fire" and "No Say in It", for the Oz for Africa concert (part of the global Live Aid program). It was broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. The group developed a cult following in dance clubs during the mid-1980s. The Canberra Times' Andrew Ferrington felt they "have to be one of the best dance bands in the country at present. And Big Music is one of the best Australian dance albums about. It captures beat, depth and harmony that could well have eluded the Machis. The second side is by far the better. Led by 'No Say', the four other songs combine to give an exhausting record of the band at its best".