Maha Chor
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| Maha Chor | |
|---|---|
| Directed by | Narendra Bedi |
| Written by | Kader Khan |
| Produced by | Narendra Bedi |
| Starring | Rajesh Khanna Neetu Singh Prem Chopra Aruna Irani Manmohan Manorama Anwar Hussain Kamini Kaushal Viju Khote |
| Music by | R.D.Burman |
Release date |
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| Country | India |
| Language | Hindi |
Maha Chor (translated as "high thief") is a 1976 Bollywood action comedy film directed by Narendra Bedi, starring Rajesh Khanna in the lead role, paired opposite Neetu Singh for the very first time.[1] The film had music by R.D. Burman and the lyricist whom Rajesh Khanna preferred for his films; Anand Bakshi.
The film is primarily set in Bombay. An orphan boy has been raised by the people of a local colony, and has learned to steal in order to financially help them. While working for a ruthless businessman, the boy meets the princess of Raigadh and develops feeling for her. The businessman convinces the boy to pose as a disappeared prince, based on his resemblance to the prince.
Plot
[edit]Raju is an orphan who is brought up by the people of a colony in the Juhu area of Bombay. He lives as a son of all residents of the colony and helps them with their financial needs by stealing and because of this, he is often jailed for some months. He is affectionately called "Raju" by Hindus and "Khan" by Muslims. Prem Singh intends to build a hotel in the colony and compels people to vacate the place or pay Rs.10000 as rent. Actually, the land belongs to Neetu, the princess of Raigadh. Prem urges Neetu to marry him so that he can own the land of Juhu. But Neetu resists the proposal. Neetu's uncle manages to get the photograph of the prince and sends it to Raj Matha. Prince Rajeshwar had been kidnapped by Prem's mother in his childhood to prevent him from inheriting the wealth of Raigadh palace and to make her son the heir for it.
Raju steals a car of Prem Singh and gets caught when he tries to sell his car back to him. Seeing his intelligent innocence, he first uses him to transport smuggled kinds of stuff to Raigadh in the car. Neetu escapes from Prem and hides at the back of the car. While Raju drives towards to Raigadh, he finds her and takes her along with him. On the way, though they both fight, they develop feelings for each other. Raju, who thinks he is not eligible for the princess, tries to kill his feelings.
Prem recognizes the identity of lost Prince Rajeshwar in Raju. So he insists upon Raju to act like him in the palace, but Raju refuses as he cannot serve several years of jail as his colony people need him. Prem sets fire to the colony and this angers Raju. So he sets off to the palace where, without any effort, gets accepted by the Queen as Prince Rajeshwar, in spite of his repeated denials. The Queen identifies him through his photograph, burnt hand (actually he got burnt in the fire set in the colony) and the finger print of the Prince. But the astrologer who is working for Prem lies to the Queen that he is the real prince, thinking Raju is the man sent by Prem.
Raju was crowned as Prince Rajeshwar. The real prince is under the custody of Prem's mother, who is still childlike, playing with toys and putting his thumb in his mouth like a toddler. Raju captures Prem, arrests him, and puts him in the palace prison. Thakur Singh, who wants to be the actual heir, finds that Prem is his own son. Prem reveals to his father that he is not the real prince, but is sent by him. Thakur Singh reveals this to all, but he is not believed by anybody as he has no proof for his statement. Raju is moved by the motherly love of the queen and so he wants to leave the palace, unwilling to deceive and disappoint her, but stays on the compulsion of Neetu as she insists that Raj Mata is smiling only on his arrival. Raju swears to stay and find out the real prince. Meanwhile, the Queen finds out the truth and asks him to get out, but is shot by Thakur Singh and blames Raju for the shooting. Raju is arrested, but he escapes. Prem plans to kill Raju when he comes to the hospital to visit Rajmata. But Raju disguises himself as Dr. Muthuswamy, a man from Madras and donates the rare blood AB negative to the queen and saves her.
Raju finds out the real Prince Rajeshwar, who is under the custody of Prem and rescues him. Prem, his mother and Thakur Singh are arrested. The Queen finally re-unites with her son. She also unites Neetu with Raju as Neetu actually loves him.
Cast
[edit]- Rajesh Khanna as Raju Khan / Rajeshwar A. Singh / Johnny Fernandes
- Neetu Singh as Neetu
- Prem Chopra as Prem D. Singh
- Aruna Irani as Rani
- Kamini Kaushal as Mrs. Ajay Singh "Rani Maa"
- Manorama as Nirmala
- Anwar Hussain as Thakur Dilip Singh
- Krishan Dhawan as Diwanji
- Manmohan as Prem's goon (as Man Mohan)
- Rajan Haksar as Thakur Rajan Singh
- Lollypop as Chimpu (as Master Lollypop)
- Viju Khote as Prem's goon
- Rajpal
- Birbal
- Narbada Shankar
Music
[edit]All songs were penned by Anand Bakshi.
- "Hindu Hoon Main, Na Musalman Hoon" - Kishore Kumar
- "Main Tumse Pyar Karti Hoon" - Kishore Kumar, Lata Mangeshkar
- "Mera Naam Yaaron Maha Chor Hai" - Kishore Kumar
- "Mithi Mithi Ankhiyon Se Man Bhar De" - Kishore Kumar, Asha Bhosle
- "Sun Banto Baat Meri" - Asha Bhosle, Anand Bakshi
- "Tu Kya Mujhe Barbaad Karega" - Lata Mangeshkar
References
[edit]- ^ "RAJESH KHANNA: Film / Movie Information". www.citwf.com. Archived from the original on 13 August 2011.
External links
[edit]Maha Chor
View on GrokipediaOverview
Plot
Maha Chor centers on Raju, an orphaned thief residing in Bombay's Juhu colony, who engages in petty thefts from the affluent to support the financial needs of the local community, earning him their admiration and loyalty.[1] His life takes a dramatic turn when he encounters Neetu Singh, a young princess returning from studies abroad, who is abducted by henchmen en route to her family's palace in Raigadh.[1] Spotting her desperate attempt to escape her captors, Raju intervenes heroically, rescuing Neetu and forging an initial bond marked by gratitude and intrigue.[2] The plot escalates as the ruthless businessman Prem Singh, seeking to consolidate power over the Raigadh estate, discovers Raju's uncanny resemblance to the long-missing prince and coerces him into impersonating the heir to prevent Neetu's aunt, Rani Maa, from assuming control.[1] Thrust into the opulent palace life, Raju navigates a web of deception while developing a deep romance with Neetu, whose suspicions grow amid courtly intrigues and the covert search for the true prince, who remains imprisoned by Prem Singh's allies.[1] This dual existence—Raju's humble origins clashing with his princely facade, portrayed in a dual role that underscores themes of mistaken identity—fuels comedic and tense conflicts, including Raju's efforts to aid his colony from afar.[1] In the climax, mounting revelations expose the impersonation scheme, leading to intense confrontations with Prem Singh and his accomplices, culminating in the real prince's liberation and the triumph of justice.[1] The resolution affirms Raju and Neetu's love, resolving the identity crisis and emphasizing redemption, social equity, and the blurred lines between thief and noble.[2]Cast
The principal cast of Maha Chor features Rajesh Khanna in a dual role as Raju Khan, a street-smart master thief, and Rajeshwar A. Singh, the impersonated prince, with his performance highlighting comic timing and physicality that contributed to the film's action-comedy tone.[1] Neetu Singh portrays Neetu, the orphaned princess who evolves from a position of vulnerability to one of greater agency, adding emotional depth to the comedic escapades.[1] Supporting actors include Prem Chopra as Prem D. Singh, the scheming businessman whose antagonistic schemes drive the central conflicts and amplify the film's humorous confrontations.[1] Aruna Irani plays Rani, Kamini Kaushal appears as Neetu's aunt, while Manorama, Manmohan, Anwar Hussain, and Viju Khote fill antagonistic and comic roles that enhance the ensemble's blend of slapstick and intrigue.[3]| Actor | Role | Contribution to Tone |
|---|---|---|
| Rajesh Khanna | Raju Khan / Rajeshwar A. Singh | Dual role emphasizing comic timing and action sequences |
| Neetu Singh | Neetu | Portrays vulnerability turning to agency in comedic narrative |
| Prem Chopra | Prem D. Singh | Scheming antagonist fueling humorous rivalries |
| Aruna Irani | Rani | Supports comic and dramatic elements |
| Kamini Kaushal | Neetu's aunt | Adds familial tension with light-hearted undertones |
| Manorama | (Comic role) | Provides comic relief in ensemble scenes |
| Manmohan | (Supporting antagonist) | Contributes to action-comedy chases |
| Anwar Hussain | (Supporting role) | Enhances antagonistic dynamics |
| Viju Khote | (Comic antagonist) | Delivers signature humorous villainy |
Production
Development
The development of Maha Chor was spearheaded by Narendra Bedi, who served as both director and producer under Dachi Films, marking his second collaboration with Rajesh Khanna after their successful 1969 venture Bandhan, Bedi's directorial debut.[1] This partnership aimed to revive Khanna's romantic-hero persona in an action-comedy framework, capitalizing on his enduring popularity despite emerging competition from Amitabh Bachchan in the mid-1970s Bollywood landscape.[4] The screenplay was crafted by K.K. Shukla, with the story credited to Narendra Bedi and Dev Kishan, while Kader Khan provided the dialogue, infusing the narrative with quintessential masala elements that merged high-stakes theft, romantic entanglements, and palace intrigue to create a fast-paced, entertaining mix of genres.[3] Khan's contributions emphasized witty banter and comedic timing, aligning with his rising reputation as a dialogue writer in 1970s commercial cinema.[5] Thematically, the film drew inspiration from prevalent 1970s Bollywood tropes of underdog protagonists navigating class divides, portraying social commentary on wealth disparity through the lens of an orphaned thief who supports his impoverished community before infiltrating elite circles.[6] This approach reflected broader industry shifts toward socially resonant entertainers amid economic contrasts in post-Independence India.[7] Initiated as a low-to-mid-budget production in 1975 under Bedi's banner, Maha Chor was designed to leverage Khanna's superstar status for quick turnaround and broad appeal, ultimately ranking as the 18th highest-grossing Indian film of the year.[8] The selection of Khanna in the lead role was pivotal, tailoring the script to his charismatic portrayal of multifaceted heroes capable of blending vulnerability with bravado.[1]Filming
Principal photography for Maha Chor primarily occurred at Filmalaya Studio in Mumbai, Maharashtra, India, where sets for the royal palace intrigue scenes in Raigadh were constructed to capture the period aesthetics.[9] Urban sequences depicting the protagonist's life in a Bombay colony were filmed on location in the city. The cinematography employed dynamic camera work, such as tracking shots and quick pans, to heighten the energy in comedy and pursuit scenes, all captured in Eastmancolor for vibrant visuals that blended the film's masala elements.[10] Stunt doubles were used extensively for Rajesh Khanna's character in perilous sequences, ensuring safety during the physically demanding action.[11] Production faced logistical hurdles, particularly scheduling around Rajesh Khanna's busy schedule as a leading actor in multiple ongoing projects, which delayed some shoots but allowed for tight comedic timing integration with the palace sets. Filming wrapped in late 1975, prioritizing a seamless fusion of humor and historical grandeur before post-production began.Soundtrack
Composition
The soundtrack for Maha Chor was composed by Rahul Dev Burman (R.D. Burman), renowned for his versatility in crafting scores for 1970s masala films that seamlessly blended funk rhythms, folk elements, and romantic melodies to suit the era's action-comedy narratives. Burman was selected for the project due to his established successful collaboration with lead actor Rajesh Khanna, having previously delivered hit soundtracks for Khanna's films like Kati Patang (1970) and Amar Prem (1972), where his innovative arrangements amplified the star's romantic and playful persona.[12] The lyrics were penned by Anand Bakshi, a frequent collaborator with Burman and Khanna, who infused the songs with themes of unity and love, often incorporating secular messages to underscore the film's narrative of harmony amid chaos—for instance, in the track emphasizing human identity beyond religious divides.[13][14] Bakshi's words balanced lighthearted humor with emotional depth, aligning with the movie's blend of theft capers and romance. Recording sessions took place in Mumbai studios during the mid-1970s, where Burman, known as a studio perfectionist, directed playback singers including Kishore Kumar for upbeat comedic numbers and Lata Mangeshkar for melodic romantic pieces, emphasizing spontaneity and experimental sounds to capture the film's energetic tone.[15][14] A distinctive feature of Burman's approach was his integration of Western instruments, such as guitars and percussion, into Indian melodic frameworks, which heightened the playful energy of the protagonist's "thief" character through rhythmic fusion.[16][17]Track listing
The soundtrack of Maha Chor consists of six songs, all composed by R. D. Burman with lyrics by Anand Bakshi.[13] Playback singing is dominated by Kishore Kumar for tracks featuring Rajesh Khanna, aligning with his versatile and spirited vocal delivery that complements the actor's persona.[13] The songs blend romantic, philosophical, and action-oriented elements, with typical durations of 4 to 5 minutes each.[18]| No. | Title | Singer(s) | Duration | Notes |
|---|---|---|---|---|
| 1 | Main Tumse Pyar Karti Hoon | Lata Mangeshkar, Kishore Kumar | 4:42 | Romantic duet highlighting the central love interest.[19][13] |
| 2 | Hindu Hoon Main Na Musalman Hoon | Kishore Kumar | 5:05 | Philosophical track emphasizing human unity beyond religious divides.[20][13] |
| 3 | Tu Kya Mujhe Barbaad Karega | Lata Mangeshkar | 4:30 | Emotional solo expressing conflict and plea in a key interpersonal scene.[21][13] |
| 4 | Mera Naam Yaaron Maha Chor Hai | Kishore Kumar | 5:12 | Upbeat title song tied to the protagonist's adventurous identity, with chorus elements evoking chase sequences.[22][13] |
| 5 | Sun Banto Baat Meri | Asha Bhosle, Anand Bakshi | 5:34 | Lively conversational number advancing a subplot interaction.[23][13] |
| 6 | Meethi Meethi Ankhiyon Se | Asha Bhosle, Kishore Kumar | 4:20 | Playful duet underscoring flirtatious moments between characters.[24][13] |