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Merle Kilgore
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Key Information
Wyatt Merle Kilgore (August 9, 1934 – February 6, 2005)[1] was an American singer, songwriter, and manager. Born in Chickasha, Oklahoma, he was raised in Shreveport, Louisiana. At the time of his death, he was the personal manager of Hank Williams Jr.[2]
Early life
[edit]Although born in Chickasha, Oklahoma, United States, Kilgore was raised in Shreveport, Louisiana.[3] He was the son of Wyatt and Gladys B. (Clowers) Kilgore. As a boy of 14 he carried the guitar for Hank Williams at the Louisiana Hayride, beginning a close relationship with the Williams family that would last three generations. He attended school at C. E. Byrd High School and then Louisiana Tech University.[4]
Career
[edit]Kilgore became the principle guitarist on the Hayride at just 16 years old. At 18, he penned his first Number 1 and Million seller, More and More, recorded by Webb Pierce. He went on to a career as a country music recording artist but had great success as a songwriter, co-writing with June Carter the song "Ring of Fire",[3] first recorded by her sister Anita Carter and later by June's future husband, Johnny Cash (Kilgore was a distant cousin of the Carter sisters through their maternal grandmother, Margaret Kilgore Addington); June, later known as June Carter Cash, would record her own version of the song for her album Press On, released in 1999. He also co-wrote Claude King's big crossover hit, "Wolverton Mountain".[3] Amongst others, he also penned "Johnny Reb" for Johnny Horton and the Tommy Roe pop music hit, "The Folk Singer". In the early 1960s, he toured with Cash as part of his package show. He stood as Johnny Cash's best man at his wedding to June Carter.
Business and music interests
[edit]A resident of Paris, Tennessee, from 1986, he was also a prominent member of the business community. On April 7, 1986, he was named Executive Vice President and head of management of Hank Williams Jr. Enterprises.[3] In addition to managing Hank Williams Jr's career (along with that of Hank Jr's Bama Band), Kilgore managed a number of Artists from his Nashville office, including Robyn Young and Joe Sins.
Kilgore also had a number of successful business ventures and held numerous leadership positions. Kilgore's prominence in the country music community had grown through his involvement as Vice President of the Country Music Association, and he had served on the CMA board of directors. Also contributing to his success was his position as President of both the Nashville Songwriter's Foundation as well as the Nashville Songwriter's Association International. In 1987, he was named an honorary State Senator for Tennessee. In 1993, Kilgore was inducted into the Louisiana Hall of Fame in Lafayette, Louisiana, and into Shreveport's Byrd High School Hall of Fame.[5] In 1998, Kilgore received the Legendary Songwriters' Award from the North American County Music Association. He hosted and performed at NSAI's Tin Pan South Legendary Songwriter's Acoustic Concert and was presented an award honoring him as "one of the world's outstanding songwriters." Kilgore had also served two terms as President of ROPE, International (Reunion of Professional Entertainers, Int.).
Organizations and honors
[edit]Kilgore was a long-time member of the Academy of Country Music and an active member of the Screen Actors Guild. As well as belonging to the NSAI and the American Federation of Musicians, he served as a board member for several organizations including the Hank Williams Museum in Montgomery, Alabama, the Texas Country Music Hall of Fame and the Tex Ritter Museum, both in Carthage, Texas. He also directed the operations of two offices, Hank Williams Jr. Enterprises in Paris, Tennessee and Merle Kilgore Management in Nashville, where he managed several other artists. In 1998, Kilgore was inducted into the Nashville Songwriters Hall of Fame. In 2004, Kilgore was inducted into the Oklahoma Music Hall of Fame.
Death
[edit]On February 6, 2005, Merle Kilgore died from heart failure while in a Mexican hospital undergoing experimental treatments for lung cancer,[1] and was interred in Hendersonville Memory Gardens in Hendersonville, Tennessee. Kilgore was survived by his wife, Judy, three daughters, two sons, eight grandchildren and a great granddaughter.[2]
Singles
[edit]| Year | Single | US Country |
|---|---|---|
| 1960 | "Dear Mama" | 6 |
| "Love Has Made You Beautiful" | 10 | |
| "Getting Old Before My Time" | 29 | |
| 1962 | "A Girl Named Liz" / "Trouble at the Tower"[6] |
|
| 1967 | "Fast Talking Louisiana Man" | 71 |
| 1974 | "Montgomery Mable" | 95 |
| 1982 | "Mister Garfield" | 54 |
| 1984 | "Just Out of Reach" | 74 |
| 1985 | "Guilty" | 92 |
References
[edit]- ^ a b "Obituary: Merle Kilgore". The Guardian. February 9, 2005. Retrieved August 7, 2021.
- ^ a b "Country Legend Merle Kilgore Dies." Billboard. February 7, 2005 Accessed June 2, 2016
- ^ a b c d Colin Larkin, ed. (1993). The Guinness Who's Who of Country Music (First ed.). Guinness Publishing. pp. 218/9. ISBN 0-85112-726-6.
- ^ "Nashville Songwriters Foundation". Nashville Songwriters Foundation. August 9, 1934. Archived from the original on July 17, 2014. Retrieved July 15, 2014.
- ^ "Hall of Fame". Byrdhighalumni.org. Archived from the original on February 2, 2014. Retrieved July 15, 2014.
- ^ "Spotlight Singles of the Week". Billboard. Nielsen Business Media, Inc. April 28, 1962. p. 31. ISSN 0006-2510. Retrieved March 21, 2025.
External links
[edit]
Merle Kilgore
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Early Life
Birth and Upbringing
Merle Kilgore was born Wyatt Merle Kilgore on August 9, 1934, in Chickasha, Oklahoma, to parents Wyatt Kilgore and Gladys Bell Kilgore.[1] As a child, his family relocated to Shreveport, Louisiana, settling in the northwest region of the state.[1] Shreveport, an emerging oil and industrial hub, was shaped by economic recovery efforts through New Deal programs, including infrastructure projects.[5] Kilgore's childhood unfolded amid the socioeconomic challenges of the American South, marked by the lingering effects of the Great Depression transitioning into the wartime mobilization of World War II, which brought industrial growth to Shreveport through factories producing war materials.[5][6] During this period, he developed early interests in entertainment, particularly through exposure to local radio broadcasts that filled the airwaves with stories and sounds of the era.[2]Introduction to Music
Merle Kilgore, born in Chickasha, Oklahoma, but raised in Shreveport, Louisiana, developed an early interest in music during his youth in the vibrant local scene. He attended C. E. Byrd High School in Shreveport, where he graduated in 1952, and briefly studied at Louisiana Tech University in Ruston before fully committing to his musical pursuits.[7][1][8] Kilgore's introduction to the professional music world came at age 14 in 1948, when he served as a guitar carrier for Hank Williams Sr. during performances on the Louisiana Hayride radio show in Shreveport. This role provided him with close exposure to country music legends and ignited his passion for the industry. By age 16 in 1950, Kilgore had advanced significantly, joining the Louisiana Hayride as the principal accompanying guitarist, a position that honed his skills and connected him with emerging talents in the field.[9][1][10] Following his high school graduation, Kilgore received his first songwriting credit in 1952 for "More and More," co-written with Webb Pierce, which became a major hit for Pierce in 1954, topping the country charts for ten weeks and selling over a million copies. Around the same time, Kilgore began his own recording career, signing with Imperial Records in 1953 and releasing early singles such as "Trouble at the Tower" in 1954, which reflected his initial forays into hillbilly and rockabilly styles but achieved only modest success before his later breakthroughs. These formative steps laid the groundwork for his transition into a full-fledged career in country music.[1][8][11]Career
Songwriting Achievements
Merle Kilgore began his songwriting career at a young age, penning his first major hit, "More and More," at just 18 years old in 1954; the song, co-written with Webb Pierce, became a #1 country hit for Pierce, topping the charts for 10 weeks and selling over a million copies.[1][3] Over the course of his career, Kilgore composed or co-composed more than 330 songs, many of which became staples in country and pop music, earning him recognition as one of Nashville's prolific talents.[1] In 1959, Kilgore wrote "Johnny Reb," which Johnny Horton recorded and took to #14 on the Billboard Hot 100 and #10 on the country charts, contributing to its status as one of Horton's signature tracks and a million-seller.[1][2] His collaboration with Claude King produced "Wolverton Mountain" in 1962, a #1 country hit that also reached #6 on the Billboard Hot 100, selling over a million copies and exemplifying Kilgore's knack for crafting narrative-driven songs about rural life.[3][1] Kilgore's songwriting reached a commercial pinnacle in 1963 with "Ring of Fire," co-written with June Carter; Johnny Cash's recording topped the country charts for seven weeks, crossed over to #17 on the Hot 100, and became one of Cash's most enduring hits, later certified gold.[3] That same year, he penned "The Folk Singer" for Tommy Roe, which peaked at #4 on the UK Singles Chart, marking Kilgore's foray into pop success beyond country audiences.[12] His close professional ties with Cash and Carter extended personally, as Kilgore served as best man at their 1968 wedding in Franklin, Kentucky.[13]Recording and Performing
Merle Kilgore began his recording career in earnest in the late 1950s, signing with Starday Records and releasing his debut single "Dear Mama" in 1960, which became a Top 10 hit on the country charts.[1] That same year, he followed with "Love Has Made You Beautiful," another Top 10 country success that showcased his warm baritone and storytelling style in country music.[14] These early hits established Kilgore as a capable performer, though his recording output remained modest compared to his songwriting endeavors, with subsequent singles like "Getting Old Before My Time" achieving moderate chart placement later in the decade.[15] Throughout the 1950s and 1960s, Kilgore toured extensively as part of Johnny Cash's package shows, joining the road show in 1962 and contributing to high-energy performances that highlighted his role as a reliable opener.[1] His live appearances during this period included notable venues such as the Grand Ole Opry in 1960 and Carnegie Hall in 1962, where his engaging stage presence—marked by a booming voice, humorous anecdotes, and a flamboyant persona complete with gaudy rings and a pearl-colored Cadillac—earned him a reputation as an entertaining supporting act.[3] Kilgore's performances often blended heartfelt ballads with upbeat numbers, fostering a camaraderie with audiences that complemented Cash's headline sets.[14] In the later decades of his career, Kilgore shifted to more occasional recordings while maintaining a strong focus on live work, releasing the single "Mister Garfield" in 1982, which featured guest appearances by Hank Williams Jr. and Johnny Cash and peaked in the mid-50s on the country charts.[14] By the mid-1960s, he had transitioned into a long-term role as opening act for Hank Williams Jr., serving in that capacity for over twenty years and building a lasting professional bond that emphasized his reliable, crowd-warming delivery on stage.[1] This phase of his performing career solidified Kilgore's status as a seasoned road warrior in country music, known for his ability to energize crowds before major headliners.[16]Acting Roles
Merle Kilgore was a longtime member of the Screen Actors Guild, reflecting his involvement in the entertainment industry beyond music.[2] His acting appearances were sporadic but notable, often leveraging his persona as a country music figure in films and television. In the comedy Roadie (1980), Kilgore portrayed himself as part of the film's ensemble of real-life musicians, contributing to the movie's depiction of the rock 'n' roll touring scene alongside cameos from artists like Roy Orbison and Hank Williams Jr.[17] This appearance highlighted his authentic ties to the music world, including his professional relationship with Williams Jr., whom he later managed. Kilgore appeared as himself in the 1975 film Nashville, directed by Robert Altman, and in Coal Miner's Daughter (1980), a biopic about Loretta Lynn.[2] He again played himself in the television biopic Living Proof: The Hank Williams Jr. Story (1983), an NBC production that chronicled the life of his longtime associate, emphasizing his role as a key figure in Williams Jr.'s career.[18] Following his death in 2005, Kilgore's songwriting legacy extended to posthumous film uses, such as his co-composition of "Ring of Fire" (with June Carter Cash) featured in the soundtrack of the superhero film Man of Steel (2013).[19]Business Ventures
Management Roles
In 1986, Merle Kilgore was appointed Executive Vice President and head of management for Hank Williams Jr. Enterprises, marking a significant shift toward executive leadership in the country music industry.[2][20] This role built on his earlier associations with the Williams family, including his time as general manager of Hank Williams Jr.'s publishing companies since 1969 and his position as a longtime opening act and advisor during the artist's tours for over two decades.[1][16] As manager, Kilgore played a key part in expanding Hank Williams Jr.'s audience, notably by facilitating the artist's theme song for ABC's Monday Night Football and later collaborations with artists like Kid Rock.[3][21] Kilgore's management portfolio extended beyond Hank Williams Jr. to include the artist's backing group, the Bama Band, as well as other talents through his Nashville-based Merle Kilgore Management firm.[7] By the late 1990s and early 2000s, his roster featured artists such as Robyn Young and Joe Sins, whom he guided in their career development.[22] These efforts solidified his reputation as a behind-the-scenes influencer, leveraging his deep industry connections to nurture talent in the competitive country music scene. To focus on these responsibilities, Kilgore relocated to Paris, Tennessee, in 1986, establishing the local operations of Hank Williams Jr. Enterprises while maintaining an office in Nashville for broader management activities.[7] This move allowed him to immerse himself in executive duties, advising on artistic direction and business strategy until his later years.[2]Other Professional Interests
In addition to his primary roles in songwriting and artist management, Kilgore engaged in music publishing by starting his career at Shapiro-Bernstein Music in 1961, where he handled administrative duties related to song rights and licensing.[2] He later advanced to general manager of Hank Williams Jr.'s music publishing companies in 1969, overseeing the administration and promotion of song catalogs to ensure proper royalties and usage rights for country music compositions.[23] Kilgore held board positions at key institutions dedicated to preserving country music heritage, including the Hank Williams Museum in Montgomery, Alabama, and the Tex Ritter Museum in Carthage, Texas, where he contributed to governance and operational decisions supporting exhibits and educational programs.[20] Through his business enterprises, Kilgore promoted country music in Nashville and broader Tennessee by directing Merle Kilgore Management, which facilitated artist development and industry networking in the Nashville scene.[20] He also oversaw Hank Williams Jr. Enterprises in Paris, Tennessee, a local operation that supported music-related activities and community engagement tied to country traditions.[24] These ventures extended his influence beyond performance, fostering growth in the regional country music ecosystem through administrative and promotional efforts.[20]Honors and Recognition
Awards and Inductions
Merle Kilgore received numerous accolades throughout his career, recognizing his contributions as a songwriter, performer, and music industry figure. In 1987, the Tennessee General Assembly named him an honorary State Senator in acknowledgment of his significant impact on the state's music community.[25] In 1990, Kilgore was named the Country Music Association's first Manager of the Year.[2] In 1993, Kilgore was inducted into the Louisiana Music Hall of Fame in Lafayette, Louisiana, honoring his roots and early career ties to the region, and simultaneously into the C. E. Byrd High School Hall of Fame in Shreveport for his achievements as an alumnus. These inductions highlighted his formative years in Louisiana, where he began performing and songwriting as a teenager. That same year, he was also recognized by the Louisiana Hayride for his historical association with the program, further cementing his legacy in Southern country music.[26] In 1998, Kilgore's songwriting prowess earned him the prestigious Legendary Songwriters Award from the North American Country Music Association International, coinciding with his induction into the Nashville Songwriters Hall of Fame, where he was celebrated for hits like "Ring of Fire" and "More and More." In 1998, he was also inducted into the North American Country Music Association International Hall of Fame.[3] He also received honors from the Academy of Country Music for his songwriting contributions, reflecting his influence on the genre's standards.[23] Later in his career, Kilgore was inducted into the Oklahoma Music Hall of Fame in 2004, acknowledging his birth in Chickasha, Oklahoma, and lifelong dedication to country music.[1] This honor, received just months before his death, underscored his broad regional impact.Organizational Involvement
Merle Kilgore played a significant leadership role in the Country Music Association (CMA), serving as its vice president and as a member of its Board of Directors beginning in 1989.[2][20] His involvement with the CMA extended to broader industry advocacy, where he contributed to initiatives promoting country music's growth and professionalism.[27] Kilgore also held presidencies in key songwriting organizations, leading the Nashville Songwriters Association International (NSAI) and the Nashville Songwriters Foundation.[2][20] As president of the NSAI, he supported emerging songwriters through educational programs and events, including hosting the 2001 Tin Pan South Legendary Songwriters Acoustic Concert.[20] In his role at the Nashville Songwriters Foundation, Kilgore focused on preserving songwriting heritage and fostering creative development within the Nashville community.[18] He maintained longstanding memberships in several professional guilds, including the Academy of Country Music, where he was a long-time member contributing to its mission of advancing the genre.[20] Kilgore was also an active member of the Screen Actors Guild, reflecting his work in film and television.[20] Additionally, he belonged to the American Federation of Musicians, as evidenced by his signed union contract, underscoring his commitments as a performer and recording artist.[28] Kilgore extended his service to music preservation efforts through board positions on organizations such as the Hank Williams Museum in Georgiana, Alabama, and the Tex Ritter Museum in Carthage, Texas, where he helped safeguard country music artifacts and history.[20] These roles highlighted his dedication to honoring the legacies of country music pioneers and supporting institutional efforts to document the genre's evolution.[1]Personal Life and Death
Family and Later Residence
Merle Kilgore was married to his wife, Judy, with whom he shared a long partnership until his death.[29][2] The couple had five children: sons Steve and Duane Kilgore, and daughters Pam Compton, Kim Pomeroy, and Shane McBee.[29][2] At the time of his passing, Kilgore was also grandfather to eight grandchildren and one great-granddaughter.[29][2][21] In 1986, Kilgore relocated from Nashville to Paris, Tennessee, as part of the broader move of Hank Williams Jr.'s business operations from Alabama, where he continued his professional responsibilities as executive vice president and head of management.[2] This shift allowed him to maintain his career commitments while establishing a presence in the local business community of the smaller town.[2]Illness and Death
In late 2004, Merle Kilgore was diagnosed with lung cancer.[29][30] Seeking alternative options, Kilgore traveled to Mexico in early 2005 to undergo experimental treatments for the disease.[27][15][31] On February 6, 2005, Kilgore died of congestive heart failure at age 70 while receiving care in a Mexican hospital; the complication arose in connection with his ongoing cancer treatment.[2][13][21] A funeral service was held on February 15, 2005, at Nashville's Ryman Auditorium, followed by burial at Hendersonville Memory Gardens in Hendersonville, Tennessee.[2] Kilgore was survived by his wife, Judy; sons Steve and Duane Kilgore; daughters Pam Compton, Kim Pomeroy, and Shane McBee; eight grandchildren; and one great-granddaughter.[2][21]Discography
Albums
Merle Kilgore released a modest number of studio albums during his career, primarily in the country genre, with later posthumous compilations highlighting his contributions. His discography reflects the rockabilly-infused country sound of the 1950s and 1960s, often incorporating storytelling elements drawn from his Southern roots and experiences. These works showcase his skills as both a performer and songwriter, blending upbeat narratives with heartfelt ballads.[32] Kilgore's debut album, There's Gold In Them Thar Hills, was issued by Starday Records in 1963. This early country release featured a collection of original material, including tracks like "Baby Rocked Her Dolly" and "Pinball Machine," emphasizing lively, narrative-driven songs that captured the era's honky-tonk style. The album marked Kilgore's transition from singles to full-length recordings, highlighting his versatile voice and songwriting prowess.[32][33] In 1966, Wing Records released The Tall Texan, Kilgore's second studio album, which included several self-written songs such as "Wicked City" and "The Love Bug." Produced during a period of growing popularity for his live performances, the album leaned into a mix of country and emerging rockabilly influences, with themes of romance and mischief central to its tracklist. It solidified Kilgore's reputation as a charismatic Texan storyteller in the music scene.[33] Posthumous compilations have since preserved Kilgore's legacy. Teenager's Holiday, a 1991 reissue by Bear Family Records (BCD 15544), compiles early recordings from his Imperial label era (1954–1959), featuring tracks like "Ride Jesse Ride" and "Teenager's Holiday" that evoke youthful energy and rockabilly flair. This collection provides context for his formative years, blending country with rhythmic, danceable elements.[34][35] Another notable posthumous release is Merle Kilgore - His Very Best (2008), a four-track EP that includes re-recorded versions of classics such as "Love Has Made You Beautiful" and "42 In Chicago." Issued after Kilgore's death in 2005, it offers a curated snapshot of his enduring appeal, focusing on sentimental and upbeat selections that underscore his storytelling through country music.[36][37]| Album Title | Label | Release Year | Type | Key Themes |
|---|---|---|---|---|
| There's Gold In Them Thar Hills | Starday (SLP-251) | 1963 | Studio | Original country narratives, honky-tonk |
| The Tall Texan | Wing (MGW-12316) | 1966 | Studio | Self-written rockabilly-country blends |
| Teenager's Holiday | Bear Family (BCD 15544) | 1991 | Compilation (reissue) | Early rockabilly youth anthems |
| Merle Kilgore - His Very Best | (Various, digital/EP) | 2008 | Posthumous compilation | Sentimental storytelling selections |
Singles
Merle Kilgore issued several singles across multiple labels during his recording career, with his most notable chart success occurring in 1960 on the Billboard Hot Country Singles chart. These releases showcased his baritone voice and songwriting talents in traditional country styles, often addressing themes of family, aging, and Southern life. Later singles appeared sporadically, reflecting his shifting focus toward songwriting and management, though they still garnered some airplay.| Year | Title | Label (Catalog) | Peak Chart Position (Country) |
|---|---|---|---|
| 1960 | "Dear Mama" | Starday (469) | #6 [] (https://www.countrythangdaily.com/merle-kilgore/) |
| 1960 | "Love Has Made You Beautiful" | Starday (497) | #10 [] (https://www.billboard.com/charts/country-songs/1960-08-29/) |
| 1960 | "Getting Old Before My Time" | Starday (497) | #29 [] (https://www.musicvf.com/Merle%2BKilgore.songs) |
| 1962 | "A Girl Named Liz" b/w "Trouble at the Tower" | Mercury (71978) | Non-charting [] (https://www.discogs.com/release/7756445-Merle-Kilgore-Jimmie-Bring-Sunshine-Dear-Mama) |
| 1967 | "Fast Talking Louisiana Man" | Columbia (4-44279) | #71 [] (https://www.musicvf.com/Merle%2BKilgore.songs) |
| 1982 | "Mister Garfield" | Elektra (7-69895) | #54 [] (https://www.45cat.com/biography/merle-kilgore) |
| 1985 | "Guilty" | Warner Bros. (7-29062) | #92 [] (https://www.musicvf.com/Merle%2BKilgore.songs) |