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Millie Small
Millicent Dolly May Small CD (6 October 1947 – 5 May 2020) was a Jamaican singer who is best known for her international hit "My Boy Lollipop" (1964). The song reached number two in both the UK and US charts and sold over seven million copies worldwide. It was also the first major hit for Island Records and helped to achieve the label its mainstream success. She was the Caribbean's first international recording star and its most successful female performer.
Millicent Dolly May Small was born on 6 October 1947 in Clarendon, Jamaica, the daughter of a sugar plantation overseer. She was one of 13 siblings, with seven brothers and five sisters. Like many Jamaican singers of the era, her career began by winning the Vere Johns Opportunity Hour talent contest at the age of twelve. Wishing to pursue a career as a singer, she moved to live with relatives in Love Lane in Kingston. She auditioned for Studio One record producer Coxsone Dodd, who was struck by the similarity of her voice to that of Shirley Goodman of the American duo Shirley and Lee. He paired her with singer Owen Gray, and they made several records together, including "Sugar Plum", which became a local hit.
When Gray resumed his solo career, Small began recording with another singer, Samuel Augustus "Roy" Panton. Working with producer Roy Robinson, the duo of Roy & Millie had a run of local hits, including "We'll Meet". They had further successes working with Dodd, as well with producer Lindon Pottinger, including the local hit "Marie" in 1963; and then with Prince Buster. Her popularity brought her to the attention of Anglo-Jamaican entrepreneur Chris Blackwell, who was convinced of her wider international potential, and became her manager and legal guardian. In late 1963 he took her to Forest Hill, London, where she was given intensive training in dancing and diction.
Her first recording in London, "Don't You Know", made little impact when released by Fontana Records in late 1963, but for her next recording Blackwell recruited guitarist and arranger Ernest Ranglin to oversee the session. Ranglin and his musicians adopted the newly-popular ska style, and his rearrangement of "My Boy Lollipop", a song originally released in the US by teenager Barbie Gaye in late 1956, became immediately successful. Released in March 1964, Small's version (on which she was credited simply as "Millie") was a massive hit. She appeared on British TV shows including Top of the Pops, and the single reached number two in the UK Singles Chart, in the US Billboard Hot 100, and in Canada. It also topped the chart in Australia. Initially it sold over 600,000 copies in the United Kingdom. Including singles sales, album usage, and compilation inclusions, the song has since sold more than seven million copies worldwide and made Small an international star at the age of 17.
"My Boy Lollipop" was doubly significant in British pop history. It was the first major hit for Island Records (although it was actually released on the Fontana label because Chris Blackwell, Island's owner, did not want to overextend its then-meagre resources; in the US, the record appeared on the Smash Records subsidiary of Mercury Records). Small was the first artist to have a hit that was recorded in the bluebeat style, a music genre that was a direct ancestor of reggae. She was billed as "The Blue Beat Girl" on the single's label in the US.
She toured in Britain and appeared frequently on British television, before collapsing from exhaustion and food poisoning; she was also involved in a traffic accident. Although her next single, "Sweet William", was less successful, reaching number 30 in the UK, number 40 in the US, and number 22 in Canada, she had become an international celebrity. She was given a gold disc in New York, and was driven in an open-top car on her return to Kingston where she performed in several major shows, on one occasion topping the bill over Otis Redding, Patti LaBelle, and Inez and Charlie Foxx. She also performed in a Ska Spectacular show at the 1964 New York World's Fair.
Her first album, More Millie, contained a varied selection of songs arranged by Ranglin. In the US it was issued as My Boy Lollipop, with a slightly different selection of tracks. Her early Jamaican recordings were also reissued to take advantage of her popularity. She appeared on the 1964 Beatles TV special Around the Beatles. On 28 December 1964 she also appeared in ITV's Play of the Week episode "The Rise and Fall of Nellie Brown", playing the role of Selina Brown. The play features a number of songs composed by Dolores Claman and performed by Small.
In early 1965, she featured in a Ready, Steady, Go! special, Millie in Jamaica, and soon afterwards she embarked on a world tour, with concerts in New Zealand, Australia, Hong Kong, Singapore, Japan, the US, Brazil and Argentina. On 6 March 1965, Small appeared on the Australian television programme Bandstand. This was as part of a concert at the Sidney Myer Music Bowl in Kings Domain, Melbourne, part of the Moomba Festival. She performed "My Boy Lollipop", "What Am I Living For", and "See You Later, Alligator".
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Millie Small
Millicent Dolly May Small CD (6 October 1947 – 5 May 2020) was a Jamaican singer who is best known for her international hit "My Boy Lollipop" (1964). The song reached number two in both the UK and US charts and sold over seven million copies worldwide. It was also the first major hit for Island Records and helped to achieve the label its mainstream success. She was the Caribbean's first international recording star and its most successful female performer.
Millicent Dolly May Small was born on 6 October 1947 in Clarendon, Jamaica, the daughter of a sugar plantation overseer. She was one of 13 siblings, with seven brothers and five sisters. Like many Jamaican singers of the era, her career began by winning the Vere Johns Opportunity Hour talent contest at the age of twelve. Wishing to pursue a career as a singer, she moved to live with relatives in Love Lane in Kingston. She auditioned for Studio One record producer Coxsone Dodd, who was struck by the similarity of her voice to that of Shirley Goodman of the American duo Shirley and Lee. He paired her with singer Owen Gray, and they made several records together, including "Sugar Plum", which became a local hit.
When Gray resumed his solo career, Small began recording with another singer, Samuel Augustus "Roy" Panton. Working with producer Roy Robinson, the duo of Roy & Millie had a run of local hits, including "We'll Meet". They had further successes working with Dodd, as well with producer Lindon Pottinger, including the local hit "Marie" in 1963; and then with Prince Buster. Her popularity brought her to the attention of Anglo-Jamaican entrepreneur Chris Blackwell, who was convinced of her wider international potential, and became her manager and legal guardian. In late 1963 he took her to Forest Hill, London, where she was given intensive training in dancing and diction.
Her first recording in London, "Don't You Know", made little impact when released by Fontana Records in late 1963, but for her next recording Blackwell recruited guitarist and arranger Ernest Ranglin to oversee the session. Ranglin and his musicians adopted the newly-popular ska style, and his rearrangement of "My Boy Lollipop", a song originally released in the US by teenager Barbie Gaye in late 1956, became immediately successful. Released in March 1964, Small's version (on which she was credited simply as "Millie") was a massive hit. She appeared on British TV shows including Top of the Pops, and the single reached number two in the UK Singles Chart, in the US Billboard Hot 100, and in Canada. It also topped the chart in Australia. Initially it sold over 600,000 copies in the United Kingdom. Including singles sales, album usage, and compilation inclusions, the song has since sold more than seven million copies worldwide and made Small an international star at the age of 17.
"My Boy Lollipop" was doubly significant in British pop history. It was the first major hit for Island Records (although it was actually released on the Fontana label because Chris Blackwell, Island's owner, did not want to overextend its then-meagre resources; in the US, the record appeared on the Smash Records subsidiary of Mercury Records). Small was the first artist to have a hit that was recorded in the bluebeat style, a music genre that was a direct ancestor of reggae. She was billed as "The Blue Beat Girl" on the single's label in the US.
She toured in Britain and appeared frequently on British television, before collapsing from exhaustion and food poisoning; she was also involved in a traffic accident. Although her next single, "Sweet William", was less successful, reaching number 30 in the UK, number 40 in the US, and number 22 in Canada, she had become an international celebrity. She was given a gold disc in New York, and was driven in an open-top car on her return to Kingston where she performed in several major shows, on one occasion topping the bill over Otis Redding, Patti LaBelle, and Inez and Charlie Foxx. She also performed in a Ska Spectacular show at the 1964 New York World's Fair.
Her first album, More Millie, contained a varied selection of songs arranged by Ranglin. In the US it was issued as My Boy Lollipop, with a slightly different selection of tracks. Her early Jamaican recordings were also reissued to take advantage of her popularity. She appeared on the 1964 Beatles TV special Around the Beatles. On 28 December 1964 she also appeared in ITV's Play of the Week episode "The Rise and Fall of Nellie Brown", playing the role of Selina Brown. The play features a number of songs composed by Dolores Claman and performed by Small.
In early 1965, she featured in a Ready, Steady, Go! special, Millie in Jamaica, and soon afterwards she embarked on a world tour, with concerts in New Zealand, Australia, Hong Kong, Singapore, Japan, the US, Brazil and Argentina. On 6 March 1965, Small appeared on the Australian television programme Bandstand. This was as part of a concert at the Sidney Myer Music Bowl in Kings Domain, Melbourne, part of the Moomba Festival. She performed "My Boy Lollipop", "What Am I Living For", and "See You Later, Alligator".