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Montagu Slater
Charles Montagu Slater (23 September 1902 – 19 December 1956) was an English poet, novelist, playwright, journalist, critic and librettist.
One of five children, Slater was born in the small mining port of Millom, Cumberland facing Lancashire across the estuary of Duddon sands. His father Seth Slater, a Wesleyan lay preacher, was a tailor and ran the town's post office. Both Montagu and his closest sister Rosa won scholarships to universities from the local school. He attended Magdalen College, Oxford and the University College London. Upon graduation, he became a reporter for the Liverpool Post.
At Millom and Liverpool, Slater wrote verse which he valued, often linking northern port-life to classical legend and philosophy. Much survives although little has yet been published. An activist, he joined the Communist Party in 1927, leaving Liverpool to join The Morning Post in London in 1928. In 1934 he gave up most of his journalism to found the Left Review, becoming its editor while publishing literary criticism, plays, poems, short stories, and film scripts, often using the pseudonym 'Ajax'.
Always interested in theatre, Slater wrote introductions to editions of the melodramas about two infamous murder cases, the Red Barn murder of Maria Marten and the excesses of Sweeney Todd, the barber, in 1928 and 1933. In this period he also worked with Benjamin Britten, who composed some incidental music for three of his plays. These included Easter 1916, a play covering the 1913 lock-out and the 1916 Rising, staged by the Unity Theatre, London in 1935. In 1935, he wrote an uncredited script for Coal Face, a short documentary film, and the following year his pamphlet, Stay down, miner, was published.
In 1937, the left-wing Unity Theatre produced a highly successful play "Busmen" based on the strike which chronicled the struggle for speed up and pay cuts to its defeat in 1937, written by Herbert Hodge a London taxi driver and Montagu Slater, with Alan Bush providing the music. It utilised a "living newspaper form" with cinematic cutting, developed with the Federal Theatre project in the USA. Other plays of this period include David and Touch and Go.
Slater was also involved in staging large pageants, including one in 1938 at Wembley Stadium. For this, he wrote a scenario with André van Gyseghem for composer Alan Bush's Pageant of Co-operation. He was one of a group of Communist intellectuals who came together to celebrate the 100th anniversary of the publication of the Communist Manifesto in 1948 with a pageant held at the Royal Albert Hall on 30 March 1948. Music and arrangements by composers including Rutland Boughton, Christian Darnton, Inglis Gundry, Phillip Cardew, Malcolm Arnold, Aubrey Bowman, and Bernard Stevens. Alan Bush arranged music for the Finale comprising 'The Red Flag' and 'The Internationale'. Slater scripted the entire event.
In 1942, Benjamin Britten chose Slater as librettist for his opera Peter Grimes, which was based on "Letter XXII: Peter Grimes" in George Crabbe's poem The Borough. For the libretto, Slater eschewed the traditional five-stress line form of English rhyming or blank verse in favour of a more modern and conversational four-stress line with rhyming couplets. He argued that contemporary listeners were accustomed to assonance and consonantal rhyme, but it could also be argued that this form of 'rough' rhyme was common in early English drama and that Slater was restoring it to the stage, rather than inventing something new.
Slater's original libretto, which he published himself (to the annoyance of Britten and Peter Pears, who had made a number of amendments to it before the opera was staged), is cast in three acts. It omits the repetitions necessary in the actual opera. Anthony Burgess, writing in The Listener in 1964, stated:
Montagu Slater
Charles Montagu Slater (23 September 1902 – 19 December 1956) was an English poet, novelist, playwright, journalist, critic and librettist.
One of five children, Slater was born in the small mining port of Millom, Cumberland facing Lancashire across the estuary of Duddon sands. His father Seth Slater, a Wesleyan lay preacher, was a tailor and ran the town's post office. Both Montagu and his closest sister Rosa won scholarships to universities from the local school. He attended Magdalen College, Oxford and the University College London. Upon graduation, he became a reporter for the Liverpool Post.
At Millom and Liverpool, Slater wrote verse which he valued, often linking northern port-life to classical legend and philosophy. Much survives although little has yet been published. An activist, he joined the Communist Party in 1927, leaving Liverpool to join The Morning Post in London in 1928. In 1934 he gave up most of his journalism to found the Left Review, becoming its editor while publishing literary criticism, plays, poems, short stories, and film scripts, often using the pseudonym 'Ajax'.
Always interested in theatre, Slater wrote introductions to editions of the melodramas about two infamous murder cases, the Red Barn murder of Maria Marten and the excesses of Sweeney Todd, the barber, in 1928 and 1933. In this period he also worked with Benjamin Britten, who composed some incidental music for three of his plays. These included Easter 1916, a play covering the 1913 lock-out and the 1916 Rising, staged by the Unity Theatre, London in 1935. In 1935, he wrote an uncredited script for Coal Face, a short documentary film, and the following year his pamphlet, Stay down, miner, was published.
In 1937, the left-wing Unity Theatre produced a highly successful play "Busmen" based on the strike which chronicled the struggle for speed up and pay cuts to its defeat in 1937, written by Herbert Hodge a London taxi driver and Montagu Slater, with Alan Bush providing the music. It utilised a "living newspaper form" with cinematic cutting, developed with the Federal Theatre project in the USA. Other plays of this period include David and Touch and Go.
Slater was also involved in staging large pageants, including one in 1938 at Wembley Stadium. For this, he wrote a scenario with André van Gyseghem for composer Alan Bush's Pageant of Co-operation. He was one of a group of Communist intellectuals who came together to celebrate the 100th anniversary of the publication of the Communist Manifesto in 1948 with a pageant held at the Royal Albert Hall on 30 March 1948. Music and arrangements by composers including Rutland Boughton, Christian Darnton, Inglis Gundry, Phillip Cardew, Malcolm Arnold, Aubrey Bowman, and Bernard Stevens. Alan Bush arranged music for the Finale comprising 'The Red Flag' and 'The Internationale'. Slater scripted the entire event.
In 1942, Benjamin Britten chose Slater as librettist for his opera Peter Grimes, which was based on "Letter XXII: Peter Grimes" in George Crabbe's poem The Borough. For the libretto, Slater eschewed the traditional five-stress line form of English rhyming or blank verse in favour of a more modern and conversational four-stress line with rhyming couplets. He argued that contemporary listeners were accustomed to assonance and consonantal rhyme, but it could also be argued that this form of 'rough' rhyme was common in early English drama and that Slater was restoring it to the stage, rather than inventing something new.
Slater's original libretto, which he published himself (to the annoyance of Britten and Peter Pears, who had made a number of amendments to it before the opera was staged), is cast in three acts. It omits the repetitions necessary in the actual opera. Anthony Burgess, writing in The Listener in 1964, stated: