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Neil Hagerty
Neil Hagerty
Neil Hagerty
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Neil Michael Hagerty (born 1965) is an American musician, singer-songwriter and record producer. He is best known for his work in Royal Trux which he formed with his partner Jennifer Herrema, with whom he lived in Washington, Virginia.[1][2]

Hagerty released several solo albums since Royal Trux's demise in 2001, followed by recordings under the moniker The Howling Hex. He also performed as a guitarist and songwriter in Pussy Galore and Weird War.[3] Hagerty is the author of two books, Victory Chimp (1997), a science fiction novel,[4] and Public Works (2005), a collection of short essays.

On 14 April 2023 Hagerty was arrested in Denver, Colorado after allegedly assaulting three police officers who had been called to the scene for a welfare check.[5] Later that month, he was charged with three felonies — one count of second-degree assault against a police officer and two counts of attempting to disarm a peace officer — as well as two misdemeanor counts of resisting arrest in relation to the incident.[6]

On 13 March 2024 charges against Hagerty were dismissed.[7][8]

Discography

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References

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Neil Hagerty

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Neil Michael Hagerty (born 1965) is an American musician, singer-songwriter, and guitarist renowned for his pioneering contributions to and , particularly as co-founder of the influential band alongside Jennifer Herrema. Born in , , Hagerty emerged in the 1980s , punk scene, where his raw, subversive guitar style and experimental approach helped define alternative rock's fringes. Over four decades, he has shaped a diverse blending punk, , , and elements, influencing generations of indie and experimental artists through his work with bands, solo projects, and production. Hagerty's career began as a teenager when he joined Pussy Galore, a confrontational outfit fronted by that pioneered lo-fi and aesthetics in the mid-1980s. With Pussy Galore, he contributed to chaotic, high-energy recordings like their 1986 cassette remake of ' Exile on Main St., which exemplified the band's irreverent, deconstructive ethos and helped spawn the movement. The group relocated to , amplifying Hagerty's reputation as a key figure in the era's DIY underground, before he departed to pursue new directions in 1987. In 1987, Hagerty co-founded Royal Trux with Herrema, creating one of the most boundary-pushing acts of the 1990s alternative scene, signed to Drag City and later Virgin Records. The duo's output included eight studio albums from Royal Trux (1988) to Pound for Pound (2000), fusing raw punk aggression with sophisticated blues riffs, psychedelic experimentation, and lo-fi production, earning critical acclaim for albums like Twin Infinitives (1990), Cats and Dogs (1993), and the polished Accelerator (1998). Royal Trux disbanded in 2001 amid personal and creative tensions, but Hagerty and Herrema reunited the project in 2015 for live performances and released the album White Stuff in 2019 before disbanding again, recapturing their signature chaotic energy. Post-Royal Trux, Hagerty launched a prolific solo career, debuting with the self-titled album Neil Michael Hagerty in 2001, which explored soft-blues and space-folk textures under Drag City's banner. He formed The Howling Hex in 2001 (later simplified to Howling Hex), a shape-shifting project yielding over a dozen albums of eclectic rock, from garage-infused jams to psychedelic explorations, with releases like Knuckleball Express (2020). Based in , , since the 2010s, Hagerty continues to write, produce, and perform, maintaining his status as a cult icon through collaborations, literary works like the Victory Chimp (1997), and contributions to publications such as Raygun and .

Early life

Family and upbringing

Neil Michael Hagerty was born in 1965 in , . His father was an veteran whose career involved frequent relocations across the country and abroad, including a posting in during the 1970s that took the family overseas for several years; the family eventually settled in Fairfax County, , near , where his father held his final military position. Hagerty's mother hailed from , , where she had immersed herself in the folk and scene of the 1960s, working at the ticket booth of the Bluebird Theater during that era. Due to family ties, Hagerty spent portions of his childhood in , visiting his uncle's farm near or his aunt's home in Washington Park, where early memories included outdoor activities like around age five or six. Hagerty's early exposure to music came primarily through his mother's influences, including records by and live performances such as at , which she attended with him. The local music scenes in , , and further shaped his surroundings, with additional encounters like hearing Mexican music on gas station radios during visits to . As a child, he showed an early fascination with the guitar after watching perform on television around age three or four, prompting him to experiment with a toy instrument. During high school in , Hagerty pursued self-taught musical interests, particularly with the guitar, where he began altering tunings such as removing the high E string to explore new sounds. These informal experiments reflected his growing immersion in rock and influences amid a childhood marked by transience and cultural .

Education and musical beginnings

Hagerty attended a public high school in , where he grew up after his family relocated from , , following his father's assignment at . During his adolescence, he developed an interest in music through self-taught guitar playing, inspired at a young age by watching guitarist perform on television, which prompted him to experiment with a toy guitar. His early influences included AM radio staples such as and , as well as folk acts like , fostering a foundational appreciation for rock and experimental sounds. After high school, Hagerty briefly pursued higher education at the , enrolling for one year before being expelled. Following his departure from the university, he relocated to , where he immersed himself in the local punk scene, living in an abandoned in Northeast D.C. and performing as a naturally accomplished, untrained at venues like a bar in , possibly alongside members of bands such as . In this environment, Hagerty honed experimental guitar techniques influenced by punk, new wave, , and figures including early , blending raw energy with innovative distortion and phrasing. In the mid-1980s, Hagerty met Jennifer Herrema through the Washington, D.C., punk community; at the time, she was a 15-year-old high school senior who frequented his warehouse space, and he was around 19 or 20. Their shared outsider perspectives and mutual passion for music quickly led to collaborative playing, laying the groundwork for future projects amid the vibrant, underground D.C. scene.

Career

Work with Pussy Galore

Neil Hagerty joined in the mid-1980s in , shortly after the band's formation by and Julie Cafritz, becoming a key member as guitarist alongside Spencer. The band drew from and punk influences, cultivating a raw, confrontational sound characterized by sonic disharmony, sheer noise power, and a trash aesthetic that blended guitar elements with punk aggression. Hagerty's contributions as and songwriter emphasized an experimental edge, incorporating blues-infused riffs and providing tape recordings to Spencer that shaped several tracks, helping define the band's signature style of willful cacophony and anti-rock ethos. released key albums during Hagerty's tenure, including the 1986 EP Groovy Hate Fuck on Shove Records, which captured their early garage punk energy, and the 1989 full-length Dial 'M' for Motherfucker on , featuring a more refined yet abrasive approach with contributions from the core lineup of Spencer, Hagerty, and . By 1990, the band had evolved into a trio of Spencer, Hagerty, and Bert, recording their final album Historia de la Música Rock before dissolving, allowing Hagerty to pursue subsequent projects.

Formation and years with Royal Trux

Neil Hagerty and Jennifer Herrema formed Royal Trux in 1987 in Washington, D.C., shortly after meeting when Herrema, then 15, attended a performance by Hagerty, who was 19 and still active with Pussy Galore. Their collaboration began casually in Hagerty's Northeast D.C. warehouse, where they experimented with music without formal plans for a band, drawing on Hagerty's natural guitar skills and Herrema's basic chord knowledge to create initial songs. The duo's early sound was lo-fi and experimental rock, heavily influenced by psychedelia and blues, reflecting a raw, unstructured approach shaped by their informal sessions. Royal Trux released their self-titled debut album in 1988 on Royal Records, followed by the more abrasive Twin Infinitives in 1990 on Drag City, establishing their reputation for noisy, dissonant recordings infused with a chaotic aesthetic often tied to heroin use. Hagerty served as the primary songwriter and guitarist, contributing inventive riffs that anchored the band's evolving sound, while Herrema handled vocals and additional instrumentation. In the mid-1990s, amid the post-Nevermind alternative rock boom, they signed a three-album deal with Virgin Records reportedly worth nearly a million dollars, retaining creative control; this period produced the "trilogy" of Thank You (1995), recorded live with producer David Briggs, Sweet Sixteen (1997), and Accelerator (1998, released on Drag City after parting with Virgin). These albums shifted toward harder rock structures while deconstructing genres from the 1960s through 1980s, blending hooks with noise and compression for a more accessible yet subversive edge. After leaving Virgin, relocated to a house on a farm in rural , where they recorded subsequent works like Veterans of Disorder (1999) and (2000) on Drag City, embracing a drug-influenced, nightmarish intensity in their production and themes. The band's aesthetic remained defiantly unpolished, prioritizing organic evolution over commercial viability, with Hagerty's guitar work driving the sonic experimentation. Internal tensions, exacerbated by personal struggles including recovery from , led to a hiatus in 2001 following the release of .

Solo career and The Howling Hex

Following the dissolution of in 2001, Neil Hagerty launched his solo career with the self-titled album Neil Michael Hagerty, released that year on Drag City Records. The album featured a raw, eclectic mix of rock influences, including tracks like "Know That" and "Repeat the Sound of Joy," which showcased Hagerty's signature guitar work and . Hagerty followed this with Plays That Good Old Rock and Roll in 2002, another Drag City release that leaned into structures while retaining his experimental edge. In 2003, he formed The Howling Hex as his primary backing band, debuting with the Neil Michael Hagerty & the Howling Hex, also on Drag City. This record marked a shift toward a fuller band sound, with tracks like "Firebase Ripcord" and "Out of Reach" emphasizing driving rhythms and psychedelic undertones. The Howling Hex's output evolved over the years, incorporating and techno-primitive elements in a lo-fi, improvisational style. Notable releases include All-Night Fox (2005), which explored grinding, repetitive grooves on Drag City, and Fool's Watch / Lord Gloves (2014), a split 10-inch that highlighted minimalist rock structures. The band reached a broader audience with Knuckleball Express (2020) on , featuring electrifying tracks like "Lies" that blended raw energy with Hagerty's veteran songcraft. After relocating to around 2012, Hagerty adopted a more laid-back production approach for later Howling Hex works, drawing from the city's relaxed vibe to infuse recordings with organic, unhurried textures. This period solidified the project's reputation for boundary-pushing rock, with Hagerty handling guitar, vocals, and much of the creative direction.

Other musical projects and reunions

In the early 2000s, Hagerty joined forces with and Michelle Mae from the disbanded Make-Up to form the short-lived supergroup Weird War, initially under the name Scene Creamers. He contributed guitar and vocals to the band's self-titled debut , released in 2002 on Drag City, which blended with and punk elements in a loose, revolutionary style. Hagerty departed after this release to focus on his solo endeavors, leaving the band to continue without him on subsequent records. Hagerty also provided limited contributions to RTX, the project led by his former Royal Trux partner Jennifer Herrema. He co-wrote the lyrics for the track "Shockwave Rider" on RTX's 2007 album Western Xterminator, marking a rare post-breakup collaboration between the two. reunited in 2015 after a 14-year hiatus, with Hagerty and Herrema resuming live performances beginning in 2016 at events like the . The reunion culminated in the release of their eleventh studio album, White Stuff, in 2019 via Easy Eye Sound, which revisited their raw, sound while incorporating modern production. In 2024, Fire Records initiated a comprehensive vinyl campaign for the band's catalog, starting with remastered editions of early works such as Twin Infinitives (1990) in June and Untitled (1992) alongside (1990) in November, aimed at restoring and highlighting their influential discography. This ongoing series continued into 2025, including the release of the early demo compilation Provenance: The Demo Tape in April, with Hagerty discussing the archival process and his songwriting approach—emphasizing intuitive, narrative-driven composition—in interviews tied to the reissues.

Writing career

Victory Chimp

Victory Chimp is a written by Neil Hagerty and published by Drag City in 1997 as a 154-page . The book draws from an eclectic array of sources, including memories, wire photos, , and other imagined from the future, reflecting Hagerty's experimental approach to narrative construction. The plot centers on Victory Chimp, a futuristic protagonist who serves as a master of the and an investigator in a dystopian where chimpanzees function as psychic slaves to humans. Rattling the cages of , the story unfolds as a coming-of-age tale blending elements of rebellion and adventure, with the chimp challenging the established order in a satirical narrative infused with influences through references to and sonic motifs. Key themes include rebellion against technological and societal control, the exploration of countercultural resistance, and the interplay between human dominance and animal agency in a psychic dystopia. These motifs echo Hagerty's broader artistic persona, extending the raw, subversive energy of his music career into literary form. In 2011, Drag City reissued the novel alongside a deluxe audiobook adaptation performed by The Howling Hex, Hagerty's band, spanning four CDs with 44 tracks and a runtime of over three hours. This audio version has been praised for its ambitious, avant-garde execution, further bridging Hagerty's literary and musical experiments. The received attention as a quirky fantasy within and publishing circles, noted for its satiric vibe and unconventional storytelling that aligns with Hagerty's reputation for boundary-pushing creativity.

is a 2005 collection of satirical essays and short stories by Neil Hagerty, published by Drag City as a compilation exploring music, culture, and personal observations. The book, spanning 157 pages, compiles 17 pieces, several of which were previously published in periodicals such as , Index, Lowbrow Reader, , and , reflecting Hagerty's background in music journalism. The essays feature a reflective tone, emerging in the period following the dissolution of Hagerty's long-term musical project , and offer critiques of rock history, indie scenes, and everyday absurdities through a lens of dry wit and distinctive storytelling. Key works blend personal insights with cultural commentary, showcasing Hagerty's command of language to dissect the absurdities of alternative scenes and broader societal quirks. While reception was limited, with some critics noting its self-indulgent elements, the collection has been valued for providing insider perspectives on alternative music culture from a key figure in the scene. This non-fiction work followed Hagerty's earlier speculative novel Victory Chimp, marking a shift toward essayistic writing.

Personal life

Relationships

Neil Hagerty met Jennifer Herrema in the mid-1980s Washington, D.C. punk scene, when she was 15 and he was nearly 20; their initial encounter occurred at a bar in where Hagerty performed, sparking a connection that quickly evolved into both a romantic and creative partnership. They bonded over shared outsider sensibilities and informal music experimentation in Hagerty's Northeast D.C. warehouse, leading to the organic formation of without premeditated plans for a band. This duo dynamic became the core of the group's sound, with Herrema's raw vocals and co-writing contributions proving integral to 's noisy, genre-defying aesthetic. The couple married and shared a life in rural , during the band's most active years in the 1990s, where their tumultuous personal relationship intertwined with their professional output, influencing the chaotic energy of albums like Twin Infinitives. Their romantic partnership ended dramatically around 2000 following a grueling tour and personal struggles, leading to and a 15-year period of no contact by 2015. Despite the split, they reconciled professionally for a 2016 Royal Trux reunion, collaborating on new material that recaptured their earlier intensity. As of 2025, Hagerty and Herrema maintain a non-romantic, collaborative relationship focused on reissues and legacy projects, living separately—Hagerty in Denver, , and Herrema in —while their past partnership continues to define the band's enduring influence. On April 14, 2023, Neil Hagerty was arrested in Denver, Colorado, following an altercation during a welfare check at his residence, where he was accused of assaulting three police officers. According to police reports, Hagerty allegedly ripped a badge from one officer's uniform and used it to inflict a 6-inch laceration on the officer's throat, while also injuring two other officers during the struggle. Hagerty, who had resided in Denver since relocating there after 2001, faced three felony charges: one count of second-degree assault on a peace officer and two counts of attempting to disarm a peace officer, along with related charges. He was held in custody for several days before being released on bond. All charges against Hagerty were dismissed in March 2024 after he completed a year-long treatment program, as determined by the Denver District Attorney's office. The incident received limited media attention, primarily in local outlets and music publications, with coverage focusing on Hagerty's local residency rather than broader implications.

Discography

With Pussy Galore

Neil Hagerty served as guitarist and vocalist for during the band's formative years in the 1980s, contributing to approximately five major releases that defined their abrasive sound. His involvement began around 1985, aligning with the group's shift toward more chaotic, lo-fi punk experimentation. The band's debut EP, Groovy Hate Fuck, released in 1986 on Shove Records, marked Hagerty's initial recorded contributions, where he played guitar on all tracks and co-wrote provocative songs like "Castration" and "Sweet Dick." This release, limited to 1,000 copies, captured 's raw, confrontational energy through short, distorted bursts emphasizing feedback and shouted vocals. Hagerty's guitar work provided the jagged riffs that underpinned the EP's seven tracks, including "Dead Meat" and "Just Wanna Die." In 1987, Pussy Galore issued the cassette-only Exile on Main St., a track-by-track remake of the Rolling Stones' album on Buy Our Records, with Hagerty contributing guitar, vocals, and co-writing, exemplifying the band's deconstructive noise approach. That same year, they released the Right Now! EP on Caroline Records, with Hagerty handling guitar and backing vocals amid the band's evolving lineup. This four-track effort continued their noise punk ethos, featuring Hagerty's contributions to the sludgy, repetitive structures on songs like "Penetration." The following year, they contributed to the 1988 compilation Grotesque, where Hagerty's guitar added to the track "Handshake," blending into the anthology's underground noise aesthetic. By 1989, Hagerty's role expanded on the studio album Dial 'M' for Motherfucker, released on , where he provided guitar, lead and backing vocals, and songwriting credits across its 29 tracks of deconstructed covers and originals. The album's sprawling, cassette-like format highlighted Hagerty's experimental edge, with his songwriting evident in pieces like "Waxhead." That same year, the band recorded a live performance at on August 5, later released as Live: In the Red in 1998, featuring Hagerty on guitar and vocals for high-energy renditions of tracks including "Slo-Pig Sweat." Pussy Galore's 1989 Exoticana series of EPs and singles further showcased Hagerty's versatility, with his guitar and vocal input driving the loose, improvisational sessions that experimented with exotic instrumentation and noise collages. These releases, including limited-edition flexi-discs and bootleg-style cassettes, rounded out Hagerty's tenure, totaling around five core outputs that solidified the band's cult status in the noise rock scene.

With Royal Trux

Royal Trux was an American rock band formed in 1987 by Neil Hagerty and Jennifer Herrema, with Hagerty serving as co-founder, lead guitarist, vocalist, primary songwriter, and frequent producer throughout the band's existence. The duo's partnership drove the band's output, blending , , and experimental elements into a distinctive sound that evolved over time. Hagerty's contributions emphasized raw, lo-fi experimentation in early works, transitioning to more structured, polished rock by the late . The band's original run from 1988 to 2000 produced several seminal studio albums. Their self-titled debut, , released in 1988 on Royal Records, featured abrasive, tape-collage noise experiments with Hagerty on guitar and vocals. This was followed by the double album Twin Infinitives in 1990 on Drag City, a sprawling psychedelic opus where Hagerty handled guitar, keyboards, and production, pushing boundaries with free-form and field recordings. The 1992 untitled third album (often called Untitled) marked a shift toward song structures, with Hagerty co-writing and producing tracks that incorporated and garage influences. Cats and Dogs (1993, Drag City) refined this approach, blending folk-rock and , with Hagerty's guitar work and songwriting central to its eclectic flow. In 1995, Thank You on Drag City showcased Hagerty's production skills in a rawer, vein. The 1998 album Accelerator (Drag City) represented a polished rock pinnacle, with Hagerty as guitarist, vocalist, and co-producer, earning critical acclaim for its Stones-inspired swagger. Veterans of Disorder followed in 1999 (Drag City), continuing this evolution with Hagerty's songwriting driving its eclectic, genre-blending tracks. The original run concluded with Pound for Pound in 2000 (Drag City), Hagerty's final production effort for the band, featuring tight, riff-heavy rock songs. During the hiatus, issued compilations like the 1997 triple album Singles, Live, Unreleased (Drag City), compiling Hagerty-co-written tracks from various eras. The band briefly reunited in 2016 for live performances and archival releases, including the 2017 compilation Platinum Tips + Ice Cream (Drag City). This led to the reunion-era studio album White Stuff in 2019 on , where Hagerty contributed guitar and songwriting before departing amid creative differences. EPs and singles from the original run highlighted Hagerty's versatility. Notable releases include the 1993 Dogs of Love EP (Domino), featuring Hagerty's guitar-driven covers and originals; the 1993 single "Back to School / Cleveland" (Drag City); and the 1998 3-Song EP (Drag City), with Hagerty on guitar and production. In 2024, Fire Records launched a vinyl reissue campaign of the band's full catalog, including remastered editions of Royal Trux, Twin Infinitives, Untitled, Cats and Dogs, Hand of Glory, Thank You, Accelerator, Veterans of Disorder, and Pound for Pound. This continued in 2025 with the release of Provenance: The Demo Tape (April 12, 2025), a remastered LP of extremely rare 1988 demo recordings. Over their career, Royal Trux released more than 12 studio albums, EPs, and singles, with Hagerty's multifaceted roles shaping their progression from underground noise pioneers to influential rock innovators.

Solo and The Howling Hex releases

Following the end of Royal Trux, Neil Hagerty began his solo career with the album Neil Michael Hagerty, released in 2001 on Drag City Records. Hagerty wrote all the songs, performed guitar and vocals, and produced the record, drawing on raw rock influences with tracks like "Stormy Weather" and "Magic Institution." His second solo effort, Plays That Good Old Rock and Roll, arrived in 2002, also via Drag City. Again serving as songwriter, guitarist, and producer, Hagerty delivered a collection of covers and originals in a lo-fi rock vein, including reinterpretations of classics like "Speedy Gonzales." The album was issued in CD and LP formats. In 2003, Hagerty launched the band project The Howling Hex with the debut album Neil Michael Hagerty & the Howling Hex (also titled The Howling Hex), released on Drag City in CD and double LP formats. As band leader, primary songwriter, guitarist, and producer, Hagerty explored acoustic folk-rock elements on tracks such as "Firebase Ripcord" and "Out of Reach," backed by collaborators including drummer . Subsequent releases included Section 2 (2004, Drag City, LP), an instrumental exploration; The Return of the Third Tower (2004, Drag City, LP), continuing ; and All-Night Fox (2005, Drag City, LP/CD), where Hagerty handled songwriting, guitar, and production, shifting toward a more energetic sound with songs like "Silver Queen" and "Cobra Heart." The 2007 releases You Can't Beat Tomorrow (Drag City, CD/DVD) and XI (Drag City, LP/CD) marked turns to and , respectively, with Hagerty as songwriter, guitarist, and producer; notable tracks include those from XI like "Keychains" and "Live Wire," featuring a fuller band lineup. Later albums include Earth Junk (2008, Drag City, LP), delving into psychedelic jams; Split Decision (2009, Drag City, 12"); the split 7" with G. Green (2010); Wilson Semiconductors (2012, Drag City, CD/LP), blending garage and indie; My Father’s House (2013, 7"); the 2014 10" EP Fool's Watch b/w Lord Gloves (Drag City), emphasizing psychedelic garage elements; Full Moon in Gemini (2015, Drag City, 7" limited edition with hand-painted sleeves), a psychedelic single written and produced by Hagerty; Denver (2016, Drag City, LP/CD/cassette), with Hagerty leading on songwriting, guitar, and production in a hazy indie rock style, including the track "Denver (Approved for Indica Mix)"; Butterfly b/w Party Shoes (2016, Drag City, 7" limited edition), showcasing his garage rock songcraft; and the most recent album, Knuckleball Express (2020, Fat Possum Records, LP/CD), featuring Hagerty as primary songwriter, guitarist, and producer, blending garage and rockabilly on songs like "Your Heart Is a Muscle (Bigger than Texas)." Overall, Hagerty's solo and Howling Hex output totals more than 15 releases as of November 2025, evolving from introspective to raw garage styles, with Hagerty consistently central as songwriter, , and producer.

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  54. https://www.denverpost.com/2024/03/18/neil-hagerty-royal-trux-charges-dropped-police-denver/
  55. https://www.spin.com/2023/04/neil-hagerty-arrest/
  56. https://consequence.net/2024/03/neil-hagerty-royal-trux-charges-dropped/
  57. https://pitchfork.com/news/royal-trux-neil-michael-hagerty-has-denver-criminal-charges-dismissed/
  58. https://www.nme.com/news/music/assault-charges-against-royal-truxs-neil-hagerty-dropped-3603875
  59. https://www.discogs.com/master/546999-Pussy-Galore-Groovy-Hate-Fuck
  60. https://www.discogs.com/master/29747-Pussy-Galore-Exile-On-Main-St
  61. https://www.discogs.com/master/52405-Pussy-Galore-Right-Now
  62. https://www.discogs.com/master/52340-Pussy-Galore-Dial-M-For-Motherfucker
  63. https://thequietus.com/opinion-and-essays/anniversary/pussy-galore-dial-m-for-motherfucker-review/
  64. https://www.discogs.com/master/52356-Pussy-Galore-Live-In-The-Red
  65. https://tapeop.com/interviews/11/royal-trux
  66. https://www.dragcity.com/products/twin-infinitives
  67. https://pitchfork.com/news/royal-trux-announce-career-spanning-vinyl-reissue-campaign-with-fire-records/
  68. https://www.discogs.com/artist/65828-Royal-Trux
  69. https://royaltruxmusic.bandcamp.com/album/provenance-the-demo-tape-1988
  70. https://pitchfork.com/reviews/albums/3701-plays-that-good-old-rock-and-roll/
  71. https://www.allmusic.com/album/the-howling-hex-mw0000027706
  72. https://www.dragcity.com/products/howling-hex
  73. https://pitchfork.com/reviews/albums/10567-xi/
  74. https://www.discogs.com/master/488088-The-Howling-Hex-XI
  75. https://pitchfork.com/reviews/albums/the-howling-hex-knuckleball-express/
  76. https://www.discogs.com/artist/327642-The-Howling-Hex
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