Nuragic civilization

The Nuragic civilization, also known as the Nuragic culture, formed in the Mediterranean island of Sardinia, Italy in the Bronze Age. According to the traditional theory put forward by Giovanni Lilliu in 1966, it developed after multiple migrations from the West of people related to the Beaker culture who conquered and disrupted the local Copper Age cultures; other scholars instead hypothesize an autochthonous origin. It lasted from the 18th century BC (Middle Bronze Age), up to the Iron Age or until the Roman colonization in 238 BC. Others date the culture as lasting at least until the 2nd century AD, and in some areas, namely the Barbagia, to the 6th century AD, or possibly even to the 11th century AD. Although it must be remarked that the construction of new nuraghi had already stopped by the 12th-11th century BC, during the Final Bronze Age.

It was contemporary with, among others, the Mycenaean civilization in Greece, the Apennine and Terramare cultures of the Italian peninsula, the Thapsos culture of Sicily, and the final phase of the El Argar culture in the Iberian peninsula.

The adjective "Nuragic" is neither an autonym nor an ethnonym. It derives from the island's most characteristic monument, the nuraghe, a tower-fortress type of construction the ancient Sardinians built in large numbers starting from about 1800 BC. Today, more than 7,000 nuraghes dot the Sardinian landscape.

No written records of this civilization have been discovered, apart from a few possible short epigraphic documents belonging to the last stages of the Nuragic civilization. The only written information there comes from classical literature of the Greeks and Romans, such as Pseudo-Aristotle and Diodorus Siculus, and may be considered more mythical than historical.

In the Stone Age the island was first inhabited by people who had arrived there in the Paleolithic and Neolithic ages from Europe and the Mediterranean area. The most ancient settlements have been discovered both in central and northern Sardinia (Anglona). Several later cultures developed on the island, such as the Ozieri culture (3200−2700 BC). The economy was based on agriculture, animal husbandry, fishing, and trading with the mainland. With the diffusion of metallurgy, silver and copper objects and weapons also appeared on the island. In 2014, early Chalcolithic period Sardinia was identified as one of the earliest silver extraction centres in the world. This took place during the 4th millennium BC.

Remains from this period include hundreds of menhirs (called perdas fittas) and dolmens, more than 2,400 hypogeum tombs called domus de Janas, the statue menhirs, representing warriors or female figures, and the stepped pyramid of Monte d'Accoddi, near Sassari, which show some similarities with the monumental complex of Los Millares (Andalusia) and the later talaiots in the Balearic Islands. According to some scholars, the similarity between this structure and those found in Mesopotamia is due to cultural influxes coming from the Eastern Mediterranean.

The altar of Monte d'Accoddi fell out of use starting from c. 2000 BC, when the Beaker culture, which at the time was widespread in almost all western Europe, appeared on the island. The beakers arrived in Sardinia from two different regions: firstly from Spain and southern France, and secondly from Central Europe, through the Italian Peninsula.

The Bonnanaro culture was the last evolution of the Beaker culture in Sardinia (c. 1800–1600 BC), and displayed several similarities with the contemporary Polada culture of northern Italy. These two cultures shared common features in the material culture such as undecorated pottery with axe-shaped handles. These influences may have spread to Sardinia via Corsica, where they absorbed new architectural techniques (such as cyclopean masonry) that were already widespread on the island. New peoples coming from the mainland arrived on the island at that time, bringing with them new religious philosophies, new technologies and new ways of life, making the previous ones obsolete or reinterpreting them.