Oops!... I Did It Again Tour

The Oops!... I Did It Again Tour (billed as Oops!... I Did It Again Tour 2000) was the third concert tour by American entertainer Britney Spears. It supported her second studio album, Oops!... I Did It Again (2000), and visited North America, Europe, and Brazil. The tour was announced in February 2000, while Spears was in the midst of the Crazy 2k Tour. The stage was much more elaborative than her previous tours and featured video screens, fireworks and moving platforms. The setlist was composed by songs from her first two studio albums, ...Baby One More Time and Oops!... I Did It Again, as well as a few covers. Showco was the sound company, who used the PRISM system to adapt the show to each venue. Spears used a handheld microphone and a headset during the shows, while an ADAT was used to replace her voice during energetic dance routines.

The show consisted of four segments with each segment being followed by an interval to the next segment, and it ended with an encore. The show began with Spears descending from a giant orb. Most of the songs displayed energetic dance routines with the exception of the second segment, which featured mostly ballads. The encore consisted of a performance with fireworks. The Oops!... I Did It Again Tour received positive reviews from critics, who praised Spears's energy onstage as well as the band. It was also a commercial success; the reported dates by Billboard averaged $507,786 in grosses and nearly 15,841 in attendance. Billboard stated that the tour grossed a total of $40.9 million, including 28 European dates, and became one of the highest-grossing tours of 2000. According to Pollstar, it brought a total of $40.5 million only in North America. The Oops!... I Did It Again Tour was broadcast by many channels around the world. Former Wishbone star Mikaila was one of the opening acts for the tour.

On February 22, 2000, Spears announced a summer tour in support of her second studio album, Oops!... I Did It Again (2000). The tour marked the first time Spears toured Europe. She commented, "I'm going to go to Europe, and just basically go everywhere for six months, [...] I've never toured outside of the U.S. I've never experienced other fans in other places, and performing in front of them is going to be so exciting." Before the tour began, Forbes reported that concert promoter SFX Entertainment guaranteed her a minimum of $200,000 per show. Tour sponsors from the 2000 leg of the ...Baby One More Time Tour, Got Milk?, and Polaroid, remained. Clairol's Herbal Essences was also added as a sponsor. Spears recorded a song for the latter called "I've Got the Urge to Herbal" to be used on their radio campaign, though she chose to not attend a photoshoot for the product when she decided to support an 86-day strike by the Screen Actors Guild (SAG). She later donated $1 from each ticket sold from her Inglewood, California show on July 28, 2000 to the union. For the European leg of the tour, Spears originally was going to do a co-headlining tour with NSYNC following the group's No Strings Attached Tour. Spears ended up touring the region solo.

Jamie King was chosen as tour director. Tim Miller and Kevin Antunes served as director of production and musical director, respectively. Mark Foffano was chosen as the lightning director. Spears described the tour as "like a Broadway show". The setlist included material from her first studio album ...Baby One More Time (1999) as well as seven songs from Oops!... I Did It Again. Spears explained, "I've been singing the same material for so long now. It'll be nice to change it up a little bit." She also talked about her expectations for the tour, saying, "I can't wait. I'll have a world tour. I'm going to have more dancers, a bigger stage, more pyro... just a lot bigger". The proscenium stage was much more elaborate than the stage of her previous tour and included video screens, movable platforms and different props. It cost $2.2 million to build. The tone of the show varied from the beginning: for the performance of "Born to Make You Happy", Spears sang in a set resembling a children's bedroom, complete with large toys and a pillow fight routine. On the contrary, she unveiled a more sophisticated image for "Don't Let Me Be the Last to Know", and followed it with raunchy performances for "...Baby One More Time" and "Oops!... I Did It Again".

The sound equipment was provided by Showco who used the PRISM system, which adapted the show for each venue according to its height, width and the coverage required. The sound was mixed by Front of house engineer Monty Lee Wilkes on a combination of Yamaha PM4000 and PM3000 consoles, an unusual choice for Spears's shows. He used dbx 903 compressors for kick and snare drums. The compressors were also used on Spears's microphones, a Shure Beta 58A handheld and a Crown CM-311AE headset-mounted capsule. Spears's vocals were mostly live—pre-recorded vocals ran in parallel on an ADAT machine during the shows, and were used to replace her live microphone when the dance routines became too energetic for good voice control. Spears's band, backline technicians and monitor engineer Raza Sufi were all fitted with in-ear monitors and headset mics, enabling rapid and clear communications around the stage area. Spears did not use them, preferring the ambient sound of a battery of eight Showco SRM wedges spread across the downstage area. These were augmented by Showco SS full-range sidefills and a pair of one-by-18-inch subs on each side of the stage. Sufi also used a dbx 160A to limit Spears's louder moments, while backing vocalists were controlled by a duo of BSS DPR901 dynamic equalizers. Effects were limited to vocal and drum reverbs. Amplification for the wedges and the FOH system were all Crown-based, with a pair of drum stool shakers completing the line-up. All the cables used during the tour were brought from the US, even in Europe, something unusual in audio production.

The show began with the video introduction "The Britney Spears Experience", in which three images of Spears welcomed spectators to the show. Then, a giant metal orb was lowered onstage and lifted again to reveal Spears standing behind it, wearing a pink halter top (some shows it was orange), a side silver jacket, and glittery jeans. Spears started with two dance-oriented performances of "(You Drive Me) Crazy" and "Stronger". This was followed by "What U See (Is What U Get)" in which she removed her silver side jacket and she danced on a stripper pole wearing a pink cowboy hat. The act ended with Spears talking to the audience and sitting on a stool to perform "From the Bottom of My Broken Heart" with her guitarist Skip.

After she left the stage, there was a video interlude hosted by NSYNC (via screen) and Spears' two background singers (two female background dancers in Europe) in which contestants did different games in order to meet Spears. She appeared onstage to meet the chosen fan and then welcomed the audience into her bedroom. Wearing white pajamas and slippers, she performed "Born to Make You Happy", which included a dance segment near the end. She then continued with "Lucky" featuring her two background singers (two female background dancers during all the European show) helping Spears getting ready for a typical day. Halfway through the song during the dance break, her male dancers all dressed in navy sailor costumes do a routine before Spears continues the remainder of the song dressed as a ship captain. "Sometimes", in which changed back into her white pajamas and slippers (coincidentally an outfit similar to the one she wore in the music video of the song) and featured Spears' and her dancers throwing teddy bears, beach balls, and squirting the audience with water guns. At the end, she climbed the staircase and briefly spoke to the audience before moving into a performance of "Don't Let Me Be The Last To Know", for which she wore a long white dress trimmed with boa feathers (dressed up much like in the music video as Lucky).

A band interlude showcasing a mix of funk and progressive rock from her band followed, and Spears reappeared to perform her cover of Sonny & Cher's "The Beat Goes On." During the performance, she was lifted into the air wearing a kimono that covered most of the stage. She continued with "Don't Go Knockin' on My Door" (losing the kimono and wearing a full purple jumpsuit) and her cover of The Rolling Stones's "(I Can't Get No) Satisfaction", which ended with a dance sequence set to the original version.