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Palm Springs Weekend

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Palm Springs Weekend

Palm Springs Weekend is a 1963 Warner Bros. bedroom comedy film directed by Norman Taurog. It has elements of the beach party genre (AIP's Beach Party became a smash hit in July, while Warner Bros. was still putting this film together) and has been called "a sort of Westernized version of Where the Boys Are" by Billboard magazine. It stars Troy Donahue, Stefanie Powers, Robert Conrad, Ty Hardin, and Connie Stevens.

A group of college students from Los Angeles travel to Palm Springs to spend the Easter weekend there. Student Jim Munroe (Troy Donahue) falls for Bunny Dixon (Stefanie Powers), the daughter of the overprotective Palm Springs police chief (Andrew Duggan). Munroe's roommate Biff Roberts (Jerry Van Dyke) and plain-jane Amanda North (Zeme North) try to seduce each other, while hampered by having to babysit an inquisitive young boy (the son of hotelier Naomi Yates, who has just met and is romancing the group's chaperone, coach Fred Campbell). Spoiled rich playboy Eric Dean (Robert Conrad) and Hollywood stuntman from Texas Doug Fortune (Ty Hardin) compete for the attentions of a pretty girl (Connie Stevens) from Beverly Hills. A wild auto chase between Eric and Doug ensues after an evening at a folk music club in Las Vegas. Doug is injured in a serious crash, but recovers. The group returns to Los Angeles.

Jack L. Warner was impressed by the success of Where the Boys Are (1960). He wanted to make a similar film about the influx of teenagers into Palm Springs during the Easter vacation break, using the large number of young actors they had under contract. The studio had the title, Palm Springs Weekend even before they had a script.

In June 1962, Warner gave the job of producing to Michael A. Hoey, who had never produced before, but had impressed Warner through his work as an editor at the studio over four years, most recently The Chapman Report. The studio signed Hoey to a contract as producer and Palm Springs Weekend was going to be his first movie.

Earl Hamner Jr., whose novel Spencer's Mountain had just been bought by Warners, was hired to write the screenplay. Hamner:

They gave the screenplay duties [on Spencer's Mountain] to someone else, and I think Mr. Warner thought that he owed me one. He called me one day and asked me what I thought of Palm Springs. I was just newly arrived from New York, and I told him that I'd never been there. He said, 'I want you to go there over Easter Weekend and poke around and see if you come back with a movie.' ... I suppose since he'd just done Spencer's Mountain, he trusted that I could write about young people.

When Norman Taurog signed to direct, he felt the script needed some work, so the studio hired David Schwartz, who had just adapted Sex and the Single Girl. They did not like his work so another writer was hired, Danny Arnold, to do a weekly polish.

There was some criticism of the script from Palm Springs public officials.

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