Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Pergamon Altar
The Pergamon Altar (Ancient Greek: Βωμός τῆς Περγάμου) was a monumental construction built during the reign of the Ancient Greek King Eumenes II of the Pergamon Empire in the first half of the 2nd century BC on one of the terraces of the acropolis of Pergamon in Asia Minor (modern-day Turkey). It was described as one of the Seven Wonders of the Ancient World by three known classical lists.
The structure was 35.74 metres (117 ft 3 in) wide and 33.4 metres (109 ft 7 in) deep; the front stairway alone was almost 20 metres (66 ft) wide. The base was decorated with a frieze in high relief showing the battle between the Giants and the Olympian gods known as the Gigantomachy. There was a second, smaller and less well-preserved high relief frieze on the inner court walls which surrounded the actual fire altar on the upper level of the structure at the top of the stairs. In a set of consecutive scenes, it depicts events from the life of Telephus, legendary founder of the city of Pergamon and son of the hero Heracles and Auge, one of Tegean king Aleus's daughters.
In 1878, the German engineer Carl Humann started official excavations on the acropolis of Pergamon, an effort that lasted until 1886. The relief panels from the Pergamon Altar were subsequently transferred to Berlin, where they were placed on display in the Pergamon Museum.
The Pergamene kingdom founded by Philetaerus at the beginning of the 3rd century BC was initially part of the Hellenistic Seleucid Empire. Attalus I, successor and nephew of Eumenes I, was the first to achieve full independence for the territory and proclaimed himself king after his victory over the Celtic Galatians in 228 BC. This victory over the Galatians, a threat to the Pergamene kingdom, secured his power, which he then attempted to consolidate. With conquests in Asia Minor at the expense of the weakened Seleucids he could briefly increase the size of his kingdom. A Seleucid counteroffensive under Antiochos III reached the gates of Pergamon but could not put an end to Pergamene independence. Since the Seleucids were becoming stronger in the east, Attalus turned his attention westward to Greece and was able to occupy almost all of Euboea. His son, Eumenes II, further limited the influence of the Galatians and ruled alongside his brother Attalus II, who succeeded him. In 188 BC, Eumenes II was able to create the Treaty of Apamea as an ally of Rome, thus reducing the influence of the Seleucids in Asia Minor. The Attalids were thus an emerging power with the desire to demonstrate their importance to the outside world through the construction of imposing buildings.
Citing the Book of Revelation 2:12-13 in the Christian Bible, many scholars have argued that the Pergamon Altar is the "Seat of Satan" mentioned by John the Apostle in his letter to the church at Pergamon.
Until the second half of the 20th century it had been assumed by some scholars that the altar was endowed in 184 BC by Eumenes II after a victory over the Celtic Tolistoagian tribe and their leader Ortiagon. Investigation of the altar's construction and friezes has led to the conclusion that it was not conceived as a monument to a particular victory. The design of Pergamene victory monuments is known from the literature and monument relics and is unlike that of the Pergamon Altar.
The Gigantomachy frieze on the outside walls of the Pergamon altar avoids to a great extent any direct references to contemporary military campaigns — except for the "Star of Macedonia" on the round shield of one of the Giants on the eastern frieze, and a Celtic oblong shield in the hand of a god on the northern frieze. The struggle of the Olympian gods appears much rather to be a cosmological event of general ethical relevance. The scanty remnants of the dedicatory inscription also seem to indicate that the altar was consecrated to the gods because of "favors" they had bestowed. The divine addressees could be especially Zeus, father of the gods, and his daughter Athena, since they appear in prominent locations of the Gigantomachy frieze. An important dating criterion is also the incorporation of the altar from the perspective of city planning. As the most important marble edifice of the Hellenistic residence and indeed erected in a prominent position, it was assuredly not begun only at the conclusion of numerous initiatives to upgrade the acropolis of Pergamon under Eumenes II.
That events from the last years of Eumenes II's reign, the increasing uncoupling from the Romans, and the victory over the Celts in 166 BC at Sardis are reflected in the two friezes of the Pergamon Altar is merely speculation that does not provide a sufficient foundation for a late dating of the altar. The inner Telephus frieze relates the legendary life of Heracles' son Telephus and is meant to convey the superiority of Pergamon compared with the Romans. Thus the founder of Rome, Romulus, was traditionally nursed only by a she-wolf, whereas Telephus, to whom the Attalids trace their ancestry, is shown in the frieze being suckled by a she-lion. It is estimated that the frieze was constructed between 170 BC and at least the death of Eumenes II (159 BC).
Hub AI
Pergamon Altar AI simulator
(@Pergamon Altar_simulator)
Pergamon Altar
The Pergamon Altar (Ancient Greek: Βωμός τῆς Περγάμου) was a monumental construction built during the reign of the Ancient Greek King Eumenes II of the Pergamon Empire in the first half of the 2nd century BC on one of the terraces of the acropolis of Pergamon in Asia Minor (modern-day Turkey). It was described as one of the Seven Wonders of the Ancient World by three known classical lists.
The structure was 35.74 metres (117 ft 3 in) wide and 33.4 metres (109 ft 7 in) deep; the front stairway alone was almost 20 metres (66 ft) wide. The base was decorated with a frieze in high relief showing the battle between the Giants and the Olympian gods known as the Gigantomachy. There was a second, smaller and less well-preserved high relief frieze on the inner court walls which surrounded the actual fire altar on the upper level of the structure at the top of the stairs. In a set of consecutive scenes, it depicts events from the life of Telephus, legendary founder of the city of Pergamon and son of the hero Heracles and Auge, one of Tegean king Aleus's daughters.
In 1878, the German engineer Carl Humann started official excavations on the acropolis of Pergamon, an effort that lasted until 1886. The relief panels from the Pergamon Altar were subsequently transferred to Berlin, where they were placed on display in the Pergamon Museum.
The Pergamene kingdom founded by Philetaerus at the beginning of the 3rd century BC was initially part of the Hellenistic Seleucid Empire. Attalus I, successor and nephew of Eumenes I, was the first to achieve full independence for the territory and proclaimed himself king after his victory over the Celtic Galatians in 228 BC. This victory over the Galatians, a threat to the Pergamene kingdom, secured his power, which he then attempted to consolidate. With conquests in Asia Minor at the expense of the weakened Seleucids he could briefly increase the size of his kingdom. A Seleucid counteroffensive under Antiochos III reached the gates of Pergamon but could not put an end to Pergamene independence. Since the Seleucids were becoming stronger in the east, Attalus turned his attention westward to Greece and was able to occupy almost all of Euboea. His son, Eumenes II, further limited the influence of the Galatians and ruled alongside his brother Attalus II, who succeeded him. In 188 BC, Eumenes II was able to create the Treaty of Apamea as an ally of Rome, thus reducing the influence of the Seleucids in Asia Minor. The Attalids were thus an emerging power with the desire to demonstrate their importance to the outside world through the construction of imposing buildings.
Citing the Book of Revelation 2:12-13 in the Christian Bible, many scholars have argued that the Pergamon Altar is the "Seat of Satan" mentioned by John the Apostle in his letter to the church at Pergamon.
Until the second half of the 20th century it had been assumed by some scholars that the altar was endowed in 184 BC by Eumenes II after a victory over the Celtic Tolistoagian tribe and their leader Ortiagon. Investigation of the altar's construction and friezes has led to the conclusion that it was not conceived as a monument to a particular victory. The design of Pergamene victory monuments is known from the literature and monument relics and is unlike that of the Pergamon Altar.
The Gigantomachy frieze on the outside walls of the Pergamon altar avoids to a great extent any direct references to contemporary military campaigns — except for the "Star of Macedonia" on the round shield of one of the Giants on the eastern frieze, and a Celtic oblong shield in the hand of a god on the northern frieze. The struggle of the Olympian gods appears much rather to be a cosmological event of general ethical relevance. The scanty remnants of the dedicatory inscription also seem to indicate that the altar was consecrated to the gods because of "favors" they had bestowed. The divine addressees could be especially Zeus, father of the gods, and his daughter Athena, since they appear in prominent locations of the Gigantomachy frieze. An important dating criterion is also the incorporation of the altar from the perspective of city planning. As the most important marble edifice of the Hellenistic residence and indeed erected in a prominent position, it was assuredly not begun only at the conclusion of numerous initiatives to upgrade the acropolis of Pergamon under Eumenes II.
That events from the last years of Eumenes II's reign, the increasing uncoupling from the Romans, and the victory over the Celts in 166 BC at Sardis are reflected in the two friezes of the Pergamon Altar is merely speculation that does not provide a sufficient foundation for a late dating of the altar. The inner Telephus frieze relates the legendary life of Heracles' son Telephus and is meant to convey the superiority of Pergamon compared with the Romans. Thus the founder of Rome, Romulus, was traditionally nursed only by a she-wolf, whereas Telephus, to whom the Attalids trace their ancestry, is shown in the frieze being suckled by a she-lion. It is estimated that the frieze was constructed between 170 BC and at least the death of Eumenes II (159 BC).