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Pete Frame
Pete Frame
Pete Frame
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Peter Frame (born 10 November 1942 in Luton, Bedfordshire, England) is an English music journalist and historian of rock music.

He has produced outlines of the history of rock bands for various magazines, such as Sounds, NME, Melody Maker and Rolling Stone.[1] In 1969, Frame founded the English alternative rock magazine ZigZag. He was its editor,[2] from its beginning until February 1973, and again from March 1976 until July 1977.[3] He was also an A&R man for B&C Charisma Records, and the manager of the band, Starry Eyed and Laughing.[4]

Five volumes of his Rock Family Trees have been published; the first two were joined as The Complete Rock Family Trees. He is also author of Rockin' Around Britain.

In October 2007, his 500-page book, The Restless Generation - How rock music changed the face of 1950s Britain, was published by Rogan House.

Television series

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The Rock Family Trees books were used as the basis for the BBC Television series Rock Family Trees in the 1990s,[5][6] narrated by John Peel.

Series one

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Series two

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Bibliography

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Pete Frame

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Pete Frame is an English music journalist and rock historian known for his innovative ''Rock Family Trees'', detailed diagrams mapping the evolving lineups, connections, and histories of rock bands. Born in Luton, Bedfordshire in 1942, he initially trained to become a chartered surveyor before shifting to music journalism in the late 1960s. He founded the influential underground rock magazine ZigZag in 1969, which became a key voice for alternative music scenes in the UK during the progressive rock era and beyond. Frame's signature contribution to rock documentation came through his ''Rock Family Trees'', first published in magazines and later compiled into books that visually chronicle the personnel histories of major acts such as Led Zeppelin, The Rolling Stones, Eric Clapton, Genesis, and The Police. His work has provided an enduring visual reference for understanding the fluid nature of band memberships and the interconnected web of rock music history, influencing generations of fans, journalists, and historians. The Pete Frame Archive at the University of Glasgow preserves his extensive materials, underscoring his lasting impact on rock music scholarship.

Early life

Birth and early career path

Pete Frame was born on 10 November 1942 in Luton, Bedfordshire, England. Rock music became a passion for him dating back to his schooldays. In the 1960s, Frame trained to become a Chartered Surveyor and was on course for a career in that profession.

Transition to music writing

Pete Frame transitioned from a career in surveying to full-time music writing in the late 1960s. As an emotional response to the heady cultural atmosphere of the era, he dropped out to "do his own thing" and pursue writing about rock music, a passion that had gripped him since his schooldays. After leaving his surveying training behind, Frame focused on freelance music journalism while briefly detouring into unrelated fields for short periods. These included stints in the music industry, a building firm, a brewery, and two local authorities. Aside from these temporary roles, he dedicated himself to writing about rock music from that point onward. His early freelance efforts built the foundation for his deeper entry into rock journalism, leading up to the founding of Zigzag magazine in 1969.

Zigzag magazine

Founding and initial editorship

Pete Frame founded Zigzag magazine in 1969, establishing it as a pioneering British publication dedicated to underground and alternative rock music overlooked by mainstream outlets. The first issue appeared on 16 April 1969, driven by Frame's frustration with existing music papers that focused primarily on popular acts rather than the emerging underground scene. He explained his motivation by noting that "None of the English music papers wrote about the music I liked. They all concentrated on popular acts, but I was interested in the Underground scene. So I decided to start a magazine for people who liked the same kind of music I did." Frame edited Zigzag from its launch through February 1973, overseeing the magazine's formative first 29 issues and shaping its distinctive voice through in-depth coverage of lesser-known artists and trends. During this initial editorship, he introduced his innovative Rock Family Trees—diagrammatic charts tracing the personnel changes and interconnections within bands and musical scenes. These first appeared in early editions of the magazine, with the inaugural example published in issue 21 in August 1971. The concept originated as a practical tool for illustrating complex musical lineages in his writing for Zigzag, laying the groundwork for its later development in other publications.

Later editorship and impact

Following his departure from Zigzag in February 1973, Pete Frame took on roles outside journalism, including serving as an A&R representative for B&C Charisma Records and managing the folk-rock band Starry Eyed and Laughing. He returned to edit Zigzag from March 1976 (issue 58) until July 1977 (issue 74), a period that bridged the magazine's underground roots with evolving music scenes. Zigzag established itself as a pioneering publication in British rock journalism, anticipating the rise of alternative music magazines by several decades through its dedicated coverage of underground and non-mainstream acts largely ignored by mainstream outlets. The magazine's knowledgeable, enthusiastic approach to rock music provided readers with a vital guide to emerging trends and artists, influencing tastes and contributing significantly to the alternative culture of the era.

Rock Family Trees

Origins and development

Pete Frame's Rock Family Trees consist of intricate, hand-drawn genealogical charts that visually map the evolving memberships, splits, mergers, and spin-offs of rock and pop bands. These diagrams originated as a way to document the often convoluted personnel changes in the music scene, presenting them in a clear, tree-like structure that traces connections across groups and solo careers. The format allowed readers to follow how musicians moved between bands, providing a visual genealogy of British and American rock history. The first Rock Family Tree was published in ZigZag magazine in August 1971. The charts were later adapted for use in album packaging, appearing on releases by notable artists such as Jeff Beck, the Byrds, Eric Clapton, Crosby Stills & Nash, Fairport Convention, Iron Maiden, Talking Heads, Paul McCartney, and Rod Stewart. Their detailed and artistic presentation turned them into collectible elements in their own right, extending their reach beyond magazine pages into record sleeves and liner notes. Frame's Rock Family Trees have also been showcased in gallery exhibitions worldwide, including a notable display at the Barbican in 2014. Rolling Stone has described them as "elegantly organised as to defy description," highlighting their unique combination of thorough research and visual clarity.

Publications and compilations

Pete Frame's Rock Family Trees have been collected in anthologies published by Music Sales/Omnibus Press. These books compile his meticulously hand-drawn diagrams tracing the personnel changes, influences, and interconnections within rock and related music scenes, building on earlier volumes that appeared from the 1980s onward. The first major anthology is The Complete Rock Family Trees, published in 1993, which combined material from the initial two volumes in the series and covered the histories of groups such as Eric Clapton, Led Zeppelin, The Rolling Stones, Genesis, and The Police. This was followed by More Rock Family Trees in 1998, the fourth installment in the sequence, featuring diagrams of artists including Jeff Beck, Bob Dylan, The Mamas & The Papas, Siouxsie & the Banshees, and the Velvet Underground. The most recent anthology is Even More Rock Family Trees, published in 2011, presenting newly drawn family trees for figures and bands such as Elton John, the Allman Brothers Band, Fleetwood Mac, Eric Clapton, the Yardbirds, Roxy Music, the Beach Boys, Yes, and Miles Davis, among others. These compilations represent the primary book-form presentations of Frame's distinctive genealogical work.

Television work

Rock Family Trees TV series

Pete Frame served as a consultant for the BBC television series Rock Family Trees, which aired from 1995 to 1998 and consisted of two six-part series for a total of 12 episodes. The programme was narrated by John Peel and adapted Pete Frame's distinctive rock family tree diagrams to explore the histories, line-up changes, and personal dramas behind influential bands and music scenes. Frame received writer credit on two episodes from the first series in 1995. The first series (1995) featured episodes including The Fleetwood Mac Story, The Birmingham Beat, Deep Purple People, New York Punk, The British R&B Boom, and The New Merseybeat. The second series (1998) included California Dreamin', Sabbath Bloody Sabbath, The Mersey Sound, Banshees and Other Creatures, The Prog Rock Years, and And God Created Manchester.

Other media contributions

Pete Frame contributed the "Python family tree" to the 1999 TV movie Python Night: 30 Years of Monty Python, a special commemorating three decades of the influential comedy group. This credit applied his distinctive diagrammatic style—previously established in music journalism—to illustrate the relationships among Monty Python members, collaborators, and associates. Beyond his primary television work on the Rock Family Trees series, this stands as one of his few additional media contributions in the television format.

Other writings and contributions

Freelance journalism and radio documentaries

Pete Frame has sustained a long career in music journalism through extensive freelance contributions to a variety of prominent publications. His work has appeared in the New Musical Express (NME), Melody Maker, Rolling Stone, Sounds, Mojo, and The Times, among others. In addition to his print journalism, Frame has written and researched several acclaimed BBC radio documentaries. Notable examples include The Story of Atlantic, Not Fade Away, and The Paul Simon Songbook.

Additional books

In addition to his Rock Family Trees compilations, Pete Frame has authored several other books on rock music history. His 1997 publication, The Beatles and Some Other Guys: Rock Family Trees of the Early Sixties, released by Omnibus Press, focuses on one of the most vibrant periods in British rock by presenting comprehensive family trees for The Beatles and their contemporaries from the Liverpool and London scenes. Pete Frame's Rockin' Around Britain: Rock'n'roll Landmarks of the UK and Ireland, published by Omnibus Press in 1999, serves as a geographical guide to rock music from 1955 to 1998, chronicling births, deaths, momentous gigs, scandals, bizarre events, and significant landmarks associated with artists including The Beatles, Led Zeppelin, Paul Simon, Tom Jones, Boy George, Blur, and Oasis. Frame's most extensive standalone work is The Restless Generation: How rock music changed the face of 1950s Britain, a 500-page book published by Rogan House in 2007 that explores the rise of rock music and youth culture in Britain throughout the 1950s, from the skiffle boom and the arrival of rock 'n' roll to the emergence of teenage identity in post-war society. It has been described by Billy Bragg as “the definitive book on the subject.”

Later life

Recent works and residence

Pete Frame resides in a remote part of the Scottish Highlands. His last major work has been the research and writing of The Restless Generation: How Rock Music Changed the Face of 1950s Britain, published in 2007 by Rogan House. The 512-page book provides a detailed chronicle of British rock music's emergence from skiffle and jazz influences through to the rise of television pop idols and early global stars, drawing on Frame's extensive archival approach to the subject. It has been described as the definitive account of the period by Billy Bragg. Frame has continued to pursue new paths in rock history since then, though no further major publications have appeared. His earlier career, built on pioneering rock journalism and the creation of Rock Family Trees, has informed these ongoing interests.
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