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Rat Trap
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| "Rat Trap" | ||||
|---|---|---|---|---|
.jpg) | ||||
| Single by The Boomtown Rats | ||||
| from the album A Tonic for the Troops | ||||
| B-side | "So Strange"[2] | |||
| Released | 6 October 1978[1] | |||
| Genre | ||||
| Length | 4:55 | |||
| Label | ||||
| Songwriter | Bob Geldof[2] | |||
| Producer | Robert John "Mutt" Lange[2] | |||
| The Boomtown Rats singles chronology | ||||
| ||||
"Rat Trap" is a song by the Boomtown Rats, released in October 1978 as the third and final single from the band's second album A Tonic for the Troops. It reached No. 1 on the UK Singles Chart for two weeks in November 1978,[5] the first single by a punk or new wave act to do so.[6] The song was written by Bob Geldof,[7] and produced by Robert John "Mutt" Lange.[2] It replaced "Summer Nights", a hit single for John Travolta and Olivia Newton-John from the soundtrack of Grease, at number one on the UK chart after the latter's seven-week reign.[8]
Song
[edit]"Rat Trap" is a rock song, telling the tale of a boy called Billy who feels the depressing town he lives in is a "rat trap".
When the band performed the song on Top of the Pops (which is also mentioned in the song) as the UK new number one, the band members began by tearing up pictures of Travolta and Newton-John to emphasise the fact that the pair - who had spent a total of 16 weeks out of the preceding 22 at the top of the charts - had been deposed. Geldof mimed the saxophone part on a candelabra, a jest he explained in his autobiography Is That It?: "The Musicians' Union had forbidden me to play saxophone on the video, as obviously I hadn't done so on the record. But I saw a candelabra on the piano at the shoot and I put a mouthpiece in the central candle holder and played it. The impact of video came home when during the next few British gigs kids pulled out candelabras from nowhere and began playing them during the sax solo in 'Rat Trap'".[9]
In the music video, which was directed by David Mallet, various members of the band are seen reading copies of the novel Rat Trap by the Welsh author Craig Thomas, although the book has no connection to the song. The lyric about "pus and grime..." was changed to "blood and tears pour down the drains and the sewers", although Geldof mumbled the line anyway.[10]
One of the more popular Boomtown Rats songs, it was performed by them at Live Aid and is still performed by Geldof to this day. During the Live Aid performance, Geldof's microphone went dead (apparently from the cable being damaged), causing Simon Crowe's harmony vocals to become the only audible voice on the last half of the song.[citation needed]
In 1996, Geldof recorded a self-mocking cover version of the song with Dustin the Turkey which reached number one in Ireland.[citation needed]
Personnel
[edit]- Bob Geldof – vocals
- Pete Briquette – bass, vocals
- Gerry Cott – guitar
- Johnnie Fingers – keyboards, vocals
- Simon Crowe – drums, vocals
- Garry Roberts – guitar, vocals
- Alan Holmes – saxophone[11]
References
[edit]- ^ "Boomtown Rats singles".
- ^ a b c d e "Boomtown Rats, The - Rat Trap (Vinyl) at Discogs". Discogs.com. 1978. Retrieved 28 March 2014.
- ^ Stanley, Bob (13 September 2013). "Cranked Up Really High: Punk Rock". Yeah Yeah Yeah: The Story of Modern Pop. Faber & Faber. p. 449. ISBN 978-0-571-28198-5.
- ^ https://www.allmusic.com/song/rat-trap-mt0011610608
- ^ Larkin, Colin (2002), The Virgin encyclopedia of 70s music (3rd ed.), Virgin Publishing, p. 45, ISBN 1852279478.
- ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 71. ISBN 1-904994-10-5.
- ^ "Bob Geldof". bobgeldof.com. Retrieved 28 March 2014.
- ^ Pegg, Nicholas (2006), The complete David Bowie (6th ed.), Reynolds & Hearn, p. 76, ISBN 1905287151.
- ^ Geldof, Bob; Vallely, Paul (2005). Is That It?. Pan Books. p. 171. ISBN 0-330-44292-9.
- ^ "Boomtown Rats - Rat Trap [totp2]". YouTube. BBC. 1:15 minutes in. Archived from the original on 19 December 2021. Retrieved 23 October 2014.
- ^ "Mr Alan Holmes". musicteachers.co.uk. Retrieved 23 October 2014.
Rat Trap
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Background and Development
Writing and Inspiration
Bob Geldof penned "Rat Trap" as a last-minute addition to the Boomtown Rats' second album, A Tonic for the Troops, during the band's rehearsals in early 1978.[4] The song emerged from Geldof's direct experiences with Dublin's working-class struggles, particularly his time toiling in a Ballsbridge abattoir in the mid-1970s, where he observed colleagues trapped in cycles of poverty and monotonous labor.[5][6] Geldof drew thematic inspiration from the urban decay and entrapment he witnessed in Ireland's capital, using the metaphor of a "rat trap" to depict a protagonist's desperate yet futile bid for escape from dead-end existence—a narrative rooted in real-life figures like fellow abattoir workers and an old Dublin acquaintance mired in similar circumstances.[7][8] While the track's epic, character-driven structure invited comparisons to Bruce Springsteen's storytelling in songs such as "Jungleland," Geldof emphasized influences from Irish artists like Van Morrison and Phil Lynott, rejecting notions of direct homage.[9][7] Formed in Dublin in 1975 amid the punk rock surge, the Boomtown Rats provided Geldof a platform to channel these raw, socially observant lyrics into a sound that blended punk energy with more expansive rock elements.[10]Recording and Production
"Rat Trap" was recorded in 1978 at Relight Studios in the Netherlands with producer Robert John "Mutt" Lange overseeing the sessions for the band's second album, A Tonic for the Troops.[11] Lange, known for his meticulous approach, emphasized a polished new wave sound that blended the Boomtown Rats' punk energy with pop accessibility, transforming the track into a radio-friendly hit.[4] As Geldof later reflected, the song "doesn’t exist without Mutt," crediting Lange's contributions to its final form, including structural enhancements like adding a D chord to the progression.[4] Bob Geldof handled lead vocals, with the saxophone solo performed by Alan Holmes, though Geldof mimed the instrument during television performances due to Musicians' Union rules. The band incorporated overdubs for horns and strings to craft a dramatic orchestral build-up, featuring prominent bass lines from Pete Briquette and guitar riffs by Gerry Cott that drive the song's intensity.[12] Production decisions included editing the track to a runtime of 4:55 for single release to suit radio play, while Lange's mixing accentuated the crescendo from subdued verses to the explosive chorus, enhancing its dynamic range.[4] Written as a rushed addition to the album, the song was tracked as an afterthought following the main sessions.[4]Music and Lyrics
Musical Composition
"R 'Rat Trap' follows a verse-chorus form augmented by an extended intro that gradually layers sparse acoustic guitar and piano elements before erupting into the full band's raw energy, building to a climactic arrangement with verses, choruses, a bridge leading into the instrumental break, and a fade-out guitar solo. The song is composed in E minor and maintains a brisk tempo of 141 beats per minute (BPM), which propels its driving rhythm section of bass and drums forward, evoking the urgent pulse of urban life.[13][14] At a runtime of 5:04 on the single release, the track's length facilitates a sense of narrative escalation, from introspective verses to anthemic choruses that swell dramatically.[15] The composition blends punk rock's unpolished vigor with rock opera-inspired theatrical builds, resulting in a hybrid new wave sound characterized by dynamic shifts and emotional intensity.[16] A standout feature is the prominent saxophone solo in the bridge, performed by session musician Andy Hamilton on the studio recording, which adds a wailing, expressive layer amid the band's frenetic instrumentation; notably, frontman Bob Geldof mimed the saxophone part during live performances and in the music video.[17] The rhythm section's insistent groove, anchored by Pete Briquette's bass lines and Simon Crowe's drumming, supports Geldof's narrative delivery, while guitar work from Garry Roberts and Gerry Cott provides jagged riffs that heighten the song's rebellious edge.[18] Chord progressions, such as the Em-G sequence in the verses and the uplifting C-D-G-Em in the choruses, contribute to the track's anthemic quality, resolving tension in a way that mirrors the lyrical escape motif without overpowering the punk ethos.[19] Produced by Robert John 'Mutt' Lange, the arrangement balances raw punk attitude with professional polish, allowing the sonic elements to crescendo toward the extended solo sections."Lyrical Themes
The lyrics of "Rat Trap" revolve around the narrative of Billy, a young man mired in the drudgery of a factory job in a crumbling urban setting, where the titular "rat trap" symbolizes the unrelenting grip of poverty and societal stagnation that offers no viable escape.[20] This story portrays Billy's daily existence as one of isolation and futility, with vivid imagery of a town riddled with "pus and grime" and enforced routines that stifle any sense of agency, reflecting the broader entrapment of youth in economically depressed communities.[1] Geldof drew from his own experiences in Dublin's underclass to craft this tale, emphasizing the psychological toll of such environments without providing heroic resolution.[5] Central to the song's thematic depth are lines like "So you put away your rat trap / And you cure it with a shoulder shrug," which capture Billy's resigned acceptance of his circumstances alongside glimmers of defiant rebellion, such as his impulsive decision to quit his job and chase a fleeting thrill.[20] These elements underscore the tension between passive endurance and momentary uprising, rooted in the 1970s Irish economic hardships marked by high unemployment, industrial decline, and limited opportunities for social mobility.[21] The lyrics evoke the era's recessionary atmosphere, where dreams of betterment—whether through emigration or personal reinvention—often dissolved into disillusionment, mirroring the experiences of many working-class individuals in Ireland and Britain.[22] Geldof's intent with these lyrics was to deliver a pointed critique of working-class entrapment, blending stark despair with ironic humor through the rodent metaphor to humanize the struggle and sidestep overt didacticism.[5] By avoiding tidy conclusions, the song amplifies the theme of inescapable stagnation, portraying Billy's world as a microcosm of systemic failure that persists across generations, a perspective Geldof has reiterated in reflections on the song's enduring relevance to economic inequality.[21] This approach infuses the narrative with a raw authenticity, using subtle socio-political undertones to evoke empathy rather than polemic.[22]Release and Reception
Commercial Release and Charts
"R Rat Trap" was released on 6 October 1978 by Ensign Records as the third single from the band's second studio album, A Tonic for the Troops. The single featured the non-album B-side "So Strange" and was primarily issued in 7-inch vinyl format.[15][23] The single entered the UK Singles Chart on 14 October 1978 and climbed to No. 1, where it remained for two weeks starting 12 November 1978.[2] This achievement made "Rat Trap" the first No. 1 hit for an Irish band on the UK chart and the first song in the punk or new wave genre to reach the top spot, displacing "Summer Nights" by John Travolta and Olivia Newton-John from the Grease soundtrack after its seven-week run.[24] The track sold over 690,000 copies in its first four weeks on sale and was certified Gold by the British Phonographic Industry (BPI) in November 1978 for sales exceeding 500,000 units.[5] Internationally, "Rat Trap" reached No. 2 on the Irish Singles Chart, No. 94 on the Australian Kent Music Report, and No. 94 on the US Billboard Hot 100.Critical Response
Upon its release in 1978, "Rat Trap" received mixed contemporary reviews, with critics noting its energetic storytelling and role in advancing new wave sounds while questioning its punk authenticity. Publications like Trouser Press praised the track's narrative drive and musical progression from earlier Boomtown Rats material, describing it as building effectively on the band's established style with vivid character sketches and dynamic arrangements. However, some reviewers critiqued its ambitious scope, calling it overlong and derivative, particularly in its emulation of Bruce Springsteen's working-class anthems, though others highlighted the saxophone-driven hooks as a fresh punk-pop fusion.[25] Retrospective analyses in the 21st century have largely celebrated "Rat Trap" as a pivotal "gem" that skillfully blended punk rebellion with accessible pop elements, marking a breakthrough for the genre's chart dominance. In Every UK Number 1, the song is lauded for its layered intelligence and catchy appeal, positioning it as high-grade pop that captured youthful dissatisfaction amid the late-1970s musical shift. Similarly, The UK Number Ones Blog hails it as a "fab, classic single" and mini rock-opera, emphasizing its thematic depth in depicting trapped adolescence while noting the saxophone intro's funky Springsteen-like vibe. These views underscore its enduring appeal despite initial punk purist reservations.[3][16] Overall, the track is widely recognized for propelling The Boomtown Rats to prominence as a new wave force, with its chart-topping visibility amplifying debates on genre evolution, though detractors occasionally dismissed it as overly imitative of Springsteen without major controversies arising.[26]Promotion and Legacy
Music Video and Live Performances
The official music video for "Rat Trap," directed by David Mallet and released in 1978, features black-and-white footage of the band performing in a derelict warehouse, intercut with scenes of urban decay to evoke a gritty atmosphere. For added irony, frontman Bob Geldof is shown reading a book titled Rat Trap by Craig Thomas, which has no thematic connection to the song beyond its name.[27][28][3] The song debuted on the BBC's Top of the Pops in late 1978, where the band mimed the performance, with Geldof taking center stage on vocals and saxophone duties, contributing to its rising visibility during the chart-topping period.[29] Promotional TV appearances, including BBC radio and in-concert sessions recorded in 1978, further showcased the track in a live format, amplifying its energetic punk-rock delivery.[30] One of the most iconic live renditions was part of the band's set at the 1985 Live Aid concert at Wembley Stadium, which lasted approximately 15 minutes and included "I Don't Like Mondays", "Drag Me Down", and "Rat Trap", followed by crowd participation that culminated in an a cappella sing-along of "For He's A Jolly Good Fellow", energizing the 72,000 attendees.[31][32] In the 2020s, during reunion tours like the 50 Years Tour, "Rat Trap" has served as the set opener, maintaining its status as a high-energy staple in the band's live repertoire.[33] European tours in 1978–1979, including stops across the UK and continent, featured the song as a centerpiece, helping to solidify its promotional momentum alongside these broadcasts.[34]Cultural Impact and Covers
"Rather than continuing the raw aggression of punk, 'Rat Trap' represented a breakthrough for new wave into the mainstream, becoming the first new wave single to reach number one on the UK charts in November 1978.[3][1] This achievement also marked the first time an Irish rock band topped the UK singles chart, signaling a shift toward more narrative-driven rock anthems amid the late 1970s punk evolution.[35][36] The song's vivid portrayal of urban entrapment and youthful frustration captured the era's disillusionment, resonating with audiences facing economic stagnation and social unrest in Britain and Ireland.[37][38] In popular culture, 'Rat Trap' has been referenced in media exploring the 1970s music scene, underscoring its role in bridging punk's underground energy with broader rock accessibility. Its themes of rebellion and escape influenced subsequent UK acts blending narrative storytelling with post-punk edges, though direct lineages are more evident in the band's broader impact on Irish rock's international presence.[39] A notable adaptation came in 1996, when Bob Geldof recorded a humorous cover version with comedian Dustin the Turkey, which topped the Irish charts as a lighthearted nod to the original's legacy.[40][41] The song's enduring legacy is evident in The Boomtown Rats' 2020s 50th anniversary tours, where it remains a setlist staple, often opening performances to evoke the band's formative punk-new wave spirit.[42][43] The 2020 reunion album Citizens of Boomtown reaffirms 'Rat Trap's status through archival nods and thematic continuity, highlighting its place in the band's catalog of socially charged rock narratives.[44]Personnel
- Bob Geldof – vocals
- Garry Roberts – lead guitar, backing vocals
- Johnnie Fingers – keyboards, backing vocals
- Pete Briquette – bass, backing vocals
- Gerry Cott – rhythm guitar, backing vocals
- Simon Crowe – drums
- Robert John "Mutt" Lange – producer[15]