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Richard Macphail
Richard Macphail
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Key Information

Richard Paul Macphail (17 September 1950 – 26 August 2024) was an English musician, road manager and business owner, best known for his relationship with the rock band Genesis from their formation in 1967 to 1973.

Early life

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Macphail was born in Bedford, Bedfordshire, on 17 September 1950, the third child of David Macphail and Mary (nee Ward)[1] who married in 1941.[2] His father was a senior executive in the food industry working in Brazil, and Macphail's parents returned to England for his birth to be registered in the UK. He grew up in Bramley, near Guildford, Surrey, and was educated at Aldro school in Shackleford, Charterhouse School in Godalming, Surrey, and Millfield.[3]

Genesis

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At Charterhouse, under the influence of Beatlemania, Macphail neglected his studies and became the singer in a student band, Anon,[4] which included housemates Anthony Phillips and Mike Rutherford. Other Charterhouse pupils, among them Peter Gabriel and Tony Banks, formed a band called Garden Wall, and at the end of summer term 1966 Macphail persuaded the headmaster to let the two bands play a school concert together.[5] The bands later merged and became Genesis, but by then Macphail's parents, who had wanted him to become a lawyer or a doctor, had removed him from the school and transferred him to Millfield. At Millfield he formed another band, the Austin Hippy Blues Band, with Harry Williamson, son of Tarka the Otter author Henry Williamson[6] (who later wrote and performed music with Macphail's old bandmate and original Genesis guitarist, Anthony Phillips).

By the time the Charterhouse musicians recorded their debut album as Genesis in 1968, Macphail had been sent to a kibbutz in Israel by his parents.[7] When he returned to Britain he reconnected with Genesis and helped Gabriel to set up meetings with record labels and promoters, from which they won a six-weeks residency at Ronnie Scott's jazz club in Soho, London, and a recording contract with record label Charisma. The band spent months rehearsing in an empty cottage in Surrey owned by Macphail's parents and developing their prog-rock sound.[8]

Macphail was the band's one-man road crew and tour manager from 1969 until 1973. He drove them to gigs and set up the gear, first in Britain and then on tour in Europe and the US. His parents conceded that managing a rock band was a more respectable occupation than being a pop star, and his father obtained an old bread van from his company for them to use as transport.[9] Macphail was also the band's support at difficult moments: he persuaded them not to split up when original guitarist Anthony Phillips quit after a gig in London one night in 1970, and Gabriel said that he had frequently bailed them out of difficult situations.[10] He became, in effect, the sixth member of Genesis and was credited as such in the artwork of the band's 1970 album Trespass. He is credited as "sound friend" in the liner notes to their fourth album Foxtrot (1972)[nb 1] and when he left, the band marked his departure on the sleeve of their first live album, Genesis Live (1973), with the words: "Dedicated to Richard Macphail, who left in 1973."[12]

He returned to Genesis a year later when the band lost their lighting engineer as they were about to start a US tour and Macphail, although he knew little about stage lighting, stepped in and learned the job.[13] Macphail worked with Genesis once more as road manager in 1976 for their A Trick of the Tail Tour, and with former Genesis singer Peter Gabriel as tour manager when he launched his solo career in 1977 and 1978. Macphail briefly managed Van Morrison and was Leonard Cohen's tour manager in Europe in 1979.[14]

Other projects

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Macphail ended his musical career with a band called Legion in 1981, which featured him as lead vocalist. Legion played a short four-date tour that year supporting American band Spirit, which included a gig at Friars in Aylesbury which was opened by Marillion. In 1992 he sang backing vocals on Gabriel's single "Digging in the Dirt".[15]

In 2016, Macphail worked as DJ on Meridian Radio in London, and followed this with his own on-line radio station, Radio Rich Pickings.

Outside of music, Macphail worked with environmental and ecological organisations including Gentle Ghost, which provided courses in among other things, carpentry and yoga, and for a while he ran a vegetarian restaurant.[16] After semi-retiring he ran his own energy advice company, Optima Energy, from the beginning of the 1980s until his retirement in 2015[17] and continued to make occasional appearances at Genesis conventions.

A book describing Macphail's time with Genesis, My Book of Genesis, with co-author Chris Charlesworth, was published in 2017.

Personal life

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Macphail married world-renowned musician Maggie Cole, know for the harpsichord, fortepiano and piano. His great grand daughter is the British actress, director and writer Verity Drew Firth.

Death

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Richard Macphail died unexpectedly at home in London on 26 August 2024, at the age of 73.[18] He was survived by his American-born wife Maggie Cole, a teacher at London's Guildhall School of Music and Drama and harpsichordist with the Britten Sinfonia[19] who he married in London in 1981.[20] A post-mortem confirmed he died of heart disease with diabetes also being a contributing factor.

References

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Notes

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from Grokipedia
Richard Macphail was an English tour manager, road manager, and musician known for his close association with the rock band Genesis from its earliest days and his later work as tour manager for Peter Gabriel. A contemporary of the band's founding members at Charterhouse School, he sang as lead vocalist in the school group Anon, which included Anthony Phillips and Mike Rutherford, before becoming deeply involved in supporting Genesis's formation and development. Macphail provided crucial early assistance to Genesis by arranging rent-free use of his family's Christmas Cottage in Surrey as a rehearsal and living space in 1969, where the band wrote much of their album Trespass, and by securing a van for their transportation. He served as the band's road manager and tour manager through their formative years until 1973, a period when he handled diverse responsibilities including equipment, logistics, and motivation during challenging times. After leaving Genesis, he continued as tour manager for Peter Gabriel during the initial phase of his solo career. His contributions to Genesis were formally acknowledged with a dedication on the back cover of the 1973 live album Genesis Live. In 2018, Macphail published his memoir My Book of Genesis, which offered personal insights into the band's early history and featured a foreword by Peter Gabriel. Later in his career, he transitioned to work in ecological and environmental fields. Macphail died unexpectedly on August 26, 2024, prompting tributes from Peter Gabriel and Steve Hackett that emphasized his kindness, determination, enthusiasm, and enduring influence on the band and its members.

Early life and education

Family background and childhood

Richard Paul Macphail was born on 17 September 1950 in Bedford, Bedfordshire, England, the third child of David Macphail, a senior executive in the food industry, and Mary (née Ward). His parents had been residing in Brazil, where his father worked, returning to England a couple of months before his birth to avoid him having to serve in the Brazilian army. He grew up in Bramley, near Guildford, Surrey. He later attended Aldro, Charterhouse, and Millfield schools.

School years and early musical involvement

Richard Macphail attended Aldro School in Shackleford from 1958 to 1963 before moving on to Charterhouse School in Godalming, Surrey, in 1963. At Charterhouse, he became the lead singer of the student band Anon, which included Rivers Job, Anthony Phillips, Rob Tyrrell, and Mike Rutherford. The group primarily performed covers of the Rolling Stones, Beatles, and Yardbirds, along with some original material, and played at school parties and functions. Anon's first public appearance came at the school's end-of-term concert in December 1965, where they performed three songs from the Rolling Stones' Out of Our Heads album. Macphail nearly missed the performance after his parents initially withheld permission, resulting in his name being omitted from the program, though they relented at the last minute. The set was enthusiastically received by the students, but the headmaster expressed clear disapproval by keeping his fingers in his ears throughout. In summer 1966, Macphail successfully persuaded the headmaster to permit a joint end-of-term concert featuring Anon and another Charterhouse band, The Garden Wall; this event marked an early step toward the eventual merger of the two groups into Genesis. Macphail's growing commitment to music overshadowed his academic performance at Charterhouse, leading his parents to remove him from the school in 1966. He subsequently attended Millfield school before spending six months on a kibbutz in Israel during the summer of 1968.

Association with Genesis

Charterhouse bands and Genesis formation

During his attendance at Charterhouse School, Richard Macphail served as the lead singer of the pupil band Anon, which also featured Anthony Phillips on lead guitar and Mike Rutherford on bass guitar, along with Rivers Jobe on bass and Rob Tyrrell on drums. Anon primarily performed covers of artists such as the Rolling Stones, the Beatles, and the Yardbirds at school events and parties, with their first public appearance occurring during a school function in 1965. Concurrently, fellow Charterhouse pupils Peter Gabriel, Tony Banks, and Chris Stewart formed the band Garden Wall, which focused on original material. Macphail persuaded the school's headmaster to permit Anon and Garden Wall to share the stage for a joint concert at the end of the summer term in 1966, marking a pivotal moment that brought the two groups' members together for the first time in performance. This collaborative school event laid the foundation for the merger of the bands' core members after Macphail's departure from Charterhouse later that year. The combined lineup subsequently formed Genesis in 1967, with the group later named and initially produced by former Charterhouse pupil Jonathan King. Macphail was absent during the recording of Genesis' debut album From Genesis to Revelation in 1968 while staying on a kibbutz in Israel.

Early support and rehearsal facilitation

Richard Macphail returned to Britain in late 1968 after spending half a year working on a kibbutz in Israel, where his parents had sent him. Upon his return, he reconnected with his Charterhouse school friends who had formed Genesis and provided support during the difficult period following their debut album From Genesis to Revelation. In 1969, Macphail's parents made their empty cottage, known as Christmas Cottage near Wotton in Surrey, available to Genesis rent-free for approximately six months beginning in October. The band—Peter Gabriel, Tony Banks, Mike Rutherford, Anthony Phillips, and John Mayhew—lived and rehearsed there, with Macphail residing alongside them and handling much of the domestic organization to allow focused creative work. This extended stay proved pivotal, enabling the group to refine their progressive rock sound and write most of the material for their second album Trespass. From the cottage, Macphail and Peter Gabriel frequently telephoned record companies and promoters to generate opportunities and improve the band's prospects. These efforts helped lead to Genesis securing a recording contract with Charisma Records through Tony Stratton-Smith during this period. Macphail also assisted in arranging key engagements, including a six-week residency at Ronnie Scott's jazz club in Soho. This early logistical and creative support soon transitioned into Macphail assuming the full role of road manager.

Road manager and tour support (1969–1973)

Richard Macphail served as Genesis' road manager and sole tour support from 1969 to 1973, acting as the band's one-man crew during their transition to professional status. He drove the group in an old Hovis bread van provided by his father, transported and set up equipment, handled live sound engineering duties, and managed logistics for performances across the United Kingdom, continental Europe, and the United States. Regarded by the band as an unofficial sixth member, Macphail provided crucial logistical and moral support throughout this formative period. He is credited in the liner notes to Foxtrot (1972) as responsible for "Equipment & Stage Sound (Sound Friend)," and he appears in photographs within the album's artwork alongside the band members. Following Anthony Phillips' departure in 1970, Macphail played a key role in preventing a potential band split by inspiring and convincing members to continue amid uncertainty and helping navigate the subsequent transitional crises. He remained with Genesis until April 1973, departing after the band had stabilized creatively with material such as "Supper's Ready" from Foxtrot. Genesis Live (1973) was dedicated to him, bearing the inscription "This album is dedicated to Richard Macphail who left April, 1973."

Brief returns and ongoing contributions

Macphail's full-time involvement with Genesis ended in 1973, but he made brief returns to support the band during key periods. In spring 1974, when regular lighting engineer Les Adey fell ill just before the North American leg of the Selling England by the Pound tour, Macphail stepped in as stand-in lighting operator despite having virtually no prior experience with stage lighting. His familiarity with the band's music allowed him to learn the cues quickly and manage the role for approximately one month until Adey recovered. Macphail later reflected that the band needed someone who knew the songs intimately, even if unfamiliar with lights, and his work on that tour inspired future professionals in the field. He returned once more in summer 1976 as road manager for the European leg of the A Trick of the Tail Tour, Genesis's first major outing following Peter Gabriel's departure. The band, nervous about audience reception without their original singer, sought Macphail's reassuring presence and experience to help navigate the transition. He appeared in the concert film Genesis: In Concert, filmed during that tour at Glasgow Apollo. Macphail's contributions to Genesis have continued to be acknowledged by band members over the decades. Following his death in 2024, Peter Gabriel paid tribute to his longtime friend, noting how Macphail repeatedly bailed the group out of difficult situations and inspired them to persevere through challenges. Tony Banks stated that "Genesis owes him so much" for his crucial support and encouragement in the band's early survival. Steve Hackett remembered him as one of the most special people he had known, who brought out the best in everyone and remained a lifelong friend.

Later music career

Tour management for Peter Gabriel and others

Macphail served as tour manager for Peter Gabriel during the early phase of Gabriel's solo career following his departure from Genesis. He held the position for Gabriel's tours in 1977 and 1978, a period marked by several challenging incidents. One prominent event occurred during Gabriel's first solo tour in 1977, when the entourage was stopped at the Swiss border while traveling from a concert in Germany to a concert in Berne, Switzerland. Amid heightened security concerns related to the Baader-Meinhof terrorist campaign, armed police surrounded the group, searched for weapons and bombs, and questioned Macphail about his briefcase containing multiple passports and cash in various currencies; the band was eventually cleared and arrived just in time. Macphail also briefly managed Van Morrison, a role described as thankless due to the singer's notoriously difficult temperament. In 1979, he worked as tour manager for Leonard Cohen's European tour. Following the Cohen tour, Macphail left full-time work in the music industry.

Vocal and backing projects

Macphail made occasional vocal contributions in later years, stepping away from his primary role in tour management to perform in select projects. In 1981, he served as lead vocalist for the short-lived band Legion, which undertook a four-date UK tour supporting the American rock band Spirit. In 1992, Macphail provided backing vocals on Peter Gabriel's "Digging in the Dirt", the lead single from the album Us, alongside contributors including Ayub Ogada and Peter Hammill.

Professional life outside music

Environmental and community work

After parting ways with the music industry in 1980, Richard Macphail turned his focus to environmental and community initiatives. He worked with Gentle Ghost, a community organisation dedicated to making independent communities a reality through ecological balance and environmental protection. Gentle Ghost offered practical services to the public, including painting, gardening, and furniture moving, while providing courses in subjects such as carpentry, electronics, autosuggestion, yoga, and other disciplines. Macphail contributed as a semi-professional furniture remover within the group. For a period, he also ran a vegetarian restaurant connected to these community-oriented activities.

Energy consultancy

After shifting away from his music career in 1980, Richard Macphail founded Optima Energy, a consultancy focused on advising clients on energy efficiency and savings. Inspired by his interest in environmental issues and a connection to solar energy research at the University of Westminster, the company specialized in promoting efficient energy use and solar-related solutions to help customers reduce consumption. He ran Optima Energy until his retirement in 2015, establishing it as his primary professional endeavor in the environmental sector during this period. As a founder director, Macphail built the business into a successful operation providing targeted energy-saving advice.

Radio broadcasting

In 2016, during a period of semi-retirement, Richard Macphail began working as a DJ on Meridian Radio, a community station in London, where he presented shows including one surviving partial recording of what was likely his final appearance there. He soon transitioned to independent broadcasting by launching his own internet radio station, Radio Rich Pickings, which commenced operations on 18 September 2016 and aired its first full show on 4 October 2016. Macphail hosted the live weekly program himself every Tuesday evening from 6:00 to 8:00 pm UK time, curating music selections that occasionally included Genesis-related contributions and themed specials. The show was streamed via his own Shoutcheap internet service, with recordings from 19 February 2019 onward primarily hosted on Mixcloud under his profile. Macphail continued presenting Radio Rich Pickings consistently for nearly eight years, producing 326 episodes until his final broadcast on 24 July 2024.

Film and television appearances

Appearances as himself in documentaries

Richard Macphail has appeared as himself in documentaries focused on the history and members of Genesis, reflecting on his role as the band's early road manager and tour support from 1969 to 1973. He is credited as Self in the 2007 video documentary Genesis: Then and Now - The History, a 50-minute German production that explores the band's development. Macphail also appears as Self in the 2014 television documentary Genesis: Together and Apart (also known as Genesis: Sum of the Parts), which reunites key band members to discuss their careers, line-up changes, and creative dynamics.

Special thanks credits

Richard Macphail received a special thanks credit for his contributions in one episode of the PBS documentary anthology series Independent Lens in 2009. This behind-the-scenes acknowledgment reflects his occasional involvement in documentary productions beyond his primary work in music and related fields.

Personal life

Marriage and family

Richard Macphail married American-born Maggie Cole, a teacher at the Guildhall School of Music and Drama and harpsichordist with the Britten Sinfonia. He was survived by his wife Maggie Cole. The couple resided long-term in London.

Memoir

My Book of Genesis

Richard Macphail published his memoir, My Book of Genesis, in 2017. The book was written with the assistance of music journalist Chris Charlesworth and features a foreword by Peter Gabriel. The memoir provides an affectionate and personal account of Macphail's nearly five-year involvement with Genesis, during which he served as a school friend, aide-de-camp, and tour manager for the band. Macphail describes himself as the "glue that held Genesis together" in those early years, offering his unique perspective on the group's formative period. The narrative combines stories from Genesis's early history with aspects of Macphail's own life, presented in an entertaining, exciting, and frequently humorous style that makes the book easy to read. It focuses particularly on the band's origins and development, delivering insights into this era through Macphail's close vantage point.

Death and legacy

Death

Richard Macphail died unexpectedly at his home in London on 26 August 2024, aged 73. Some reports gave the date as 27 August 2024. He was survived by his wife Maggie Cole.

Tributes and impact

Following his death, Richard Macphail was widely remembered by Genesis members and associates as an indispensable figure in the band's early history. In his tribute, Peter Gabriel described Macphail as someone who "time after time bailed us out of difficult situations," inspired the band to continue during doubts, and whose "determination, good humour and enthusiasm got us all through so many difficult moments." Anthony Phillips described him as a "pillar and rock" during challenging times, highlighting his loyalty, kindness, generosity, and positivity. Genesis collaborators frequently described him as an unofficial sixth member of the band, emphasizing his essential contributions beyond any formal title. Macphail remained connected to the Genesis community in his later years, appearing as a guest at Genesis fan events where he shared memories and insights from his close involvement with the group. His memoir, My Book of Genesis, continues to serve as a key document preserving his perspective on the band's legacy.

References

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