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Richard Travis
Richard Travis
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Richard Charles Travis, VC, DCM, MM (born Dickson Cornelius Savage; 6 April 1884 – 25 July 1918) was a New Zealand soldier who fought during the First World War and was posthumously decorated with the Victoria Cross (VC), the highest award for gallantry in the face of the enemy that can be awarded to Commonwealth forces.

Key Information

Born in Ōpōtiki, Travis worked as a farm hand and horse breaker and, as a young man, led a transient existence after leaving home at the age of 21. He volunteered for the New Zealand Expeditionary Force following the outbreak of the First World War and served briefly at Gallipoli. He was later sent to France where he fought in the trenches along the Western Front, earning a reputation as scout and sniper and receiving awards for his gallantry. On 24 July 1918, he carried out a reconnaissance into "no man's land" prior to an attack by his battalion, destroying a wire obstacle that may have slowed progress for the advancing troops. During the attack itself, he made a solo foray to deal with two weapons pits that were delaying the advance. He was killed by shellfire the next day but his exploits of 24 July led to him being awarded the VC posthumously.

Early life

[edit]

Dickson Cornelius Savage, as he was called originally, was born in April 1884.[2] His father, James Savage, a former member of the New Zealand Armed Constabulary, had migrated to New Zealand from Ireland and farmed a block of land at Otara, a short distance from Ōpōtiki.[3][4] His mother, Frances (née O'Keefe), had originally come from Sydney, Australia.[2][5] The oldest boy out of seven children,[3] Dickson Savage attended schools at Ōpōtiki but only completed the first four years of his education before his family took him out of school to work on the farm. He acquired various farming skills, but showed a particular talent for horse breaking, for which he earned a degree of local fame.[2][5]

The impetuous Savage left home at age 21, after an argument with his father, and moved to Gisborne.[2] He continued to work as a farmhand and further enhanced his reputation for horse breaking.[6] Amid claims of impropriety with a local woman he moved on and, seeking a clean break, he changed his name to Richard Charles Travis. In 1910, he settled in Winton where he found work as a farmhand for Tom Murray, a local farmer, at his property around Ryal Bush. Sometime later he and Murray's daughter, Lettie, became engaged although the pair were not married before the war in Europe separated them.[2]

First World War

[edit]
Richard Charles Travis military personnel file (1919–1958)

Less than a month after the outbreak of the First World War, Richard Travis sought to join the 7th (Southland) Mounted Rifles, a squadron of the Otago Mounted Rifles Regiment.[2] Giving his occupation as "horsebreaker", he enlisted in Invercargill.[7] His stature of 5 feet 6 inches (1.68 m) and weight 133 pounds (60 kg), with "a fresh complexion, blue eyes and fair hair", belied his military potential. He was attested on 20 August 1914 and after a short period of basic training Travis departed New Zealand along with the first contingent—known as the "Main Body"—of the New Zealand Expeditionary Force (NZEF) bound for Egypt.[2]

Gallipoli

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Upon arrival in the Middle East in December 1914, the New Zealanders undertook further training at camps in Egypt,[8] before taking part in the landing at Anzac Cove as part of the Gallipoli campaign on 25 April 1915.[9] The Otago Mounted Rifles Regiment (including Travis' Southland Squadron) did not take part in the initial landing; instead they were sent as dismounted reinforcements the following month.[2] Travis, who was part of the transport section and had responsibility for breaking in new horses,[10] was not scheduled to proceed with the rest of the Southland Mounted Rifles Squadron. Instead he was to remain with the horses in Egypt.[11] Nevertheless, exhibiting the same disregard for discipline that had gotten him in trouble earlier in his life, he stowed away upon the squadron's transport and joined them on the Gallipoli Peninsula.[2][12]

Travis' unauthorised presence was soon discovered and disciplinary proceedings followed: he was returned to Egypt and received 14 days' confinement. Nevertheless, in October he was later able join up with the Southland Squadron as it rested on Lemnos after the Battle of Sari Bair[13] before returning to Gallipoli to take part in the final month of the campaign before the Allied forces were evacuated in December 1915. While at Anzac Cove he established a reputation as a fine soldier who possessed the ability to move through "no man's land" unscathed.[2][4]

Western Front

[edit]

Following their evacuation from Gallipoli, the New Zealanders returned to Egypt[14] while the War Office considered their future deployment.[15] After sustaining a knee injury while breaking in a horse,[16][17] in March 1916, Travis was transferred to the infantry and was posted to the 8th (Southland) Company of the 2nd Battalion, Otago Infantry Regiment, New Zealand Division.[12] When the division transferred to the European theatre, he sailed with it to France, arriving there in April, to serve in the trenches along the Western Front.[2] After the 2nd Battalion entered the line near Armentières,[12] Travis began conducting scouting missions at night into "no man's land" to gather intelligence on German positions and help in mapping the front.[2] By the end of July 1916, he had been twice commended in brigade orders for his work in carrying out night patrols and recovering wounded soldiers.[18] He had also been wounded, which saw him spend most of August in hospital receiving treatment.[19]

In September 1916 he singlehandedly dealt with two German snipers that were firing upon a work party during the fighting on the Somme. He later received the Distinguished Conduct Medal (DCM), the British Empire's second highest gallantry award, for this action, the published citation for his award, which appeared in The London Gazette in November 1916, reading as follows:

For conspicuous gallantry in action. He went out by himself and accounted for several enemy snipers who were firing at a working party. He has on many previous occasions done very fine work.[20][21]

After this the 2nd Battalion moved to Flanders to hold the line during winter.[12] Throughout the remainder of 1916 he progressed through the ranks, soon reaching the rank of sergeant, whereupon he was given responsibility for a sniper and reconnaissance section consisting of hand picked men, tasked with conducting reconnaissance of German lines and capturing prisoners to gain intelligence.[2][12][22] His section quickly grew a reputation for being able to provide important intelligence on the strength and positions of the enemy.[23] As a leader he was said to have a casual approach towards things such as dress and military protocol, however, he was resourceful, had a well-developed understanding of enemy courses of action and had a penchant for detailed planning.[2]

In early December 1917 Travis was sent to England; this was intended to be for a period of three months but Travis agitated for an earlier return and rejoined his battalion, serving on the front lines near Polygon Wood in Flanders, in mid January 1918.[24] Soon afterwards, Travis was awarded the Croix de Guerre from the Belgian government.[25] During the German spring offensive of April 1918, Travis was wounded which required hospitalisation for over two weeks.[26] At the end of the following month, he was awarded the Military Medal (MM) "for acts of gallantry in the field".[27][28]

In July 1918, as part of the operations undertaken prior to the Allied Hundred Days Offensive, planned for August, the 2nd Battalion, Otago Infantry Regiment, was committed to operations around Rossignol Wood, to the north of Hébuterne, where a salient had developed in the German lines.[4] Following the initial attacks, the Germans withdrew from their positions and Travis, with the reconnaissance section, set out to discover their new location. On 24 July the battalion was scheduled to launch its attack. Prior to stepping off, Travis crossed "no man's land" in daylight and destroyed a wire obstacle that threatened to block the path of the battalion's advance. Later, after the attack had been checked by heavy fire from a number of machine gun positions, seeing the danger, Travis approached two weapons pits alone and killed their occupants.[4][29]

He was killed the following day in a German artillery barrage while accompanying an officer on an inspection of the battalion's positions.[30] Well known among the New Zealand Division for his exploits, his death affected its morale.[31] On 26 July 1918, he was interred in a grave near the small village of Couin, which is now the site of the Couin New British Cemetery.[1] For his deeds on 24 July he was posthumously awarded the Victoria Cross (VC) in September 1918.[2] The VC, instituted in 1856, was the highest award for valour that could be bestowed on a serviceman of the British Empire.[32] The citation for his VC read:

For most conspicuous bravery and devotion to duty. During 'surprise' operations it was necessary to destroy an impassable wire block. Serjt. Travis, regardless of personal danger, volunteered for this duty. Before zero hour, in broad daylight and in close proximity to enemy posts he crawled out and successfully destroyed the block with bombs, thus enabling the attacking parties to pass through. A few minutes later a bombing party on the right of the attack was held up by two enemy machine guns, and the success of the whole operation was in danger. Perceiving this Serjt. Travis with great gallantry and utter disregard of danger, rushed the position, killed the crews and captured the guns. An enemy officer and three men immediately rushed at him from a bend in the trench and attempted to retake the guns. These four he killed single handed, thus allowing the bombing party on which much depended to advance. The success of the operation was almost entirely due to the heroic work of this gallant N.C.O. and the vigour with which he made and used opportunities for inflicting casualties on the enemy. He was killed 24 hours later when, in a most intense bombardment prior to an enemy counter-attack, he was going from post to post encouraging the men.

— The London Gazette, No. 30922, 24 September 1918.[33]

The medal

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A posthumous portrait of Travis, painted by Richard Wallwork in 1920

Although Lettie Murray was named as the beneficiary of Travis' will, executed in May 1918, the ownership of Travis' medals was disputed after the war due to the estrangement from his family. Eventually it was settled that the majority of his possessions, including his medals, belonged to Lettie. A close friend of Travis ensured that some personal effects went to the family.[34] Travis' medals which, in addition to the VC, DCM, MM and Croix de Guerre, included the 1914–15 Star, British War Medal and the Victory Medal,[35] were loaned to the Returned Services Association in Rotorua for a display in 1965 for the 50th anniversary of the Gallipoli campaign.[17] Lettie donated the medals to the Southland Museum, in Invercargill,[34] in 1974 after her death. The medals were placed on public display from 25 April 2006 to 2 July 2006.[17]

Legacy

[edit]

Travis is remembered by a memorial at Ryal Bush, where he was living at the time of his enlistment in the NZEF, and by a plaque in Queen's Gardens in Dunedin.[35] His service is also commemorated by the annual Dick Travis VC Memorial Shoot at the Karori Rifle Club, in Wellington.[36] He was also the subject of a painting by Richard Wallwork.[37] Additionally, Travis Barracks at Linton Military Camp and Travis Street in Napier are named after him, and in 2011, New Zealand Post issued a 60 cent stamp featuring Travis.[38]

Notes

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Richard Travis is an American actor known for his supporting and character roles in Hollywood films of the 1940s and early 1950s, most notably as Bert Jefferson in the classic Warner Bros. comedy The Man Who Came to Dinner (1941). Born William Benton Justice on April 17, 1913, in Carlsbad, New Mexico, he began his screen career with unbilled parts in serials and war-era productions before gaining prominence in a string of Warner Bros. features, including The Big Shot (1942) alongside Humphrey Bogart and Mission to Moscow (1943). He later appeared in various low-budget films across genres such as crime, science fiction, and westerns, including Backlash (1947), The Last Ride (1944), and Jewels of Brandenburg (1947). Travis transitioned to television in the 1950s, where he found steady work in westerns and detective series, starring as Assistant Sheriff Barrett in the syndicated series Code 3 (1957) and making guest appearances on shows such as The Life and Legend of Wyatt Earp, The Texan, Tales of Wells Fargo, and Lassie. After retiring from acting, he reverted to his birth name and built a successful second career in Southern California real estate. He died on July 11, 1989, in Pacific Palisades, California.

Early life

Birth and family background

Richard Travis was born William Benton Justice on April 17, 1913, in Carlsbad, New Mexico. He was the son of William Justice, who owned a marble yard, and Ella (née Spain) Justice. This birth name and origin distinguish him from other individuals with similar names in the entertainment industry. He later adopted the stage name Richard Travis for his acting career.

Youth in Arkansas and early broadcasting work

Richard Travis grew up in Paragould, Arkansas, after his family relocated there from his birthplace in Carlsbad, New Mexico. His father owned and operated a marble yard in Paragould. Before pursuing an acting career, Travis worked as a radio presenter and sports broadcaster. This early experience in broadcasting occurred during his time in Arkansas, providing him with his first professional exposure in media.

Military service

World War II enlistment and service

Richard Travis enlisted in the United States Army Air Forces on April 22, 1943, interrupting his early Hollywood career to serve during World War II. His military service lasted until November 1, 1945. Travis served in the Army Air Forces throughout this period, with his duties centered on the branch's morale-boosting production Winged Victory.

Involvement in Winged Victory

During his service in the United States Army Air Forces, Richard Travis participated in the Army Air Forces production of Winged Victory, a play commissioned and performed by active-duty military personnel. This military-sponsored show, written by Moss Hart, served as both a morale booster for troops and a fundraiser for the Army Emergency Relief Fund, with the entire male cast consisting of servicemen billed by their actual ranks as part of the 31st AAF Base Unit. Travis also had an uncredited role in the 1944 film adaptation of Winged Victory, directed by George Cukor and produced by Twentieth Century Fox, where he portrayed the Officer Presiding at Flight School Graduation. The film retained much of the original Broadway cast, underscoring its origins as an extension of the Army Air Forces' wartime entertainment initiative rather than a conventional Hollywood production. This participation represented Travis's primary contribution to military-sponsored theater and film during World War II, distinct from his pre- and post-war commercial acting career.

Film career

Early uncredited roles and serials (1940–1941)

Richard Travis began his Hollywood career with a series of uncredited bit parts in action serials and feature films from 1940 to 1941, prior to his first billed roles. These early appearances, often in minor or background capacities, were typical for aspiring actors in the era's studio system and included work in popular cliffhanger serials produced by Republic Pictures and Universal. In 1940, he appeared uncredited as Constable Hallett in the serial King of the Royal Mounted and as Nightclub Headwaiter in The Green Hornet Strikes Again!. The following year, he had uncredited roles as Joe Miller in the serial Riders of Death Valley, Airline Dispatcher in the Warner Bros. comedy The Bride Came C.O.D., and Commanding Officer in the aviation drama Dive Bomber. During this period, Travis adopted his professional stage name, having been born William Benton Justice and previously used variations such as William Justice and William Travis.

Billed roles and association with Warner Bros. (1941–1944)

Richard Travis transitioned to billed supporting and occasional leading roles starting in 1941–1942, appearing in several Warner Bros. films as well as productions from other studios. His most notable performance came as Bert Jefferson, a newspaperman and romantic interest opposite Bette Davis, in the acclaimed comedy The Man Who Came to Dinner (1941). This role, in a major Warner Bros. production featuring an all-star cast including Monty Woolley and Ann Sheridan, marked the high point of his screen career and brought him significant visibility. He also appeared in Warner Bros. films such as a third-billed supporting role as George Anderson in the Humphrey Bogart crime drama The Big Shot (1942), Red O'Hara in Escape from Crime (1942), and Sgt. Ryan in Busses Roar (1942). Other billed credits during this period included Daniel Carter in The Postman Didn't Ring (1942) and Bruce Grant in Spy Train (1943). In 1943, his credits included Casey Dorgan in Truck Busters and Paul in the wartime drama Mission to Moscow. His final Warner Bros.-associated role during this era was as Detective Lt. Pat Harrigan in The Last Ride (1944). These parts, primarily in crime thrillers, action programmers, and patriotic features typical of wartime Hollywood, demonstrated Travis's reliability in character and supporting capacities, though most were in modest-budget productions rather than prestige pictures. This span from 1941 to 1944 represented his most consistent screen presence, with several films produced by Warner Bros.

Post-war independent films and final roles (1947–1966)

Following his work in the mid-1940s, Richard Travis pursued freelance opportunities in independent productions, marking a shift to lower-budget films. In 1947, he appeared in several B-movies, including Backlash as Richard Conroy, Jewels of Brandenburg as Johnny Vickers, and Big Town After Dark as Chuck LaRue. These crime-oriented pictures reflected the era's proliferation of independent noir and gangster features produced outside major studios. Travis' screen work became increasingly sporadic in the 1950s and 1960s, with appearances confined primarily to low-budget science fiction and exploitation films characteristic of the B-movie circuit. He featured in the cult horror-sci-fi Mesa of Lost Women (1953) and the campy Missile to the Moon (1958). His final film role came as a General in the science fiction picture Cyborg 2087 (1966), after which he retired from acting. This phase of his career illustrated a decline in prominence from his earlier days, as he transitioned to modest independent projects in marginal genres.

Television career

Guest appearances in the 1950s

During the 1950s, Richard Travis frequently appeared as a guest star in various television anthology series, Westerns, and crime dramas, reflecting the broader trend among film actors of his generation to seek opportunities in the rapidly expanding medium of television. These roles allowed him to continue working steadily after his earlier film career began to slow. His guest credits included appearances in early syndicated Western programs such as Hopalong Cassidy (1952), The Gene Autry Show (1952), and multiple episodes of Cowboy G-Men (1952–1953). He also performed in dramatic anthologies like Schlitz Playhouse (1953–1954) and The Loretta Young Show (1953), as well as episodic series including The Lone Ranger (1954–1955, three episodes), Fury (1955), and The Life and Legend of Wyatt Earp (1955, four episodes). Later in the decade, Travis guest-starred in Official Detective (1957) as Robertson, Panic! (1957), Tales of Wells Fargo (1958) as Frank Woodson, and Frontier Doctor (1958) as Sheriff Pat Garrett. These varied supporting roles demonstrated his adaptability across popular 1950s television genres, even as he continued occasional independent film work during the same period.

Lead role in Code 3

In 1957, Richard Travis starred in the lead role of Assistant Sheriff Barrett in the syndicated crime drama Code 3. The series, which ran for 39 episodes, dramatized real-life cases from the files of the Los Angeles County Sheriff's Department, with each episode presented from the perspective of the assistant sheriff as the central figure guiding investigations and resolutions. Travis's character served as the consistent narrative anchor, appearing in every installment to introduce and conclude the stories, often with commentary on law enforcement procedures and outcomes. Code 3 represented Travis's most prominent and substantial television work, marking his only major starring role in the medium after years of guest appearances in anthology and dramatic series during the early to mid-1950s. The show's format emphasized procedural realism, drawing directly from official records and featuring the actual Los Angeles County Sheriff Eugene W. Biscailuz in introductory segments to lend authenticity. After retiring from acting, Richard Travis resumed his birth name of William Benton Justice and pursued a second career in real estate. He built an extremely successful career in the Southern California real estate market.

Death

Final years and passing

Richard Travis lived quietly in Pacific Palisades, California, during his final years following his successful transition to real estate under his birth name. He died there on July 11, 1989, at the age of 76. The cause of death was undisclosed.

Legacy and remembrance

Richard Travis is primarily remembered as a supporting actor in 1940s Hollywood films and for his leading role as Assistant Sheriff Barrett in the syndicated crime drama series Code 3 (1957). His contributions to B-movies and early television series place him among the many reliable character actors who populated low-budget productions of the era, often in westerns, crime stories, and adventure formats without achieving widespread stardom or major industry awards. Posthumous recognition of Travis's work remains limited and niche, with sparse modern coverage in mainstream sources and no prominent obituaries or organized tributes following his death in 1989. Occasional fan appreciation appears on memorial sites, where visitors have praised specific performances, such as his role opposite Bette Davis in The Man Who Came to Dinner (1942), noting his ability to hold his own among established stars. Details of his personal life, including any marriages or children, are not documented in primary biographical sources, contributing to the incomplete picture of his life beyond his professional credits. Overall, Travis represents a lesser-known figure in mid-20th-century American entertainment, whose career illustrates the supporting ecosystem of classic Hollywood and early television without attaining enduring fame.
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