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Santo & Johnny
View on Wikipediafrom Wikipedia
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Santo & Johnny were an American rock and roll instrumental duo of Italian descent[1] from Brooklyn, New York, composed of brothers Santo Farina (born October 24, 1937) and Johnny Farina (born April 30, 1941).[2]
Key Information
They are known best for their instrumental melody "Sleep Walk", one of the biggest hits of the golden age of rock 'n' roll, which became a regional success and eventually scored the top of the Billboard pop chart when it was released nationally during 1959.[3]
Career
[edit]Early life
[edit]Santo Anthony Farina and John Steven Farina were born in Brooklyn, New York, to Anthony and Josephine Farina: Santo on October 24, 1937, and Johnny on April 30, 1941.[4][5] Their father was drafted into the United States Army while they were children and was stationed for some time in Oklahoma. After hearing a steel guitar on the radio, he wrote to his wife, "I'd like the boys to learn to play this instrument".[6]
Upon returning from World War II, the boys' father found a music teacher who gave the boys steel guitar lessons. When Santo was a teenager, he was able to get a local music store to modify an acoustic guitar, allowing him to play it like a steel guitar.[5]
Within two years, Santo was performing in amateur shows using a new Gibson six-string steel guitar and had started receiving lessons from a steel guitar teacher who had studied in Hawaii. By the age of 14, Santo was composing songs, and formed an instrumental trio with a guitarist and drummer. This trio appeared at local dances and parties, performing both original compositions and some Hawaiian standards. With money Santo made from these performances, he bought a Fender steel guitar, one with three necks, each with eight strings. This allowed him to experiment even more, and he tried different tunings until he found ones that appealed to him.
When Johnny reached the age of 12, he began to play accompaniment to Santo on a standard electric guitar. The brothers soon formed a duo and became rather popular in school, eventually performing at events in the New York boroughs. They recorded a demo that they circulated to local New York record companies.
When Johnny turned 16, he told their father that they would be quitting school to pursue a career as "rock stars", to which their father responded "The only stars are in the sky."[7]
The brothers wrote a song one night when they "couldn't sleep after playing a gig, and started jamming."[7] The song was "Sleep Walk" and during September 1959 it scored at the top of the American charts.
Music career
[edit]The brothers eventually came to the attention of a music publishing company and signed a songwriter's contract and eventually landed a recording contract with Canadian-American Records. Their first release, "Sleep Walk", was credited as being composed by the two brothers plus Santo's wife, Ann,[8] although Johnny later said that her name was put on by mistake.[9]
"Sleep Walk" was recorded at Trinity Records in Manhattan. It reached Billboard magazine's No. 1 position for two weeks during September 1959,[3] and earned a Gold record for Santo & Johnny.[6][10] The follow-up single "Tear Drop" (spelled "Teardrop" on the album Encore)[11] was also successful, though their long-playing record Santo & Johnny was less successful in the United States.
Legacy
[edit]"Sleep Walk" continues to be popular owing to consistent radio airplay as well as its usage for commercials, television programs, and movies. Santo & Johnny were inducted into the Steel Guitar Hall of Fame in 2002.[12]
The duo broke up in 1976.[citation needed] After this split, Johnny continued to perform as a solo artist, and is still touring as of 2021.[13] By contrast, Santo retired from the music industry in the 1970s, for reasons he did not disclose.[14]
Discography
[edit]Albums
[edit]Canadian-American Records Ltd
- Santo & Johnny (1959)
- Encore (1960)
- Hawaii (1961)
- Come On In (1962)
- Around the World... with Santo & Johnny (1962)
- Off Shore (1963)
- In the Still of the Night (1964)
- Santo & Johnny Wish You Love (1964)
- The Beatles Greatest Hits Played by Santo & Johnny (1964)
- Mucho (1965)
- Santo y Johnny en México (1965?)
Imperial
- The Brilliant Guitar Sounds of Santo & Johnny (1967)
- Golden Guitars (1968)
- On the Road Again (1968)
- The Best That Could Happen (1969)
Black Tulip
- The Original Recordings
Aniraf Record Co.
- Christmas Mine – Johnny Farina (2012)
- Pure Steel (2007) Johnny Farina
- Christmas Mine (2008) Johnny Farina
- Italian Being Served (2009) Johnny Farina
- Christmas Mine – Johnny Farina (reissued 2012)
PAUSA (aka: Pause) Records
- Santo & Johnny (1976)
Singles
[edit]| Year | "A" Side | "B" Side | US Pop |
US R&B |
US Easy Listening |
Label |
|---|---|---|---|---|---|---|
| 1959 | "Sleep Walk" | "All Night Diner" | 1 | — | — | Canadian-American 103 |
| 1959 | "Tear Drop" | "The Long Walk Home" | 23 | — | — | Canadian-American 107 |
| 1960 | "Caravan" | "Summertime" | 48 | — | — | Canadian-American 111 |
| 1960 | "Sea Shells" | "Hop Scotch" | 90 | Canadian-American 114 | ||
| 1960 | "The Breeze and I" | "Lazy Day" | 109 | Canadian-American 115 | ||
| 1960 | "Annie" | "Lost Love" | Canadian-American 118 | |||
| 1960 | "Twistin' Bells" | "Bullseye!" | 49 | — | — | Canadian-American 120 |
| 1961 | "Theme from Come September" | "The Long Walk Home" | Canadian-American 128 | |||
| 1961 | "Birmingham" | "The Mouse" | Canadian-American 131 | |||
| 1962 | "Stage to Cimarron" | "Spanish Harlem" | 101 | Canadian-American 137 | ||
| 1962 | "Three Cabelleros" | "Step Aside" | Canadian American 141 | |||
| 1962 | "Tokyo Twilight" | "Miserlou" | Canadian-American 144 | |||
| 1963 | "On Your Mark" | "Manhattan" | Canadian-American 151 | |||
| 1963 | "The Wandering Sea" | "Manhattan Spiritual" | Canadian-American 155 | |||
| 1963 | "Love Letters In The Sand" | "Lido Beach" | Canadian American 161 | |||
| 1964 | "In The Still of the Night" | "Song For Rosemary" | Canadian-American 164 | |||
| 1964 | "A Thousand Miles Away" | "Road Block" | 122 | Canadian-American 167 | ||
| 1964 | "Sugar Stroll" | "Rattler" | Canadian-American 174 | |||
| 1964 | "A Hard Day's Night" | "And I Love Her" | Canadian-American 177 | |||
| 1964 | "A Hard Day's Night" | "The Beatle Stomp" | Canadian-American 177 | |||
| 1964 | "Goldfinger" | "Sleepwalk" | Canadian-American 182 | |||
| 1965 | "Mucho Tempo" | "Brazilian Summer" | Canadian-American 189 | |||
| 1965 | "Off Shore" | (One sided record) | Canadian-American 190 | |||
| 1965 | "Watermelon Man" | "Return To Naples" | Canadian-American 194 | |||
| 1965 | "The Young World" | "Come With Me" | Canadian-American 204 | |||
| 1965 | "Thunderball" | "Mister Kiss Kiss Bang Bang" | United Artists UA970 | |||
| 1967 | "Live for Life" | "See You in September" | Imperial 66269 | |||
| 1968 | "Sleepwalk 68" | "It Must Be Him" | Imperial 66292 | |||
| 1973 | "Piedone Lo Sbirro (Flat Feet)" | "Moon Dog" | — | — | — | Produttori Associati/Canadian-American 7054 |
References
[edit]- ^ Csida, J. (1980). The Music/Record Career Handbook. New York: Billboard Publications.
- ^ Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 72. CN 5585.
- ^ a b "Billboard #1 Pop Hits — 1950–1959". Record Research Inc. Archived from the original on July 17, 2007. Retrieved September 1, 2007.
- ^ "Santo and Johnny at the Space Age Pop Music Page". Spaceagepop.com. Retrieved August 30, 2007.
- ^ a b "Santo & Johnny at the History of Rock". History-of-rock.com. Retrieved August 30, 2007.
- ^ a b "Santo & Johnny Bio". Santoandjohnny.com. Archived from the original on February 27, 2018. Retrieved August 18, 2015.
- ^ a b "Johnny Farina bringing musical talent to 'Original Lead Singers' show". Villages-News.com. August 22, 2016. Retrieved August 24, 2016.
- ^ "All Songs Considered Episode 13". NPR's Online Music Show. NPR. February 6, 2002. Retrieved September 29, 2022.
- ^ Old music: Santo & Johnny – Sleep Walk Jon Dennis, The Guardian, January 18, 2012. Retrieved July 26, 2017
- ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 118–9. ISBN 0-214-20512-6.
- ^ "Santo & Johnny – Encore". Discogs. 1960. Retrieved April 21, 2019.
- ^ "The Steel Guitar Hall of Fame (list of inductees)". Scottysmusic.com. Retrieved August 30, 2007.
- ^ Hewitt, Bob (December 2, 2021). "Larry Carlton and Johnny Farina on how Santo & Johnny changed instrumental guitar music forever". Guitar.com. Retrieved April 12, 2024.
- ^ Dennis, Jon (January 18, 2012). "Old music: Santo & Johnny – Sleep Walk". The Guardian. Retrieved April 12, 2024.
External links
[edit]- Official website
- Johnny Farina Official Website, Official Album Discography Archived February 2, 2010, at the Wayback Machine. Retrieved on 2008-04-04.
- David Edwards and Mike Callahan, Canadian-American Album Discography. Retrieved on 2007-09-01.
- Santo and Johnny at the Space Age Pop Music Page. Retrieved on 2007-09-01.
- Santo & Johnny discography at Discogs
- Santo & Johnny at IMDb
| International | |
|---|---|
| National | |
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| Other | |
Santo & Johnny
View on Grokipediafrom Grokipedia
Santo & Johnny were an American rock and roll instrumental duo consisting of Italian-American brothers Santo Farina (born October 24, 1937) and Johnny Farina (born April 30, 1941), renowned for their signature steel guitar sound and the 1959 hit single "Sleep Walk," which reached number one on the Billboard Hot 100 chart for two weeks and became the last instrumental to top the chart in the 1950s.[1][2][3]
Originating from Brooklyn, New York, the Farina brothers were influenced by their father's exposure to steel guitar music during World War II service in Oklahoma, leading them to take up the instrument as children and form a band that performed at local events, church dances, and clubs in New York City and Long Island during the 1950s.[1][2] Their breakthrough came with the release of "Sleep Walk" on the Canadian-American Records label, co-written by the duo and their manager Ann Farina, which earned a gold record certification and propelled them to national fame, including appearances on television programs such as American Bandstand and The Perry Como Show.[1][2]
Over their career spanning several decades, Santo & Johnny released more than 40 albums worldwide, toured internationally in regions including Australia, Mexico, and Europe, and achieved further success in Italy with hits like a cover of the "Love Story" theme and their 1973 rendition of "Speak Softly Love" (The Godfather theme), which topped Italian charts for 26 weeks and garnered another gold record.[1][2] They were inducted into the International Steel Guitar Hall of Fame in 2002 and the Long Island Music and Entertainment Hall of Fame in 2016, with "Sleep Walk" receiving a BMI Millionaire Award in 1999 for over two million airplays.[1][2] Although the duo largely ceased joint performances in the 1970s, Johnny Farina has continued solo performances and bookings into 2025, preserving their legacy through live shows and new recordings.[1][4]
Early life
Family background
Santo Farina was born on October 24, 1937, and his brother Johnny Farina was born on April 30, 1941, both in Brooklyn, New York, to Italian-American parents.[1] Their father was drafted into the U.S. Army during World War II and stationed in Oklahoma, where he first encountered steel guitar music on the radio. Inspired, he wrote home requesting that his sons learn the instrument. After returning from the war, the family arranged for a teacher to instruct the boys in steel guitar.[1][2]Musical beginnings
As children, Santo and Johnny began studying steel guitar under their teacher's guidance. They soon formed a band and started performing at local events, including church dances, weddings, and clubs across New York City and [Long Island](/page/Long Island) during the 1950s. These early gigs helped them build a following in the Brooklyn area and surrounding regions.[1][2]Professional career
Formation and breakthrough
In 1958, after performing locally, Santo and Johnny Farina signed with Canadian-American Records, managed by Ann Farina. Their debut single "Sleep Walk," co-written with Ann Farina and Chuck Rio, was recorded in 1959 and released that summer, reaching number one on the Billboard Hot 100 for two weeks and earning a gold record.[1] This breakthrough led to national fame, including TV appearances on American Bandstand and The Perry Como Show.[1]Major hits and commercial success
Beyond "Sleep Walk," the duo achieved success with singles like "Tear Drop" (1959, Top 40) and album releases, including their self-titled debut. They transitioned labels to United Artists in 1966, releasing albums that built on their instrumental style. International hits included their 1964 cover of "And I Love Her," which topped Mexican charts for 21 weeks, and the 1973 "Speak Softly Love" (The Godfather theme), number one in Italy for 26 weeks and gold-certified. Over their career, they released more than 40 albums worldwide.[1][5]Touring and international activities
Following the success of their 1959 hit "Sleep Walk," Santo & Johnny embarked on extensive U.S. tours, including a Midwestern circuit organized by General Artists Corporation that fall, where they traveled by school bus and performed in venues across the region.[5] Their television appearances further boosted demand, with performances on Dick Clark's American Bandstand and The Perry Como Show in 1959 and 1960, alongside multiple spots on The Alan Freed Show.[1] Throughout the 1960s, the duo sustained domestic visibility through club and casino gigs, such as a 1967 show at the West End Casino in Long Branch, New Jersey.[6] The duo's international breakthrough began in 1960 with European tours, including headlining engagements in England, prompted by the global appeal of "Sleep Walk."[5] They expanded further into Mexico and Australia that decade, with a notable 1965 stint in Mexico extending from two weeks to three months after their instrumental cover of "And I Love Her" topped charts there for 21 weeks.[5] In Italy, they gained a dedicated following, securing their own television program in the early 1960s, where they performed in period costumes amid theatrical sets filmed in Rome.[1] Label transitions supported their overseas momentum; after nine albums on Canadian American Records, they joined United Artists in 1966 and shifted to Imperial Records in 1967, releasing four albums that capitalized on international sales.[1] By the 1970s, they had recorded and released over 40 albums worldwide, primarily through Italian imprints, while continuing club and casino performances across Europe for 14 years.[5] This global activity peaked with their 1973 instrumental "The Godfather" theme, which held the number-one spot in Italy for 26 weeks.[1]Later years and solo pursuits
Following the duo's early commercial peak, Santo & Johnny experienced a slowdown in output during the late 1960s and early 1970s, attributed to shifts in music industry trends favoring rock bands and vocal acts over instrumentals, as well as transitions between labels after leaving United Artists in 1967.[7] Their recordings became less frequent and were primarily released on smaller international imprints, particularly in Italy, where they retained a dedicated audience.[7] A notable late joint effort was their 1973 recording of the theme from The Godfather, which topped the Italian charts for 26 weeks and earned a gold record, marking one of their final major duo successes.[1] Santo Farina retired from the music industry in the early 1970s for personal reasons, leading the duo to cease joint activities after 17 years together. Johnny Farina launched a solo career in 1976, performing under the billing "Johnny Farina of Santo & Johnny" to honor the duo's legacy while showcasing his steel guitar mastery.[8][1] He has maintained an active touring schedule, including global venues built on the foundation of the duo's earlier international performances, with appearances at major spots like the Greek Theater in California and Madison Square Garden in New York.[1] In the 2020s, Farina continues to deliver over 40 live shows annually, blending classics like "Sleep Walk" with new originals such as "Bensonhurst" and "Bayou Man."[9] Highlights include his October 2024 performance on the Malt Shop Memories Cruise and a festival in Senigallia, Italy, drawing 5,000 attendees.[9] In a December 2024 interview, Farina discussed his ongoing passion for live music and the enduring appeal of instrumental rock.[9] He performed at a Valentine's Day event in Los Angeles in February 2025.[9] Farina also visited the Long Island Music Hall of Fame earlier in 2025, where the duo was inducted in 2016, to engage with fans and reflect on their roots.[10][2]Musical style and influences
Instrumentation and techniques
Santo & Johnny's sound was defined by their use of steel and electric guitars. Santo played a Gibson six-string lap steel guitar through a small amplifier, employing slide techniques to create gliding, melodic tones characteristic of Hawaiian steel guitar. Johnny provided rhythm on a Gretsch or Fender six-string electric guitar. In later solo work, Johnny adopted a 1956 Fender double-neck eight-string guitar with a Fender Twin Reverb amplifier. Their arrangements featured clean, instrumental lines without vocals, emphasizing emotional expression through guitar interplay.[11]Key influences and evolution
Santo & Johnny's primary musical influences stemmed from a blend of American and familial traditions. Their father, stationed in Oklahoma during World War II, became enamored with the sound of the Hawaiian steel guitar after hearing it on the radio, prompting him to encourage his sons to learn the instrument upon his return. This Hawaiian influence, rooted in the instrument's gliding, melodic tones, became central to their signature style. Additionally, growing up in a Brooklyn neighborhood with strong Italian and Irish heritage exposed them to accordion and mandolin sounds, incorporating subtle Italian folk melodies into their compositions. The duo also drew from the burgeoning 1950s rock 'n' roll instrumental scene for their clean, guitar-driven arrangements.[1][11][12] Their musical evolution reflected broader shifts in popular music while maintaining an instrumental focus. Debuting in 1959 with the dreamy ballad "Sleep Walk," which evoked a nocturnal, ethereal mood through steel guitar slides, they initially captured the easy-listening appeal of late-1950s pop. By the early 1960s, their style transitioned to more upbeat exotica elements, as seen in albums like Hawaii (1961), which featured lively interpretations of Hawaiian classics infused with tropical rhythms and light orchestration. Later, in the 1970s, they adapted to contemporary trends by covering Beatles songs, James Bond themes, and film scores such as "The Godfather," blending nostalgic revivals with their evolving sound. After the duo's disbandment in 1976, Johnny Farina pursued solo work, emphasizing steel guitar-driven nostalgic pieces that revisited their early instrumental roots.[1][12][13] Classified within instrumental rock, the duo's genre also encompassed easy listening and exotica, characterized by melodic, vocal-free arrangements that prioritized evocative guitar lines over lyrics. This deliberate avoidance of vocals allowed their steel and electric guitars to convey emotion and narrative, distinguishing them from vocal-dominated rock acts and aligning with the instrumental wave popularized by contemporaries. Their fusion of Hawaiian slides, Italian-inflected harmonies, and rock structures created a timeless, genre-blending appeal that influenced subsequent guitarists.[11][12][14]Legacy
Awards and honors
Santo & Johnny's instrumental hit "Sleep Walk" achieved gold certification from the Recording Industry Association of America (RIAA), recognizing sales of over 500,000 units in the United States. The track sold over a million copies, earning million-seller status and becoming one of the decade's top-selling singles and the last number-one instrumental of the 1950s.[15] In 2002, the duo was inducted into the International Steel Guitar Hall of Fame, honoring their pioneering use of the steel guitar in rock and roll.[16] Santo Farina, the steel guitarist, received particular recognition for introducing the instrument to mainstream audiences through their breakthrough sound.[2] In 1999, "Sleep Walk" received a BMI Millionaire Award for exceeding two million radio airplays.[1] Johnny Farina was inducted into the Long Island Music Hall of Fame in 2016 as part of the Santo & Johnny entry, celebrating their contributions to the region's musical heritage.[2] In 2024, he was named Italian American of the Year by the New York Conference of Italian-American State Legislators and honored during Italian American Day proceedings in the New York State Senate.[17] Despite their commercial success, Santo & Johnny did not receive any Grammy Award nominations or wins.[18] However, their work has been frequently noted in histories of rock instrumentals for elevating the genre with "Sleep Walk," which remains a seminal example of 1950s innovation.[12]Cultural impact and revivals
"Sleep Walk," the duo's breakthrough instrumental, has endured as a staple in popular media, evoking themes of nostalgia and melancholy across various formats. It featured prominently in the 1987 biographical film La Bamba, underscoring scenes of 1950s rock 'n' roll culture, and appeared in the 2003 action-comedy Charlie's Angels: Full Throttle, as well as Martin Scorsese's 2019 gangster epic The Irishman. The track has been used in numerous films, highlighting its versatility in cinematic soundtracks.[19][20][21] On television, it provided atmospheric backing in episodes of shows like Hearts in Atlantis adaptations and other period dramas, while in advertising, it soundtracked the 1991 Mazda Miata commercial, capitalizing on its dreamy, evocative tone.[22] The song's influence extends to a vast array of covers, with more than 200 recorded versions by diverse artists, demonstrating its broad appeal across genres.[23] Notable interpretations include Chet Atkins' 1960 rendition on his album Chet Atkins' Teensville, which brought a country-infused polish to the steel guitar melody, and The Shadows' 1961 cover, a key track in the British instrumental rock scene that helped popularize surf-style guitar sounds in Europe.[24][25] Other prominent covers feature The Ventures' surf rock adaptation and modern takes by artists like Deftones in 2003, blending it with alternative rock elements. In the 1990s, "Sleep Walk" experienced a revival within the surf rock and lounge music scenes, where bands drew on its atmospheric steel guitar for instrumental tracks amid a broader resurgence of retro sounds. This period saw renewed interest in Santo & Johnny's catalog, aligning with the easy listening revival popularized by compilations and lounge compilations. Johnny Farina has sustained the duo's material through ongoing tours in the 2020s, performing across the United States and Europe, including shows in late 2024 that featured classics like "Ebb Tide."[26][27] Santo & Johnny pioneered the integration of steel guitar as a lead instrument in rock 'n' roll, introducing a haunting, emotive timbre that diverged from standard electric guitar leads of the era.[1] Their approach influenced subsequent instrumental acts, including duos and groups like The Shadows, and even shaped tracks such as Fleetwood Mac's "Albatross" (1968) and The Beatles' "Sun King" (1969).[11][28] This innovation helped elevate instrumental rock, inspiring generations of guitarists to explore pedal steel techniques in non-country contexts.[8]Discography
Albums
- Santo & Johnny (1959, Canadian-American)[29]
- Encore (1960, Canadian-American)[29]
- Hawaii (1961, Canadian-American)[29]
- Come On In (1962, Canadian-American)[29]
- Around the World... with Santo & Johnny (1962, Canadian-American)[29]
- Off Shore (1963, Canadian-American)[29]
- In the Still of the Night (1964, Canadian-American)[29]
- Santo & Johnny Wish You Love (1964, Canadian-American)[29]
- The Beatles Greatest Hits Played by Santo & Johnny (1964, Canadian-American)[29]
- Mucho (1965, Canadian-American)[29]
- Santo y Johnny en México (1965, Canadian-American)[29]
- The Brilliant Guitar Sounds of Santo & Johnny (1967, Imperial)[29]
- Golden Guitars (1968, Imperial)[29]
- On the Road Again (1968, Imperial)[29]
- The Best That Could Happen (1969, Imperial)[29]
- Adagio (1971, United Artists)[29]
- Hush... Hush (1971, United Artists)[29]
- Come On In (1973, ABC)[29]
Singles
| Year | A-side | B-side | US Pop Chart | Label |
|---|---|---|---|---|
| 1959 | "Sleep Walk" | "All Night Diner" | 1 | Canadian-American 103[30] |
| 1959 | "Tear Drop" | "The Long Walk Home" | 23 | Canadian-American 107[30] |
| 1960 | "Caravan" | "Summertime" | 48 | Canadian-American 111[30] |
| 1960 | "Sea Shells" | "Hop Scotch" | 90 | Canadian-American 114[30] |
| 1960 | "The Breeze and I" | "Lazy Day" | 109 | Canadian-American 115[30] |
| 1960 | "Twistin' Bells" | "Bullseye!" | 49 | Canadian-American 120[30] |
| 1964 | "A Thousand Miles Away" | "Road Block" | 122 | Canadian-American 167[30] |