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Sealing wax
Sealing wax
Sealing wax
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Letters sealed with wax in a painting from 1675 by Cornelis Norbertus Gysbrechts

Sealing wax is a wax material of a seal which, after melting, hardens quickly (to paper, parchment, ribbons and wire, and other material), forming a bond that is difficult to break without noticeable tampering. Wax is used to verify that something such as a document is unopened, to verify the sender's identity[1]: 39  (for example with a seal stamp or signet ring), and as decoration. Sealing wax can also be used to take impressions of other seals. Wax was used to seal letters close and later, from about the 16th century, envelopes. Long before sealing wax was employed, the Romans used bitumen for this purpose.

Composition

[edit]
A donor portrait by Petrus Christus, c. 1455, showing a print attached to the wall with sealing wax
Wax seal displaying the Fonseca Padilla family arms
Personal seal of William Stoughton (judge) with his coat of arms, as it appears on the warrant for the execution of Bridget Bishop for witchcraft in Salem, Massachusetts, in 1692

Formulas vary, but there was a major shift after European trade with the Indies opened.[2] In the Middle Ages, sealing wax was typically made of beeswax and "Venice turpentine",[3] a greenish-yellow resinous extract of the European larch tree. The earliest wax of this kind was uncoloured. Later the wax was coloured red with vermilion.[4] From the 16th century it was compounded of various proportions of shellac,[1]: 15  turpentine, resin, chalk or plaster, and colouring matter (often vermilion, or red lead[5]), but not necessarily beeswax. The proportion of chalk varied; coarser grades are used to seal wine bottles and fruit preserves, finer grades for documents. In some situations, such as putting large seals on public documents, beeswax was used. On occasion, sealing wax has historically been perfumed by ambergris, musk and other scents.[6]

By 1866, many different colours were available: gold (using mica), blue (using smalt or verditer), black (using verdigris[4] or lamp black), white (using bismuth nitrate[7] or lead white), yellow (using the mercuric mineral turpeth, also known as Schuetteite[8][failed verification]), green (using verdigris[4]) and so on. Some users, such as the British Crown, assign different colours to different types of documents.[9] Today a range of synthetic colours is available.

Method of application

[edit]
Sealed letters and means of application

Sealing wax is available in the form of sticks, sometimes with a wick, or as granules. The stick is melted at one end (but not ignited or blackened), or the granules heated in a spoon, normally using a flame, and then placed where required, usually on the flap of an envelope. While the wax is still soft and warm, the seal (preferably at the same temperature as the wax, for the best impression) should be quickly and firmly pressed into it and released.[6]

Modern use

[edit]

At the end of 19th century and in the first half of the 20th century, sealing wax was used in laboratories as a vacuum cement.[10] It was gradually replaced by other materials, like plasticine, but according to Nobel Laureate Patrick Blackett, "at one time it might have been hard to find in an English laboratory an apparatus which did not use red Bank of England sealing-wax as a vacuum cement."[11]

Since the advent of a postal system, the use of sealing wax has become more for ceremony than security. Modern times have required new styles of wax, allowing for mailing of the seal without damage or removal. These new waxes are flexible for mailing and are referred to as glue-gun sealing wax, faux sealing wax and flexible sealing wax. Traditional sealing wax candles are produced in Canada, Spain, Mexico, France, Italy and Scotland, with formulations similar to those used historically.

See also

[edit]
Wikimedia Commons has media related to Sealing wax.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sealing wax

View on Grokipedia
from Grokipedia
Sealing wax is a resinous material historically used to secure and authenticate documents, letters, and containers by melting into a state for imprinting with a seal, then rapidly hardening into a brittle solid that resists tampering without visible damage. Its development began in the Middle Ages, where it served as a primary means of validation before widespread adhesive technologies, evolving from beeswax-based formulations to complex resin mixtures for durability. Medieval recipes documented in 15th-century manuscripts, such as Trinity College Cambridge MS R.14.37 and British Library MS Sloane 73, typically combined 16 parts beeswax with 4 parts colophony (a pine resin) and 1 part pigment, softening at around 43.9°C. By the 16th century, shellac was introduced, and 19th-century variants emphasized nearly pure shellac for rigidity. Sealing wax was applied molten over document folds or cords and impressed with signets bearing designs to signify . Seal sizes varied, reaching up to 26 cm for Russian imperial use in 1856, before declining in the with printed seals and envelopes. Beyond , it sealed jars and parcels; colored variants indicated status, and modern reproductions prioritize .

History

Origins in Antiquity and Medieval Period

The earliest known sealing practices emerged in ancient and around 3500 BCE, where clay and served as primary materials for securing documents and goods. In , during the , cylinder seals—small carved stone cylinders—were rolled across wet clay tablets or bullae to create impressions that authenticated ownership, administrative records, and trade transactions, marking the birth of systematic sealing for bureaucratic purposes. Similarly, in 's Naqada II period (circa 3500–3300 BCE), Mesopotamian-influenced cylinder seals appeared in tombs, impressed on clay to authenticate items. , a natural asphalt, was used separately as an and waterproofing agent for sealing containers, boats, and funerary items to ensure integrity and prevent tampering. These methods laid foundational concepts for sealing as a means of verification, influencing later developments in more malleable materials. In the , officials and merchants applied to or , then impressed signet rings or intaglio seals to create durable, tamper-evident marks that symbolized authority and prevented unauthorized access. This practice improved upon earlier clay techniques by offering greater flexibility, and was essential for the empire's expansive administrative and trade networks. The transition to beeswax-based seals occurred in the . In medieval , from the 5th to 15th centuries, sealing wax saw widespread adoption, particularly in monastic scriptoria and for official and royal documents. Monasteries, as centers of manuscript production, employed colored waxes—often red or derived from natural resins and pigments—to seal charters, grants, and illuminated texts, ensuring their authenticity in legal and religious contexts. Papal and episcopal documents, while sometimes using lead bullae, increasingly incorporated wax seals for lesser bulls and internal correspondence, with scriptoria scribes applying them to protect sensitive theological or administrative content. A notable example is the use of green wax for English royal seals under Henry III around , as seen in charters like those ratifying treaties, where the verdigris-tinted wax appended to cords signified royal authority and was chosen for its durability in humid climates. Cultural adaptations in paralleled these European advancements, with vermilion seals applied to scrolls in ancient during the (206 BCE–220 CE) as an ink-based authentication method distinct from resinous sealing compounds. Officials and scholars impressed stone or bronze seals carved with characters into (vermilion) paste on or early scrolls to authenticate imperial edicts, literary works, and diplomatic missives, emphasizing ritual and hierarchical validation. This vermilion-based practice, rich in symbolic red hue denoting prosperity and authority, represented a parallel tradition to the evolution of wax seals in Eurasian contexts.

Evolution from the Renaissance to the 19th Century

During the , sealing wax underwent significant refinement with the introduction of , a resin derived from the secretions of lac in and , which was incorporated into the traditional base to enhance hardness and durability. This innovation emerged in the , particularly in and , where increased trade with the East facilitated the import of shellac, allowing for a more brittle and tamper-evident material that replaced softer pure beeswax formulations. The addition of shellac, along with , , and pigments like , enabled the wax to hold intricate impressions better while maintaining a secure seal on documents. In the 17th and 18th centuries, sealing wax expanded across as an essential tool for , legal deeds, and commercial trade, reflecting the era's growing bureaucratic and mercantile needs. The British East India Company, established in 1600, played a key role by importing to Britain, which improved the wax's quality and supported its widespread adoption for authenticating trade documents and official dispatches. Production centers emerged in , leveraging local access to resins like for early formulations, and in , where the influx of Eastern materials fueled manufacturing for imperial and domestic use. This period marked sealing wax's peak as a of , with customized colors and designs denoting rank or purpose in correspondence. The brought to sealing wax amid the , with mechanized processes streamlining manufacturing and enabling the creation of standardized colored sticks for postal services. Steam-powered equipment and improved molding techniques allowed for efficient output, meeting the demands of expanding systems until the 1840 introduction of the , the world's first adhesive , which shifted reliance toward gummed envelopes and reduced everyday use of wax seals. A notable application during this transformative era was in the 1789 , where provisional government documents were authenticated with red wax seals from the , underscoring the material's role in legitimizing political transitions.

Composition and Materials

Core Ingredients and Formulations

Early traditional sealing wax, particularly from the medieval period, was primarily composed of mixed with resins such as colophony (pine resin) and pigments. Documented 15th-century recipes, such as those in MS R.14.37 and MS Sloane 73, typically used 16 parts , 4 parts colophony, and 1 part pigment like for red or for green. This combination allowed the wax to soften at around 43.9°C for application. Post-medieval formulations, from the onward, shifted to resin—a natural secreted by the lac bug ()—as the principal binding agent, often dissolved in a solvent such as or Venice turpentine. , refined from lac resin deposits on host trees in regions like and , imparts the material's characteristic stickiness when heated and rapid hardening upon cooling, enabling it to form a durable seal. was sometimes added in minor amounts to these -based versions for improved handling. A representative 16th-century recipe illustrates this: 4 ounces of , 1 ounce of Venice , and 3 ounces of pigment. A 1956 industrial variant from shellac producers exemplifies later proportions: 14 parts , 12 parts Venice , 7 parts , and 2 parts colorant. Prior to the 1800s, formulations relied exclusively on natural resins and solvents, with pigments derived from minerals like (mercuric sulfide, HgS) for coloration. , prized for its vibrant red hue, was a common additive in historical sealing wax, though its mercury content posed significant risks, including potential or absorption during preparation and use. In the , the advent of synthetic pigments, such as artificial and other organic dyes, allowed for greater consistency in color and reduced variability from natural sources. Modern production of emphasizes ethical sourcing practices to minimize harm to lac bug populations, as harvesting often involves collecting encrusted branches that inadvertently kill , raising concerns in an industry centered in . Efforts include selective harvesting and cultivation of host trees to support insect , ensuring a renewable supply for traditional and contemporary applications.

Variations and Additives

Sealing wax formulations were often customized through the addition of pigments to produce desired colors, a practice that began in the with the incorporation of red, green, yellow, and black s into the base mixture. Red was the most prevalent color, typically achieved using derived from (mercuric ), which provided a vibrant hue suitable for official and personal correspondence. In the , black sealing wax, colored with lampblack or similar dark pigments, was specifically employed for mourning letters and announcements of death, adhering to norms for somber communications. Green variants were created by adding , a copper-based , to the wax blend, resulting in seals that could shift to brownish tones over time due to chemical interactions. Functional additives were incorporated to enhance the wax's performance, such as fillers like or , which increased opacity and helped prevent cracking in the hardened seal. These materials modified the texture and durability without altering the core binding properties of the and base. For added sensory appeal, particularly in diplomatic or high-status contexts, sealing wax was sometimes perfumed with or to impart a subtle fragrance upon opening. Regional differences in sealing wax composition emerged over time, reflecting local of materials; for instance, variations in types and pigment sources led to distinct qualities across and beyond during the medieval and early modern periods.

Physical Properties and Characteristics

Thermal Behavior and Durability

Shellac-based sealing wax formulations typically exhibit a range of 65–85°C (149–185°F), enabling safe handheld application over an open flame without risk of boiling or excessive heat exposure. This low-to-moderate melting threshold allows the material to transition from molten to solid state rapidly upon application. Upon cooling, sealing wax hardens by rapid solidification, resulting in a brittle seal that resists tampering through visible fracture. This process yields a tensile strength of approximately 10–14 MPa, providing sufficient rigidity to maintain seal integrity under normal handling stresses without deforming. In terms of durability, sealing wax demonstrates strong resistance to due to its hydrophobic base, preventing penetration and maintaining on documents even in humid environments. It also withstands moderate up to 50°C without softening, preserving in typical storage conditions. In beeswax-based seals, prolonged UV exposure leads to gradual degradation, causing chemical changes in archived specimens. Historical wax seals can endure for centuries with proper storage in cool, dark repositories, though they remain fragile and prone to cracking.

Aesthetic Qualities and Customization

Sealing wax exhibited a wide color spectrum, ranging from the natural amber hues of unpigmented to vibrant reds, blues, and other shades achieved through the addition of pigments starting in the . These colors often carried symbolic significance, with red commonly denoting power, importance, and formal , while signified or condolence. The texture and finish of sealing wax contributed significantly to its aesthetic appeal, presenting a smooth and glossy surface when freshly applied and cooled, which enhanced the clarity and legibility of impressed designs. Over time, exposure to handling and environmental factors could shift this to a subtler matte appearance, adding a of age to seals on . Standardization in and facilitated practical use while allowing for aesthetic refinement, with typical sticks measuring 1-2 cm in and 10-13 cm in length to fit common melting tools and produce consistent seal puddles. These were often molded into faceted or hexagonal forms for better grip during application, promoting a sense of craftsmanship. The wax's ability to capture intricate details from artistic engravings on signet tools further elevated its decorative potential, resulting in highly personalized impressions that reflected the user's identity or . Beyond visual attributes, sealing wax offered sensory appeal through its faint resinous aroma, derived from ingredients like Venice turpentine and , which evoked a subtle, natural fragrance during melting and application. The smooth, waxy feel of the sticks themselves added to the tactile pleasure, making it a favored material for luxury and elevating the act of sealing into a refined, multisensory ritual.

Traditional Application and Techniques

Preparation and Melting Processes

Sealing wax sticks were typically stored at in a cool, dry environment to maintain their firmness and prevent premature softening, even during high summer heat. In historical contexts, such as 18th- and 19th-century offices and desks, sealing wax was often kept in wooden boxes or cases, sometimes with compartments to organize sticks by color and alongside related tools like seals. Prior to use, the wax required careful heating to achieve a melt without or blackening the material. In the pre-1800s period, common methods involved holding one end of the stick over a to soften the tip gradually, keeping it at a sufficient distance to avoid direct ignition or excessive that could cause or an unpleasant . Alternatively, a spirit lamp fueled by or provided a more controlled , where was adjusted for a steady, bright to heat a metal pan or trough containing the wax, ensuring even for multiple applications. These techniques targeted a softening or that varied by formulation, typically around 40–50 °C for early beeswax-based waxes and higher (up to 120–130 °C) for shellac-based ones, allowing it to become pliable without degrading its composition. For individual seals, portioning began by breaking or selecting sticks roughly 5-10 cm in length, though historical sticks were often longer at 7-8 inches and about 1 inch thick, which could be handled whole or snapped as needed. The user would then melt the tip first over the flame to form a droplet or blob of sufficient size, typically twisting the stick to deposit it directly onto the while avoiding burns through the use of protective tools like metal spoons or gloves. Safety precautions emphasized steady handling to prevent drips or spills, as the molten wax could cause severe burns if it contacted . In larger-scale preparations during the , such as in offices or apothecaries handling bulk correspondence, wax could be melted in batches using heated pans or stoves over spirit lamps, though specific capacities varied; the focus remained on gradual heating to preserve consistency and color integrity.

Impressing and Securing Seals

The application of molten sealing wax to a typically involved dripping a small pool onto the surface of or to form a base for the impression. An engraved signet ring, seal matrix, or stamp was then pressed firmly into the soft , held in place for 5-10 seconds to allow initial cooling and ensure a clear imprint before removal. This process created a raised or intaglio design that authenticated the document and secured its closure. To enhance attachment and prevent detachment, edges were often folded beneath the wax blob, embedding the seal directly onto the substrate for basic letters. For more robust securing, particularly in legal or official contexts, techniques included passing ribbons, cords, or tags through slits cut in the 's folded bottom edge; the molten was then applied over the protruding ends to encapsulate and seal them. This method was common for bindings in contracts, such as those for books or charters, where the seal hung pendent from the tag, providing both authentication and structural integrity. The design of sealing wax emphasized tamper evidence, as its brittle composition caused visible cracks, fractures, or distortions upon forcible removal, alerting recipients to unauthorized access. In medieval legal practices, an intact seal was essential for a document's validity, serving as proof of authenticity and non-interference; broken or altered seals could render agreements void in courts. For high-volume applications in the , such as postal correspondence, a faster alternative to full wax sticks was the use of wafer seals—thin discs made from and adhesives—which were moistened with and applied rapidly to folded letters, enabling efficient sealing. These wafers hardened in 10-30 seconds, facilitating quick processing in mail systems.

Decline and Modern Uses

Factors Leading to Obsolescence

The introduction of prepaid postage stamps in 1847 and subsequent postal reforms, including the 1851 reduction in U.S. letter rates to three cents per half-ounce regardless of distance, spurred the widespread adoption of envelopes as a convenient alternative to folding letters and securing them with . Prior to the , letters were typically single folded sheets sealed with to ensure and prevent tampering, but the lower rates and availability of envelopes diminished this practice by making mass-produced, self-sealing options more practical for everyday correspondence. By the late , mechanized production of gummed envelopes, such as those developed by Waymouth's self-gumming machine, further reduced the need for manual sealing, as the flap allowed for quick, reliable closure without specialized tools. In the late , the of vulcanized rubber enabled the creation of durable rubber stamps around 1866, patented by James Woodruff, which provided a faster and more economical method for imprinting authentication marks on documents compared to labor-intensive wax impressions. These stamps, combined with the introduction of gummed labels in by a firm, offered scalable alternatives for verifying correspondence and packages, particularly in commercial and postal settings where speed and cost-efficiency were prioritized over the ceremonial aspects of wax seals. As industrialization accelerated, such innovations proliferated in offices and post offices, rendering wax seals obsolete for routine authentication by the early . Post-World War I legal standardization further eroded wax's role in official documents, as governments and increasingly adopted printed signatures and rubber stamps for efficiency in an era of bureaucratic expansion. Traditional and metal seals, once essential for verifying authenticity on deeds and contracts, transitioned to rubber-based impressions that were easier to produce and replicate uniformly, aligning with rising rates and advancements in . This shift, evident in notary practices by the , standardized document validation without the fragility or time required for wax application. Economic pressures from industrialization in the late 19th and early 20th centuries favored mass-produced alternatives, leading to a sharp decline in sealing wax demand as automated and labeling processes undercut the artisanal production of wax sticks and seals. In , where sealing wax had been a staple of postal and legal systems, the rise of efficient, low-cost adhesives and stamps during the marginalized traditional manufacturers, contributing to the material's near-disappearance from everyday use by the mid-20th century.

Contemporary Applications and Revivals

In contemporary contexts, sealing wax has experienced a resurgence primarily through decorative , where it enhances personal and event . For instance, wax seals are widely used to add a sophisticated, touch to invitations, often customized with monograms or motifs to personalize the suite. This practice has become popular in the wedding industry, transforming standard envelopes into elegant keepsakes that evoke historical authenticity. Similarly, since the late , artisanal winemakers and beverage producers have revived wax dipping for bottle seals, particularly on wine corks and spirits, to signify premium quality and prevent tampering while appealing to consumers seeking traditional aesthetics. Sealing wax kits, including beads, stamps, and melting tools, have been readily available on platforms like Amazon and since the early 2000s, democratizing the for hobbyists and enabling DIY projects such as and card embellishments. Among collectors and historical enthusiasts, sealing wax plays a key role in reenactments and niche hobbies, with historical societies employing it to recreate medieval methods for educational displays and events. Groups focused on medieval use period-accurate formulations to produce seals mimicking those from 12th- to 14th-century documents, often incorporating forensic techniques to study fingerprints and compositions for authenticity. This interest ties into broader revivals in and vintage markets, where wax seals complement retro-inspired journaling and correspondence, driven by demand for customizable, nostalgic items in these subcultures. In niche industrial applications, sealing wax serves as an anti-tamper mechanism for , providing a visible barrier that indicates if contents have been disturbed during transit. Brands in , gourmet foods, and high-end beverages apply colored wax dips or seals to bottles and boxes, enhancing both and branding without relying on synthetic adhesives. Complementing this, eco-friendly formulations have emerged in the , featuring plant-based resins and biodegradable materials to align with demands; for example, paraffin-free, plastic-free wax sticks made from natural pigments and vegan bases offer rigid seals suitable for mailing while minimizing environmental impact. Cultural revivals highlight sealing wax in diplomatic reproductions and artistic explorations, underscoring its symbolic role in heritage preservation. Organizations recreate historical diplomatic seals using wax for events like heritage exhibitions, drawing on archival examples such as consular stamps employed until the early 2000s to authenticate official documents. In , wax seals appear in installations that probe themes of , where artists layer seals over transient materials like painted letters or fabrics to symbolize impermanence and , blending historical craft with modern conceptual depth.

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