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Early Music Career and Debut Album (1989-1992)
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'Now' Album and Comeback (2017-2018)
Finding Love Again and Autobiography (2010-2011)
Breakthrough with Mutt Lange and 'The Woman In Me' (1993-1995)
Later Career, Collaborations and Queen of Me (2019-2023)
Global Superstardom with 'Come On Over' (1997-1999)
'Up!' and Continued Success (2002-2004)
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Return to Music and Las Vegas Residency (2012-2014)
Rock This Country Tour (2015)
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Shania Twain
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Eilleen Regina "Shania" Twain[1] OC (/aɪˈliːn/ ⓘ /ʃəˈnaɪə/ ⓘ eye-LEEN ... shə-NY-ə; born August 28, 1965) is a Canadian singer and songwriter. She has sold over 100 million records, making her one of the best-selling music artists of all time and the best-selling female artist in country music history.[2][3][4] She received several titles including the "Queen of Country Pop".[5][6] Billboard named her as the leader of the 1990s country-pop crossover stars.[7]
Key Information
Twain grew up in Timmins, Ontario, and from a young age she pursued singing and songwriting before signing with Mercury Nashville Records in the early 1990s. Her self-titled debut studio album was a commercial failure upon release in 1993.[8] After collaborating with producer and husband-to-be Robert John "Mutt" Lange, she rose to fame with her second studio album, The Woman in Me (1995), which brought her widespread success.[9] It sold over 20 million copies worldwide, spawned eight singles, including "Any Man of Mine" and earned her a Grammy Award.[10] Twain's third studio album, Come On Over (1997), has sold over 40 million copies worldwide, making it the best-selling studio album by a female solo artist,[11] the best-selling country album, best-selling album by a Canadian, and one of the best-selling albums of all time.[12] Come On Over produced twelve singles, including "You're Still the One", "From This Moment On", "That Don't Impress Me Much" and "Man! I Feel Like a Woman!" and earned her four Grammy Awards. Her fourth studio album, Up! (2002), spawned eight singles, including "I'm Gonna Getcha Good!", "Ka-Ching!" and "Forever and for Always".
In 2004, after releasing her Greatest Hits album, which produced three singles including "Party for Two", Twain entered a hiatus, revealing years later that diagnoses with Lyme disease and dysphonia led to a severely weakened singing voice.[13][14][15][16] She chronicled her vocal rehabilitation on the OWN miniseries Why Not? with Shania Twain, released her first single in six years in 2011, "Today Is Your Day", and published an autobiography, From This Moment On. Twain returned to performing the following year with an exclusive concert residency at The Colosseum at Caesars Palace, Shania: Still the One, which ran until 2014. In 2015, she launched the North American Rock This Country Tour, which was billed as her farewell tour.[17][18] Twain released her first studio album in 15 years in 2017, Now, and embarked on the Now Tour in 2018. In 2019, she started her second Las Vegas residency, Let's Go! at the Zappos Theater. Her sixth studio album Queen of Me was released in 2023, and she embarked on the Queen of Me Tour in the same year.
Twain has received five Grammy Awards, two World Music Awards, 39 BMI Songwriter Awards, inductions to Canada's Walk of Fame and the Hollywood Walk of Fame, as well as the Canadian Music Hall of Fame and Nashville Songwriters Hall of Fame.[19][20] According to the RIAA, she is the only female artist in history to have three (consecutive) albums certified Diamond by the RIAA[21] and is the seventh best-selling female artist in the United States. Altogether Twain is ranked as the 10th best-selling artist of the Nielsen SoundScan era.[22] Billboard listed her as the 13th Greatest Music Video Female Solo Artist of all time (42nd overall).[7] According to Billboard Boxscore, she is the highest-grossing female country touring artist with $421.1 million gross from her concert tours.[23]
Early life
[edit]Twain was born Eilleen Regina Edwards in Windsor, Ontario, on August 28, 1965,[24] to Sharon (née Morrison) of Irish descent and Clarence Edwards. She has two sisters, Jill and Carrie Ann. Her parents divorced when she was two and her mother moved to Timmins, Ontario, with her daughters. Sharon married Jerry Twain, an Ojibwa from the nearby Mattagami First Nation, and they had a son, Mark. Jerry adopted the girls and legally changed their surname to Twain. When Mark was a toddler, Jerry and Sharon adopted Jerry's baby nephew Darryl when his mother died. Because of Twain's connection to Jerry, the media have incorrectly reported that she is of Ojibwe descent.[25] When questioned as to why she chose not to publicly acknowledge Edwards as her biological father for years she said:
My father [Jerry Twain] went out of his way to raise three daughters that weren't even his. For me to acknowledge another man as my father, a man who was never there for me as a father, who wasn't the one who struggled every day to put food on our table, would have hurt him terribly. We were a family. Step-father, step-brothers, we never used that vocabulary in our home. To have referred to him as my step-father would have been the worst slap across the face to him.[26]
She holds a status card and is on the official band membership list of the Temagami First Nation. In 1991, Twain was offered a recording contract in Nashville and applied for immigration status into the United States. At that time, by virtue of her adoptive father Jerry Twain being a full-blooded Ojibwe and the rights guaranteed to indigenous Americans in the Jay Treaty (1795), she became legally registered as having 50 percent indigenous American blood.[26]
Twain has said that as a child she was told by her mother that her biological father was part Cree; his family denies having Cree ancestry but affirmed hearing Twain's mother make this claim.[26] Her confirmed ancestry includes Irish and French roots. Through a maternal great-grandmother, she is a descendant of French carpenter Zacharie Cloutier.[27] Her Irish maternal grandmother, Eileen Pearce, emigrated from Newbridge, County Kildare.[28]
She has said she had a difficult childhood. Her parents earned little money, and food was often scarce in their household. She did not confide her situation to school authorities, fearing they might break up the family. Her mother and adoptive father's marriage was stormy at times, and from a young age she witnessed violence between them. Her mother struggled with bouts of depression.[29] She eventually convinced her mother to take her and the children and run away to a homeless shelter in Toronto;[30] however Sharon returned to Jerry with the children in 1981.
In Timmins, Shania started singing at bars at the age of eight to try to help pay her family's bills; she often earned CA$20 between midnight and 1 a.m. performing for remaining customers after the bar had finished serving alcohol. Although she expressed a dislike for singing in those bars, she believes that this was her own kind of performing-arts school on the road.[31] She has said of the ordeal, "My deepest passion was music and it helped. There were moments when I thought, 'I hate this.' I hated going into bars and being with drunks. But I loved the music and so I survived."[32] She said that the art of creating, of actually writing songs, "was very different from performing them and became progressively important".[33]
At 13, Twain was invited to perform on the CBC's Tommy Hunter Show. While attending Timmins High and Vocational School, she was the singer for a local band called Longshot, which covered Top 40 music.[34] In the early 1980s she worked with her father's reforestation business in northern Ontario, which employed about 75 Ojibwe and Cree workers. Although the work was demanding and the pay low, she said,
I loved the feeling of being stranded. I'm not afraid of being in my own environment, being physical, working hard. I was very strong, I walked miles and miles every day and carried heavy loads of trees. You can't shampoo, use soap or deodorant, or makeup, nothing with any scent; you have to bathe and rinse your clothes in the lake. It was a very rugged existence, but I was very creative and I would sit alone in the forest with my dog and a guitar and would just write songs.[35]
Career
[edit]1983–1992: Beginnings
[edit]Twain graduated from Timmins High in June 1983 eager to expand her musical horizons.[36] After Longshot's demise she was approached by a cover band led by Diane Chase called Flirt and toured Ontario with them.[36] She took singing lessons from Toronto-based coach Ian Garrett, often cleaning his house as payment.[37] In the autumn of 1984 her talents were noticed by Toronto DJ Stan Campbell who wrote about her in a Country Music News article: "Eilleen possesses a powerful voice with an impressive range. She has the necessary drive, ambition and positive attitude to achieve her goals".[37] Campbell was making an album by Canadian musician (and present-day CKTB radio personality) Tim Denis at the time and she was featured on the backing vocals of the song "Heavy on the Sunshine".[38][37] Country singer Mary Bailey saw her perform in Sudbury, Ontario, saying "I saw this little girl up on stage with a guitar and it absolutely blew me away. She performed Willie Nelson's "Blue Eyes Crying in the Rain" and Hank Williams' "I'm So Lonesome I Could Cry". Her voice reminded me of Tanya Tucker, it had strength and character, a lot of feeling. She's a star, she deserves an opportunity."[39] Bailey later said "She sang a few songs that she had written, and I thought to myself, this kid is like nineteen years old, where does she get this? This is from a person who's lived sixty years".[40] On November 1, 1987, her mother and adoptive father died in a car accident approximately 50 kilometres (31 mi) north of Wawa, Ontario.[41] She moved back to Timmins to take care of her younger siblings and took them all to Huntsville, Ontario, where she supported them by earning money performing at the nearby Deerhurst Resort.[42]
1993–1994: Shania Twain
[edit]Several years later, when Twain's siblings moved out on their own, she assembled a demo tape of her songs and her Huntsville manager set up a showcase for her to present her material to record executives. She caught the attention of a few labels, including Mercury Nashville Records, who signed her within a few months.[43] During this time, she changed her name to Shania, which was rumoured to be an Ojibwa word which means "on my way". However, her biographer, Robin Eggar, writes: "There is a continuing confusion about what 'Shania' means and if indeed it is an Ojibwe word or phrase at all. There is no mispronounced or misheard phrase in either Ojibwe or Cree that comes close to meaning 'on my way.' Yet the legend of her name continues to be repeated in the media to this day."[44] Eggar was mistaken about there being no Ojibwe phrase that "comes close", as "Ani aya'aa", pronounced "Ah-nih Eye-uh-ah", means "someone on the way" in Ojibwe. It is therefore possible that someone with an imperfect knowledge of the Ojibwe language created Shania with the incorrect idea it would mean "she's on the way".[45]
Her self-titled debut album was released on April 20, 1993, in North America and garnered her audiences outside Canada. Shortly before its release, she sang backing vocals for other Mercury artists, including on Jeff Chance's album Walk Softly on the Bridges (1992)[46] and Sammy Kershaw's album Haunted Heart (1993).[47] Shania Twain reached No. 67 on the US Country Albums Chart and gained positive reviews from critics. The album failed to sell significant copies upon release, but her future success generated enough interest for the album to be certified platinum in 1999 by the Recording Industry Association of America (RIAA), denoting sales of over 1 million copies. The album yielded two minor hit singles in the United States with "What Made You Say That" and "Dance with the One That Brought You". The third and final single, "You Lay a Whole Lot of Love on Me", failed to chart. All three singles had accompanying music videos. The album was more successful in Europe, where she won Country Music Television Europe's "Rising Video Star of the Year" award.[43] In her 2011 autobiography From This Moment On she expressed displeasure with her debut studio album, revealing that she had very little creative control and was frustrated with being unable to showcase her songwriting abilities. She did, however, co-write one song, "God Ain't Gonna Getcha for That", for the album.[48]
1995–1996: The Woman in Me and commercial success
[edit]When rock producer Robert John "Mutt" Lange heard Twain's original songs and singing from her debut album, he offered to produce and write songs with her. After many telephone conversations, they met at Nashville's Fan Fair in June 1993. Twain and Lange became very close within weeks, culminating in their wedding on December 28, 1993. They co-wrote every song apart from one that featured on her second studio album, The Woman in Me.[43][49] The Woman in Me was released on February 7, 1995. Of the twelve tracks on the album, eight were released as singles. The album's first single, "Whose Bed Have Your Boots Been Under?" went to No. 11 on the Billboard Country Chart. This was followed by her first Country Top 10 and No.1 hit single, "Any Man of Mine", which also cracked the Top 40 on the Billboard Hot 100. She had further hits from the album, including the title track which peaked at No.14 and three additional No.1 hits: "(If You're Not in It for Love) I'm Outta Here!", "You Win My Love", and "No One Needs to Know", which was selected for the original soundtrack for the 1996 film Twister, a first for Twain. Plus minor country hit "Home Ain't Where His Heart Is (Anymore)" and a re-recorded gospel version of the album track "God Bless the Child" with new lyrics.[43] Meanwhile, in Australia, five of these singles: "The Woman in Me", "I'm Outta Here!", "You Win My Love", "No One Needs to Know" and "God Bless the Child", were remixed for the Australian pop market, with "I'm Outta Here!" becoming her breakthrough hit there, reaching No.5 on the ARIA charts.[50]
As of 2007 the album had sold more than 12 million copies in the United States, being certified Diamond by the RIAA.[51] The album was a quick breakthrough and because of this she performed selected international venues and television shows including two CMA Fan Fair performances with Nashville guitarists Randy Thomas (co-writer of the song "Butterfly Kisses"), and Dan Schafer.[52] Mercury Nashville's promotion of the album was based largely upon a series of music videos, which every single from the album had.[53] During this period she made television appearances on shows such as two performances on the Late Show with David Letterman, Blockbuster Music Awards, Billboard Music Awards and the American Music Awards. The Woman in Me won the Grammy Award for Best Country Album[54] as well as the Academy of Country Music award for Album of the Year;[55] the latter group also awarded her Best New Female Vocalist.[56]
1997–2001: Come On Over, international breakthrough, and Limelight Sessions
[edit]In 1997 Twain released her follow-up album, Come On Over. It established her as a successful crossover singer. Of the sixteen tracks on the album, twelve were released as singles. Following the release of lead singles "Love Gets Me Every Time" and "Don't Be Stupid (You Know I Love You)", which allowed her to make more appearances in the Billboard Hot 100, the album started selling. With the release of third single, "You're Still the One", sales skyrocketed. "From This Moment On", "When", "Honey, I'm Home", "That Don't Impress Me Much", "Man! I Feel Like a Woman!", "You've Got a Way", the title track, "Rock This Country!", and "I'm Holdin' On to Love (To Save My Life)" are the other nine songs that eventually saw release as singles. With the exception of "I'm Holdin' On to Love", all of the singles had accompanying music videos. "From This Moment On" is a duet with singer Bryan White and there was a re-recorded solo pop version, which was used for its music video.[57]

The album peaked at No. 2 on the Billboard 200 and stayed on the charts for the next two years, going on to sell 40 million copies worldwide, making it the biggest-selling album of all time by a female musician.[58] She continued to break international boundaries for country music and female crossover artists. It is also the ninth highest-selling album by any type of artist in the US[51] and the top selling country album in history. Songs from the album won four Grammy Awards during this time, including Best Country Song and Best Female Country Performance (for "You're Still the One" and "Man! I Feel Like a Woman!") for her. Lange won Grammys for "You're Still the One" and "Come On Over".[59]
In 1998 following the pop release of "You're Still the One", the Come On Over album was released in a remixed format for the European market as a pop album with less country instrumentation, and gave her the big breakthrough in Europe she and Lange were looking for. Come On Over went to No. 1 on the UK album charts for 11 weeks. It became the biggest selling album of the year in the UK and a bestseller in other big European markets as well, selling more than one million copies in Germany and nearly 4 million in the UK alone. Although "You're Still The One" and the pop version of "From This Moment On" cracked the Top 10 of the UK charts and "When" had success in the Top 20, the songs that drew European attention to the album were the pop remixed singles of "That Don't Impress Me Much", which reached number 3 in the UK and cracked the Top 10 in Germany, and "Man! I Feel Like a Woman!", which peaked at number 3 in both the UK and France. Additionally, "You've Got a Way" was remixed specifically for inclusion on the soundtrack for the film Notting Hill. Subsequently, a reissue of the international version of the album was released worldwide, including the US and Europe, containing three of these new remixes. Additionally, the album set the record for the longest ever stay in the Top 20 of the Billboard 200, remaining there for 99 weeks.[60] Billboard magazine declared Shania Twain the most played adult contemporary artist on US radio in 1999.[61]
In 1998, she launched her first major concert tour, aided by her manager Jon Landau, a veteran of many large-scale tours with Bruce Springsteen. The Come On Over Tour shows were a success, winning the "Country Tour of the Year" in 1998 and 1999 by Pollstar Concert Industry Awards.[62] In 2000, she was initially scheduled to release a Christmas album, but plans to release one were cancelled later in the year.[63] As of 2004, Come on Over has sold over 20 million copies in the United States, being certified Double Diamond by the RIAA.[64]
2002–2004: Up!
[edit]After a change in management – QPrime replaced Landau – and a two-year break, along with the birth of their son, Eja (pronounced "Asia") D'Angelo,[65] Twain and Lange returned to the studio. Up! was released on November 19, 2002. On January 26, 2003, she performed in the Super Bowl XXXVII halftime show. About a year later she kicked off the Up! Tour in Hamilton, Ontario, Canada on September 25, 2003. Up! was released with three different discs – country/acoustic (green CD), pop/rock (red CD), and world/dance (blue CD). Up! was given four out of five stars by Rolling Stone magazine, and debuted at No.1 on the Billboard albums chart, selling 874,000 in the first week alone. It remained at the top of the charts for five weeks. Her crossover appeal in the country, pop and dance genres, led Up! to reach 1 in Germany, 2 in Australia and the Top Five in the UK and France. In Germany, Up! was certified 4× platinum and stayed in the Top 100 for a year and a half. The international music disc was remixed with Indian-style orchestral and percussion parts recorded in Mumbai, India. The new versions were produced by Simon and Diamond Duggal, brothers from Birmingham, England. They were originally invited to contribute parts to the pop version of "I'm Gonna Getcha Good!" which retained the Indian influence.[66]

Her popularity in UK was reflected by numerous appearances on the long-running music show Top of the Pops, performing singles from Come On Over from 1999. In 2002 an entire special show was dedicated to her on sister show TOTP2, in which she herself introduced some past performances of her greatest hits and singles from Up!.[67] In November 2004 she appeared on the annual BBC charity telethon Children in Need. During the show, she performed "Up!", and took part in a magic act in which she was sawn in half by magician Scott Penrose in an illusion called Clearly Impossible.[68]
Eight of the tracks were released as singles in various markets. The first single from the album, "I'm Gonna Getcha Good!" became a top 10 country hit in the US, after debuting at No. 24 after only five days of airplay; but only made the Top 40 on the pop charts. The pop version hit 4 in the UK. In Australia, Germany and France, the song reached the Top 15 in each case. The follow-up single was the title track, which reached the Top 15 in the US country charts but only reached 63 on the pop charts. The second European single, and third single overall, became the mid-tempo song "Ka-Ching!" (which was never released as a single in North America) with lyrics where she was criticizing unchecked consumerism. The song eventually became another hit in the European markets, reaching 1 in Germany and Austria and other European countries, the UK Top 10 and the Top 15 in France.
The fourth single from the album was the most successful in the US, the romantic ballad "Forever and for Always". It was released in April 2003 and peaked at 4 on the country chart, 1 on the Adult Contemporary chart and 20 on the Billboard Hot 100. "Forever and For Always" reached the Top 10 in the UK and Germany. The other four singles from the album were "Thank You Baby! (For Makin' Someday Come So Soon)", "She's Not Just a Pretty Face", "When You Kiss Me" and "It Only Hurts When I'm Breathing". All eight singles had accompanying music videos. The title track "Up!", and "When You Kiss Me" saw release in limited edition to European countries, such as Germany, in early 2004. By January 2008, Up! had sold 5.5 million copies in the US and was certified as 11× platinum (Diamond) by the RIAA.[51] This made her the only female artist in history to have three consecutive albums certified Diamond by the RIAA.[69]
2004–2010: Greatest Hits and delay of new album
[edit]In 2004 Twain released the Greatest Hits album, with three new tracks. As of 2012 it had sold over 4.15 million copies in the US.[51] The first single, the multi-format duet "Party for Two", made the country top ten with Billy Currington, while the pop version with Sugar Ray lead singer Mark McGrath made top ten in the United Kingdom and Germany. The follow-up singles, "Don't!" and "I Ain't No Quitter" did not fare as well. The former made Top 20 on Adult Contemporary, while the latter did not gain enough airplay to reach the Country Top 40.[70] In August 2005 she released the single "Shoes" from the Desperate Housewives soundtrack. In late 2006 Twain and Anne Murray recorded a duet version of Murray's hit "You Needed Me" for her 2007 album, Anne Murray Duets: Friends & Legends.[71] This was her final recording with husband Lange as producer; on May 15, 2008, it was announced that she and Lange were separating.[72][73] Their divorce was finalized in 2010. In June 2009 she explained the delays in the release of her next album, noting she had gone through personal pains and was focusing on raising her son Eja.[74] In August 2009, at a conference in Timmins, Ontario, a spokesman for her label said a new record from Twain was still "nowhere in sight".[75]
2011–2015: Return to music, residency, and tour
[edit]
In May 2011 Twain confirmed in an interview that she would release her first new single in six years, "Today Is Your Day", after the finale of Why Not? with Shania Twain.[76] She previewed the song in the first episode of the series.[76] She worked with music producers David Foster and Nathan Chapman on the song. She published her autobiography with Atria Books, From This Moment On. The last episode of Why Not? features her and Lionel Richie recording "Endless Love" which would be the first single from his 2012 album Tuskegee.[77] "Today Is Your Day" was officially released to iTunes and country radio on June 12, 2011.[78] In addition to "Today Is Your Day", she collaborated with Michael Bublé on his 2011 album Christmas (also produced by David Foster). She recorded "White Christmas" with Bublé, which was the first single from the album.[79] On June 8, 2011, at a press conference at the Country Music Hall of Fame in Nashville, she announced that she would headline Caesars Palace in Las Vegas for two years.[78] Her show, titled Still the One, ran from December 1, 2012, to December 13, 2014.
In July 2013 she announced on Facebook that she was working on her album over the summer during a break from Still the One. In October 2013 she sat down with Robin Roberts from Good Morning America as a featured artist on the Countdown to the CMA Awards. In the interview she said that a new album was coming, but she said that she was still in the process of finding the right producer.[80]
Outside of her show at Caesars Palace, she performed two concerts at the Calgary Stampede in Calgary, Alberta, on July 9 and 10, 2014. In a series of interviews leading up to her Calgary Stampede shows she said she hoped to tour in 2015 and that it would lead to the release of a new album.[81] Alongside her Calgary Stampede shows, she also headlined a show on Labour Day weekend at Charlottetown, Prince Edward Island, Canada.[82]
On March 4, 2015, she announced on Good Morning America she would be going on tour for the first time in eleven years, and would begin June 5 in Seattle, Washington, and end on October 11 in Toronto, Ontario. She also announced this would be her last tour before her fifth studio album, which she intends to release while she is 50.[83] In an interview on Global Television Network's The Morning Show on March 6 she confirmed that she is not retiring from her music career after the tour.[84] In an interview with Radio.com published on March 5 she stated that she has found several producers for her upcoming album, describing it as "soul music".[85]
On August 24, 2015, she stated "First, I have to finish my new album this winter. Six tracks are already completed. I've written 38 songs in total, and now the process is underway to narrow that down to another six or eight to finish recording". That same month, it was announced by several sources, that even though her current Rock This Country Tour is her final time touring, she is possibly planning on extending the tour overseas because the Rock This Country tour was only based in the United States and Canada. She also mentioned possibly returning to Las Vegas with a new residency show for possibly late 2016 or 2017. The new show would end up featuring music from her long-awaited new album as well as her hits.[86]
2016–2021: Now, second Las Vegas residency
[edit]In October 2016 Twain confirmed to Rolling Stone that she had new music coming "really soon."[87] In December 2016 in an interview with Billboard, she spoke about her forthcoming album, describing the finished product as "kind of schizophrenic musically" maintaining "She's the glue".[88] In February 2017 she again spoke to Rolling Stone about the album; select song titles were confirmed as she detailed that she had not only hoped to release a single in March, but that she planned to release the album in May.[89] In April 2017 Billboard announced that her new single, "Life's About to Get Good", would premiere in June, with the album projected for release in September. Twain headlined the 2017 Stagecoach Festival in Indio, California, where she previewed her new music for the first time.[90][91] She performed on the Today Show's "Summer Concert Series" on June 16, 2017.[92] Her fifth studio album, Now, was released on September 29, 2017,[93] and would debut at No. 1 on the Billboard 200, becoming her second album to do so.[94] In June 2017 she announced on ET Canada that she would tour with Now.[95] She announced the Now Tour on her website on August 17, 2017.[96] The album's second single, "Swingin' With My Eyes Closed", was released on August 18, 2017.[97] She has also internationally released two other promotional singles off of Now, including "Poor Me" and "We've Got Something They Don't".[98][99] In June 2019 she announced her second Las Vegas residency, Let's Go!, which opened on December 6, 2019.[100] The COVID-19 pandemic caused the postponement and cancellation of many dates. The residency ended on September 10, 2022.
2022–present: Not Just a Girl, Queen of Me, and third Las Vegas residency
[edit]
In July 2022, a Netflix documentary spanning Twain's career, entitled Not Just A Girl, was released. It was shortlisted for the Rose d'Or 2022 Awards in the Art category.[101] The documentary released simultaneously with a companion compilation album, Not Just a Girl (The Highlights), featuring seventeen previously released songs plus the new title track.[102]
On September 23, 2022, Twain signed with Republic Nashville and released "Waking Up Dreaming" as the lead single from her sixth then-upcoming studio album, Queen of Me.[103][104] On January 5, 2023, she released the second single off the album, "Giddy Up!".[105] Queen of Me was released on February 3, 2023. It was her first album release under her new label. The album debuted at number 10 on the US Billboard 200, earning 38,000 equivalent album units, with 34,000 of those being album sales, becoming her sixth top-ten album in the country. She joined Madonna as the only women with newly-charting Billboard 200 top 10s in the 1990s, 2000s, '10s and '20s (Madonna's streak also includes the '80s).[106] The album debuted on the Billboard Top Country Albums chart at No. 2, earning her her seventh top-five entry on the chart.[107] In Canada, Queen of Me debuted at number two on the Canadian Album Chart, becoming her sixth top-ten album on the chart and seventh overall in the country. In the United Kingdom, Queen of Me debuted atop the UK Albums Chart, becoming her third number one album in the country, after Come On Over (1998) and Now (2017).
On October 22, 2022, Twain announced Queen of Me Tour across North America and Europe to promote the album. It was her first tour in nearly five years, comprising 76 dates.[108] She featured on the single "Unhealthy", which was released on May 18, 2023, the title track from Anne-Marie's third studio album.[109] The song peaked at number 18 on the UK Singles Chart and became Twain's first top-20 in the region since "Party for Two" in December 2004.[110] On August 15, 2023, she announced her third Las Vegas residency, Shania Twain: Come On Over – The Las Vegas Residency – All The Hits! at Bakkt Theater (now PH Live), scheduled to run from May to December 2024.[111] In March 2024, to commemorate the 65th anniversary of International Women's Day, Twain was one of a number of female celebrities had their likeness turned into Barbie dolls.[112] In June 2024, she performed in the traditional Sunday Legends slot at the Glastonbury Festival. On September 2, 2024, she announced she would be extending her Las Vegas residency, Shania Twain: Come On Over – The Las Vegas Residency – All The Hits! at PH Live at Planet Hollywood Las Vegas with nine final shows taking place in January and February 2025.[113]
In May 2025, Twain announced a limited tour of summer concerts across the United States and Canada from July to August. This includes festivals, like the Calgary Stampede, Cavendish Beach Music Festival, and the Ottawa Bluesfest, as well as standalone performances.[114]
TV and film career
[edit]Twain's mainstream pop acceptance was further helped by her appearance in the 1998 first edition of the VH1 Divas concert where she sang alongside Mariah Carey, Celine Dion, Gloria Estefan, Carole King and Aretha Franklin, and also by VH1's 1999 heavily aired Behind the Music, which concentrated on the tragic aspects of her early life as well as her physical attractiveness and Nashville's early resistance to her bare-midriff music videos. After Divas, she sang background vocals with Lange for Dion's songs, "If Walls Could Talk" and "Goodbye's (The Saddest Word)".[115][116]
She appeared as herself in the 2004 feature film I Heart Huckabees.[117] On November 12, 2008, she made her first television appearance since her split from Lange, where she appeared as a surprise presenter at the 42nd CMA Awards.[118] In 2009 she served as a guest judge on American Idol, for the show's August 30 and 31 episodes,[119][120] and in April 2010 she announced plans for her own TV show, titled Why Not? with Shania Twain. The show debuted on May 8, 2011, on OWN.[121] She returned to American Idol as a guest mentor for a week where the top 6 contestants showcased her songs.[122] After the conclusion of the ninth season she was very close to becoming a judge but ultimately it was Jennifer Lopez who got the job.[123]
She guest starred as herself on the Comedy Central series Broad City, in a September 2017 episode titled "Twaining Day",[124] and appeared as a guest judge in the 25th season of Dancing with the Stars during the show's "Movie Night" on October 23, 2017, and performed her song "Soldier".[125][126] She also appeared as a guest judge on episode five of the 10th Season of Rupaul's Drag Race in 2018.[127]
She competed against singer Meghan Trainor in an episode of TBS's Drop the Mic which aired in January 2018.[128] She was guest of honour for a Lip Sync Battle episode on Paramount Network pitting Derek Hough against Nicole Scherzinger that was dedicated to her and her music. The tribute episode aired June 21, 2018.[129] In November 2018 she appeared in the reality talent show Real Country, as an executive producer and co-presenter with Jake Owen and Travis Tritt.[130] In 2019 she appeared in the film Trading Paint, co-starring alongside John Travolta. In 2020 she played the role of the mother of singer Jeremy Camp in the biographical film I Still Believe.[131] In 2023, she appeared on the panel for the second series of ITV's Starstruck, a revived and reformatted version of Stars in Their Eyes, replacing Sheridan Smith.[132] In 2023 she appeared in season four, episode seven of the reality series The Kardashians.[133] In 2024 she appeared on the first episode of the Netflix series A Man in Full,[134] a six-episode limited television series adaptation of the novel with Regina King as director and executive producer and David E. Kelley as showrunner. The miniseries was released on May 2, 2024.[135] She guest starred in an episode of the ABC medical drama, Doctor Odyssey which aired on October 3, 2024. She appeared in Andrea Bocelli: 30 The Celebration Concert Film, which released in theaters on November 8, 2024. Shania guest starred in 'A Nonsense Christmas with Sabrina Carpenter' on December 6, 2024, as part of the Netflix special, Shania played Mrs Claus in a skit and performed Santa Baby with Sabrina Carpenter. In 2025, she became a judge on the fifth season of Canada's Got Talent.
Artistry
[edit]
Twain possesses a contralto vocal range.[136][137][138][139][140][141][142] In 1996, Newsweek defended her from detractors who attributed her refusal to tour at the time to her inability to replicate her studio singing live, describing it as "a warm, languid alto sweetened with a wisp of bedroom allure".[143] Admitting that her singing voice is not as strong as it was prior to her Lyme disease diagnosis, she had to learn how to navigate her new voice in order to continue performing.[144] Prior to her diagnosis, several physicians with whom she consulted throughout the years primarily attribute the loss of her voice to emotional stress, from which she has since recovered after experimenting with various relaxation techniques and devoting a lot of time to vocal warmups.[145] In 2018 she underwent laryngoplasty to have Gore-Tex stabilizers implanted in her throat to reduce the workload on her vocal muscles.[145][146]
She did little writing on her self-titled debut album, but Lange noticed Twain "had a distinctive voice as a songwriter" he felt had been overlooked by other collaborators.[147] Describing Twain and Lange as a "versatile" songwriting duo, Bob Paxman of Sounds Like Nashville observed that their songs explore several themes such as feminism and romantic longing,[136] while Maclean's journalist Brian D. Johnson said her songs "range from domestic-bliss ballads to sassy rockers that taunt and tease."[148] Alanna Nash of AARP observed that Twain crafted The Woman in Me around "hooky melodies and clever wordplay" from her point of view.[145][147] During the 1990s record executives feared her lyrics were too "male-threatening";[144] both The Woman in Me and Come On Over contain feminist and anti-infidelity themes.[149] Although she has become synonymous with singing songs about female empowerment that are "full of attitude", her catalogue also consists of love songs.[150] She believes female singers are often misunderstood for expressing "feminist views" or standing up for themselves, about which she often sings, explaining, "that doesn't mean that we don't love the men in our lives, and that we don't need the men in our lives."[151] She tends to isolate herself when writing songs to avoid distractions, believing she is most productive in this manner.[149] She claims to adapt melancholy experiences into happy songs.[149] Now was the first album she wrote without Lange's involvement, identifying the procedure as a very important songwriting experience because "I needed to do it alone, to start ideas and finish them without relying on anybody else's opinion and direction."[149] Drawing from raw feelings of pain,[145] she also used the album to process the demise of their relationship.[149]
Her primary musical genre is considered to be country pop,[150] with AllMusic critic Stephen Thomas Erlewine declaring that she "Skillfully fus[ed] mainstream, AOR rock production with country-pop".[152] Up is considered to be her most straightforward pop album to-date.[149] She maintains that she did not dress provocatively for fame, attention or "shock value" but simply because she enjoys her midriff, claiming to have no regrets about her past outfits.[153] She defends contemporary pop stars who dress provocatively, explaining, "I don't think it's too sexy now ...The boundaries are really up to the individual. And then it's up to the viewer whether they like it or not."[153] She cites Karen Carpenter,[136] Dolly Parton, Mickey Guyton, Taylor Swift, The Chicks, Wynonna Judd, and Kelsea Ballerini as some of the female country artists who inspire her.[154] She has also expressed admiration for country singers Loretta Lynn, Patsy Cline, Tammy Wynette, Reba McEntire and LeAnn Rimes.[151]
Public image and reception
[edit]
Despite her success, Twain has been a divisive figure within country music among purists who initially did not take kindly to her "genre-blending".[155] According to biographer Stephen Thomas Erlewine, most critics accused her of "diluting country with bland, anthemic hard rock techniques and shamelessly selling her records with sexy videos."[152] Some country music critics dismissed her music as not being country enough, which some fans theorize resulted in her breakthrough album The Woman in Me being snubbed at the 1995 Country Music Awards, despite its widespread success.[136] Similar to Garth Brooks before her, she was initially branded an interloper whose modern production, presentation and songwriting "disrupt[ed] the genre's status quo".[156] During the 1990s she often received backlash for her unconventionally liberated appearance as a country music singer.[144][153] Despite the breakthrough success of The Woman in Me, early detractors did not take her seriously as an artist, with several music journalists questioning her lyrics, the "manufactured" production of her albums, and her singing ability.[157] Such critics concurred that she had little to offer apart from her sex appeal and music videos,[157] often focusing on her physical appearance instead of her music.[155][158] Early in her career she found herself at odds with the conservative opinions of the country music industry at the time due to her assertive personality and proclivity for wearing revealing outfits that exposed her midriff.[149][153][145] She was constantly deprecated for baring her midriff to the point where critics nicknamed it "The most famous midriff in Nashville",[155] while CMT banned the music video for her debut single "What Made You Say That".[157][159] The Independent's Roisin O'Connor believes "Nashville hadn't seen anything like Twain [before] – a leopard print-loving, midriff-exposing artist determined to be an international star."[149] According to Kristin M. Hall of the Associated Press, since Twain had not yet begun touring, she used music videos to broaden her audience.[160] Similarly, Erlewine considers her to be "the first country artist to fully exploit MTV's style" by cultivating "a sexy, video-oriented image ... that appealed" to both country and pop audiences, largely without touring.[152]
Her record label cautioned her that both men and women would dislike her independence and sexual expressiveness, respectively, but she did not believe them.[149] Record executives warned her that women would feel threatened by her "dressing too sexy".[144] Refusing "to conform to a single archetype of femininity", she recalled that she used music to communicate with like-minded women by alternating between heartbroken, comedic, vengeful, empowered, self-deprecating and lustful personas "all on the same record."[149] Country rock musician Steve Earle famously labelled her "the world's highest-paid lap-dancer."[161] Despite these criticisms her music has largely been embraced by fans.[152][155] In a 2015 profile on Twain, Maclean's Sonya Bell theorized that Twain's early critics would be shocked by her continued success,[157] while American Songwriter's Joe Vitagliano considers her a testament that "critics and the 'industry' aren't quite the 'be-all, end-all' that they think they are".[155] Sarah Koo of Entertainment Tonight Canada wrote that, in hindsight, Twain's image throughout the 1990s seems tame in comparison to the revealing outfits of artists who have since succeeded her.[153]
At one point she was considered to be among the biggest music stars in the world.[161] Journalist Brian D. Johnson wrote that, despite her girl next door image, Twain "has the sort of star power that people expect from royalty", which he attributes to her Cinderella-esque life story.[148] The Guardian's Simon Hattenstone described her as "sexy, empowering and funny. This was a woman who knew what she wanted – men, action, dancing, control."[146] Calling her equally country, pop and rock star, Hattenstone went on to write that Twain is "fancied by the straight boys, admired by the straight girls, adored by gay men as a camp icon and loved by lesbians who read what they wanted into Man! I Feel Like a Woman!."[146] Claiming her stint hosting the 2003 Juno Awards was noticeably void of diva behaviour despite persistent rumours of outrageous antics and demands at the time, Brad Wheeler of The Globe and Mail described her as "an international icon and Canada's sweetheart", a sentiment with which Juno Awards producer John Brunton agreed.[161] Instead Twain relied on her own security, band, production team and assistants.[161]
Legacy
[edit]
BBC Online described her as "the real Queen of Pop", citing her influence on subsequent successful female artists such as Meghan Trainor, Britney Spears, Taylor Swift and Haim.[162] As one of country music's first crossover stars,[146] the website claims her success as a country-pop crossover artist demonstrates that "she was doing the Taylor Swift thing before Taylor Swift even arrived."[162] Justin Chandler of CBC credited her with making "country-pop crossover its own genre" and "paving the way for artists sitting atop those same charts every year since."[163] Her record-breaking album The Woman In Me is credited as the one that permanently changed country music as a whole.[164]
Twain's success in the music industry has earned her the honorific nickname the "Queen of Country Pop".[165][151] By 1998 Maclean's had named her "the reigning queen of country music".[148] American Songwriter contributor Joe Vitagliano named her one of the greatest artists of our time.[155] The New York Times music critic Jon Caramanica named her "Country's Crossover Queen", writing that during her prime she "was both a pop centrist and a country rebel, and many of the aesthetic moves she pioneered ended up, following a period of some resistance, as central to the sound of Nashville."[166] In a ranking of Twain's best songs, Rolling Stone stated that her catalogue of music "ha[s] come to define an era in country music and paved the way for other genre-bending artists that followed."[167] According to Kristin M. Hall of the Associated Press Twain's global success "changed country music for years to come."[160] Nash credits her work on Come On Over with helping to redefine the future of country music.[145] NPR's Jewly Hight wrote that, despite initial derision, Twain eventually "redefin[ed] what country superstardom looked, sounded and behaved like", ultimately influencing a generation of country artists "in making flashier music videos, beefing up their backbeats and staging shows with the energy and theatricality of arena rock."[156]
Influence on other artists
[edit]Taylor Swift credits Twain for her own pop crossover.[168] Swift has cited her as one of her most prominent musical influences.[151] Carrie Underwood states that Twain "paved the way for a lot of us."[164] Underwood believes all similar artists were influenced by Twain, whether or not they realize it.[160] She has been cited as a major influence among Canadian country music artists such as Tenille Arts, Jess Moskaluke, Dean Brody, Lindi Ortega and Brett Kissel.[163] Rapper Post Malone and singer Rihanna have cited her as an inspiration, with the former calling her his childhood crush.[149][169][170] She covered Malone's song "Rockstar" live during the American Music Awards.[169] She has expressed interest in collaborating with Malone, claiming to have written a song for the two of them in 2019.[171] Singer-songwriter and actor Harry Styles has mentioned her as his biggest influence both "musically and in fashion".[172] Her bold fashion statements also inspired multiple artists. Harry Styles revealed in an interview with Entertainment Tonight that in "I think, both music and fashion," his "main influence was probably Shania Twain."[173] Halsey cited her as one of the artists she was inspired by in her music video "You Should Be Sad".[174]
Endorsements
[edit]In January 2005, Twain joined Scentstories by Febreze to create a limited edition scent disc with the proceeds going to Feeding America, formerly America's Second Harvest.[175] In late 2005 she partnered with Coty to produce her namesake fragrance "Shania" by Stetson. A second fragrance was released in September 2007 called "Shania Starlight".[176] On January 1, 2010, she carried the Olympic Torch through her hometown as part of the 2010 Winter Olympics torch relay.[177]
Personal life
[edit]Twain met producer Robert John "Mutt" Lange after he heard her original songs and singing from her debut album; he offered to produce and write songs with her. Having spoken on the phone for many months, they met at Nashville's Fan Fair in June 1993 and became close. They were married on December 28, 1993, and had a son, Eja (pronounced "Asia"), on August 12, 2001.[178] On May 15, 2008, it was announced that they were separating after Lange had an affair with Twain's best friend, Marie-Anne Thiébaud.[72][73][179][180] Their divorce was finalized on June 9, 2010.[181] On December 20, 2010, it was reported that Twain was engaged to Swiss Nestlé executive Frédéric Thiébaud, Marie-Anne's former husband.[182][183][184] They were married on January 1, 2011, in Rincón, Puerto Rico.[185][186]
She is a vegetarian[187][188] and a devotee of Sant Mat, an Eastern spiritual philosophy.[189] In 2010 she created Shania Kids Can, a charity designed to address the needs of neglected children who are frequently overlooked by social assistance programs.[190] Her autobiography, From This Moment On, was published on March 27, 2011.[191] She is a long-time resident of Corseaux, Switzerland,[192] where her son was born, and she also owns properties in Las Vegas and the Bahamas.[193][194]
Awards and honours
[edit]
In addition to her various awards for her singles and albums, Twain has received a number of personal honours:
- She was named the 1999 Entertainer of the Year by both the Academy of Country Music[195] and the Country Music Association; Twain was the first non-US citizen to win the CMA award.[196]
- Twain was ranked No.7 in Country Music Television's 40 Greatest Women of Country Music in 2002.[197]
- In 2003, Twain received a maple leaf on Canada's Walk of Fame.[68]
- The city of Timmins Ontario, renamed a street for her, gave her the key to the city, and built the Shania Twain Centre in her honour.[198]
- On November 18, 2005, Twain was invested as an Officer in the Order of Canada.[199][200]
- Twain was inducted into the Canadian Music Hall of Fame at the Juno Awards on March 27, 2011.[201]
- On June 2, 2011, Twain received a star on the Hollywood Walk of Fame. Her star is the 2,442nd Star on the Hollywood Walk of Fame in the Category of Recording.[202]
- On December 9, 2016, Twain received the third-ever Billboard Women in Music Icon Award for her extraordinary accomplishment and historic contributions to the industry and artistry.[203]
- In 2016, Twain was declared the "Artist of a Lifetime" by CMT and was given a special award during the 2016 Artists of the Year ceremony.[204] She is the first woman to receive this honour.
- In June 2017, Twain had her own exhibit at the Country Music Hall of Fame titled Shania Twain: Rock This Country. It ran through 2018.
- In 2018, Twain was announced as the second recipient of the CCMA Generation Award.[205]
- In August 2022, Twain received the Poet's Award from the Academy of Country Music honouring her songwriting[206]
- In October 2022, Twain was inducted into the Nashville Songwriters Hall of Fame.[207]
- In December 2022, Twain received the Music Icon Award at the 48th People's Choice Awards.[208]
- On April 2, 2023, Twain received the CMT Equal Play Award at the 2023 CMT Music Awards. The award recognizes trailblazers who are using their platform to break barriers, speak out against injustices, and challenge the status quo.[209]
Discography
[edit]- Shania Twain (1993)
- The Woman in Me (1995)
- Come On Over (1997)
- Up! (2002)
- Now (2017)
- Queen of Me (2023)
Filmography
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 2019 | Trading Paint | Becca | Film |
| 2020 | I Still Believe | Teri Camp | Film |
| 2021 | For Love | Narrator | Voice |
| 2022 | Beauty and the Beast: A 30th Celebration | Mrs. Potts | Television film |
| 2024–2025 | Doctor Odyssey | Heather | 2 episodes |
| 2025 | Easy's Waltz | Film |
| Year | Title | Role | Notes |
|---|---|---|---|
| 2004 | I Heart Huckabees | Herself | Film |
| 2011 | Why Not? With Shania Twain | Herself | OWN documentary; 6 episodes |
| 2017 | Broad City | Herself | Episode: "Twaining Day" |
| 2018 | RuPaul's Drag Race | Guest Judge | Episode: "The Bossy Rossy Show" |
| 2021 | Fairfax | Herself | Voice; Episode: "Chernobylfest" |
| Anne Murray: Full Circle | Herself | CBC Television documentary | |
| 2022 | Not Just a Girl[210] | Herself | Netflix documentary |
| Monarch | Herself | Episode: "There Can Only Be One Queen" | |
| 2023 | The Kardashians | Herself | Episode: "A Short-Term Fight" |
| 2024 | A Man in Full | Herself | Episode: "Saddlebags" |
| Andrea Bocelli: 30 Celebration | Herself | Concert film | |
| A Nonsense Christmas with Sabrina Carpenter | Herself | Netflix Christmas special | |
| 2025 | Canada's Got Talent | Herself/Judge | Season 5 |
Tours
[edit]Co-headlining tours
- Triple Play Tour (1993; with John Brannen and Toby Keith)
Headlining tours
- Come On Over Tour (1998–1999)
- Up! Tour (2003–2004)
- Rock This Country Tour (2015)[211]
- Now Tour (2018)
- Queen of Me Tour (2023)
Residencies
- Shania: Still the One (2012–2014)
- Let's Go! (2019–2022)
- Come On Over - All The Hits! (2024–2025)[212][213]
See also
[edit]References
[edit]Footnotes
[edit]- ^ Why Not? with Shania Twain Archived July 21, 2022, at the Wayback Machine (OWN, published May 17, 2011, on YouTube)
Quote:
"I never feel like Shania Twain. I'm Eilleen Twain. And Shania is part of who I am." - ^ Pruett, David B. (2014). "Twain, Shania". Twain, Shania | Grove Music. Oxford Music Online. doi:10.1093/gmo/9781561592630.article.A2258563. Archived from the original on March 1, 2020. Retrieved March 1, 2020.
- ^ Martin, Annie (April 14, 2017). "Shania Twain joins 'The Voice' as key adviser". United Press International. Archived from the original on August 18, 2017. Retrieved August 18, 2017.
- ^ Gordinier, Jeff (November 8, 2002). "Shania Twain Does Not Believe in Tears". Entertainment Weekly. Archived from the original on September 25, 2011. Retrieved March 4, 2011.
- ^ Davies, Hannah (September 28, 2017). "Shania Twain: Now review – bouncing back with country-pop queen". The Guardian. Archived from the original on April 24, 2018. Retrieved May 16, 2018.
- ^ O'Connor, Roisin (September 15, 2017). "Shania Twain interview: 'I don't have anything to hide'". The Independent. Archived from the original on May 17, 2018. Retrieved May 16, 2018.
- ^ a b "The 100 Greatest Music Video Artists of All Time: Staff List". Billboard. August 27, 2020. Archived from the original on October 17, 2020. Retrieved October 3, 2020.
- ^ Williams, Dallas (1997). Shania Twain: On My Way. ECW Press. p. 122. ISBN 1-55022-297-X.
- ^ Paxman, Bob (February 10, 2020). "25 Years Later: Shania Twain's 'The Woman In Me'". soundslikenashville.com. Archived from the original on March 1, 2020. Retrieved March 1, 2020.
- ^ "Shania Twain's the woman in me:Diamond edition to be released October 2". www.umusic.ca. Archived from the original on September 19, 2020. Retrieved December 12, 2020.
- ^ "Biggest-selling studio album by a female solo artist". Guinness World Records. March 12, 2015. Archived from the original on July 15, 2021. Retrieved May 26, 2023.
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- ^ Eggar 2005a, p. 41
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she earned few good reviews -- most critics accused her of diluting country with bland, anthemic hard rock techniques and shamelessly selling her records with sexy videos. Fans ignored such complaints
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She's one of the biggest stars in the world
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Sources
[edit]- Twain, Shania (2011), From This Moment On, Simon & Schuster, ISBN 978-1-4516-2074-0.
- Eggar, Robin (2005a), Shania Twain:The Biography, New York City: Country Music Television Inc., Pocket Books, ISBN 0-7434-9735-X.
- Hager, Barbara (1996), On Her Way: The Life and Music of Shania Twain, Toronto: Raincoast Books, ISBN 0-425-16451-9.
External links
[edit]Shania Twain
View on GrokipediaEarly life
Childhood and family background
Shania Twain was born Eilleen Regina Edwards on August 28, 1965, in Windsor, Ontario, to Sharon Morrison, a woman of Irish descent, and Clarence Edwards, her biological father.[11] Her parents separated when she was two years old, after which her mother remarried Jerry Twain, an Ojibwa man from the Mattagami First Nation, who adopted Eilleen and her siblings, legally changing their surname to Twain.[11] The family relocated to the remote mining town of Timmins, Ontario, where they lived in relative isolation amid harsh northern winters.[11] The Twain household was marked by severe poverty, with the family often relying on food banks and facing chronic financial instability; Sharon worked multiple low-paying jobs, including as a waitress, to support her five children, while Jerry struggled with unemployment and alcoholism.[12] Sharon's history of multiple marriages contributed to a turbulent home environment, exacerbated by Jerry's physical and emotional abuse toward her and the children, including instances of violence that young Eilleen witnessed and sometimes intervened in to protect her mother and siblings.[13] As the second oldest, Eilleen assumed significant caregiving responsibilities for her three younger siblings—full sister Carrie Ann and half-brothers Mark and Darryl—often preparing meals and ensuring their safety amid the chaos, while supporting her older sister Jill as well.[12][11][14] Tragedy struck on November 1, 1987, when Sharon and Jerry were killed in a car accident near Timmins, caused by icy roads and a head-on collision with a truck; Eilleen, then 22, was devastated by the loss, as it erased the primary figures in her life history.[15] In the aftermath, she took on legal guardianship of her younger siblings, moving them to Huntsville, Ontario, and supporting them financially through her early music performances while working as a receptionist at a resort, a burden that tested her resilience but solidified her role as family anchor.[11] Twain's connection to Indigenous heritage stems primarily from her stepfather Jerry, whose Ojibwa roots from the Mattagami First Nation shaped her cultural identity; she later adopted the stage name "Shania," meaning "on my way" in Ojibwa, as a tribute to him and to embrace that lineage, which has influenced her sense of self amid her non-Indigenous biological background.[11] This heritage became a point of personal significance for Twain, helping her navigate the complexities of her upbringing and informing her later advocacy for Indigenous issues.[16]Early musical influences and performances
Twain began developing her musical talents at a young age, teaching herself to play the guitar and refining her singing voice starting around age 8 while growing up in Timmins, Ontario.[17] Her early influences drew from both country and pop genres, including icons such as Dolly Parton and Loretta Lynn for their storytelling and vocal style, as well as The Beatles for their melodic innovation and broad appeal.[17] By age 10, she had composed her first original songs, channeling personal experiences into lyrics as a form of emotional outlet amid family hardships.[6] To help support her struggling family, Twain started performing publicly as a child, singing in local bars, talent shows, and community events in Timmins and nearby areas like Sudbury.[11] These early appearances, often alongside her mother Sharon, exposed her to diverse audiences and honed her stage presence despite the challenges of performing underage; she was sometimes introduced simply as her mother's daughter to navigate legal restrictions.[17] Her sets typically featured covers of country standards and emerging pop tunes, building confidence through raw, unpolished delivery in intimate, working-class venues. Twain secured her first paid professional gigs by age 10, performing in local venues and occasionally as opening acts for established artists, which marked her transition from amateur to compensated performer.[17] In high school, she expanded her experience by joining a Top 40 rock band called Longshot, where she contributed vocals and guitar, blending country roots with rock elements to appeal to teenage crowds at local events.[11] These formative band performances allowed her to experiment with group dynamics and song arrangements, laying the groundwork for her versatile style. Following her high school graduation in 1983, Twain committed fully to music, but her path intensified after the tragic car crash death of her mother and stepfather in 1987, when she was 22 and assumed guardianship of her younger siblings.[6] This loss, compounded by earlier family struggles, propelled her to prioritize performing as a means of stability, leading to steady resort gigs and further skill development before entering the professional recording industry.[17]Career
1983–1992: Early recordings and local success
Twain graduated from Timmins High and Vocational School in 1983 and relocated to Toronto to launch her music career, enrolling in voice lessons while performing in local bars and clubs to build experience. She soon joined the regional variety show circuit, touring Ontario and parts of Western Canada with cover bands and original material, which exposed her to diverse audiences and refined her country-infused style. In 1985, she fronted a Top 40 rock band named Longshot, performing at small venues and gaining modest local recognition in southern Ontario.[11] The trajectory shifted dramatically in November 1987 when Twain's mother, Sharon, and stepfather, Jerry Twain, died in a car accident near Wawa, Ontario, leaving her as the legal guardian of her three younger siblings. At age 22, she returned to Timmins, balancing family responsibilities with seasonal work as a tree-planting supervisor and continued performances at northern Ontario resorts and clubs to provide financial support. These gigs, particularly her residencies at the prestigious Deerhurst Resort from 1987 to 1990, established her as a reliable regional entertainer, drawing steady crowds for her blend of country covers and original songs that often reflected personal hardship and determination. The period of grief and self-reliance profoundly shaped her songwriting, infusing early compositions with themes of resilience and family bonds, as she later reflected in interviews about channeling loss into creative drive.[11][17][16] Seeking broader opportunities, Twain recorded a series of demo tapes in the late 1980s, including a dozen tracks produced by Paul Sabu at Limelight Studios in Canada during 1989, which showcased her vocal range and songwriting potential to potential labels. These efforts, combined with ongoing regional tours across Ontario and Quebec, led to limited radio airplay on Canadian country stations, particularly for live-recorded tracks from her resort shows. In 1990, she partnered with manager Mary Bailey, a Toronto-based country artist, who facilitated connections in Nashville; by 1991, Twain had signed a recording contract with Mercury Nashville Records, ending her years of grassroots performances and setting the stage for her professional breakthrough.[18][11]1993–1995: Debut album and breakthrough with The Woman in Me
In 1993, Shania Twain released her self-titled debut album through Mercury Records, which featured traditional country sounds but achieved limited commercial success, peaking at No. 15 on the Billboard Top Country Albums chart.[17] The album included singles like "What Made You Say That," which gained some attention via its music video, but Twain had little artistic control, as she was encouraged to record songs written by others. Twain's breakthrough came with her second album, The Woman in Me, released in February 1995, marking her first major collaboration with her then-husband and producer Robert John "Mutt" Lange, known for his work with rock acts like Def Leppard.[17] Together, they co-wrote 10 of the 12 tracks, blending country structures with rock-influenced production elements such as layered harmonies, electric guitars, and upbeat rhythms, largely recorded at Sound Stage Studios in Nashville.[19] This partnership shifted Twain's sound toward a more accessible pop-country fusion, prioritizing catchy hooks and universal themes of empowerment and relationships over traditional Nashville conventions. The lead single, "Any Man of Mine," released in April 1995, became a defining hit, reaching No. 1 on the Billboard Hot Country Songs chart for two weeks and crossing over to No. 23 on the Hot 100, introducing Twain to a wider pop audience.[20] The Woman in Me itself topped the Billboard Top Country Albums chart for 29 weeks and became the best-selling country album of 1995, eventually selling over 20 million copies worldwide and earning diamond certification in the U.S. for 10 million units shipped.[21] The album's innovative style drew acclaim for broadening country's appeal but also faced criticism from purists who viewed its pop leanings as a departure from authentic roots, with some Nashville executives initially doubting its radio viability.[22] In recognition of its impact, The Woman in Me won the Grammy Award for Best Country Album at the 38th Annual Grammy Awards in 1996, making Twain the first and only non-American artist to achieve this honor to date.[17] The success propelled her first headlining tour, the Woman in Me World Tour, which ran from 1995 to 1996 across North America and select international dates, solidifying her rising stardom and drawing crowds eager for her high-energy performances of the album's hits.[23]1997–2001: Come On Over and global stardom
Shania Twain's third studio album, Come On Over, was released on November 4, 1997, by Mercury Nashville Records in North America.[24] Co-written and produced with her husband Robert John "Mutt" Lange, the album blended country, pop, and rock elements across its 16 tracks, showcasing Twain's evolving songwriting style.[25] Key singles from the record included the empowering anthem "Man! I Feel Like a Woman!", released in 1999 and peaking at No. 23 on the Billboard Hot 100, and "That Don't Impress Me Much", which became a major hit in 1998, reaching No. 7 on the Hot 100 and dominating international airplay.[24] These tracks, along with others like "You're Still the One" and "From This Moment On", highlighted the album's crossover appeal and Twain's charismatic delivery.[26] The album achieved unprecedented commercial success, selling over 40 million copies worldwide and becoming one of the best-selling albums of all time.[27] In the United States, it was certified 20× Platinum by the RIAA on November 15, 2004, for shipments exceeding 20 million units, marking it as Twain's highest-selling project and a landmark in country music history.[28] To broaden its market reach, Mercury released separate country and pop versions; the international pop edition, remixed for non-country audiences, propelled the album to the top of European charts and facilitated Twain's breakthrough in markets like the UK and Australia.[29] This strategic dual-release approach solidified Come On Over as a global phenomenon, bridging genres and expanding country music's audience. To promote the album, Twain launched the Come On Over Tour on May 29, 1998, in Sudbury, Ontario, marking her first headlining trek and spanning North America, Europe, and Australia over 14 months, concluding on July 10, 1999, in Dublin, Ireland.[30] The production featured dynamic staging with multiple set changes, costume transformations, and high-energy visuals, drawing over 2 million attendees across 100 shows.[24] Notable milestones included Twain's headline performance at Wembley Arena on July 8, 1999, which underscored her rising status as a major international draw.[31] The tour's success further cemented her global stardom, with live footage from shows like the September 1998 Dallas concert later remastered and shared to highlight the era's excitement.[32]2002–2004: Up! and multimedia expansion
Shania Twain's fourth studio album, Up!, was released on November 19, 2002, by Mercury Nashville Records, marking a creative peak in her career following the global success of Come On Over. The album innovatively launched in three distinct editions to appeal to diverse audiences: a green-disc country version with acoustic instrumentation, a red-disc pop/rock version featuring electric arrangements, and a blue-disc international edition incorporating world music influences like Bollywood rhythms. This multi-format approach allowed fans to experience the same 19 tracks in varied styles, emphasizing Twain's versatility in blending genres. Lead singles "I'm Gonna Getcha Good!" and "Forever and for Always" became major hits, with the former peaking at No. 7 on the Billboard Hot Country Songs chart and the latter reaching No. 1 there for one week, contributing to the album's crossover dominance across country, pop, and adult contemporary formats.[33][34] Up! achieved massive commercial success, debuting at No. 1 on the Billboard 200 with 874,000 copies sold in its first week—the highest debut for a female artist at the time—and eventually certifying 11× Platinum in the United States by the RIAA on September 23, 2004. Worldwide, the album has sold over 20 million copies, solidifying Twain's status as one of the best-selling artists of the era. Its chart performance underscored her peak dominance, with multiple singles topping country charts and crossing over to international success, including "Ka-Ching!" as a Europe-exclusive hit. The album's promotion extended into multimedia ventures, including the release of the live concert special Up! Live in Chicago, filmed on July 27, 2003, at Grant Park and aired on NBC, which captured her high-energy performance and later became a best-selling DVD.[35][36] To support Up!, Twain embarked on the Up! Tour from September 2003 to July 2004, her most ambitious production yet, spanning over 100 dates across North America, Europe, Australia, and Asia with sold-out arenas and stadiums. The tour featured elaborate stage setups, including dynamic lighting, video screens, and interactive elements that highlighted her energetic performances and wardrobe changes, drawing record crowds and grossing tens of millions. In 2004, Twain expanded her public presence through philanthropy, appearing on the BBC's Children in Need telethon in November, where she performed "Up!" and participated in a magic illusion act to raise funds for children's causes. This period represented Twain's multimedia expansion, blending music releases with visual media and charitable engagements during her commercial zenith.[37][38][39]2005–2010: Hiatus, compilations, and creative delays
Following the release of her 2003 album Up!, Shania Twain contracted Lyme disease in 2003 from a tick bite during horseback riding, which went undiagnosed for several years and led to complications including nerve damage affecting her vocal cords and causing persistent dysphonia.[8] The condition's symptoms, including blackouts and loss of vocal control, intensified by 2005, prompting Twain to announce an indefinite hiatus from recording and touring to focus on recovery.[40][41] This period marked a significant creative pause, as the damage left her unable to sing reliably, effectively halting new music production for over a decade.[42] In late 2004, amid the onset of these challenges, Twain released the retrospective compilation Greatest Hits, featuring 17 of her biggest singles alongside three new recordings: the duet "Party for Two" (with Mark McGrath of Sugar Ray), "Don't!", and a cover of Dolly Parton's "Coat of Many Colors."[43] The album debuted at number two on the Billboard 200 and topped the Top Country Albums chart, eventually achieving 4× Platinum certification from the RIAA for over four million units sold in the United States.[43] It served as a commercial capstone to her active years, underscoring her global impact with sales exceeding 10 million worldwide.[44] During the hiatus, Twain made several unsuccessful attempts to develop material for a fifth studio album, but her vocal limitations—stemming from the Lyme-induced nerve damage—prevented progress, leading to repeated delays and frustration in the studio.[45][46] She channeled her experiences into writing her autobiography From This Moment On, published in 2011 by Simon & Schuster, which detailed her career highs, personal struggles, and health battles as a form of therapeutic reflection.[47][48] Sporadic public appearances punctuated this time, including a notable performance of "Man! I Feel Like a Woman!" at the 2008 CMA Awards, where she demonstrated resilience despite ongoing recovery.[49]2011–2017: Comeback tours, residency, and Now
After a prolonged hiatus due to health challenges, including vocal cord damage from Lyme disease that required intensive therapy, Shania Twain made her return to performing with the launch of her debut Las Vegas residency, Shania: Still the One, at The Colosseum at Caesars Palace on December 1, 2012.[50] The production ran for two years, concluding on December 13, 2014, after 105 shows that showcased elaborate staging, costume changes, and medleys of her career-spanning hits such as "Any Man of Mine" and "Whose Bed Have Your Boots Been Under?"[51] Critics and audiences lauded the residency for its intimate atmosphere, particularly during acoustic ballads like "You're Still the One," which allowed Twain to connect closely with fans in the 4,100-seat venue. Building on the momentum from her Vegas run, Twain embarked on her first major headlining tour in over a decade, the Rock This Country Tour, which kicked off on June 5, 2015, in Seattle, Washington, and wrapped up on October 27, 2015, in Kelowna, British Columbia.[52] The 68-date trek spanned the United States and Canada, featuring high-energy performances of her pop-country staples with a focus on fan interaction and vibrant production, grossing over $65 million and drawing nearly 700,000 attendees.[53] As Twain's self-declared "farewell tour," it marked a celebratory phase in her career, emphasizing her resilience following years away from the road. In recognition of her enduring influence on country music, Twain received the CMT Artist of a Lifetime Award in October 2016, becoming the first woman to earn the honor, previously given to Kenny Rogers and Merle Haggard.[54] The accolade highlighted her global sales exceeding 100 million records and her role in modernizing the genre during the 1990s. Twain capped this period with the release of her fifth studio album, Now, on September 29, 2017—her first full-length project in 15 years and the first without longtime collaborator and ex-husband Robert John "Mutt" Lange, from whom she divorced in 2010.[55] Self-written and largely self-produced by Twain, who oversaw every track while collaborating with additional producers like Matthew Koma and Ron Aniello, the album explored deeply personal themes of healing, perseverance, and optimism in the wake of her marital split and vocal recovery.[56] The lead single, "Life's About to Get Good," issued in June 2017, reflected on turning pain into positivity but achieved only modest chart success, peaking at No. 70 on the Canadian Hot 100 and debuting at No. 36 on the U.S. Country Airplay chart.[57] Now debuted at No. 1 on the Billboard 200, underscoring Twain's lasting commercial appeal despite the introspective shift in her sound.[58]2018–2023: Second residency, Queen of Me, and documentary
In September 2019, Shania Twain announced her second Las Vegas residency, titled Let's Go! The Vegas Residency, set to promote her 2017 album Now at the Zappos Theater in Planet Hollywood Resort & Casino.[59] The production opened on December 6, 2019, featuring a high-energy "party vibe" with elaborate stage designs, costume changes, and a setlist blending hits from across her career alongside tracks from Now.[60] The residency was scheduled to run through 2021, but performances were postponed starting in March 2020 due to the COVID-19 pandemic, with additional shows canceled in April 2020 as safety measures took precedence.[61][62] Twain resumed the residency in October 2021 after a 20-month hiatus, implementing strict safety protocols including mandatory masking, vaccination requirements, and enhanced ventilation in the venue to ensure performer and audience health.[63] The extended run continued through February 2022, allowing fans to experience the interactive show with its signature elements like aerial acrobatics and audience sing-alongs in a safer environment.[64] In 2022, Twain's career was chronicled in the Netflix documentary Not Just a Girl, directed by Joss Crowley and produced by Mercury Studios, which explores her rise from a Canadian newcomer to global icon, highlighting professional triumphs and personal challenges including Lyme disease and betrayals in her marriage.[65] The film premiered at the Tribeca Film Festival on June 11, 2022, before its worldwide streaming debut on July 26, 2022, featuring archival footage, new interviews, and insights into her resilience amid industry setbacks.[66] It received praise for its candid portrayal of Twain's evolution, emphasizing her boundary-pushing role in pop-country music.[67] Twain returned to music with her sixth studio album, Queen of Me, released on February 3, 2023, via Republic Records, marking her first full-length project since Now.[68] The 12-track album adopts an upbeat pop-country sound, infused with dance elements and themes of self-empowerment and joy, co-written and produced by Twain alongside collaborators like Mark Batson and Rodney "Darkchild" Jerkins.[69] The lead single "Giddy Up!", released on January 5, 2023, exemplifies this energetic shift with its frothy, call-and-response lyrics and music video showcasing Twain in vibrant, line-dancing choreography.[70] The album's title track followed as a promotional single, announcing the accompanying tour and reinforcing Twain's "queen" persona through bold, celebratory anthems.[71] To support Queen of Me, Twain launched the Queen of Me Tour on April 28, 2023, in Spokane, Washington, encompassing 47 dates across North America and Europe, produced by Live Nation.[72] The production emphasized high-energy performances with dynamic lighting, costume reveals, and direct fan interactions, including on-stage invitations and sing-along segments that created an intimate arena atmosphere despite the large-scale venues like Madison Square Garden and London's O2 Arena.[73] The tour concluded on November 14, 2023, in Vancouver, Canada, grossing over $50 million and solidifying Twain's enduring appeal as a live entertainer.[74]2024–2025: Final residency extension, summer tour, and new album development
In September 2024, Shania Twain extended her third Las Vegas residency, Come On Over – All the Hits, at PH Live at Planet Hollywood Resort & Casino, adding nine final performances from January 22 to February 8, 2025, for a total of 39 shows that concluded over Super Bowl weekend.[75][76] The residency celebrated her career-spanning hits with high-energy production, including aerial elements and costume changes, drawing strong attendance and positive reviews for its nostalgic yet contemporary vibe.[77] Twain hosted the 2024 People's Choice Country Awards on September 26 at the Grand Ole Opry House in Nashville, delivering an engaging performance with denim-themed outfits and comedic segments that highlighted emerging country talent.[78][79] In October 2025, she made a surprise guest appearance during Sabrina Carpenter's headlining set at the Austin City Limits Music Festival, joining for a duet of "That Don't Impress Me Much" that energized the crowd and underscored Twain's enduring influence on pop-country crossovers.[80][81] On December 17, 2024, Twain announced a limited North American Summer Tour for 2025, comprising seven dates from July 19 to August 10. The tour successfully took place as scheduled, opening at Darien Lake Amphitheater in Buffalo, New York, and including stops in Saratoga Springs, Hershey, Jacksonville, and others. It followed the success of her 2023 Queen of Me outing and emphasized intimate arena and amphitheater venues for a focus on fan interaction.[82][83] In June 2025, Twain confirmed via social media update that she was actively developing her seventh studio album, describing a creative process filled with "a million ideas" and hinting at a blend of her signature pop-country sound with fresh elements. As of September 2025, the album remained in development, focusing on storytelling themes.[10] She marked her 60th birthday on August 28, 2025, with bold Instagram posts featuring a throwback 1980s photo in lingerie and a contemporary white shirt-over-black-undergarments look, reflecting on her career evolution with gratitude and humor.[84][85] Throughout 2024, the Shania Twain Foundation—rebranded from Shania Kids Can—committed $25,000 donations per tour city to local food banks, supporting food insecurity initiatives tied to her performances and totaling significant aid across multiple locations.[86][87] These efforts aligned with her long-standing philanthropy, providing meals to thousands in underserved communities.[88]Television and film roles
Twain's forays into television and film have primarily involved cameo appearances, voice roles, and hosting duties, often tied to her music career. Her acting credits are limited but notable for showcasing her versatility beyond the stage. In 1999, Twain provided the voice for Annabelle, the horse character, in the animated family film The Adventures of Elmo in Grouchland.[89] She made a brief cameo as herself in the 2004 existential comedy I Heart Huckabees, directed by David O. Russell, where she appeared alongside stars like Dustin Hoffman and Jude Law.[90] On television, Twain hosted the NBC travel series Road Trip in 2000, exploring American landmarks and culture over six episodes.[91] She served as musical guest on Saturday Night Live in 1999, performing tracks from Come On Over during the episode hosted by Norm Macdonald. In 2009, Twain appeared as a guest on The Jay Leno Show, the short-lived NBC primetime variety program, where she discussed her career and performed selections from her catalog. Twain featured prominently in several TV specials, including a performance at the 1999 VH1 Divas Live charity concert, where she delivered hits like "Man! I Feel Like a Woman!" alongside artists such as Tina Turner and Cher.[92] In 2004, she starred in the concert special Up! Close and Personal, documenting performances from the Up! era that highlighted her multimedia presence.[93] More recently, Twain hosted the 2024 People's Choice Country Awards on NBC, held at the Grand Ole Opry in Nashville, where she opened the show with a high-energy performance and presented awards to emerging country talents.[79] On December 31, 2024, she performed "From This Moment On" and "Don't Be Stupid (You Know I Love You)" during CNN's New Year's Eve Live special, co-hosted by Anderson Cooper and Andy Cohen, marking a festive close to the year.[94]Artistry
Musical style and influences
Shania Twain's musical style is characterized by a distinctive country-pop fusion that incorporates elements of rock, dance, and folk, often featuring catchy hooks, anthemic choruses, and lyrics centered on empowerment and relationships. This blend helped redefine mainstream country in the 1990s, making her sound accessible to broad audiences beyond traditional genre boundaries.[24][95] Her influences draw heavily from 1970s country icons such as Dolly Parton and Loretta Lynn, whose storytelling and bold personas shaped Twain's early appreciation for the genre's narrative depth and female perspective. Additionally, 1980s pop artists like Madonna impacted her visual and performative elements, particularly through innovative music videos that emphasized confidence and sensuality. Twain's collaboration with producer Mutt Lange introduced rock production techniques, inspired by his work with Def Leppard, adding layered guitars and rhythmic drive to her tracks. Her adoptive Ojibwe heritage from her stepfather contributed to her stage name and persona.[96][97][98][99] Twain's sound evolved significantly across her albums, beginning with traditional country on her 1993 self-titled debut, which emphasized acoustic instrumentation and straightforward narratives. The 1995 album The Woman in Me marked her crossover breakthrough, integrating pop sensibilities and electric elements to appeal to both country and mainstream listeners. By 1997's Come On Over, her style shifted toward global pop with dance-infused rhythms and universal themes, achieving massive international success. The 2002 release Up! represented her most experimental phase, offering three distinct versions—pop (red disc), country (green disc), and an international edition with Bollywood-inspired dance arrangements (blue disc)—to showcase genre versatility. As of 2025, her live performances and tours continue to blend these country-pop elements with empowering themes.[99][24][100] Vocally, Twain possesses an alto range spanning approximately three octaves, from D3 to D6, allowing her to deliver both intimate verses and soaring choruses with clarity and emotional resonance. She incorporates yodeling techniques, a nod to country traditions, but prioritizes smooth, accessible delivery over heavy twang, enhancing her pop appeal while maintaining genre roots.[101]Songwriting and production approach
Shania Twain has co-written nearly all of her songs throughout her career, frequently collaborating with producer Robert John "Mutt" Lange on her breakthrough albums from The Woman in Me (1995) through Up! (2002), a partnership that ended with their divorce in 2008.[102][103] Her songwriting often explores themes of empowerment, love, and resilience, particularly in later works reflecting personal challenges such as her 2008 divorce and health struggles with Lyme disease.[104][105] In production, Twain's early albums with Lange emphasized meticulous, layered arrangements, including multi-tracked vocals to create a rich, harmonious texture that blended country roots with pop accessibility.[106] Later productions incorporated electronic beats and echoes, evident in Now (2017), where these elements added a modern, introspective edge while retaining her signature vocal depth.[107] Following her divorce, Twain shifted toward greater independence in production, taking on more creative control and co-producing tracks on subsequent releases. On Now, she co-produced alongside Matthew Koma and Ron Aniello, marking a departure from Lange's oversight and focusing on raw emotional delivery.[108] This evolution continued with Queen of Me (2023), where she received production credits on several songs, including collaborations with Mark Ralph and Tyler Joseph, emphasizing self-empowerment in both lyrics and sound.[109][110] Post-divorce works also highlighted a return to live instrumentation and acoustic elements for authenticity, as seen in stripped-down sessions that contrasted earlier polished productions. Twain prioritized cohesive thematic albums over isolated singles, structuring releases like Up! around unified concepts of uplift and versatility, with three versions (red for pop/rock-oriented, green for country, and blue for rhythmic/global adaptations) to suit diverse markets.[19] International remixes of hits from Come On Over (1997), such as "You're Still the One," further tailored her sound for pop audiences abroad, enhancing crossover appeal without diluting core themes.[28]Public image
Fashion and stage persona
Shania Twain's fashion has long blended country roots with bold, empowering aesthetics, establishing her as a trailblazer in genre-blending style. During the Come On Over era in the late 1990s, she popularized signature looks featuring fringe outfits and vibrant patterns that captured her playful fusion of Western flair and pop sensuality, such as the sheer fringe ensemble worn in promotional appearances and music videos, which reflected her edgy yet traditional country-pop identity.[111] These outfits, often adorned with leather, sequins, and animal prints like the iconic leopard bodysuit in the "That Don't Impress Me Much" video, emphasized movement and confidence on stage, becoming hallmarks of her visual branding.[112] Over time, Twain's style evolved toward more daring, gender-fluid expressions, particularly evident in her Las Vegas residencies starting in 2012. She incorporated edgy elements like cutout designs, metallic accents, and androgynous silhouettes, including a standout suit by gender-fluid designer Harris Reed at the 2023 Grammys and revealing two-piece ensembles with rhinestone details during her Come On Over shows, weighing up to 20 pounds to enhance dramatic stage presence.[113][114] This progression from cowgirl chic to provocative, inclusive fashion underscored her adaptability while maintaining a core of unapologetic femininity rooted in country traditions.[115] Twain's stage persona embodies a confident, playful "everywoman" archetype, portraying an approachable yet assertive figure who celebrates female empowerment through relatable sass and charisma. Early in her career, she consciously separated her personal self, Eilleen Edwards, from the bold "Shania" character, crafting a performance identity that exudes alluring assertiveness and fun energy, as seen in her commanding presence during live renditions of hits like "Man! I Feel Like a Woman!"[116][117] This persona drew inspiration from 1990s pop icons like Britney Spears, whose "rock girl power" edge and fashion-forward performances influenced Twain's Vegas residency concepts and her own sequined, high-energy styling, though always anchored in country motifs like cowboy hats and fringe.[118][119] In 2025, Twain continued to embrace age-positive imagery through stripped-down social media posts marking her 60th birthday on August 28, sharing a confident photo in a white button-up shirt and black underwear that echoed her "Man! I Feel Like a Woman!" video, symbolizing timeless self-assurance and defying age norms.[85] Her collaborations with luxury designers, such as wearing Atelier Versace gowns at major events like the 2023 Grammys, highlighted her influence in high fashion while promoting inclusive elegance.[120] Twain's fashion choices have significantly shaped her merchandise lines and music videos, fostering a legacy of body positivity especially after her health recovery from Lyme disease and vocal challenges in the 2000s. Official store items like beaded fringe jackets directly replicate her stage looks, allowing fans to embody her empowering aesthetic.[121] In videos such as "Waking Up Dreaming," she posed topless to celebrate her post-menopause body, declaring herself "unashamed" of changes and advocating confidence as the ultimate fashion statement, which resonated post-recovery as a message of resilience and self-love.[122][123]Media reception and controversies
Shania Twain's breakthrough in the mid-1990s with albums like The Woman in Me earned praise for her crossover appeal, blending country with pop elements to broaden the genre's audience, yet it also sparked backlash from Nashville traditionalists who viewed her style as inauthentic. Critics labeled her "America's best paid lap dancer in Nashville," questioning her vocal abilities and emphasizing her provocative image over her artistry, particularly with the 1995 single "Whose Bed Have Your Boots Been Under?" This resistance highlighted tensions over her innovative sound and music videos, which challenged country norms at the time.[124] Following her hiatus, Twain's 2017 album Now received mixed reviews, often described as a safe return that prioritized personal reflection amid her vocal challenges and divorce. Her 2023 release Queen of Me garnered positive feedback for its energetic, optimistic tracks like "Giddy Up!" and electro-pop rhythms, evoking empowerment and warmth, yet it faced criticism for bland production and synthetic effects. The album underperformed commercially, debuting at No. 10 on the Billboard 200 with 38,000 equivalent units before dropping off the chart entirely after two weeks, marking her weakest sales since her 1993 debut.[125][126] Twain's personal controversies have also shaped media narratives, notably her 2008 separation from producer Robert "Mutt" Lange after discovering his affair with her close friend and assistant, Marie-Anne Thiébaud, which led to their 2010 divorce. The betrayal, involving intertwined friendships—Thiébaud was married to Frédéric Thiébaud—involved Twain later marrying Frédéric in 2011, while Lange wed Marie-Anne. Twain has since expressed forgiveness, viewing the infidelity as Lange's burden rather than hers. Her advocacy for Lyme disease awareness, stemming from a 2003 tick bite that caused severe vocal damage and a seven-year diagnostic struggle, has elicited widespread public sympathy, as she openly shared fears of losing her singing voice forever in interviews and her 2022 Netflix documentary Not Just a Girl.[127][8] In recent years, Twain has faced scrutiny over her changing appearance, with 2024 comments at events like the People's Choice Country Awards and New Year's Eve performances describing her as "unrecognizable" amid speculation of plastic surgery or weight loss drugs. She has addressed these by denying procedures, attributing shifts to natural aging and rejecting societal pressures, emphasizing self-empowerment and mental liberation as she approaches 60.[128][129][130]Legacy
Cultural and commercial impact
Shania Twain is recognized as one of the best-selling female artists in music history, with over 100 million records sold worldwide, establishing her as the top-selling female artist in country music.[131] Her albums have achieved remarkable commercial success, including three consecutive diamond certifications from the RIAA—The Woman in Me (12× platinum), Come On Over (20× platinum), and Up! (11× platinum)—making her the only female artist to accomplish this feat.[132] These certifications underscore her dominance in the 1990s and early 2000s, with Come On Over ranking as the best-selling album by a female solo artist and the highest-selling country album of all time.[133] Twain pioneered the country-pop crossover genre, blending traditional country elements with pop production and accessibility, which expanded the genre's appeal beyond North America into non-traditional markets such as Europe and Asia.[134] Her international breakthrough with albums like Come On Over, which sold over 40 million copies globally, helped introduce country music to broader audiences, paving the way for future crossovers by demonstrating the viability of hybrid styles in international charts.[25] This fusion not only diversified country music's sound but also broadened its commercial footprint, influencing the genre's evolution toward more inclusive, pop-infused expressions. Economically, Twain's live performances have had a profound impact, with her concert tours grossing over $460 million as of 2024 according to Billboard Boxscore, positioning her as the highest-grossing female country touring artist.[135][136] Her Las Vegas residencies, including Shania: Still the One (grossing $43.6 million across 105 shows) and Let's Go! (over $60 million), further exemplified this success and helped popularize extended residencies as a lucrative model for musicians, revitalizing the format in the 2010s.[137] Recent extensions of her Come On Over residency in 2024-2025 have added to this legacy, contributing additional millions in earnings. As a musician of partial Indigenous heritage through her adoptive family, Twain has contributed to discussions on diversity in mainstream country music, highlighting the underrepresentation of Indigenous voices and advocating for greater inclusion in the genre.[138] Her prominence as one of the few Indigenous-identifying artists to achieve global stardom has sparked conversations about cultural authenticity and broadening the narrative of country music's roots.[139]Influence on country and pop artists
Shania Twain's pioneering fusion of country and pop has significantly shaped the careers of numerous artists, particularly in how they blend genres and emphasize empowerment themes. Taylor Swift has openly credited Twain as a major formative influence, especially her music videos and genre-blending approach that inspired Swift's early songwriting and visual storytelling.[140] Swift's transition from country roots to global pop stardom mirrors Twain's crossover blueprint, with Swift describing Twain's bold self-expression as a key model for her own artistic evolution.[141] Similarly, Carrie Underwood has drawn from Twain's pop-infused country style, incorporating anthemic hooks and confident performances that echo Twain's impact on female artists' commercial and stylistic boldness.[142] Underwood's success in merging powerhouse vocals with accessible pop elements reflects Twain's role in expanding country's boundaries for women.[143] In the pop sphere, Twain's anthemic song structures and stage charisma have resonated with artists who adopted similar empowering narratives and genre experimentation. These elements underscore her broader influence on pop's evolution toward more narrative-driven, genre-fluid work. Twain's enduring legacy is evident in recent intergenerational moments, such as her 2025 surprise duet with Sabrina Carpenter at the Austin City Limits Music Festival, where they performed "That Don't Impress Me Much," highlighting Twain's empowerment anthems' appeal to younger pop stars.[144] This collaboration exemplifies how Twain's themes continue to inspire emerging talents navigating fame and self-assurance. Her songwriting prowess was formally acknowledged in 2022 with induction into the Nashville Songwriters Hall of Fame, celebrating her craft's role in influencing artists' approaches to storytelling and crossover innovation.[145]Business ventures
Endorsements and brand partnerships
Throughout her career, Shania Twain has engaged in several high-profile brand partnerships that align with her country-pop persona and themes of empowerment and accessibility. In the late 1990s, she appeared in advertisements for Candie's shoes and Gitano Jeans, with both brands sponsoring her *Come on Over* Tour, leveraging her rising stardom to promote affordable fashion items targeted at young women.[11] Twain launched her own fragrance line in 2005 through a partnership with Stetson Fragrances, debuting the floral scent Shania, which featured notes of honeysuckle, pomegranate, and prairie grass to evoke her Canadian roots and personal strength.[146] The collaboration expanded with additional releases, including Shania Starlight in 2007, a floral-woody musk fragrance, marking a sustained venture into beauty products that continued into the 2010s.[147] Her album releases have often included retail tie-ins, such as the 2002 Up! album, where a special double-disc edition featuring both country and pop versions was made available exclusively through Walmart, enhancing accessibility and boosting sales of the multi-platinum project.[148] This approach continued with later Walmart-exclusive variants, like alternate covers and colored vinyl for Queen of Me in 2023, integrating her music directly into consumer retail experiences.[149] In the 2020s, Twain renewed her focus on partnerships with major brands. She collaborated with Levi's in 2024 to co-design a custom crystal-embellished denim gown inspired by her grandparents' influence, worn while hosting the People's Choice Country Awards, blending her fashion-forward image with the brand's iconic denim heritage.[150] In 2025, she starred in a campaign for Clearly Canadian sparkling water, her first major beverage endorsement, portraying a playful, adventurous persona in the brand's return ad after over 30 years.[151] In October 2025, she collaborated with Uber Australia and Snapchat on the "Can't Do That If You're Driving" campaign, using AI to highlight safe ridesharing joys.[152] Twain's 2025 partnerships further highlighted her versatility. She featured in a Super Bowl commercial for Procter & Gamble's Coffee Mate creamer, voicing a custom song titled "Gimme Cold Foam" as a singing tongue to promote the product's foam varieties, marking the brand's debut Big Game spot.[153] Additionally, she curated "Shania's Sides," a limited-time menu for McDonald's Canada including all-dressed shaker fries and strawberry pie, drawing from her early jobs at the chain and emphasizing fun, nostalgic twists on classics.[154]Philanthropy and foundation work
Shania Twain established the Shania Kids Can foundation in 2010 to support underprivileged children and youth facing poverty, hunger, and limited access to education and health resources, drawing from her own childhood experiences in Timmins, Ontario.[155][156] The organization, rebranded as the Shania Twain Foundation in 2024, provides funding and programming to schools and community groups in North America and internationally, emphasizing youth empowerment, mental health support, and nutritional aid for vulnerable populations.[157][158] Through localized school initiatives, it has delivered tutoring, recreational activities, and meals to alleviate the effects of economic hardship since its inception.[159] The foundation has partnered with food rescue organizations to combat insecurity, notably committing $125,000 in 2025 to Second Harvest Canada, funding 375,000 meals nationwide.[160] During her 2025 summer tour, Twain directed $25,000 donations to local food banks in each North American city visited, culminating in support for one million meals across the continent to address hunger in underserved communities.[86][161] These efforts extend her long-term commitment to child welfare, including awareness-raising for Indigenous rights and equal opportunities in Canada.[162] Twain has advocated for Indigenous children through philanthropy and media, narrating the 2021 documentary For Love, which highlights the overrepresentation of Indigenous youth in Canada's foster care system and links it to historical traumas like residential schools.[163][164] Following her 2003 Lyme disease diagnosis, which caused vocal cord damage and nearly ended her career, she has shared her story to promote early detection and research awareness, though specific foundation contributions to Lyme initiatives remain tied to broader health advocacy.[165][166]Personal life
Marriages and family
Shania Twain married music producer Robert John "Mutt" Lange on December 28, 1993, in a union that blended personal commitment with professional collaboration, as they co-wrote much of her music during her rise to stardom.[167] The couple welcomed their only child, son Eja D'Angelo Lange, on August 12, 2001, and prioritized raising him away from the public eye in their Swiss home.[168] Their marriage dissolved in 2008 following revelations of Lange's affair with Twain's close friend and assistant, Marie-Anne Thiébaud, leading to a formal divorce in 2010; despite the turmoil, Twain has described maintaining an amicable co-parenting relationship focused on Eja's well-being and privacy.[169][170][171] Twain found renewed romance with Frédéric Thiébaud, Marie-Anne's former husband and Twain's longtime friend and former executive assistant, after they bonded over shared heartbreak in 2009.[172] The pair married on January 1, 2011, in an intimate ceremony in Rincón, Puerto Rico, attended by about 40 close friends and family members.[173][174] They have built a blended family life that includes Twain's son Eja and Thiébaud's daughter Johanna from his previous marriage, splitting time between their home in Corseaux, Switzerland—where Thiébaud, a Swiss native and former Nestlé executive, has deep roots—and Las Vegas, where Twain maintains a professional presence through residencies.[175][176][177] The stability of her marriage to Thiébaud has influenced Twain's personal growth, reflected in her 2023 album Queen of Me, which explores themes of self-love, resilience, motherhood, and marriage as sources of empowerment and survival.[178][179][180]Health challenges and advocacy
In 2003, while horseback riding during her "Up!" world tour, Shania Twain was bitten by a tick, leading to her contraction of Lyme disease.[8] The infection caused severe nerve damage to her vocal cords, resulting in symptoms such as dizziness, loss of balance, frequent millisecond blackouts every 30 seconds to a minute, and a progressive loss of voice control that made singing nearly impossible.[40] Although she began treatment with antibiotics three weeks after the bite for 10 to 14 days, the delay allowed the disease to inflict permanent vocal cord damage, as confirmed by a neurologist years later.[8] Twain's recovery from the vocal impairments associated with Lyme disease spanned several years, with intensive vocal therapy from 2009 to 2011 playing a pivotal role in enabling her return to performing. During this period, she underwent voice-strengthening exercises and rigorous vocal warm-ups, which helped her regain control and deepen her understanding of her vocal mechanics despite the ongoing dysphonia.[181] These efforts, supported by her family's encouragement during her illnesses, culminated in her preparation for a 2012 Las Vegas residency, marking a significant milestone in her rehabilitation. For ongoing management, Twain has incorporated physical therapy and adaptive techniques, including multiple open-throat surgeries in later years to stabilize her vocal muscles, allowing her to continue performing with a modified but functional voice.[182] Following her recovery, Twain became a prominent advocate for Lyme disease awareness, partnering with the Global Lyme Alliance to share her experiences and promote early diagnosis. She detailed her two-decade struggle in the 2022 Netflix documentary Not Just a Girl, emphasizing the disease's debilitating effects and the importance of prompt treatment, as well as in numerous interviews where she recounted fearing she had lost her singing career forever.[165] Through these platforms, Twain has aimed to educate the public on the often-overlooked symptoms of Lyme disease, drawing from her own delayed diagnosis to underscore the need for greater medical recognition.[8] The COVID-19 pandemic further tested Twain's health in 2020, when she contracted the virus alongside pneumonia, describing the experience as "touch and go" with severe breathing difficulties that reignited her anxieties from prior vocal nerve damage. This personal ordeal compounded the external disruptions, as her Let's Go! Las Vegas residency was postponed in March 2020, with remaining shows rescheduled to August and beyond to prioritize the safety of fans, staff, and her family amid the global health crisis.[183][184] Reflecting on her health journey as she turned 60 on August 28, 2025, Twain has expressed profound resilience and self-acceptance, stating that aging has brought her greater confidence and liberation from past fears. In interviews and social media posts, she highlighted how overcoming Lyme disease and COVID-19 has fueled her vitality, noting, "The older I get, the more confident I feel … The filters are just coming off," and emphasizing a commitment to embracing her authentic self without regret.[185] This mindset, born from years of health adversities, underscores her ongoing advocacy for personal empowerment and joy in later life.[186]Awards and honors
Grammy Awards and nominations
Shania Twain has received 18 Grammy Award nominations throughout her career, with five wins, all in country categories that underscored her role in blending country with pop elements during the 1990s.[3] Her victories highlighted the commercial and artistic success of her albums The Woman in Me and Come On Over, which propelled her to international stardom.[187] Twain's Grammy wins are as follows:| Year | Category | Work | Notes |
|---|---|---|---|
| 1996 | Best Country Album | The Woman in Me | Her debut major-label album, co-produced with Robert John "Mutt" Lange.[187] |
| 1999 | Best Country Song | "You're Still the One" (songwriter: Robert John "Mutt" Lange) | Shared win with Lange; from Come On Over.[188] |
| 1999 | Best Female Country Vocal Performance | "You're Still the One" | Twain's first win in this category.[188] |
| 2000 | Best Country Song | "Come On Over" (songwriter: Robert John "Mutt" Lange) | Shared win with Lange; title track from Come On Over.[189] |
| 2000 | Best Female Country Vocal Performance | "Man! I Feel Like a Woman!" | Accepted by Clint Black on her behalf.[190] |