Short Sharp Shocked

The title Short Sharp Shocked is a play on the phrase "short, sharp shock". The photograph of Shocked that appears on the album cover was taken by Chris Hardy of the San Francisco Examiner at a protest in San Francisco during the 1984 Democratic National Convention.^[1][2][3] The front cover of the 2003 reissue decontextualized the original photograph by closely cropping it to Shocked's face, but the back cover features it in full, with the restraining officer's eyes not obscured by airbrushed-on sunglasses like the front cover of the original Mercury release.

The title and cover image are similar to those of the 1984 album Short Sharp Shock by the English punk rock band Chaos UK, who would respond by titling their 1989 album The Chipping Sodbury Bonfire Tapes after Shocked's 1986 album The Texas Campfire Tapes.^[4]

Professional ratings

Review scores
Source	Rating
AllMusic	[5]
Chicago Sun-Times	[6]
Los Angeles Times	[7]
NME	8/10[8]
The Philadelphia Inquirer	[9]
Q	[10]
Record Mirror	4/5[11]
Rolling Stone	[12]
Spin Alternative Record Guide	8/10[13]
The Village Voice	A−[14]

Q magazine's Robert Sandall wrote, "Where this album hits hardest is in the playful unpredictability of [Pete] Anderson and Shocked's arrangements," and observed, "'When I Grow Up' ... introduces a jazzy, acoustic bass shuffle, then starts bouncing miscellaneous sound inserts around beneath the vocal. From here, it's pretty much all stops to the thrash metal finale at the end of side two."^[10] Including the album in its best-of-the-year round-up, Q commented, "Her excellent band revels in every opportunity she gives to cut loose and take chances, which heightens the spontaneous feel of her raggedy vocals. Second albums can often be a disappointment, but this is a firecracker."^[15] Short Sharp Shocked was voted the fifth-best album of 1988 in The Village Voice's year-end Pazz & Jop critics' poll.^[16]

Retrospectively, Rolling Stone critic Adrian Zupp described Short Sharp Shocked as Shocked's "high-water mark" and, with its "confluence of home-grown musical styles", her "tribute to her geo-cultural roots and, inadvertently, her own uniqueness."^[17]

All songs written by Michelle Shocked except as noted. The final track is a remake of "Fogtown", originally from The Texas Campfire Tapes, with punk band MDC. It was not listed on the sleeve or disc of the original release, as Shocked "wanted it to surprise people".^[18]

• Michelle Shocked – vocals, acoustic guitar
• Pete Anderson – electric guitar, six-string bass guitar on "Hello Hopeville"
• Jeff Donavan – drums
• Dominic Genova – acoustic bass, electric bass
• Skip Edwards – piano, Hammond organ
• Michael Tempo – percussion
• Al Perkins – dobro
• Byron Berline – mandolin
• Don Reed – fiddle
• Rod Piazza – harmonica
• Kristina Olsen – hammered dulcimer
• Banjo Jim Croce – banjo
• Sophia Ramos – vocals
• MDC – vocals on "Fogtown"

Technical personnel

• Pete Anderson – arrangements
• Peter Doell – engineer (Capitol Studio B)
• Leslie Anne Jones – additional Engineering
• David Leonard – mixing engineer (Larribee Sound)
• Andy Batwinds – second engineer
• Bobby Lacivita – second engineer (Sound Castle)
• Eddy Schreyer – mastering engineer (Capitol Studios)
• Michael Dumds – production assistant