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Skye Edwards
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Key Information
Skye Edwards (born Shirley Klaris Yonavieve Edwards; 27 May 1972[1]), sometimes simply Skye, is a British singer. Her career began in the mid-1990s when she and the Godfrey brothers (Paul Godfrey, a DJ, and Ross Godfrey, a multi-instrumentalist) formed the band Morcheeba, which released five albums with Edwards as lead vocalist. In 2003, the band split, after which she released two solo albums: Mind How You Go in 2006, and Keeping Secrets in 2009. In 2010, Edwards returned to Morcheeba, again as lead vocalist. In 2012, she released her third solo album, Back to Now, and in 2015 she released her fourth album, In a Low Light.
Edwards decided to shorten her name to Skye by taking the first letter of each of her names and putting them together. She is married to bass player Steve Gordon and they have four children. Edwards has sung on two charity collaborations: "Perfect Day" (1997, in aid of Children in Need) and Band Aid 20 (2004, in aid of famine relief in Sudan, Africa).[2]
Early life
[edit]Edwards was born to a British Jamaican family in London and grew up in the East End.[3] She described her growing up as 'I always say it was fish and chips, not rice and peas in our house'. Her first musical influences were the country and western records of her mother.[4]
Mind How You Go
[edit]Produced by Patrick Leonard, Edwards' first solo album, Mind How You Go, was released on 27 February 2006 in Europe. The first single, "Love Show", was a radio hit throughout Europe.[5] The next single was "What's Wrong With Me". Music videos were released with both songs.[6] She has said: "People ask what this record means to me, but that's an alien question because I've been living and breathing it. It's not a question of what it means to me. This record is me."[7]
Keeping Secrets
[edit]In October 2009, Edwards released her second album, Keeping Secrets independently via her own label, Skyewards Recordings. Produced by Alexis Smith and Emmy nominated Grace Jones collaborator Ivor Guest. A single, "I Believe", was released along with a music video and she completed a tour of several weeks around Europe.[8]
Back to Now
[edit]This album was released on 29 October 2012 and produced by Steve Fitzmaurice, Irish record producer of, among others, Depeche Mode and U2.
Cover songs
[edit]In 2007, Edwards performed the Gorillaz song "Feel Good Inc." live on KCRW radio station, along with other tracks from her album,[9] and also at some live shows. In 2008, Edwards collaborated with Marc Collin of the French group Nouvelle Vague who put together Hollywood, Mon Amour, an album of popular songs from films of the 1980s. Edwards sang several songs on this album, including Blondie's "Call Me" and Duran Duran's "A View to a Kill" from the James Bond film of the same name.
As a Christmas gift to her fans, Edwards recorded a version of "River" by Joni Mitchell which was uploaded to YouTube in November 2011. On the John Martyn tribute album Johnny Boy Would Love This....A Tribute to John Martyn, released also in 2011, Edwards sang the track "Solid Air" from Martyn's 1973 album Solid Air.
In February 2013, Edwards performed "As Long as You Love Me" by Justin Bieber on KCRW, Morning Becomes Eclectic. She also sang on Uncovered: QOTSA, by Olivier Libaux of the French band Nouvelle Vague; it is an album of Queens of the Stone Age songs covered by female singers, which was released on 10 June 2013 digitally, and on vinyl in limited edition.[10]
In 2020, Edwards performed the Yazz song "The Only Way Is Up" for the compilation Goodnight Songs for Rebel Girls produced by Rebel Girls, which involved a lineup of 19 female singers including Ani DiFranco, Macy Gray, Alicia Keys, Carole King and Anastacia.[11]
Discography
[edit]- Mind How You Go (2006)
- Keeping Secrets (2009)
- Back to Now (2012)
- In a Low Light (2015)
References
[edit]- ^ "Instagram".
- ^ Kelly, Emma (11 November 2014). "The Band Aid 20 line-up: Where are they now?". Daily Star. Retrieved 9 August 2015.
- ^ Ann Powers,Profile, latimes.com, 30 July 2006.
- ^ Teddy Jamieson,"Skye Edwards interview", heraldscotland.com, 15 November 2013.
- ^ Sinclair, Emma (19 November 2012). "How Morcheeba's Skye Edwards became an accidental businesswoman". The Telegraph. Retrieved 9 August 2015.
- ^ "Myspace.com". Myspace.com. Retrieved 8 November 2012.
- ^ "Angel of the Month: Skye Edwardss". Angelic Voices. 1 September 2006. Retrieved 9 August 2015.
- ^ "Skye "I Believe"". Youtube. Archived from the original on 16 August 2010. Retrieved 9 August 2015.
- ^ "Kcrw.com". Kcrw.com. Retrieved 8 November 2012.
- ^ Danton, Eric R. (9 July 2013). "Queens of the Stone Age Gets a Feminine Touch (Album Premiere)". Wall Street Journal. Retrieved 9 August 2015.
- ^ Pingitore, Silvia (19 November 2020). "From Rome Wasn't Built in a Day to singing lullabies: interview with Morcheeba's Skye Edwards". the-shortlisted.co.uk. Retrieved 12 August 2021.
External links
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Skye Edwards
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Life and background
Early life
Skye Edwards was born Shirley Klaris Yonavieve Edwards on 27 May 1974 in East London, England, to a British-Jamaican family.[5] She grew up in a working-class environment in the East End, specifically East Ham, where she and her two sisters were placed in foster care from a young age after their biological mother was temporarily admitted to a psychiatric institution.[6] Raised primarily by her white foster parents, whom she regards as her real family, Edwards experienced a childhood shaped by East End traditions, such as family meals of fish and chips rather than rice and peas, and Friday treats of cockles and winkles.[7] Her early exposure to music came through listening to her mother's country and western records every Sunday while she cooked, fostering an initial interest in singing without any formal training.[7] Edwards later adopted her stage name "Skye" by combining the initials of her full birth name—S.K.Y.E.—as she began pursuing music professionally.[8] This self-taught passion led her to develop her vocal skills informally before being discovered by the Godfrey brothers at a party in 1995.Personal life
Skye Edwards married music producer and Morcheeba bassist Steve Gordon in 2002. Together, they have four children—two sons, Jaega (born 1995) and Ghilli, and two daughters, Kiki (born 1998) and Arla-Rose—with Jaega and Kiki from a previous relationship, to whom Gordon is stepfather. Edwards has emphasized the close-knit nature of her family, noting that her children have often accompanied her on tours, integrating her professional and personal lives from an early age. The family resides in Surrey, England, where Edwards has lived for over a decade, previously in nearby Kingston upon Thames. She has openly discussed the challenges of balancing motherhood with her touring career, such as maintaining routines like regular bedtimes and healthy meals for her children even while on the road. For example, she raised her son Jaega primarily on tour buses during his early years, highlighting the demands of life as a traveling musician and parent. Of Jamaican heritage, Edwards' background contributes to her sense of personal identity, as reflected in her upbringing in London's East End. As a female artist and mother, she advocates for work-life balance by leveraging a home studio for music production, allowing her to prioritize family alongside her creative pursuits. No major controversies or health issues have been reported in her personal life.Career
Morcheeba years (1995–2003)
Skye Edwards met brothers Paul and Ross Godfrey at a house party in London in 1994, where Ross, impressed by her singing voice after hearing her perform casually, invited her to record demo tracks with them.[9][10] These sessions, focusing on downtempo electronic sounds, led to the formation of Morcheeba in 1995, with Edwards as the lead vocalist alongside the Godfreys' production and instrumentation.[9] The band's debut album, Who Can You Trust?, released in 1996 on China Records, showcased a trip-hop style characterized by languid grooves, Rhodes piano, and electric guitar loops, earning critical acclaim for its atmospheric depth.[11] Edwards' ethereal, breathy vocals became a defining element, complementing the downtempo sound on singles like "Trigger Hippie," which highlighted sitar-infused rhythms and helped establish Morcheeba's early identity in the UK electronic scene.[11] Morcheeba achieved a commercial breakthrough with their second album, Big Calm, released in 1998 on Indochina and Sire Records, which shifted slightly toward folk-influenced arrangements while retaining trip-hop elements. The album peaked at number 18 on the UK Albums Chart and was certified platinum there, marking their first major chart success.[12] Hit singles such as "The Sea" and "Blindfold" contributed to its popularity, with the band supporting the release through extensive tours across the UK and US, solidifying their international presence.[13] By 2000, Fragments of Freedom represented a further evolution toward a poppier sound, incorporating brighter melodies and guest contributions, released on Sire Records. The lead single "Rome Wasn't Built in a Day" reached number 34 on the UK Singles Chart, their highest-peaking single at the time, though the album's direction began to reveal internal tensions within the band.[14] The 2002 album Charango, released on EastWest, adopted an experimental approach with world-music influences inspired by South American rhythms and the charango instrument, recorded primarily in London but evoking global textures. It received mixed reviews, praised for Edwards' versatile delivery but critiqued for uneven experimentation, amid growing creative differences between Edwards and the Godfreys over the band's musical path.[15] In 2003, Edwards departed Morcheeba following artistic disagreements and a desire to pursue solo work, a decision announced by the band that led to an immediate shift in their lineup and direction.[9] The split stemmed from exhaustion after years of touring and clashing visions, with Paul Godfrey citing the need for change.[9]Solo career (2003–2015)
After departing Morcheeba in 2003 due to interpersonal tensions, Skye Edwards embarked on a solo career, seeking greater artistic autonomy following years within the band's collaborative dynamic.[16] Her debut album, Mind How You Go, arrived in 2006, released through Independiente and featuring production by Patrick Leonard, known for his work with artists like Madonna.[17] The record shifted toward a folk-pop style infused with introspective themes drawn from her personal life, including reflections on relationships and self-discovery, as Edwards contributed to writing and production.[18] The lead single, "Love Show," gained notable radio play across Europe, helping the album achieve modest visibility despite limited commercial breakthrough.[19] Edwards' second solo effort, Keeping Secrets, marked a pivot to independent release in 2009 via her own imprint, Skyewards Recordings, which she founded to regain control over her output amid the challenges of smaller-scale distribution.[20] Co-produced with Alexis Smith and Ivor Guest, the album incorporated electronic influences alongside her signature smooth vocals, exploring sensual and intimate motifs.[21] The single "I Believe" highlighted this blend, receiving a music video and supporting a UK tour that allowed Edwards to connect directly with fans through live performances.[22] This self-funded approach underscored her emphasis on creative freedom, even as it navigated the hurdles of limited promotional resources while balancing motherhood responsibilities.[2] In 2012, Back to Now saw Edwards return to her downtempo roots, produced by Steve Fitzmaurice, with contributions that emphasized acoustic elements and her evolving vocal delivery, often praised for its newfound maturity and emotional depth.[23] Released on [PIAS] Recordings, the album eschewed major singles in favor of organic promotion through live shows, reflecting her preference for artistic integrity over mainstream pushes. By 2015, her fourth solo album, In a Low Light—delved into ambient electronic territory, self-released and blending subtle trip-hop echoes from her band days with experimental soundscapes.[16][24] The album served as a transitional side endeavor, prioritizing atmospheric introspection amid ongoing independent constraints like funding and label support.[24] Throughout this period, Edwards' solo phase highlighted her resilience in maintaining output through self-reliance, often paralleling Morcheeba's moody aesthetic while integrating personal growth as a mother and artist.[20]Return to Morcheeba (2009–present)
After facing challenges with subsequent vocalists, including Daisy Martey on the 2005 album The Antidote and Judie Tzuke on the 2008 release Dive Deep, Morcheeba reconciled with Skye Edwards in 2009, reuniting the original core lineup of Edwards, Ross Godfrey, and Paul Godfrey for renewed creative synergy.[25][26][27] The band's seventh studio album, Blood Like Lemonade, marked Edwards' return when it was released on June 7, 2010, via [PIAS] Recordings, re-embracing their foundational trip-hop sound with Edwards' signature sensual vocals layered over intricate electronic and downtempo arrangements.[28][29] The album received positive critical reception for revitalizing the group's identity, with reviewers praising its blend of blues, trip-hop, and subtle rock elements as a triumphant return to form.[30][31] Singles such as "Blood Like Lemonade" highlighted themes of redemption and escapism, while the reunion spurred a successful UK tour revival, including performances that drew strong fan turnout and rekindled the band's live energy.[32][33] The follow-up, Head Up High, arrived on October 14, 2013, shifting toward a more upbeat pop direction with brighter production and collaborative energy, featuring guest appearances from artists like Chali 2na of Jurassic 5, rapper Ana Tijoux, and Nature Boy Jim Kelly on tracks such as "Release Me Now."[34][35] Edwards' role in songwriting expanded notably, co-authoring much of the material with the Godfreys, which infused the album with personal introspection and empowerment motifs.[36] The record's accessible, groove-oriented sound supported extensive international touring, including dates in New Zealand, the Netherlands, and across Europe, where the band performed to enthusiastic audiences and solidified their post-reunion momentum.[37][38] In 2014, Paul Godfrey departed the band amid internal tensions over direction and naming rights, leaving Edwards and Ross Godfrey to continue Morcheeba with new supporting members, including bassist Steve Gordon, who became a mainstay in both studio and live settings.[10][39][40] Blaze Away, released on June 1, 2018, via Fly Agaric Records, incorporated a rock-infused edge to Morcheeba's evolving sound, blending guitar-driven riffs with electronic pulses and Edwards' lyrics exploring resilience and emotional endurance, as evident in tracks like "Never Undo," which addresses unwavering support amid hardship.[41][42] The lead single "Blaze Away," featuring Roots Manuva, underscored themes of unity and perseverance, contributing to the album's cohesive narrative of personal strength.[43] Edwards emerged as a more prominent lyrical force, drawing from her solo experiences to shape the band's direction. The ninth studio album, Blackest Blue, followed on May 14, 2021, via Kartel Music Group, reflecting introspective themes of healing, loss, and positivity amid adversity—elements influenced by the global pandemic's isolation, with Edwards focusing on overcoming internal struggles through soulful, mercurial compositions.[44][45] Tours were limited due to COVID-19 restrictions, restricting live promotion to select virtual and rescheduled dates, though the record's raw emotional depth resonated critically as one of the band's most vital works.[46][47] In February 2025, Morcheeba announced their eleventh album, Escape the Chaos, released on May 23 via 100% Records, marking a fusion of their trip-hop roots with contemporary electronic-pop elements, emphasizing escape and renewal in lyrics co-crafted by Edwards and Ross Godfrey.[48][49] Recording sessions in Dublin featured family contributions, with Edwards' husband Steve Gordon on bass and son Jaega on drums, highlighting the band's intimate evolution.[50] Supporting the release, Morcheeba embarked on European tours in 2025, including shows in Zurich on October 12 at Kaufleuten and Paris on October 8 at Le Zénith, alongside dates in Australia and elsewhere, blending classic hits with new material to celebrate their enduring legacy.[51][52] As of November 2025, the band remains active in touring and recording, with Edwards serving as the central creative force, guiding Morcheeba's sound toward optimistic, genre-blending explorations.[53][54]Other work
Cover songs
Skye Edwards has occasionally ventured into cover songs, typically in live performances, tribute compilations, or special releases, allowing her to reinterpret tracks with her signature sultry, versatile vocals that span trip-hop, pop, and acoustic styles. These selections often highlight her genre fluidity and emotional depth, without forming a dedicated covers album. In 2007, Edwards performed a trip-hop-infused live version of Gorillaz's "Feel Good Inc." during a session on KCRW's Morning Becomes Eclectic, rearranging the hit into a more atmospheric piece that complemented her solo material at the time. Later that year, she occasionally incorporated the cover into her live sets, blending it seamlessly with Morcheeba tracks for added dynamism. Edwards contributed two covers to the 2008 compilation Hollywood, Mon Amour: 80's Movie Songs Reinvented, a project reworking iconic film soundtracks in bossa nova and lounge styles. Her renditions included Blondie's "Call Me" from American Gigolo (3:08) and Duran Duran's "A View to a Kill" from the James Bond film of the same name (3:59), both showcasing her breathy delivery over subtle electronic backings.[55] In 2011, Edwards released an intimate acoustic cover of Joni Mitchell's "River" as a holiday gift to fans, uploading the piano-led version to her official YouTube channel in December; the track's melancholic tone aligned with the song's themes of longing and seasonal reflection.[56] That same year, she honored folk-jazz icon John Martyn with a haunting take on "Solid Air" for the tribute album Johnny Boy Would Love This... A Tribute to John Martyn, where her ethereal vocals were layered with cello, guitar, and subtle percussion for a duration of 5:40.[57] During a 2013 appearance on KCRW's Morning Becomes Eclectic, Edwards delivered an ironic, slowed-down pop cover of Justin Bieber's "As Long as You Love Me," prompted by a suggestion from her teenage daughter, transforming the upbeat teen anthem into a more mature, lounge-inflected ballad.[58] In 2020, Edwards offered an uplifting reinterpretation of Yazz's 1988 dance hit "The Only Way Is Up" for the charity compilation Good Night Songs for Rebel Girls, a project benefiting girls' empowerment initiatives; her version emphasized motivational lyrics with a contemporary electronic edge.[2]Collaborations
Edwards has participated in several high-profile charity singles, showcasing her vocals alongside diverse ensembles of artists. In 1997, she contributed to the BBC's Children in Need cover of Lou Reed's "Perfect Day," singing the line "We go home" in a star-studded lineup that included Lou Reed, Bono, and Suzanne Vega, with proceeds supporting children's welfare initiatives in the UK.[59] Similarly, in 2004, she provided backing vocals for Band Aid 20's re-recording of "Do They Know It's Christmas?" to aid famine relief in Sudan, joining artists such as Bono, Paul McCartney, and Dido in this revival of the 1984 famine charity effort.[60] Beyond charity work, Edwards has made notable guest appearances on other artists' tracks, often blending her ethereal style with electronic and world music elements. Her partnerships frequently draw from personal networks within the UK music scene, emphasizing intimate, genre-spanning projects without major conflicts. A significant collaboration came in 2016 with former Morcheeba bandmate Ross Godfrey, under the moniker Skye | Ross, resulting in their self-titled debut album. This project fused trip-hop roots with folk and electronic influences, featuring tracks like "Light of Gold" and "How to Fly," and highlighted their longstanding creative synergy beyond the band.[61] In the 2020s, Edwards has continued contributing to electronic music through featured vocals on remixes and compilations, maintaining her signature downtempo vibe. A prominent recent example is her appearance on "Heavy On My Mind" by Bedouin and Robin M, released in June 2025, where her soulful delivery complements the track's energetic, club-oriented production.[62] These efforts often explore diverse genres, including electronic and subtle jazz undertones, reflecting her versatility. Edwards frequently collaborates with her husband, bassist Steve Gordon, who has co-produced several of her solo releases and joined Morcheeba's live lineup. Their partnership extends to family-involved projects, such as incorporating their son Jaega on drums for Skye | Ross tours, fostering a tight-knit creative dynamic.[63] Her work has also extended to soundtracks and film placements, providing vocals for original compositions in cinema. Notably, in 2021, she collaborated with composer Will Bates on "You and I" for Mike Cahill's sci-fi film Bliss, enhancing the movie's emotional depth with her haunting delivery.[64] Earlier soundtrack contributions include Morcheeba tracks like "On the Rhodes Again" in Traffic (2000) and "Tape Loop" in Suicide Kings (1997), underscoring her influence in atmospheric film scoring.[65]Discography
Solo releases
Skye Edwards' solo discography includes four studio albums released between 2006 and 2015, characterized by downtempo, electronic, and vocal-centric styles, alongside a selection of singles and EPs that achieved modest radio play but cultivated a dedicated audience. Her debut solo album, Mind How You Go, was released on 27 February 2006 by Atlantic Records in the UK.[66] Featuring 11 tracks co-written by Edwards, it was primarily produced by Patrick Leonard, known for collaborations with artists like Madonna, with Gary Clark handling production on two tracks including the opener "Jamaica Days."[67] Key songs include "Faultlines" and the lead single "Love Show," released in late 2005, which gained traction as a radio hit across Europe despite limited mainstream chart performance. The album received positive critical reception for its introspective lyrics and smooth production but saw constrained commercial reach due to promotional challenges.[68] The follow-up, Keeping Secrets, arrived on 23 February 2009 via Edwards' own Skyewards Recordings label.[69] This self-released project, comprising 10 tracks, was produced by Alexis Smith and Ivor Guest, the latter an Emmy-nominated collaborator with Grace Jones.[70] Themes of hidden emotions and personal introspection permeate the record, highlighted by singles like "I Believe," which emphasized Edwards' ethereal vocals over subtle electronic arrangements.[71] It maintained her niche appeal without significant chart breakthroughs. In 2012, Edwards issued Back to Now on 29 October through 14th Floor Records, distributed by [PIAS]. The 10-track album, produced by Steve Fitzmaurice—who has worked with U2 and Paloma Faith—shifted toward more prominent vocal showcases amid layered instrumentation.[72][73] Promotional singles included "Featherlight" and "Nowhere," both promo-only releases that underscored the album's blend of pop and downtempo elements, appealing to her established listeners.[23] Edwards' fourth and most recent solo album, In a Low Light, was self-released on 16 February 2015 via Skyewards Recordings and PledgeMusic.[74] Comprising 9 ambient-leaning tracks, it was produced by Robert Logan, incorporating electronic soul textures and subtle drama in songs like "Give In" and "Storm."[75] This understated work, featuring contributions from Ross Godfrey, marked a contemplative phase but did not yield standalone singles. Additional solo output includes EPs and remixes, such as the 2006 Love Show remix package on Cordless Recordings, which expanded on the debut single with club-oriented versions.[1] Other singles like "What's Wrong With Me" (2005, Atlantic) preceded her full-length debut, while later efforts such as "Heavy On My Mind" (2025, featuring Bedouin and Robin M on Human By Default), "Dark Forest" (2025), and "Dancing in the Rain" (2024) represent sporadic solo and guest appearances.[1][76] Overall, Edwards' independent releases have prioritized artistic control and fan engagement over broad commercial metrics, fostering a loyal following without major chart dominance.[16] No new solo studio albums have followed since 2015, with her creative focus returning to Morcheeba.Morcheeba releases
Skye Edwards served as the lead vocalist for Morcheeba's initial four studio albums, establishing the band's signature downtempo trip-hop sound with her smooth, ethereal delivery. The debut, Who Can You Trust?, released in 1996 on China Records, marked the band's entry into the music scene and peaked at number 43 on the UK Albums Chart. Notable tracks featuring Edwards' vocals include "Trigger Hippie" and "Moog Island," which highlighted the blend of electronic beats and acoustic elements.[77][78] The follow-up, Big Calm, issued in 1998, achieved greater commercial success, reaching number 18 on the UK Albums Chart and earning platinum certification from the BPI for sales exceeding 300,000 units in the UK. Edwards' contributions shone on hits like "Blindfold" and "Part of the Process," the latter peaking at number 31 on the UK Singles Chart and becoming a staple of the band's live performances. The album's relaxed grooves and introspective lyrics solidified Morcheeba's reputation in the trip-hop genre.[79][13] In 2000, Fragments of Freedom was released, climbing to number 6 on the UK Albums Chart and featuring Edwards on tracks such as "Rome Wasn't Built in a Day," which reached number 34 on the UK Singles Chart. The album expanded the band's sound with more pop-oriented arrangements while retaining Edwards' distinctive vocal phrasing. It was certified gold by the BPI.[78] Edwards' final album with the band before her initial departure, Charango, came out in 2002 and peaked at number 7 on the UK Albums Chart. Recorded live in the studio to capture a raw energy, it included standout tracks like "Undress Me Now," showcasing her versatile range from sultry whispers to soaring melodies. The album received silver certification from the BPI.[78] Following Edwards' return in 2009, Morcheeba released Blood Like Lemonade in 2010 on PIAS Recordings, which entered the UK Albums Chart at number 45. Key tracks with her vocals include "Gained the World," reflecting a matured collaboration with the Godfrey brothers. The reunion effort emphasized emotional depth and electronic textures.[78][80] The 2013 album Head Up High, also on PIAS, peaked at number 99 in the UK and featured Edwards prominently on songs like "Enjoy the Ride." It earned double silver certification from the BPI in 2014 for combined sales and streams over 120,000 units. The record incorporated guest artists and a brighter, more upbeat vibe.[81] Note: Wikipedia cited here only for certification detail, but primary source is BPI. Blaze Away, released in 2018 on Roadbook Records, reached number 61 on the UK Albums Chart, with the title track featuring Edwards' vocals alongside rapper Roots Manuva. The album explored rock influences while maintaining the band's core downtempo essence.[82][83] In 2021, [PIAS] issued Blackest Blue, which peaked at number 100 on the UK Albums Chart. Edwards delivered introspective performances on tracks like the title song, contributing to the album's themes of resilience and introspection amid global challenges.[78][84] Morcheeba's most recent studio album with Edwards, Escape the Chaos, was released on May 23, 2025, by 100% Records, debuting at number 71 on the UK Albums Chart. The first single, "We Live and Die," released earlier in 2025, set the tone with Edwards' haunting vocals over pulsating rhythms, followed by "Call for Love" and "Peace of Me" featuring rapper Oscar #Worldpeace.[85][86][4] Additionally, the 2003 compilation Parts of the Process, released on China Records, collected Edwards' vocal highlights from the band's early years and peaked at number 6 on the UK Albums Chart, earning platinum certification from the BPI. Overall, Edwards has contributed vocals to over eight Morcheeba studio albums and key compilations, spanning more than two decades of the band's output.[87]| Album | Release Year | Label | UK Peak | Key Tracks with Edwards' Vocals | Certification (UK BPI) |
|---|---|---|---|---|---|
| Who Can You Trust? | 1996 | China Records | 43 | "Trigger Hippie", "Moog Island" | - |
| Big Calm | 1998 | Indochina/Sire | 18 | "Blindfold", "Part of the Process" | Platinum |
| Fragments of Freedom | 2000 | Sire | 6 | "Rome Wasn't Built in a Day" | Gold |
| Charango | 2002 | Sire | 7 | "Undress Me Now" | Silver |
| Parts of the Process (compilation) | 2003 | China/Reprise | 6 | Various early hits | Platinum |
| Blood Like Lemonade | 2010 | PIAS | 45 | "Gained the World" | - |
| Head Up High | 2013 | PIAS | 99 | "Enjoy the Ride" | Double Silver |
| Blaze Away | 2018 | Roadbook | 61 | "Blaze Away" | - |
| Blackest Blue | 2021 | [PIAS] | 100 | "Blackest Blue" | - |
| Escape the Chaos | 2025 | 100% Records | 71 | "We Live and Die", "Peace of Me" | - |