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Ssukh
Ssukh
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Ssukh
Poster
Directed byKirti Kumar
Written byVijay Solanki (dialogues)
Based onShejari Shejari by Ashok Patole
Produced byGovinda
StarringGovinda
Preeti Jhangiani
Chunky Pandey
Aarti Chhabria
Jackie Shroff
CinematographySuneel K. Reddy
Edited byR. Rajendran
Music byKamini Khanna
Nirmal Pawar
Production
company
Govinda No. One Entertainment
Release date
  • 17 June 2005 (2005-06-17)
CountryIndia
LanguageHindi

Ssukh (translation: Happiness) is a 2005 Bollywood comedy film directed by Kirti Kumar (credited as Kirti Ahuja) starring his brother Govinda, Preeti Jhangiani, Chunky Pandey, Aarti Chhabria and Jackie Shroff. The film was also produced by Govinda. The movie was a remake of the 1990 Marathi movie Shejari Shejari.

Plot

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Cast

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Music

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  1. Aawajo Aawajo - Kumar Sanu
  2. Dar Kahe Ko Re - Shreya Ghoshal, Udit Narayan
  3. O Pran Piya - Jaspinder Narula
  4. Ssukh Hai Mere - Udit Narayan
  5. Suno Rato Me Kya - Udit Narayan, Alka Yagnik
  6. Shola Badan - Sadhana Sargam

Reception

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Patcy N of Rediff.com wrote: "Ssukh is supposed to be a family entertainer. But watching it was so painful that it should be renamed to Dukh."[1] Taran Adarsh of Bollywood Hungama gave the film 1 star out of 5, writing: "On the whole, Ssukh stands on a weak foundation [script] and that will prove to be its downfall."[2]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Ssukh is a Indian Hindi-language directed by Kirti Kumar under the Kirti Ahuja, and a of the 1990 Marathi film Shejari Shejari. The movie stars as Chandraprakash Sharma, as his wife Sushila, Aarti Chhabria as Bhavna, Chunky Pandey as Rakesh Verma, and as Gaurishankar Yadav. Released on June 17, , it runs for 137 minutes and centers on themes of marital , for , and the importance of trust in relationships. The plot revolves around the devoted couple Chandraprakash and Sushila, who have never spent a night apart in their . When Sushila's friend Bhavna, a divorcee seeking a substantial settlement of Rs 10 from her estranged husband , arrives for a visit, she enlists Chandraprakash to pose as her loving spouse to strengthen her case. This ruse draws in other characters, including the landlord , leading to comedic entanglements involving deception, family trials, and external threats from adversaries eyeing their newfound prosperity. Despite its focus on happiness and , Ssukh received mixed to negative reviews for its and execution, with critics noting predictable twists and uneven pacing. Commercially, the film underperformed at the , earning a nett gross of Rs 9,00,000 in against a modest budget, marking it as a flop. Produced by , it features composed by Kamini Khanna and Nirmal Pawar, including songs that underscore the film's lighthearted yet moralistic tone.

Background and development

Origins and adaptation

Ssukh originated as a Bollywood remake of the 1991 Marathi comedy film Shejari Shejari, directed by Dilip Kolhatkar and written by Ashok Patole, which explored themes of marital misunderstandings and the comedic entanglements arising from neighboring family dynamics. The retained the core premise of a couple navigating and involving their neighbors, updating it for a Hindi-speaking audience while amplifying the elements typical of 2000s Bollywood comedies. The project was announced in early 2004 by actor , who took on the of lead actor and producer for the first time under his newly established banner, Govinda No. One Entertainment (also referred to as Govinda Entertainment Number One Production). This marked a significant step for , transitioning from established stardom to production oversight, with the film completed in a record short span of 27 days to capitalize on his popularity in the comedy genre. Director Kirti Kumar, Govinda's brother and credited under the pseudonym Kirti Ahuja, was selected for his prior experience in family-driven comedic projects, ensuring a cohesive creative vision rooted in their shared background in light-hearted filmmaking. This familial collaboration was a deliberate choice to streamline decision-making and infuse the adaptation with authentic humor drawn from their collaborative history. Ssukh was positioned as a low-risk venture, leveraging involvement to control costs and minimize financial exposure in an era of rising production expenses for Bollywood comedies. The modest scale allowed focus on character-driven rather than extravagant sets or action sequences, aligning with the film's intimate narrative of domestic chaos.

The pre-production of Ssukh centered on adapting the script from the 1991 Marathi film Shejari Shejari, with dialogues penned by Vijay Solanki under the direction of Kirti Kumar, Govinda's brother, who oversaw the creative team's efforts to tailor the story for a audience. This process involved assembling a close-knit team, reflecting the film's family-oriented approach, as served as producer through his banner Govinda No. One Entertainment. A key aspect of the was the involvement of Govinda's family members in core creative roles, including music composition by his Kamini Khanna alongside Nirmal Pawar, which helped infuse the project with personal touches from the outset. Cinematography was handled by Suneel K. , contributing to the visual planning that emphasized relatable, everyday aesthetics. The team also navigated casting logistics, securing for the pivotal boss character despite his reputation for selective roles following the early . Pre-production activities followed the early 2004 announcement, focusing on across Mumbai's suburbs to capture authentic middle-class environments that aligned with the film's comedic tone.

Cast and characters

Main cast

The principal roles in Ssukh are played by an ensemble known for their work in Bollywood comedies, with leading as the central comic force. stars as Chandraprakash Sharma, a devoted husband whose interactions spark jealous misunderstandings that fuel the film's humorous situations; his portrayal emphasizes his renowned and energetic sequences, such as in the song "Aavjo," representing a return to light-hearted family comedies after a period focused on action roles and a short-lived political career in 2004. Preeti Jhangiani portrays Sushila Chandraprakash Sharma, the steadfast wife who brings emotional nuance to the escalating comedic jealousy; this performance marks a departure from her prior glamorous roles in films like (2000), allowing for more layered comedic interplay. Aarti Chhabria plays Bhavna Rakesh Verma, the recently separated friend whose arrival ignites flirtatious conflicts and chaotic antics that drive much of the comedy; her over-the-top energy contributes to the film's farcical tone. Chunky Pandey appears as Rakesh Verma, Bhavna's estranged husband, whose reappearance injects additional comic disruptions into the proceedings with his bumbling persistence.

Supporting roles

Jackie Shroff plays Gaurishankar Yadav, the landlord who provides occasional gravitas amid the humor, adding depth to the comedic entanglements through his authoritative presence. Mahesh Anand appears as Advocate Khalil Sheikh, a quirky legal figure involved in the divorce proceedings, contributing antagonistic physical comedy through his over-the-top courtroom blunders and scheming support for Rakesh's plans. Similarly, Rana Jung Bahadur's portrayal of Patwardhan, the agency manager who unwittingly pulls Chandraprakash into the pretense of bachelorhood for a job, adds layers of quirky side humor via bureaucratic mishaps and unintended exposures of lies. These supporting performances collectively enhance the ensemble comedy by echoing and intensifying the neighborly rivalries and domestic upheavals from the original Marathi film Shejari Shejari, transforming simple family interactions into a whirlwind of deceptive chaos.

Production

Filming

The production, overseen by in his dual capacity as lead actor and producer under his banner Govinda No. 1 Entertainment Pvt. Ltd., emphasized efficient on-set execution to align with the film's comedic tone. Further delays arose from Govinda's political commitments following his 2004 election victory, impacting the overall timeline.

Music and soundtrack

The music for Ssukh was composed by Kamini Khanna, the elder sister of lead actor and producer Govinda, alongside Nirmal Pawar, marking a family collaboration in the film's production. The soundtrack features seven tracks, blending melodic duets, solo performances, and an instrumental theme, with lyrics penned by multiple writers including Prashant Vasl, Ramesh Raj, and Kamini Khanna herself, who emphasized themes of marital bliss and underlying jealousy to align with the film's emotional core. The songs were recorded in Mumbai studios prior to the commencement of principal filming, allowing for seamless integration into the narrative sequences shot across various locations. Key tracks include the celebratory number "Aawajo Aawajo," a solo by that captures upbeat festivity; the romantic duet "Dar Kahe Ko Re Jab Sang Tere," featuring and ; and the playful "Ssukh Hai Mere," sung by , which playfully explores the theme of happiness. Other notable songs are "O Pran Piya" by , "Suno Raaton Mein Kya" by and , "Shola Badan" by , and the instrumental "Theme Music of Ssukh." For clarity, the full tracklist is presented below:
Track No.TitleSinger(s)Duration (approx.)
1Ssukh Hai Mere5:00
2Shola Badan4:30
3Aawajo Aawajo5:15
4Dar Kahe Ko Re Jab Sang Tere, 5:20
5O Pran Piya4:45
6Suno Raaton Mein Kya, 5:10
7Theme Music of SsukhInstrumental3:48
The soundtrack was released in 2005 by Audio, ahead of the film's theatrical debut, and achieved moderate performance on music charts despite limited promotion. It received praise for the familial touch, particularly Khanna's involvement, which added a personal layer to the compositions and highlighted Govinda's efforts to support emerging talent within his circle.

Plot

Act one

The story of Ssukh begins by introducing Chandraprakash Sharma and his wife Sushila, a devoted couple whose idyllic marriage is depicted through their harmonious daily routines, such as preparing meals together and sharing quiet evenings, reflecting an unbreakable bond where they have never spent a single night apart. This setup portrays their simple, content life, free from major conflicts, emphasizing mutual trust and affection as the foundation of their relationship. The inciting incident occurs with the arrival of Bhavna, Sushila's close friend reeling from a heartbreaking separation from her husband , who temporarily moves into their home seeking solace and support. As Bhavna settles in, she begins subtle flirtations with Chandraprakash, drawing him into her personal troubles while confiding in Sushila about her marital woes. This intrusion gradually introduces lighthearted comedic elements, as Sushila starts to notice the shifting dynamics and experiences initial pangs of jealousy over her husband's growing involvement with their guest. These early tensions highlight the film's central themes, including the latent greed for excitement and material gain that can infiltrate even the most stable lives—foreshadowed by Bhavna's impending —and the essential role of trust in sustaining a amid external temptations. , Bhavna's estranged husband, adds complications as he reenters the picture.

Act two and resolution

As the pretense deepens, Bhavna's family, doubting her claims of a stable to claim her Rs. 10 crore inheritance, hires a to investigate, leading Chandraprakash to pose more convincingly as her husband through elaborate like shared living arrangements and staged public displays. This escalation draws in , who misinterprets the interactions as romantic overtures, prompting him to pursue Bhavna aggressively and complicating the further. It also involves their , , in the humorous entanglements. Parallel jealousies intensify the chaos, with Sushila growing suspicious of Chandraprakash's frequent absences and close proximity to Bhavna, mirroring the film's theme of trust under strain from external temptations. The neighborly bond between the two families, central to the remake's twists, adds layers of humorous interference as Sushila and her allies unwittingly aid or hinder the , such as through impromptu visits that nearly expose the truth. The climax erupts in farcical confrontations when the detective captures compromising photographs of Chandraprakash and Bhavna, triggering a chaotic chase across the city to retrieve the evidence and prevent it from reaching Bhavna's family or Sushila. Revelations unfold during a heated gathering involving Rakesh's intrusions and the detective's pursuit, where accidental exposures—such as torn posters and mistaken identities—clarify that all flirtations stem from the inheritance scheme rather than infidelity. In the resolution, the misunderstandings dissolve as Chandraprakash confesses the full extent of the ploy to Sushila, reaffirming their unbreakable bond and mutual trust forged over years of companionship. and Bhavna reconcile on their own terms, recognizing the folly of separation, while Bhavna secures her inheritance not through deceit but by embracing genuine self-reliance. The film culminates in a communal celebration among the neighbors, underscoring the enduring value of love and fidelity over material greed, with humorous interventions from the extended circle sealing the harmonious outcome.

Release and reception

Marketing and box office

The marketing campaign for Ssukh positioned the film as a comedic comeback for lead actor and producer , with trailers highlighting his return to light-hearted roles after a hiatus. Promotions leveraged family connections, as director Kirti Kumar—Govinda's brother—handled distribution in , while Govinda's wife managed releases in , emphasizing personal stakes in the project's success. The film opened on a limited scale across 25 screens in on 17 June 2005, coinciding with the ongoing theatrical run of major hits like . At the , Ssukh underperformed severely, earning just ₹2 lakhs on its opening day and ₹5 lakhs over the first weekend. Its total nett collection reached only ₹9 lakhs, with a gross of ₹12.5 lakhs, marking it as a disaster due to dismal word-of-mouth and competition from stronger releases. Internationally, the film received a limited release that generated negligible earnings, with no significant overseas data reported. The poor further dampened audience turnout, sealing its commercial failure.

Critical response

Critic of awarded Ssukh a rating of 1 out of 5, criticizing its weak script as the primary downfall that undermined Govinda's talent, while describing the comedy as dated and uneven. Similarly, Patcy N of described the viewing experience as "painful," suggesting it be retitled Dukh (sorrow) and faulting its poor adaptation of the Marathi original Shejari Shejari. User reviews on Mouthshut echoed these sentiments, with one giving it 1 out of 5 stars and labeling the film archaic and chauvinistic for its portrayal of traditional Indian household dynamics. On , the film holds an average user rating of 4.9 out of 10 from 79 reviews, where many praised Govinda's energetic performance and sincerity but lambasted the convoluted plot and lackluster execution. Despite the widespread negativity, some minor outlets and user comments highlighted positives such as Govinda's spirited acting and the charm of its family production—directed by Govinda's brother and featuring by his sister Kamini Khanna—as a sincere but misguided effort. The overall critical consensus positioned Ssukh as a commercial and artistic disappointment, with its box office failure—grossing just ₹9 nett in —exacerbating perceptions of it as a low point in Govinda's mid-2000s career trajectory.

References

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