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Stan Bush
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Key Information
Stan Bush (born July 10, 1953) is an American singer-songwriter and rock musician.[1] He is best-known for his song "The Touch", featured in the 1986 movie The Transformers: The Movie.
Career
[edit]Bush began with his first studio album in 1979 with a band called Boulder.[2] Bush was primarily a guitarist for that band before the group split in different directions after releasing only one self-titled album. It was not long after in which he got his first solo album deal with CBS Records and released the self-titled Stan Bush album in 1983.[2] Four years later on Scotti Bros Records, he would release his most successful album to date with Stan Bush & Barrage,[2] which is the album that featured " The Touch".
Bush's most notable works include the songs "The Touch" and "Dare" from the soundtrack to the 1986 animated film The Transformers: The Movie,[1] "Hearts vs. Heads" from the soundtrack to the 1986 film The Wraith,[1] and "She's Got the Power", featured in the American voice dub of the animated series Sailor Moon. He made one track on the children's album Take My Hand – Songs from the 100 Acre Wood titled "That's What Tiggers Do Best", released in 1995. Other notable works include the songs "Never Surrender", "Streets of Siam", and "Fight for Love" from the movie Kickboxer,[1] "On My Own – Alone" and "Fight to Survive", the theme from Bloodsport. In 1987, Bush (and back-up band Barrage) wrote and recorded the ballad "Love Don't Lie", which became a minor MTV hit when covered a year later by House of Lords.
In 1996, Bush released the album The Child Within which featured a few songs of prominence.[1] "Til I Was Loved By You", a duet with Robin Beck, won a Daytime Emmy for Best Original Song for its use in the soap opera Guiding Light.[1] From the same album, "Capture the Dream" was used as the official anthem to the US Swim Team in the 1996 Summer Olympics.[1] The Child Within was released in Japan with the title Higher than Angels, additional songs, and different versions of the same songs.
Bush submitted two tracks to the producers of the 2007 live action Transformers movie, which are an updated version of "The Touch", and an updated version of his song from BotCon 1997, "Ground Zero", retitled "'Till All Are One". They were not included on the final soundtrack, but they were included on the July 3, 2007 release In This Life. Bush also recorded another, markedly different version of "The Touch"[3] which was later released as a free downloadable track for the video game Guitar Hero World Tour.[4] "Till All Are One" is the end credits song for 2010 video game Transformers: War for Cybertron.[1]
Bush would later re-record "The Touch" again, this time in a much darker, grittier sense for his 2010 album, Dream the Dream.[1] This version was known as "The Touch (Sam's Theme)", with the single version even containing a rap segment that was omitted from the album cut.
In 2011, Bush recorded "High Noon Theme" for the wrestling promotion Chikara, which is a parody of the theme song for the 1980s cartoon M.A.S.K. This was followed by his single "Heat of the Battle", which was included on his 2014 album release The Ultimate. Not long after the release of this album, he was inducted into the Transformers Hall of Fame at the 2014 BotCon Transformers Fan Convention. On September 22, 2017, Bush released his thirteenth studio album called Change the World.[1] The album features eleven tracks which are six all-new songs and five from previous works. On the Fourth of July 2019, Bush released a brand new single and music video called The 80's. The music video for the song featured Bush's son playing a young version of him from the titular decade. It was the first single of the album Dare to Dream, which was released in 2020.
Outside of music, Bush was the focus of a web-produced television pilot called Palisades Vice. Produced by Twin Suns Productions, the pilot known as "Black Shoe Diary", saw Bush witnessing a murder and having to cooperate with police to catch the killer. After failing to leave an online footprint, the idea for the series was scrapped.
In 2023, it was announced that Bush had penned and performed "No Surrender", the theme song for the German–American martial arts film The Last Kumite, which was pitched as a throwback to the Cannon pictures he was involved with in the 1980s.[5]
Bush partnered with Lenny Macaluso on an 80s-style rock anthem titled "Happy Birthday Dire Wolf" to celebrate the first birthday of the male wolves created by Colossal Biosciences.[6]
Discography
[edit]Albums
[edit]Solo albums
[edit]- Stan Bush (1983)[2]
- Every Beat of My Heart (1993)[2]
- Dial 818888-8638 (1994)[1]
- Higher Than Angels (1996, Japan only)
- The Child Within (1996)[1]
- Merry Christmas & A Happy New Year (1998)
- Language of the Heart (2001)[1]
- Shine (2004)
- In this Life (2007)[1]
- Dream the Dream (2010)[1]
- The Ultimate (2014)
- Change the World (2017)[1]
- Dare to Dream (2020)
Compilation albums
[edit]- Call to Action (1997)
- Til All Are One (with Vince DiCola) (1997)
- Capture the Dream – The Best of Stan Bush (1999)
Extended plays
[edit]- Shadow Warrior 2: The Warrior EP (2016)[1]
Box sets
[edit]- The Collection (2021)[7]
Singles
[edit]As lead artist
[edit]- "Never Surrender" (1989)
- "Forever" (1990)
- "Can't Hide Love" (1992)
- "Free and Easy" (1993)
- "In the Name of Love" (1994)
- "Capture the Dream" (1996)
- "Never Wanted to Fall" (1996)
- "’Til I Was Loved by You" (1997) (released with the title "Until I Was Loved by You")
- "The Touch – Sam's Theme" (2009)
- "The Touch (Power Mix)" (2012)
- "Thunder in Your Heart" (2013)
- "Warrior" (2016)
- "Born to Win" (2017)
- "The '80s" (2019)
- "Stand or Fall" (2021)
- "Freedom" (2024)
- "Invincible" (2025)
Promotional singles
[edit]- "Fire in My Heart" (1983)
- "All American Boy" (1983)
- "Time Isn't Changing You" (1984)
- "Every Beat of My Heart" (1993)
- "Are You Over Me" (1995)
Split singles
[edit]- Stan Bush: "The Touch" (Side A)/"Weird Al" Yankovic: "Dare to Be Stupid" (Side B) (1986)
With Boulder
[edit]Studio albums
[edit]- Boulder (1979)[2]
Singles
[edit]- "Heartbeat" (1979)
- "Join Me in L.A." (1979)
With Stan Bush & Barrage
[edit]Studio albums
[edit]- Stan Bush & Barrage (1987)[2]
- Heaven (1998)
Singles
[edit]- "Heart Vs. Head" (1987)
- "The Touch" (1987)
- "Love Don’t Lie" (1987)
Promotional singles
[edit]- "Crank that Radio" (1987)
References
[edit]- ^ a b c d e f g h i j k l m n o p q r "Stan Bush | Biography & History". AllMusic. Retrieved July 16, 2021.
- ^ a b c d e f g Colin Larkin, ed. (1999). The Virgin Encyclopedia of Heavy Rock (First ed.). Virgin Books. p. 87. ISBN 0-7535-0257-7.
- ^ Sciretta, Peter (May 14, 2009). "Transformers 2 Remake of Stan Bush's "The Touch"". /Film. Archived from the original on September 19, 2012. Retrieved May 26, 2009.
- ^ de Matos, Xav (March 19, 2009). "Stan Bush's 'The Touch' coming to Guitar Hero". Joystiq. Retrieved May 26, 2009.
- ^ Harper, Oliver; Lowe, Sean David (April 18, 2023). The Last Kumite – Interview with Sean David (Executive Producer) (video interview). Harper, Oliver. Event occurs at 8:41. Retrieved June 14, 2023.
- ^ Thomas, Moná. "Dire Wolves Brought Back from Extinction Celebrate Their 1st Birthday with Doggy Cake and Music Video". People.com. Retrieved October 4, 2025.
- ^ "First Box Set Released Featuring 10 Discs!". Stan Bush Official Website. October 6, 2021. Retrieved October 8, 2021.
External links
[edit]
Stan Bush
View on Grokipediafrom Grokipedia
Stan Bush (born July 10, 1953, in Orlando, Florida) is an American singer-songwriter and rock musician renowned for his contributions to film and television soundtracks, particularly the anthemic songs "The Touch" and "Dare" from the 1986 animated film The Transformers: The Movie, which have achieved cult status among fans of 1980s pop culture.[1][2][3]
Bush's career began in the late 1970s as a guitarist and vocalist in the AOR band Boulder, which released a self-titled debut album on Elektra Records in 1979 before disbanding.[4][5] He transitioned to a solo career, signing with Columbia Records and issuing his self-titled debut album in 1983, featuring a blend of power pop and hard rock influences that included the track "All American Boy", later covered by the band Y&T.[4] In the mid-1980s, he formed the band Barrage with guitarist Don Kirkpatrick and keyboardist Rick Seratte, producing melodic rock material that aligned with the era's arena-oriented sound.[4] His breakthrough came with soundtrack work, including "Never Surrender" for the 1986 martial arts film Kickboxer and contributions to other action movies like Bloodsport (1988) and The Wraith (1986), establishing his signature style of uplifting, motivational anthems.[5][2]
Throughout the 1990s and beyond, Bush expanded his portfolio with television and animation projects, such as performing the English theme song "Capture the Dream" for NBC's coverage of the 1996 Summer Olympics and providing music for the American dub of the anime series Sailor Moon.[6] He earned critical acclaim with an Emmy Award in 1997 for Best Original Song for "Til I Was Loved By You", for its use in the soap opera Guiding Light.[2][7][6] Bush has collaborated with prominent artists including Alice Cooper and members of Jefferson Starship, and in 2014, he was inducted into the Transformers Hall of Fame for his enduring impact on the franchise.[2] His discography includes over a dozen studio albums, with recent releases such as Dare to Dream (2020) and Born for Battle (2025), the latter featuring the single "Invincible".[2][4] Bush continues to tour and perform, maintaining a dedicated following through his high-energy rock performances and nostalgic ties to 1980s media.[2][6]
Overall, Bush's more than 20 singles emphasize quality over quantity in commercial hits, fostering a dedicated following through radio, film placements, and digital accessibility.[26]
Early life
Childhood and influences
Stan Bush was born on July 10, 1953, in Orlando, Florida.[1] He spent his childhood and teenage years growing up near Gainesville in the same state, during the culturally vibrant 1950s and 1960s.[8] Information on his family background remains limited. His older brother played a key role in his early development by teaching him guitar around age 10.[8] A pivotal moment in Bush's youth came at age 10 when he watched The Beatles perform on The Ed Sullivan Show in 1964, an event that ignited his passion for music and inspired him to aspire to singing and guitar playing.[8] His early influences drew from the rock and pop landscape of the era, prominently featuring The Beatles, as well as Led Zeppelin and Motown artists, which shaped his interest in rock genres and broad musical styles.[9][10] Bush's first musical experiences centered on self-taught guitar practice as a teenager, following a brief stint playing trombone in junior high school.[8] These formative years laid the groundwork for his ambitions in rock and pop, leading him toward professional endeavors in the 1970s.Initial musical pursuits
In the early stages of his musical journey, Stan Bush developed a passion for rock music influenced by childhood exposure to bands like The Beatles, which sparked his interest in performing.[8] After high school around 1971, he began honing his skills by playing guitar in local bands across Florida and touring nightclubs throughout the American South, gaining practical experience in live settings.[9] [10] Bush was largely self-taught on guitar, having learned the basics from his older brother without formal lessons, and he further refined his vocal abilities through these regional performances and informal jam sessions.[8] In the mid-1970s, seeking greater opportunities in the thriving music industry, he relocated to Colorado to join an original rock band based in Boulder, where he contributed as a guitarist and vocalist while building his songwriting chops.[9] [10] During this period, Bush took on early professional roles as a session musician, recording demos and contributing to commercial jingles for brands such as Toyota and Coors, which provided steady work and exposure without yielding major credits at the time.[8] His persistence led to the band's signing with Elektra/Asylum Records in 1979 and a subsequent move to California to record with the band.[8] [9] This relocation immersed him in Los Angeles's vibrant rock ecosystem, setting the stage for his professional breakthrough.[10]Career
With Boulder
Stan Bush served as guitarist and backing vocalist in the rock band Boulder, which also featured lead vocalist Bob Harris, bassist Kim Stone, drummer Marty Stinger, keyboardist Todd McKinney (vocals), guitarist Zeke Zirngiebel, and percussionist Mithran Cabin. The band, originally formed in Colorado, evolved from an earlier incarnation where Bush had joined a few years prior, honing his skills in regional performances before securing a major label deal. This formation marked Bush's entry into professional recording, building on his foundational experiences in 1970s nightclub circuits and local bands.[10][11] Boulder quickly signed with Elektra Records, a prominent label at the time, and recorded their self-titled debut album under producer George Daly. The sessions captured the band's hard rock sound infused with AOR sensibilities and melodic hooks, reflecting influences from contemporary West Coast rock scenes. Released later that year, the album showcased Bush's emerging songwriting and performance talents but received limited promotion amid the competitive 1979 market.[11][12] The record achieved only modest commercial reception, failing to crack the Billboard 200's top 100 and quickly fading from mainstream attention. Internal divergences in creative vision among members contributed to the band's short tenure, leading to its disbandment by 1980 after just one release. For Bush, the Boulder project offered crucial industry exposure, including major-label production and distribution, which equipped him with insights into the professional music landscape and propelled his transition to solo endeavors.[8][10]With Stan Bush & Barrage
Following his self-titled solo debut in 1983, Stan Bush formed the project Stan Bush & Barrage in 1986, assembling a group including guitarist Don Kirkpatrick, keyboardist Rick Rosas, and other session musicians such as lead guitarist Rocket Ritchotte.[8][13] The band signed with Scotti Bros. Records and released their debut album, Stan Bush & Barrage, in 1987, which blended pop rock elements with powerful, anthemic choruses characteristic of the era's AOR style.[14][15] Produced by Richie Wise, the album featured contributions from notable session players associated with acts like Foreigner and John Parr's band, emphasizing Bush's vocal-driven hard rock sound.[16] In 1998, the project issued its second album, Heaven, through Frontiers Records, marking a stylistic evolution toward a more mature AOR aesthetic with introspective lyrics and polished production, influenced by the shifting rock landscape of the late 1990s.[17][18] This release came amid industry changes, including the dominance of grunge and alternative rock, which limited broader commercial breakthroughs despite targeted promotion.[19] Promotion for the debut included touring and radio airplay for tracks like "Heart vs. Head," though the project achieved only modest success in the competitive 1980s market before fading.[20] The collaboration effectively dissolved in the late 1990s after Heaven, enabling Bush to redirect his efforts toward solo endeavors and soundtrack work.[21] Drawing from his earlier experiences with Boulder, the band's dynamics emphasized collaborative energy in live settings, though it remained primarily a studio-focused outfit.[8]Solo career
Stan Bush launched his solo career with the self-titled debut album Stan Bush, released in 1983 on Columbia Records, which shifted his sound toward pop rock and featured the single "Fire in My Heart."[22][23] In the mid-1980s, Bush gained momentum with the 1986 single "The Touch," recorded for the Transformers: The Movie soundtrack on Scotti Brothers Records, which led to additional label deals and tours, although a full mainstream breakthrough remained elusive amid shifting music industry trends.[24][25] The 1990s saw Bush release Every Beat of My Heart in 1993 on L.A. Records and The Child Within in 1996 on BMG, the latter including the duet "Til I Was Loved By You" with Robin Beck, which won an Emmy Award for Best Original Song in 1997 after its use in a children's television production.[26][27] During the 2000s and 2010s, Bush experienced a resurgence through independent labels such as Frontiers Records, issuing albums including Language of the Heart (2001), Shine (2004), In This Life (2007), Dream the Dream (2010), The Ultimate (2014), and Change the World (2017) on L.A. Records, while cultivating a dedicated fanbase through performances at conventions.[26][28][29] In the 2020s, Bush continued his output with Dare to Dream in 2020 on L.A. Records, followed by the single "No Surrender" in 2024, featured in the film The Last Kumite, and the album Born for Battle released in September 2025 on the same label.[26][30][31] Throughout his solo career, Bush has provided guest backing vocals on albums by artists including Alice Cooper's Hey Stoopid (1991) and Jefferson Starship, spanning multiple decades of session work.[32][25]Film and television contributions
Soundtrack appearances
Stan Bush's contributions to film soundtracks are particularly notable for their high-energy rock anthems that became synonymous with 1980s action and animated cinema, often amplifying themes of heroism and perseverance. His songs frequently appeared in martial arts films and science fiction productions, cementing his status as a go-to composer for motivational sequences. These placements not only boosted his visibility but also led to enduring cultural revivals in later decades.[2] One of Bush's most iconic tracks, "The Touch," served as a pivotal anthem in the 1986 animated film Transformers: The Movie, playing during a key transformation and battle sequence that underscored the film's themes of power and destiny. The song's bombastic style and lyrics like "You got the touch, you got the power" made it a fan favorite, contributing to its lasting association with the Transformers franchise. It was revived in the 2018 live-action prequel Bumblebee, where it featured in the trailer and end credits, reigniting nostalgia among audiences.[33] Bush also provided multiple tracks for Transformers: The Movie, including "Dare," which accompanied high-stakes action scenes and reinforced the narrative's adventurous spirit. Beyond Transformers, his work extended to cult horror-action films like The Wraith (1986), where "Hearts vs. Heads" played during romantic and confrontational moments, blending emotional depth with the movie's supernatural revenge plot. In the martial arts genre, Bush's "Fight to Survive" served as the end-title theme for Bloodsport (1988), energizing the film's closing credits and tying into its underdog fighter storyline starring Jean-Claude Van Damme; the track later became a staple in fan compilations for similar 1980s fight films. Similarly, for Kickboxer (1989), another Van Damme vehicle, "Never Surrender" closed the end credits, its defiant chorus mirroring the protagonist's journey of vengeance and training, and it has since been hailed as an emblem of the era's martial arts cinema sound.[34][35] In more recent years, Bush continued contributing to the martial arts revival with "No Surrender," the title track for The Last Kumite (2024), a film homage to 1980s fighters; the song's video integrates fight footage, emphasizing themes of endurance and legacy. Additionally, "Runnin' the Gauntlet" appeared in the same soundtrack, heightening tension during training sequences. In 2025, Bush co-wrote and performed "Happy Birthday, Dire Wolf" for a promotional media campaign by Colossal Biosciences celebrating the first birthday of de-extinct dire wolf pups, with an official music video featuring the animals and rock elements that evoked his classic style.[36][37] On television, Bush's music found a place in animated series, notably with "She's Got the Power" in the English dub of Sailor Moon (episode 61, 1995), replacing the original Japanese track to inject a gritty rock edge into the magical girl transformation scene. This placement highlighted his versatility in adapting to youth-oriented content. His broader television work, including original songs for daytime programming, culminated in a 1997 Daytime Emmy Award for Best Original Song for "Til I Was Loved By You," featured on the soap opera Guiding Light, which underscored his impact on serialized media soundscapes.| Film/TV | Year | Song(s) | Context/Impact |
|---|---|---|---|
| Transformers: The Movie | 1986 | "The Touch," "Dare" | Iconic anthems for action and empowerment; revived in franchise reboots for nostalgic effect. |
| The Wraith | 1986 | "Hearts vs. Heads" | Emotional underscore in sci-fi thriller; contributed to cult soundtrack appeal. |
| Bloodsport | 1988 | "Fight to Survive" | End-title motivator for martial arts climax; emblematic of 1980s fight film energy. |
| Kickboxer | 1989 | "Never Surrender" | Closing credits anthem of resilience; enduring in Van Damme fan culture. |
| Sailor Moon (English dub) | 1995 | "She's Got the Power" | Transformation sequence enhancer; bridged rock with anime dubbing. |
| Bumblebee | 2018 | "The Touch" | Trailer and credits revival; boosted film's retro vibe. |
| The Last Kumite | 2024 | "No Surrender," "Runnin' the Gauntlet" | Title and training tracks; homage to classic action genre. |
| Colossal Biosciences promo (Dire Wolf birthday) | 2025 | "Happy Birthday, Dire Wolf" | Celebratory video anthem; unique blend of rock and science media. |
Voice acting and other roles
Stan Bush ventured into voice acting in 2021, lending his voice to the Autobot character Jazz in the official Hasbro Pulse stop-motion short titled Discontinued? What do you mean I'm being discontinued?.[38] This one-minute animated piece, produced to mark the 35th anniversary of The Transformers: The Movie (1986), features Jazz protesting his potential discontinuation as a toy, blending humor with references to the franchise's history. Bush's portrayal draws on his iconic status within the Transformers community, stemming from his musical contributions to the 1986 film. The short, directed by John Moschitta Jr. (the original voice of Blurr) and featuring returning voices like Gregg Berger as Grimlock, highlights Bush's seamless integration into the animated format despite it being his first known voice role.[39] Released exclusively on the Hasbro Pulse YouTube channel, it exemplifies Bush's ongoing ties to Transformers media beyond music, including appearances at fan conventions where he engages with the legacy through performances and panels up to 2025.[29]Discography
Albums with Boulder
Boulder's only release is the self-titled album Boulder, issued in 1979 by Elektra Records and produced by George Daly.[40] The record features Stan Bush as lead vocalist and guitarist alongside bandmates Bob Harris on lead guitar and vocals, Kim Stone on bass, Marty Stinger on drums, and Todd McKinney on keyboards and vocals.[41] It blends melodic rock with southern and country influences, emphasizing guitar-driven arrangements and harmonious vocals.[12] The album comprises eight tracks, with Bush delivering lead vocals on the majority:- "Join Me in L.A." (4:04)
- "A New Mr. Right" (4:13)
- "Winner Takes All" (3:43)
- "Heartbeat" (3:32)
- "Turn the Radio Up" (2:27)
- "Travelin' Man" (3:17)
- "Help Yourself" (3:00)
- "For Love" (3:58)
Albums with Stan Bush & Barrage
Stan Bush & Barrage released their debut album, Stan Bush & Barrage, in 1987 on Scotti Bros. Records.[14] The album features 10 tracks blending AOR and hard rock elements, including standout singles "The Touch" and "Crank That Radio."[14] Notable tracks also encompass "Temptation," "Love Don't Lie," "Primitive Lover," "Heart Vs. Head," "Gates Of Paradise," "Do You Remember," "Take It Like A Man," and "What Is Love."[14] The band's follow-up, Heaven, arrived in 1998 via Frontiers Records, comprising 10 tracks with a focus on melodic AOR.[45] The full tracklist is: "Hard To Find An Easy Way," "Cross That Line," "Didn't I," "Joanna," "Beginners Luck," "Heaven," "Promises," "Dreamin'," "Love Don't Come Easy," and "My Father's Son."[45] Both albums saw reissues in the 2010s, with digital editions available on platforms like Spotify and remastered CD versions released by labels such as Rock Candy Records in 2011 for the debut.[14][46] Heaven received a 2010 digital reissue through L.A. Records.[45]Solo albums
Stan Bush's solo career discography reflects a progression from major label releases in the 1980s to independent productions emphasizing melodic rock, culminating in approximately 14 studio albums and one compilation-style release with new material. His debut marked an entry into the AOR scene, while later works highlight anthemic themes and personal introspection, including key hits like "The Touch" from early releases.[26] The following table enumerates his solo albums with release details:| Album Title | Release Year | Label | Number of Tracks | Notes |
|---|---|---|---|---|
| Stan Bush | 1983 | Columbia | 9 | Debut album featuring the single "All American Boy."[47] |
| Every Beat of My Heart | 1993 | L.A. Records | 10 | Released after a shift from major labels.[48] |
| Dial 818888-8638 | 1994 | Independent | 10 | Rare release.[48] |
| Higher Than Angels | 1996 | Independent | 10 | Japan-only release. |
| The Child Within | 1996 | BMG | 11 | Includes the Emmy Award-winning song "Til I Was Loved By You." |
| Merry Christmas | 1996 | Independent | Unknown | Holiday album. |
| Language of the Heart | 2001 | Frontiers | 10 | Focuses on melodic rock elements. |
| Shine | 2004 | Frontiers | 11 | Emphasizes uplifting themes. |
| In This Life | 2007 | Frontiers | 10 | Explores personal and inspirational lyrics. |
| Dream the Dream | 2010 | Frontiers | 11 | Continues the melodic rock style. |
| The Ultimate | 2014 | L.A. Records | 12 | Compilation-style album incorporating new material. |
| Change the World | 2017 | L.A. Records | 10 | Features motivational anthems.[49] |
| Dare to Dream | 2020 | L.A. Records | 11 | Released during the COVID-19 pandemic. |
| Born For Battle | 2025 | L.A. Records | 10 | Latest release with anthemic, battle-ready themes. |
Singles
Stan Bush's singles discography reflects his evolution from band efforts to solo AOR and rock releases, often emphasizing promotional efforts for radio play and film soundtracks rather than mainstream pop chart pursuits. Many were issued as 7-inch vinyl or 12-inch promos in the 1980s, transitioning to CD and digital formats in later decades, with a focus on energetic anthems that built his reputation in niche rock audiences.[26] Key singles from his early solo career include "Fire in My Heart," released in 1983 on Columbia Records as the lead single from his self-titled debut album, marking his initial foray into solo rock promotion.[50] That same year, "All American Boy" followed as a 12-inch promotional single, aimed at expanding his visibility in the AOR market. In 1984, "Time Isn't Changing You" appeared on Columbia, continuing the album's promotional push with its heartfelt rock ballad style. The 1986 release of "The Touch" on Scotti Bros. Records stands out as a promotional single tied to The Transformers: The Movie soundtrack, complete with a music video to boost its cinematic tie-in appeal; it was issued in both standard and 12-inch promo formats.[24] A split single paired it with Weird Al Yankovic's "Dare to Be Stupid" from the same soundtrack, highlighting its dual soundtrack promotion.[51] "Dare," another track from the film, received radio airplay as a companion piece, though not as a standalone commercial release.[52] During his time with Stan Bush & Barrage, singles like "Heart vs. Head" (1987, Scotti Bros. Records) and its 1988 variant were released with B-sides such as "What Is Love," targeting rock radio with edited versions for broader play. "Crank That Radio" (1987, Scotti Bros.) and a radio edit of "Love Don't Lie" (1987, international release) further exemplified the band's high-energy promo strategy. "The Touch" was reissued under the band name in 1987, capitalizing on the film's enduring popularity. In the 1990s, "Every Beat of My Heart" emerged as a 1993 CD single on Intercord Record Service, drawn from his album of the same name and serving as a key promotional vehicle for his independent phase.[48] "Are You Over Me" followed in 1995 as a promotional release, emphasizing emotional rock themes in line with his evolving solo sound.[53] (Note: Specific 1995 entry cross-referenced via album context.) Later digital singles include "Eternity" (2007, from In This Life), which gained traction through online platforms as part of his continued soundtrack-adjacent output.[54] The title track "Change the World" (2017, L.A. Records) was promoted digitally alongside its album, underscoring Bush's shift to independent digital distribution.[55] Recent independent releases highlight his ongoing activity, such as "No Surrender" (2024, L.A. Records), the theme for the film The Last Kumite, released as a digital single with an official music video. In 2025, "Happy Birthday Dire Wolf" debuted as a digital single in collaboration with Colossal Biosciences, celebrating the first birthday of de-extinct dire wolves with an 80s-style power ballad.[37]| Year | Title | Label | Notes |
|---|---|---|---|
| 1983 | Fire in My Heart | Columbia | Lead solo single; vinyl 7-inch. |
| 1983 | All American Boy | Columbia | 12-inch promo; stereo format. |
| 1984 | Time Isn't Changing You | Columbia | Promotional single from debut era. |
| 1986 | The Touch | Scotti Bros. Records | Promotional with video; Transformers soundtrack tie-in; 12-inch and split editions. |
| 1986 | Dare | Scotti Bros. Records | Radio promo from Transformers soundtrack. |
| 1987 | Heart vs. Head | Scotti Bros. Records | Stan Bush & Barrage; radio edits available. |
| 1987 | Crank That Radio | Scotti Bros. Records | Stan Bush & Barrage; high-energy promo. |
| 1993 | Every Beat of My Heart | Intercord | CD single; independent promo. |
| 1995 | Are You Over Me | Independent | Promotional release. |
| 2007 | Eternity | Independent | Digital promo from In This Life. |
| 2017 | Change the World | L.A. Records | Digital single from album of same name. |
| 2024 | No Surrender | L.A. Records | Digital single; film theme for The Last Kumite. |
| 2025 | Happy Birthday Dire Wolf | Independent | Digital single; collaborative anthem for Colossal Biosciences project. |