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Starry Eyes
Starry Eyes
Starry Eyes
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Starry Eyes
Official poster
Directed by
Written by
  • Kevin Kölsch
  • Dennis Widmyer
Produced byTravis Stevens
Starring
CinematographyAdam Bricker
Edited by
  • Dennis Widmyer
  • Brody Gusar
Music byJonathan Snipes
Production
companies
Release date
  • March 8, 2014 (2014-03-08) (SXSW)
Running time
98 minutes
CountryUnited States
LanguageEnglish

Starry Eyes is a 2014 American horror film written and directed by Kevin Kölsch and Dennis Widmyer. The film had its world premiere on March 8, 2014 at South by Southwest and features Alexandra Essoe as a hopeful young starlet who finds that fame's price is not always easily paid.[1] Funding for the movie was partially raised through a successful Kickstarter campaign.[2]

Plot

[edit]

Sarah Walker is an aspiring actress who is stuck waitressing at a fast-food restaurant. Her friends are generally unsupportive and selfish; Erin is constantly trying to steal Sarah's roles, while her roommate Tracy and aspiring director Danny are apathetic to Sarah's situation. Sarah's prospects at stardom look grim until she takes an audition for a film called The Silver Scream, held by the powerful production company Astraeus Pictures. Her audition is met with a lackluster response by the casting director and her assistant. Upset at being dismissed, Sarah goes to a nearby bathroom to scream and rip her hair out, a move that regains the interest of the casting director. She returns to the audition and reluctantly acquiesces to the casting director's demand that she rips her hair out again. Sarah is dismissed again, much to her confusion.

Sarah quits her job to fully pursue this role, and gets a callback for a second audition shortly after. She is caught off guard when she is told to disrobe. Sarah again agrees to these demands, and after being told to open herself up to the potential to "transform", she experiences extreme euphoria and undergoes a trance state, during which she notices that the casting director is wearing a pentagram-like necklace. While in this state, she begins to show mild erratic behaviors. However, when she is commanded to have sex with the producer at the third audition, Sarah balks and runs home. Danny, who apparently shows a romantic interest in Sarah, asks her to be the lead role in his own film project, to which she accepts.

At a pool party celebrating Danny's movie, Sarah is surprised when she sees him kissing Erin. Sarah angrily returns to the producer's house, where she promptly performs fellatio on him. During the following days, she shows increasingly erratic behavior even while her body begins to deteriorate. After a heated argument with Tracy, Sarah retreats to her room and sees the casting director, experiencing a vision of herself as a glamorous starlet. When she goes to the bathroom to vomit, she finds that her hair and nails have almost completely fallen out. Sarah, now wracked with pain, climbs into the bathtub and vomits masses of bloodied maggots.

Sarah answers a call from the producer, who tells her that she can either die or embrace the transformation. Sarah chooses the latter and goes to Erin's house to confront her. They argue over exchanging sex for film parts until Erin turns on the kitchen lights and sees Sarah's disfigured face. Erin tries to persuade Sarah to go to the hospital, but she slices Erin's cheek with a knife. Sarah accepts what she has done and proceeds to repeatedly stab Erin before killing two others in the house. She realizes that Erin is attempting to escape, and suffocates her with a plastic bag. She then goes outside to Danny's van and kills him as well.

Afterward, the people behind Astraeus Pictures reveal that they are a secret cult worshipping a demon of the same name. They conduct a ritual whereby Sarah, surrounded by illuminated acolytes, is reborn from a bloodied membrane as they mark out a surrounding pentagram-shaped emblem with rods of phosphorescent light. Sarah emerges with a flawless, healthy and totally hairless body; a gift-wrapped box has been left for her. She returns to her apartment and kills Tracy before putting on the presents that Astraeus left her: a black gown, a long brunette wig, and a silver pentagram necklace. Sarah admires herself in the mirror as her eyes glow green.

Cast

[edit]

Production

[edit]

After writing the script, Widmyer and Kölsch sought funding for Starry Eyes through Kickstarter.[3] The campaign attracted Pat Healy to the film, and the campaign ended with the goals met.[4] Filming took place in Los Angeles in May 2013 over an 18-day period.[5][6]

Release

[edit]

The film was released February 3, 2015 on DVD and Blu-ray Disc.[7]

Reception

[edit]

The film holds an approval rating of 74% at Rotten Tomatoes, based on 23 reviews with an average rating of 7/10. The website's critical consensus reads, "Starry Eyes pokes Hollywood's seedy underbelly to produce a refreshingly original horror story led by a breakout performance from Alex Essoe."[8] Metacritic gives the film a weighted average score of 49 out of 100, based on 6 critics, indicating "mixed or average reviews".[9]

Simon Abrams of RogerEbert.com gave the film a score of 3/4 stars, writing that it "may leave you feeling hopeless, but its bleak vision of masochistic perfectionism is clear-eyed, cogent, and devastatingly unsettling."[10] Richard Culpers of Variety praised Essoe's performance and wrote: "Though it’s a tad overcranked in the final furlong, the sheer energy on display and a devilishly compelling plot ultimately win the day."[11]

In their review, Fangoria remarked that "[Directors and writers] Kolsch & Widmyer are clearly attuned to the pitch black nature that consumes Sarah but, like the alluring score, there's something stirring in her eventual transformation of living through an actor's worst cosmetic nightmare and still forcibly taking what she wants."[12] Shock Till You Drop and Bloody Disgusting also praised the film,[13] with Bloody Disgusting commenting that although the film did have flaws, "[those] same elements that provide its flaws also supply its strengths, which are far more prevalent."[14] Time magazine called the film one of the ten best films of South by Southwest.[15]

Awards

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Starry Eyes

View on Grokipedia
from Grokipedia
Starry Eyes is a American film written and directed by Kevin Kölsch and Dennis Widmyer. The story centers on Sarah Walker, a struggling aspiring actress in Hollywood who, desperate for a breakout role, auditions for a part in a major production and uncovers the sinister, satanic underbelly of the entertainment industry's elite. In exchange for fame, she enters a deadly pact that demands horrific personal sacrifices, leading to themes of ambition, corruption, and transformation. The film stars in a breakout performance as Sarah, supported by a cast including as her agent Danny, as her roommate Tracy, and as rival actress Erin. Premiering at on March 8, 2014, Starry Eyes explores the dark side of through a narrative blending psychological tension with graphic elements. It received positive critical reception for its originality and social commentary on Hollywood's predatory nature, earning a 74% approval rating on based on 23 reviews, with critics praising Essoe's intense portrayal and the film's unflinching critique of fame's cost.

Plot and Analysis

Plot Summary

Sarah Walker is a struggling living in , scraping by with a demeaning waitressing job at a called Hot Taters, all while enduring endless, fruitless auditions that leave her increasingly desperate for a break in Hollywood. Her fortunes seem to change when she auditions for the lead role in the horror film The Silver Scream, produced by the once-prestigious studio Astraeus Pictures; initially rejected for not embodying the character's "fire," Sarah has a breakdown and rips out her own hair during the audition, impressing the casting director and securing a callback. During a private audition at the producer's mansion, Sarah disrobes and enters a trance-like state, noticing the producer's pentagram necklace; she initially refuses his sexual advances but later returns and performs fellatio to prove her dedication. Following this, Sarah's body begins to deteriorate with horrifying symptoms—vomiting maggots, hair and nails falling out, skin peeling, and teeth loosening—accompanied by nightmarish visions that drive her to commit brutal murders against those close to her, including stabbing and suffocating her Erin with a after catching her stealing audition opportunities, killing partygoers Ashley and Poe at a gathering, murdering her aspiring director friend in his van, and finally, after the , biting off the lip of her unsupportive Tracy. Invited into Astraeus's , Sarah agrees to a ritualistic bargain for eternal fame; she is buried alive in a clandestine , undergoing a that transforms her into a hairless, flawless version of herself with glowing green eyes, sealing the pact at the cost of her former self. The film concludes with the transformed Sarah donning a , gown, and pentagram necklace, radiating otherworldly allure as she prepares for stardom. Alex Essoe's portrayal captures Sarah's harrowing physical and psychological transformation through elements like decaying flesh and self-mutilation.

Themes and Motifs

Starry Eyes explores the central theme of ambition as a Faustian bargain, portraying the Sarah's desperate pursuit of as a deal with malevolent forces that demands the sacrifice of her soul and integrity. In the film, Sarah's agreement with the enigmatic Pictures production company symbolizes the entertainment industry's predatory nature, where success requires compromising one's moral core in exchange for fleeting fame. This motif underscores the narrative's warning that unchecked ambition can lead to irreversible , echoing classic tales of pacts with the . The film employs motifs heavily influenced by David Cronenberg's work, using visceral physical decay to metaphorically represent the dehumanizing toll of fame. Sarah's transformation manifests through grotesque symptoms such as vomiting, hair loss, rotting nails flaking off, and teeth falling out, illustrating how the pursuit of stardom erodes her body and spirit from within. These elements draw direct inspiration from Cronenberg's films like The Fly, where bodily mutation signifies deeper psychological and existential horror. A sharp of Hollywood's culture permeates the story, with Astraeus Pictures embodying the elite gatekeepers who exploit aspiring talents through demands of total submission and degradation. The film critiques the systemic predation by predatory executives, highlighting the illusion of opportunity that masks abusive power dynamics in the industry. This commentary portrays the world as a hellish arena where women must endure and violation to access success. Motifs of possession and identity loss further deepen the horror, with Sarah's gradual transformation evoking occult films such as , where external forces erode personal autonomy. As Sarah submits to the cult's rituals, her original self dissolves, replaced by a hollow, performative that prioritizes over humanity. This transformation serves as an for how the industry strips individuals of their authentic identities, leaving only a commodified shell. The narrative also delves into female desperation within a male-dominated industry, emphasizing Sarah's isolation, betrayal by friends, and the shattered illusion of the in . Her escalating and willingness to sabotage relationships reflect the and competitive faced by women navigating Hollywood's barriers. Through Sarah's arc, the film exposes the gendered exploitation that amplifies vulnerability, turning ambition into a pathway of self-destruction.

Cast and Production Team

Principal Cast

Alexandra Essoe stars as Sarah Walker, the film's ambitious lead actress who undergoes a profound personal transformation while pursuing stardom in Hollywood. Essoe's portrayal marks her breakout performance as a lead, showcasing her physical commitment to the role's intense elements through extensive prosthetics and makeup sessions lasting up to seven hours daily. Her depiction of Sarah's insecurity and self-absorption drives the character's monstrous ambition, drawing comparisons to iconic horror transformations. Amanda Fuller plays Tracy, Sarah's roommate and fellow aspiring artist who navigates the competitive dynamics of their shared environment. Fuller's performance highlights Tracy's catty and passive-aggressive tendencies, underscoring themes of jealousy and betrayal within their friendship during tense confrontations. Despite these rivalries, she conveys a layer of genuine concern for Sarah's well-being. Noah Segan portrays , Sarah's supportive friend and aspiring director who offers encouragement amid her struggles. Segan's role emphasizes the sacrificial aspects of their relationship, providing a contrast to the film's more predatory figures through his earnest camaraderie. appears as , one of Sarah's roommates entangled in the group's early interpersonal tensions. Therese's depiction contributes to the envious and competitive atmosphere among the young artists, culminating in her character's dramatic involvement. Shane Coffey plays Poe, an aspiring actor and brief romantic interest who embodies the fleeting sense of industry solidarity. His performance captures the camaraderie of shared dreams in Hollywood's underbelly. Pat Healy embodies Carl, the manipulative producer representing the predatory side of the entertainment industry. Healy's portrayal blends nervous insecurity with blustery cruelty, highlighting the exploitative power dynamics at play. In supporting antagonistic roles, appears as Ginko, a studio executive furthering the film's critique of Hollywood elites, while plays the casting director, whose eerie demeanor amplifies the audition process's unsettling nature. The directors' decision to cast relatively unknown actors like Essoe enhanced the film's authenticity in depicting aspiring performers.

Key Crew Members

Kevin Kölsch and Dennis Widmyer served as co-directors and co-writers for Starry Eyes, marking their debut in the genre. Their script and direction crafted a vision that blended satirical elements critiquing Hollywood ambition with visceral gore, using to metaphorically explore the psychological descent of the protagonist. Drawing from influences like and , they emphasized themes of desperation and industry exploitation, shaping the film's tone through a narrative that escalates from subtle unease to overt horror. Jonathan Snipes composed the film's score, delivering an eerie, synth-driven that amplifies the atmosphere of and ritualistic tension. His pulsing electronic music, reminiscent of and new wave, evokes a nocturnal, disorienting drive through , underscoring the protagonist's unraveling psyche and the undertones of her journey. Snipes' work, including tracks with tinkly, ballerina-like motifs evolving into driving power chords, heightens the film's blend of psychological dread and supernatural elements. Cinematographer Adam Bricker employed a predominantly handheld style to capture the gritty underbelly of and the intimate, transformative moments of the lead character. Using cameras with Angenieux zoom lenses, he shot in underexposed, overcast conditions to render the city as a nightmarish, gray-skied expanse, contrasting the seedy reality with aspirational glamour. Bricker's approach, including naturalistic and low-contrast filters for a milky aesthetic, allowed for close, energy-preserving coverage of performances, enhancing the film's raw, immersive execution on a constrained schedule. Producers Brody Gusar, alongside Travis Stevens and others, oversaw the low-budget independent production through companies Snowfort Pictures and Parallactic Pictures, in association with Dark Sky Films. Their management enabled efficient for the film's ambitious horror elements, facilitating collaborations with key talent while maintaining the project's indie scope. Dennis Widmyer, co-editor with Brody Gusar, contributed to the film's pacing by structuring a deliberate slow-burn progression that builds tension toward explosive horror sequences. His editing, informed by his directorial role, focused on rhythmic escalation to mirror the protagonist's psychological fragmentation, ensuring seamless transitions from mundane struggles to grotesque climaxes. Production designer Melisa Jusufi created contrasting environments, from seedy, rundown apartments reflecting the protagonist's desperation to opulent executive offices symbolizing unattainable power. Her designs underscored the film's thematic divide between Hollywood's glamorous facade and its sordid reality, using detailed sets to visually reinforce the narrative's satirical bite on fame.

Production Process

Development and Pre-Production

The screenplay for Starry Eyes was written by Kevin Kölsch and Dennis Widmyer as their feature film debut, drawing from their own experiences navigating the competitive Hollywood landscape. The story emerged as a metaphor for the frustrations of breaking into the industry, blending psychological thriller elements with occult horror inspired by classics such as Rosemary's Baby. Kölsch and Widmyer channeled personal struggles into the narrative, creating a cathartic exploration of ambition's dark side that they described as a "timeless" tale applicable to any era of Hollywood. Financing began with a Kickstarter campaign launched on March 25, 2013, which set a modest goal of $50,000 to cover initial production costs and build audience interest. The campaign exceeded its target, raising $52,614 from 393 backers, aided in part by support from fans of author Chuck Palahniuk. Additional funding came from production companies Snowfort Pictures and Dark Sky Films, allowing for enhancements like a larger crew and specialized shots, though the overall project remained a micro-budget indie effort. This crowdfunding success not only secured resources but also provided perks such as limited-edition posters that later tied into festival promotions. Pre-production unfolded in early 2013, with several months of preparation leading to in May. Casting calls focused on emerging talent suited to the film's themes of desperation and transformation, ultimately selecting for the lead role after her audition captured the character's ambitious vulnerability. As an indie project, the team faced challenges in attracting actors and crew due to the limited budget and unproven directors, relying on producer Travis Stevens' genre connections to assemble a committed ensemble including and . Script revisions emphasized the fusion of psychological tension and , refining the elements to heighten the on fame's corrupting influence. centered on authentic sites, such as everyday diners, modest apartments, and Griffith Park's , to anchor the story's Hollywood critique in gritty realism without relying on fabricated sets. This approach grounded the in the city's underbelly, mirroring the protagonists' struggles and enhancing the film's satirical bite.

Principal Photography and Post-Production

Principal photography for Starry Eyes took place over 18 days in , utilizing RED Epic and Scarlet digital cameras to capture the film's intimate, claustrophobic aesthetic. The directors employed a guerrilla-style approach with handheld shooting and two-camera setups to maximize efficiency on the low budget, often filming night exteriors during the day due to scheduling constraints and makeup progression needs. Key locations included tight interior spaces in apartments to represent the protagonist Sarah's home, as well as sets for the Pictures offices and ritual sequences. The production faced several on-set challenges stemming from the constrained resources, including long hours and technical difficulties like a flooded underwater container that destroyed one camera during a pool scene. Lead actress endured significant physical demands, performing intense sequences such as writhing in agony during audition breakdowns and the impromptu addition of live worms to her mouth in a moment, which heightened the realism of Sarah's descent. Practical effects dominated the horror elements, with custom prosthetics and makeup applied for transformation scenes involving skin alterations and self-inflicted injuries like the brutal dumbbell confrontation, avoiding heavy reliance on CGI to maintain a gritty, tangible terror. In , co-director Dennis Widmyer served as an editor alongside Brody Gusar, crafting the film's escalating tension through deliberate pacing that mirrored Sarah's psychological unraveling. played a crucial role in amplifying the , with visceral audio cues for violent acts like stabbings enhancing the film's immersive dread. by Anthony Raffaele contributed to a desaturated, ominous visual palette that grew progressively darker, underscoring themes of decay and . The score, composed by Jonathan Snipes and recorded after wrapped, integrated pulsating synth layers with ritualistic chants to evoke seduction and horror throughout the narrative. The Kickstarter-funded had secured the resources necessary for this compact 18-day shoot.

Release

Premiere and Festivals

Starry Eyes had its world premiere on March 8, 2014, as a midnight screening at the (SXSW) Film Festival in . The late-night presentation in the Midnighters sidebar elicited strong audience reactions, with viewers describing the experience as intensely frightening, leaving them sweaty, fearful, and shielding their eyes during graphic sequences. This response underscored the film's visceral impact, blending with satirical commentary on Hollywood ambition. The film continued its festival circuit with a screening at the on July 29, 2014, in . At SXSW, it received the Jury Award for Excellence in Poster Design, recognizing designer Jay Shaw's evocative artwork that captured the film's dark allure. Early festival reception generated positive word-of-mouth, particularly for its bold gore and incisive on fame, fostering buzz among horror enthusiasts. Q&A sessions following screenings featured directors Kevin Kölsch and Dennis Widmyer discussing the project's indie roots, including its funding and commitment to uncompromised genre storytelling. Promotional materials for the festival run, such as teasers and posters, highlighted Alexandra Essoe's transformative lead performance as aspiring actress Sarah Walker and the film's undertones, teasing a Faustian bargain in the cutthroat industry. The post-SXSW momentum, driven by enthusiastic audience feedback and the design accolade, attracted distribution acquisition interest by late March 2014, signaling early industry validation for the low-budget horror entry.

Distribution and Home Media

Dark Sky Films acquired Starry Eyes for U.S. distribution in April 2014. The film received a on November 14, 2014, in select cities such as and , with a brief run consistent with its independent horror status. It became available for (VOD) and digital purchase on platforms including and Amazon beginning in November 2014. Dark Sky Films issued the home media release on Blu-ray and DVD on February 3, 2015, which included bonus features such as an audio commentary with directors Kevin Kölsch and Dennis Widmyer and producer Travis Stevens, deleted scenes, a behind-the-scenes featurette, an audition video for lead actress Alexandra Essoe, and a photo gallery. Internationally, Starry Eyes was distributed in the by Metrodome in March 2015, and later appeared on various global streaming services.

Reception and Legacy

Critical Response

Upon its release, Starry Eyes received mixed reviews from critics, earning a 74% approval rating on based on 23 reviews, with an average score of 7/10. On , it holds a score of 49 out of 100, indicating "mixed or average" reviews from 6 critics. Critics frequently praised lead actress Alexandra Essoe's performance, describing it as transformative and fearless, carrying the film's emotional and physical demands through her portrayal of desperation and descent. The film's original fusion of Hollywood with horror elements was highlighted for its sharp critique of the industry's underbelly, while the sequences and atmospheric tension drew comparisons to works by and . Simon Abrams of awarded it 3 out of 4 stars, calling it "as gory as it is corrosively cynical, a mood piece." The noted its "gory but intriguing debut," appreciating the directors' bold vision despite the excesses. However, some reviewers criticized the film's pacing, particularly the deliberate slow build-up in the first half that occasionally felt protracted before escalating into horror. Others found the satire heavy-handed at times and the gore overly excessive, shifting from subtle psychological tension to exploitative in a way that diluted the narrative's impact. Audience reception was similarly divided, with an average rating of 6.0 out of 10 on from over 24,000 users. While initial responses were mixed, the film has since garnered appeal in reviews for its unflinching take on ambition and fame.

Awards and Nominations

Starry Eyes garnered 7 wins and 18 nominations across various festivals and awards, recognizing its horror elements, performances, and technical achievements. At the 2014 (SXSW) Festival, the won the Excellence in Poster Design award, honoring designer Jay Shaw's artwork. The received a nomination for Best in the and category at the 2015 International Festival of Independent Cinema. In the 2014 Fright Meter Awards, Starry Eyes earned three nominations: Best Actress for Alexandra Essoe, Best Screenplay for Kevin Kölsch and Dennis Widmyer, and Best Supporting Actress for . The 2015 nominated the film for Best Actress (Essoe), Best Screenplay (Kölsch and Widmyer), and Best Makeup. Additional accolades include the Directors' Choice Award for Best Feature at the 2014 Boston Underground Film Festival. The film also received a special recognition win at the 2014 BloodGuts UK Horror Awards, alongside multiple nominations in categories such as and Best Director. Essoe's nomination for at the Fright Meter Awards underscored the critical acclaim for her transformative portrayal of the ambitious starlet Sarah.

Cultural Impact and Legacy

Starry Eyes has developed a dedicated since its release, particularly through home media and streaming platforms, where it has been embraced by horror enthusiasts for its unflinching portrayal of Hollywood's underbelly and contribution to the indie horror revival of the . The film maintains an average user rating of 3.1 out of 5 on , based on over 32,000 ratings, reflecting its polarizing yet enduring appeal within online horror communities. The film's themes of exploitation and abuse in the entertainment industry gained renewed relevance following the 2017 Harvey Weinstein scandal and the broader #MeToo movement, prompting reevaluations that highlighted its prescient critique of systemic power imbalances. Directors Kevin Kölsch and Dennis Widmyer have discussed in interviews how the story draws from real pressures on aspiring actresses, including the expectation to compromise integrity for success, themes that resonated even more acutely post-scandal. Kölsch and Widmyer's work on Starry Eyes established their reputation for blending psychological tension with body horror, influencing their subsequent projects such as the 2019 adaptation of Stephen King's Pet Sematary, where similar elements of visceral transformation and familial dread are evident. The film's body horror sequences, particularly those involving self-mutilation and metamorphosis, have been cited in discussions of the genre's evolution, drawing comparisons to classics like Rosemary's Baby while innovating on modern industry satires. Retrospectives have further cemented its legacy, with features in Little White Lies examining its #MeToo connections in and Geekade marking its fifth anniversary in 2019 by praising its raw depiction of ambition's costs. Lead actress Alexandra Essoe's performance as Sarah Walker served as a breakout role, propelling her career to prominent parts in projects like Mike Flanagan's Midnight Mass (2021), (2023), The Last Stop in Yuma County (2024), and Trim Season (2024). As of November 2025, Starry Eyes is available for streaming on Shudder, continues to find new audiences, supplemented by occasional festival re-screenings such as a 2015 Q&A event at Nitehawk Cinema in . While initial theatrical earnings were modest due to its limited release, post-2015 home video and digital sales have contributed to its sustained visibility in the horror genre.

References

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