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Station to Station
Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and subsequently stated that he recalled almost nothing of the production.
The commercial success of his previous release, Young Americans (1975), allowed Bowie greater freedom when he began recording his next album. The sessions established the lineup of guitarist Carlos Alomar, bassist George Murray and drummer Dennis Davis that Bowie would use for the rest of the decade, and also featured contributions by guitarist Earl Slick and pianist Roy Bittan. Musically, Station to Station was a transitional album for Bowie, developing the funk and soul of Young Americans while presenting a new direction influenced by German krautrock, particularly bands such as Neu! and Kraftwerk. The lyrics reflected Bowie's preoccupations with Friedrich Nietzsche, Aleister Crowley, mythology and religion.
Preceded by the single "Golden Years", Station to Station was a commercial success, reaching the top five on the UK and US charts. After scrapping a soundtrack for The Man Who Fell to Earth, Bowie supported the album with the Isolar Tour in early 1976, during which he attracted controversy with statements suggesting support for fascism. At the end of the tour, he moved to Europe to remove himself from L.A.'s drug culture. The styles explored on Station to Station culminated in some of Bowie's most acclaimed work with the Berlin Trilogy over the next three years. Positively received by music critics on its release, Station to Station has appeared on several lists of the greatest albums of the 1970s and of all time. It has been reissued multiple times and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.
I paid with the worst manic depression of my life. My psyche went through the roof, it just fractured into pieces. I was hallucinating 24 hours a day...I felt like I'd fallen into the bowels of the earth.
David Bowie developed a cocaine addiction in the summer of 1974, following the release of the album Diamond Dogs. The Alan Yentob documentary Cracked Actor depicted Bowie on the Diamond Dogs Tour in September 1974 and showcased his mental state. Bowie said in a 1987 interview: "I was so blocked ... so stoned ... It's quite a casualty case, isn't it. I'm amazed I came out of that period, honest. When I see that now I cannot believe I survived it. I was so close to really throwing myself away physically, completely." After seeing an advanced screening of the film in early 1975, director Nicolas Roeg contacted Bowie to discuss a role in his upcoming adaptation of Walter Tevis's 1963 novel The Man Who Fell to Earth. Bowie accepted the role, and moved from New York to Los Angeles, California, where shooting was to take place.
On his arrival in L.A., Bowie stayed with Glenn Hughes, the bassist for the English rock band Deep Purple. He also visited his old friend, singer Iggy Pop, in rehab. The two would attempt to record some material in May 1975, but the sessions were unproductive due to Pop's heroin addiction. Hughes told the biographer Marc Spitz that Bowie lived in an increasingly paranoid state, recalling he refused to use elevators because of his fear of heights. His addiction severed friendships with the musicians Keith Moon, John Lennon and Harry Nilsson; he later said: "If you really want to lose all your friends and all of the relationships that you ever held dear, [cocaine is] the drug to do it with."
According to the biographer David Buckley, Bowie's diet now consisted primarily of red and green peppers, milk and cocaine. Bowie later admitted that he only weighed about 80 pounds and was "zonked out of his mind most of the time". Hughes said Bowie would not sleep for "three to four days at a time". Stories, mostly from one interview—pieces of which found their way into Playboy and Rolling Stone—circulated of the singer living in a house full of ancient Egyptian artefacts, burning black candles, seeing bodies fall past his window, having his semen stolen by witches, receiving secret messages from the Rolling Stones, and living in morbid fear of the Led Zeppelin guitarist Jimmy Page. In an interview with Melody Maker in 1977, Bowie described living in L.A.: "There's an underlying unease... You can feel it in every avenue... I've always been aware of how dubious a position it is to stay here for any length of time." Three years later, he would tell NME that the city "should be wiped off the face of the earth". In April 1975, Bowie announced his retirement from music, stating: "I've rocked my roll. It's a boring dead end. There will be no more rock'n'roll records or tours from me. The last thing I want to be is some useless fucking rock singer." The biographer Nicholas Pegg attributes this quote to Bowie's decaying mental state; his "retirement" lasted less than six months. Shooting for The Man Who Fell to Earth began in June 1975.
Bowie's heavy drug use continued during filming. He recalled in 1993: "My one snapshot of that film is not having to act...Just being me as I was perfectly adequate for the role. I wasn't of this earth at that particular time." When shooting took place in New Mexico, he was reported to be in a much healthier state compared to his time in Los Angeles. During his days off from filming, he began writing a collection of short stories called The Return of the Thin White Duke, which he described as "partly autobiographical, mostly fiction, with a deal of magic in it;" he also recalled taking "400 books" for the shoot. He began writing songs throughout filming, including two—"TVC 15" and "Word on a Wing"—that would end up on his next album. On top of this, he was in line to compose the film's soundtrack.
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Station to Station
Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and subsequently stated that he recalled almost nothing of the production.
The commercial success of his previous release, Young Americans (1975), allowed Bowie greater freedom when he began recording his next album. The sessions established the lineup of guitarist Carlos Alomar, bassist George Murray and drummer Dennis Davis that Bowie would use for the rest of the decade, and also featured contributions by guitarist Earl Slick and pianist Roy Bittan. Musically, Station to Station was a transitional album for Bowie, developing the funk and soul of Young Americans while presenting a new direction influenced by German krautrock, particularly bands such as Neu! and Kraftwerk. The lyrics reflected Bowie's preoccupations with Friedrich Nietzsche, Aleister Crowley, mythology and religion.
Preceded by the single "Golden Years", Station to Station was a commercial success, reaching the top five on the UK and US charts. After scrapping a soundtrack for The Man Who Fell to Earth, Bowie supported the album with the Isolar Tour in early 1976, during which he attracted controversy with statements suggesting support for fascism. At the end of the tour, he moved to Europe to remove himself from L.A.'s drug culture. The styles explored on Station to Station culminated in some of Bowie's most acclaimed work with the Berlin Trilogy over the next three years. Positively received by music critics on its release, Station to Station has appeared on several lists of the greatest albums of the 1970s and of all time. It has been reissued multiple times and was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.
I paid with the worst manic depression of my life. My psyche went through the roof, it just fractured into pieces. I was hallucinating 24 hours a day...I felt like I'd fallen into the bowels of the earth.
David Bowie developed a cocaine addiction in the summer of 1974, following the release of the album Diamond Dogs. The Alan Yentob documentary Cracked Actor depicted Bowie on the Diamond Dogs Tour in September 1974 and showcased his mental state. Bowie said in a 1987 interview: "I was so blocked ... so stoned ... It's quite a casualty case, isn't it. I'm amazed I came out of that period, honest. When I see that now I cannot believe I survived it. I was so close to really throwing myself away physically, completely." After seeing an advanced screening of the film in early 1975, director Nicolas Roeg contacted Bowie to discuss a role in his upcoming adaptation of Walter Tevis's 1963 novel The Man Who Fell to Earth. Bowie accepted the role, and moved from New York to Los Angeles, California, where shooting was to take place.
On his arrival in L.A., Bowie stayed with Glenn Hughes, the bassist for the English rock band Deep Purple. He also visited his old friend, singer Iggy Pop, in rehab. The two would attempt to record some material in May 1975, but the sessions were unproductive due to Pop's heroin addiction. Hughes told the biographer Marc Spitz that Bowie lived in an increasingly paranoid state, recalling he refused to use elevators because of his fear of heights. His addiction severed friendships with the musicians Keith Moon, John Lennon and Harry Nilsson; he later said: "If you really want to lose all your friends and all of the relationships that you ever held dear, [cocaine is] the drug to do it with."
According to the biographer David Buckley, Bowie's diet now consisted primarily of red and green peppers, milk and cocaine. Bowie later admitted that he only weighed about 80 pounds and was "zonked out of his mind most of the time". Hughes said Bowie would not sleep for "three to four days at a time". Stories, mostly from one interview—pieces of which found their way into Playboy and Rolling Stone—circulated of the singer living in a house full of ancient Egyptian artefacts, burning black candles, seeing bodies fall past his window, having his semen stolen by witches, receiving secret messages from the Rolling Stones, and living in morbid fear of the Led Zeppelin guitarist Jimmy Page. In an interview with Melody Maker in 1977, Bowie described living in L.A.: "There's an underlying unease... You can feel it in every avenue... I've always been aware of how dubious a position it is to stay here for any length of time." Three years later, he would tell NME that the city "should be wiped off the face of the earth". In April 1975, Bowie announced his retirement from music, stating: "I've rocked my roll. It's a boring dead end. There will be no more rock'n'roll records or tours from me. The last thing I want to be is some useless fucking rock singer." The biographer Nicholas Pegg attributes this quote to Bowie's decaying mental state; his "retirement" lasted less than six months. Shooting for The Man Who Fell to Earth began in June 1975.
Bowie's heavy drug use continued during filming. He recalled in 1993: "My one snapshot of that film is not having to act...Just being me as I was perfectly adequate for the role. I wasn't of this earth at that particular time." When shooting took place in New Mexico, he was reported to be in a much healthier state compared to his time in Los Angeles. During his days off from filming, he began writing a collection of short stories called The Return of the Thin White Duke, which he described as "partly autobiographical, mostly fiction, with a deal of magic in it;" he also recalled taking "400 books" for the shoot. He began writing songs throughout filming, including two—"TVC 15" and "Word on a Wing"—that would end up on his next album. On top of this, he was in line to compose the film's soundtrack.