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Sullivan King
Sullivan King
Sullivan King
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Key Information

Keaton Prescott, known artistically as Sullivan King (born July 15, 1994),[1] is an American DJ of dubstep music and heavy metal musician. He has drawn attention from the music press for his unusual blending of EDM and electric guitar-centered heavy metal performance, "making his live shows one of the few places where kandi-coated ravers and metalheads mingle".[2] King has made multiple US tours since his concert debut in 2014,[3] most recently announcing a nationwide tour during the latter half of 2021,[4] and has released singles collaborating with musicians including Papa Roach and drummer Matt McGuire of The Chainsmokers.[3]

Discography

[edit]

Studio albums

[edit]
Title Album details
Show Some Teeth
  • Released: October 18, 2019
  • Label: Kannibalen Records
  • Format: Digital
Loud[a]
Thrones of Blood
  1. ^ Stylized in all caps

Extended plays

[edit]
Title Album details
House of Wolves
  • Released: September 19, 2017
  • Label: Kannibalen Records
  • Formats: Digital
Vantablack
(with Dirtyphonics)
  • Released: November 3, 2017
  • Label: Monstercat
  • Formats: Digital
Come One, Come All
  • Released: April 27, 2018
  • Label: Kannibalen Records
  • Formats: Digital
The Demented
  • Released: January 18, 2019
  • Label: Kannibalen Records
  • Formats: Digital
To the Grave
  • Released: January 27, 2021
  • Label: Subsidia Records
  • Formats: Digital
Chaos Will Bring Peace[a]
  • Released: January 24, 2025
  • Label: Monstercat
  • Formats: Digital

Singles

[edit]
  • "Pure Evil" (with Jauz) (2014)
  • "Kill it with Fire" (with Ghastly) (2014)
  • "Terminus" (2014)
  • "112 Ounces of Pounding" (2014)
  • "Toro!" (with Goshfather & Jinco) (2014)
  • "Breathe" (with Twiich featuring Amber Noel) (2015)
  • "Psycho" (2015)
  • "Finest Hour" (2015)
  • "Till We Die" (with Kayzo) (2015)
  • "Follow Me" (with Jinco) (2016)
  • "Cardboard Castles" (with Nightowls) (2016)
  • "F*ck It" (with Riot Ten) (2016)
  • "Hit The Floor" (with Riot Ten) (2017)
  • "We In Here" (with Nightowls featuring Dan Rudd) (2017)
  • "Lockdown" (with Matt McGuire featuring Sam King) (2017)
  • "House Of Wolves EP" (2017)
  • "Vantablack" (with Dirtyphonics) (Vantablack EP) (2017)
  • "Body Bag" (with Riot Ten) (2017)
  • "Welcome to the Fire" (with SLANDER) (2017)
  • "Pit Boss" (with Riot Ten featuring DJ Paul) (2018)
  • "Dropkick" (Come One, Come All EP) (2018)
  • "Step Back" (Come One, Come All EP) (2018)
  • "I'll Fight Back" (2018)
  • "Go Down" (with Yookie) (2018)
  • "The Demented EP" (2019)
  • "Save the World" (2019)
  • "Between the Lines" (with Kai Wachi) (2019)
  • "Crazy as You" (with Grabbitz) (2019)
  • "Bad Times" (Show Some Teeth) (2019)
  • "Reckless" (Show Some Teeth) (2019)
  • "Breathless" (Show Some Teeth) (2019)
  • "Show Some Teeth" (with Kompany) (Show Some Teeth) (2019)
  • "Ricochet" (featuring Cayte Lee) (Show Some Teeth) (2019)
  • "Don't Forget Me" (with Wooli) (2020)
  • "Flatline" (with Kai Wachi and GG Magree) (2020)
  • "Drum Mag" (To The Grave EP) (2020)
  • "Lifeless" (To The Grave EP) (2020)
  • "Tinnitus" (with Benda) (To The Grave EP) (2020)
  • "Someone Else" (Thrones of Blood) (2020)
  • "Unbound" (with Excision) (To The Grave EP) (2021)
  • "Domination" (with Kayzo and Papa Roach) (2021)
  • "Take Flight" (with Subtronics) (2021)
  • "Sleep" (with Calcium) (2022)
  • "The Dead March" (with Ray Volpe) (Thrones of Blood) (2022)
  • "Let Me Go" (with Wooli) (Thrones of Blood) (2022)
  • "Thrones of Blood"[5] (Thrones of Blood) (2023)
  • "Fall Apart" (with Excision)[6] (Thrones of Blood) (2023)
  • "Pursuit of Violence" (with Svdden Death)[7] (Thrones of Blood) (2023)
  • "Bass To The Dome" (with Excision) (2023)
  • "You Can't Break Me" (with Adventure Club featuring Atreyu) (2023)
  • "Codename: Reckless" (with Excision) (2024)
  • "Blame" (2024)
  • "The Death of Peace of Mind" (2024)
  • "The Beginning" (Chaos Will Bring Peace) (2024)
  • "Slaughter" (with Vastive) (Chaos Will Bring Peace) (2024)
  • "Never Come Back" (with Kompany and DIESEL) (Chaos Will Bring Peace) (2024)
  • "Lean Onto Me" (with NGHTMRE featuring Grabbitz) (Chaos Will Bring Peace) (2024)
  • "SWEAT!" (with Kayzo) (Chaos Will Bring Peace) (2024)
  • "MF Mosh Pit" (with Timmy Trumpet & Und3rsound) (2024)
  • "On & On" (2025)
  • "Adrenaline" (with Excision featuring From Ashes to New) (2025)
[edit]
  • "Break it Down" (JayKode featuring Sullivan King) (2017)
  • "Wicked" (Bear Grillz featuring Sullivan King) (2018)
  • "Shake the Ground" (Kill the Noise and Snails featuring Sullivan King and Jonah Kay) (2018)

Notes

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sullivan King

View on Grokipedia
from Grokipedia
Sullivan King is the stage name of Keaton Prescott, an American electronic music producer, DJ, , and vocalist born on July 15, 1994, in . He is renowned for pioneering a hybrid style that fuses aggressive and with heavy metal and influences, often incorporating live guitar shredding, vocals, and high-energy crowd interaction during performances. Based in Los Angeles, Prescott adopted the Sullivan King moniker in 2014 following formal training at Icon Collective music production school, where he honed his skills after discovering electronic dance music (EDM) at the 2012 Sunset Strip Music Festival and drawing early inspiration from guitar-driven acts like Van Halen and Avenged Sevenfold alongside EDM pioneers such as Skrillex and Steve Aoki. His debut year saw rapid success with tracks and remixes on prominent bass music labels including Rottun Recordings and Buygore, collaborations like "Pure Evil" with Jauz (which amassed over 1 million SoundCloud plays), and features with artists such as Ghastly, Riot Ten, and KAYZO; one early track even appeared in the trailer for the 2016 film X-Men: Apocalypse, contributing to over 2.4 million global plays across his initial releases. Sullivan King's discography includes standout albums and EPs such as Show Some Teeth (2019), LOUD (2021), Thrones of Blood (2023), and the 2025 release Chaos Will Bring Peace, the latter serving as the namesake for his extensive 35+ city North American headline tour that year. He has built a reputation for genre-blending collaborations with electronic heavyweights like Excision, , , , and , as well as rock and metal figures including of , , of , and . His live sets, blending decks, software, and his signature Schecter guitar, have headlined major festivals such as Lost Lands, EDC , Elements Music & Arts, and Rampage , with 2025 marking his debut residency at the Wynn hotel in .

Early life and beginnings

Childhood and influences

Sullivan King, born Keaton Prescott on July 15, 1994, in , grew up in the area in a suburban environment. From a young age, he was exposed to heavy metal and emerging genres, which ignited his passion for music and laid the foundation for his unique sound. His family played a supportive role in his early development; his father purchased his first guitar and later encouraged him to pursue music full-time by letting him go from the family business. Prescott developed an early interest in the around age 11, when he began exploring rock bands and diving into a wide range of albums that shaped his playing style. Largely self-taught, he started writing songs by 12 or 13, experimenting with riffs and structures inspired by metal and acts. Key influences during this period included Van Halen's explosive guitar work, which captivated him with its shredding solos, as well as Green Day's rhythmic energy and Linkin Park's vocal intensity, all of which honed his skills on the instrument without formal lessons. Bands like and further fueled his enthusiasm for heavy metal songwriting and performance. In his later teens, Prescott began transitioning toward electronic music production, blending his with bass-heavy sounds from artists like and , setting the stage for his professional evolution.

Entry into music

Sullivan King, born Keaton Prescott, began experimenting with music production at age 16 (around 2010), initially using workstations (DAWs) such as on his brother's . Largely self-taught in production techniques, he transitioned from writing metal-inspired songs to blending electronic elements, honing his skills through trial and error. His interest in EDM was ignited at the 2012 Music Festival, where he witnessed Steve Aoki's performance, building on prior exposure to artists like through gaming. This period marked his shift toward creating amateur tracks that fused riffs with drops, reflecting a unique genre hybrid he developed independently, before attending Icon Collective for formal training in September 2012. His online emergence came in 2014, when he uploaded early productions to , including rough demos that showcased his nascent dubstep-metal style, though he later reflected on their sound quality as underdeveloped. That same year, Prescott adopted the stage name Sullivan King and released his debut track, "Pure Evil," in collaboration with on the Buygore label, marking his first label signing and introduction to a broader audience. These independent uploads and initial release pre-2017 laid the groundwork for his experimental sound, drawing briefly from childhood influences like metal bands .

Professional career

Breakthrough years (2014–2018)

Sullivan King's professional breakthrough began in 2014 with his debut release, the track "Pure Evil," a collaboration with issued on Buygore Records. This high-energy production marked his entry into the competitive EDM landscape, showcasing aggressive basslines and festival-ready drops that aligned with the evolving sound of the era. Following this initial output, King continued building momentum through additional -oriented tracks and remixes, honing a style that incorporated heavy guitar riffs drawn from his rock background. By 2017, King achieved significant label recognition, signing with for the collaborative single "" alongside Dirtyphonics, released on October 9 as part of their joint EP. The track's dark, intense synths and collaborative production highlighted King's growing network within the community, earning placement on Monstercat Uncaged Vol. 3 and broadening his exposure to international audiences. That same year, he released his debut EP, House of Wolves, on Kannibalen Records in September, featuring three tracks that fused dubstep's heavy drops with rock and metal elements, including guitar solos and vocal hooks on songs like "Don't Care" and "W.O.B.S." This project solidified his signature genre-blending approach, receiving praise for its raw energy and live-performance potential. Early collaborations further elevated King's profile during this period, including his remix of Excision's "With You" featuring , released in September 2017 as part of Excision's remix album, which amplified the track's intensity with added filth and aggression. These partnerships with established acts like Excision laid groundwork for future synergies in the scene. Building on his self-taught production roots, King also began performing live, starting with his concert debut in 2014 and progressing to shows at small venues and emerging EDM festivals across the US, where his high-octane sets—often featuring live guitar—quickly garnered attention from niche crowds.

Rise to prominence (2019–2022)

Sullivan King's debut studio album, Show Some Teeth, was released on , 2019, through Kannibalen Records, marking a significant step in his career with its bold fusion of heavy metal screams, electrifying guitar riffs, and bass-heavy EDM production. The 15-track project featured collaborations with artists such as TYNAN and Kompany, emphasizing raw vocals and vigorous songwriting that bridged and electronic genres, earning praise for its genre-defying energy. This release built on his earlier EPs by expanding his hybrid sound into a full-length format, solidifying his within the scene. In 2021, King achieved further mainstream traction with his sophomore album Loud, released on June 25 via , which amplified his metal-EDM hybrid style through tracks blending , , , and pop-rock elements. The album included high-profile features from vocalists like of , of , and Spencer Charnas of , showcasing King's ability to integrate rock influences with electronic production co-helmed by figures like . To promote Loud, King launched his largest headline tour to date, the "Loud & Reckless" nationwide U.S. trek, announced in May 2021 and spanning from November 2021 to February 2022 across multiple cities, highlighting his growing live draw. A pivotal moment came with the single "Domination," released in April 2021 in collaboration with and , which exemplified King's crossover appeal by merging rock's heavy guitar riffs and pounding percussion with synths and anthemic vocals. This track, introduced by 's signature rowdy energy, resonated across EDM and rock audiences, further elevating King's profile. During this period, King expanded his network through additional collaborations and secured increasing festival slots at major events like Lost Lands in 2019, EDC Las Vegas in 2021, and in 2022, where his high-energy sets fused live guitar and drops to captivate diverse crowds. King's rise was underscored by the of his fanbase, which uniquely blended ravers and metalheads drawn to his seamless integration of basslines with heavy metal aggression, fostering a dedicated that spanned and rock scenes. This crossover following helped propel his streams and attendance, positioning him as a key figure in genre fusion by 2022.

Recent developments (2023–present)

In 2023, Sullivan King released his third studio album, Thrones of Blood, on March 17 via , marking a significant expansion of his signature metalstep sound through intensified fusion of drops, riffs, and aggressive vocal elements across 13 tracks. The album featured collaborations with artists such as on "Let Me Go" and [SVDDEN DEATH](/page/SVDDEN DEATH) on "Pursuit of Violence," emphasizing thematic darkness and high-energy production that built upon the success of his prior 2021 release LOUD. A , Overthrown (The Thrones of Blood Remix Album), followed later that year, reinterpreting the original tracks with contributions from producers like SIPPY and Chime. By 2025, King continued his prolific output with the EP Chaos Will Bring Peace, released on January 24 through Monstercat's imprint, comprising seven tracks that further blended bass-heavy electronics, rock instrumentation, and narrative-driven lyrics. The project included high-profile features such as on "Lean Onto Me," DJ Diesel () and on "Under the Covers," and on "SWEAT!," showcasing King's ability to integrate diverse influences within the dubstep-metal hybrid. Additional singles that year included "Encore" with Excision in July and "Bonebreaker" with Excision and Kai Wachi in September, both released via Subsidia and reinforcing his collaborative approach in the heavy bass scene. Throughout this period, King maintained affiliations with key labels including for his primary releases, alongside ongoing ties to and Dim Mak for select projects, enabling broader distribution and creative flexibility. In response to the electronic music industry's post-pandemic recovery, he launched the extensive Chaos Will Bring Peace North American tour in January 2025, spanning over 35 dates with support from acts like Yookie, , and RZRKT. As of November 2025, the ongoing tour features large-scale productions that highlight renewed fan engagement and live performance vitality. This followed consistent festival appearances, such as at Lost Lands in September 2025, underscoring his adaptation to stabilized touring conditions after earlier disruptions. In 2025, King debuted a DJ residency at , performing at XS Nightclub and Encore Beach Club.

Musical style and influences

Genre fusion

Sullivan King's music exemplifies a bold fusion of electronic bass genres, such as and , with heavy metal and rock elements, resulting in a signature style known as metalstep. This approach combines the aggressive, distorted riffs and shred-heavy guitar solos characteristic of metal with the intense drops, wobbles, and brutal textures of brostep and tearout , creating tracks that deliver both sonic ferocity and emotional depth. A defining feature of King's production is his integration of live guitar into electronic compositions, which sets him apart from conventional EDM artists who primarily use synthesized sounds. By layering authentic guitar melodies and solos—often transitioning seamlessly into growling basslines and synth-driven builds—King infuses his music with a raw, performative energy that evokes the immediacy of rock concerts within the framework of . King's genre fusion extends to incorporating rhythms alongside rock-infused vocals, broadening his palette to include emphatic, narrative-driven elements that enhance the hybrid's intensity. His sound has evolved from early dubstep-focused works to innovative subgenres like thrashstep and riddim-metal, where metal crunch meets electronic aggression for a more refined yet uncompromising aesthetic. This evolution continued in with tracks like "The Beginning," blending rock, heavy metal, and .

Key influences and equipment

Sullivan King's musical influences draw heavily from both heavy metal and (EDM), shaping his hybrid style that merges aggressive guitar riffs with electronic production. In the heavy metal realm, he cites iconic bands such as for their shredding guitar techniques, for punchy power chords and distortion-driven rhythms, for industrial songwriting and lyrical delivery, for nu-metal vocal intensity and hybrid elements, and for evolving structures. On the EDM side, Excision has been a pivotal influence through collaborations and shared aesthetics, particularly via the project , which introduced King to heavy, grimy . A defining aspect of King's inspirations comes from ten albums that profoundly impacted his development as a , blending rock, metal, and electronic sounds. These include by Van Halen (1978), which ignited his passion for innovative guitar shredding; by (2004), praised for its fist-pumping distortion and octave melodies; by (2005), lauded for its unmatched production and lyrical meshing; by (2003), influential for its powerful frontman vocals and hybrid aggression; Turnstiles by (1976), which honed his singing approach through timeless songcraft; Treehouse by (2016), marking his entry into production; The Invasion by (2013), fostering his love for ; That's the Spirit by (2015), teaching him deeper artistic self-understanding; Under Soil and Dirt by The Story So Far (2011), inspiring poetic lyricism; and RTJ4 by (2020), reinforcing his appreciation for hip-hop's rhythmic drive. King's production setup emphasizes tools that bridge guitar-heavy metal tones with electronic processing. He primarily uses as his (DAW) for composing and arranging tracks. For guitars, he favors signature Schecter models like the Banshee-6 FR-S and Banshee-7 FR-S in Blood finish, which deliver resonant tones suited for metal riffs and EDM textures. To achieve distortion in his mixes, King employs hardware modelers such as the Fractal Audio Axe-FX III and Neural DSP Quad Cortex, supplemented by a few analog pedals, alongside software like iZotope Trash 2 for versatile, inspirational distortion effects. In his songwriting, King combines traditional metal song structures—featuring riff-driven verses, anthemic choruses, and dynamic builds—with EDM's explosive bass drops to create tension and release, drawing from the production techniques of his influences like and . This approach allows him to fuse conceptual depth from metal lyrics with the visceral energy of electronic drops, as seen in his genre-blending releases.

Live performances

Headlining tours

Sullivan King's headlining tours have emphasized his signature fusion of , metal, and rock elements, frequently incorporating live band setups with guitar, drums, and vocals to create high-energy, immersive experiences that tie directly into his album releases and thematic concepts. The "Loud & Reckless Tour" launched in late 2021 as his most extensive headlining outing to that point, covering numerous cities across the to promote his debut album Loud. The tour kicked off with multiple dates in , including Asheville, Raleigh, and Charlotte, before expanding nationwide to venues like Buffalo's Town Ballroom and Boston's , featuring support acts such as Blanke, LAYZ, and Ray Volpe. Performances highlighted the album's aggressive sound with live instrumentation, drawing crowds eager for the raw energy of King's genre-blending sets. In 2023, the "Thrones of Blood Tour" represented a post-2022 milestone, billed as his largest headlining production yet and focusing on deepened fan engagement through interactive elements and exclusive merchandise tied to his "Thank You For Raging" community brand. Spanning dozens of U.S. cities, the tour showcased elaborate stage designs inspired by dark, epic themes, with King's live band delivering mashups of his tracks alongside metal covers to foster a sense of communal "raging" among attendees. The "Chaos Will Bring Peace Tour," announced for early 2025, expanded to over 35 cities throughout North America, featuring King's most ambitious production to date with enhanced visuals, pyrotechnics, and full live band accompaniment. Commencing on January 24 in Nashville's Cannery Hall and concluding in Seattle on April 12, the tour promoted themes of transformation and intensity drawn from his recent work, including stops in Atlanta, Las Vegas, and Washington, D.C., where fans experienced extended sets blending new material with fan favorites. In 2025, King also debuted a residency at the Wynn hotel in Las Vegas, blending his hybrid style in a casino setting. These outings underscored King's evolution as a touring artist, prioritizing thematic cohesion with album cycles while building lasting connections with his audience through dynamic, band-driven performances.

Festival appearances and collaborations

Sullivan King has become a staple at major festivals, particularly those emphasizing bass-heavy genres, with standout performances in 2025 that showcased his evolving live production. At Lost Lands 2025, held in September at in , King delivered a full set on the Wompy Woods stage, blending heavy drops with live guitar riffs that drew tens of thousands of attendees. Similarly, his appearance at Bass Canyon 2025 in August at in , featured a high-energy full set incorporating fan-favorite tracks and impromptu guitar solos, solidifying his reputation as a festival highlight. King's BassPOD set at (EDC) in May 2025 further amplified his presence, where he performed a 103-track and trap-infused set that emphasized his signature fusion style. Closing out the year, his performance at Nocturnal Wonderland 2025 on September 14 at in , included electrifying remixes like his take on Kendrick Lamar's "m.A.A.d city," engaging a diverse crowd under the festival's immersive nighttime atmosphere. King's festival sets often feature notable live collaborations that bridge electronic and rock elements, enhancing his cross-genre appeal. At Lost Lands 2025, he surprised the audience by bringing out Excision for an on-stage during his set, performing segments of their collaborative track "Encore" and escalating the energy with synchronized bass drops. Earlier collaborations include a back-to-back set with Excision at Lost Lands 2022, which premiered their joint track "Our Fire" and highlighted King's guitar work alongside Excision's visual-heavy production. King made a during ' set at Countdown NYE SoCal 2021 to perform their collaborative single "Take Flight" VIP, and in 2022, he shared a B2B set with SLANDER at NYE. His work with , stemming from the 2021 track "Domination" co-produced with , has influenced live renditions at rock-leaning events, though King has integrated the song's riffs into his solo festival sets to evoke the collaboration's raw intensity. Over time, King's festival setlists have evolved to incorporate extended guitar solos and heightened crowd interaction, transforming standard DJ performances into experiences. Early sets focused on foundations, but by 2025, they routinely included live-shredded solos on tracks like "A New Life," allowing King to trade riffs with the audience's cheers, as seen in his EDC Las Vegas performance where he tossed his guitar into the crowd post-solo. This evolution emphasizes vocal call-and-response segments and mosh-pit encouragements, adapting to festival environments by shortening transitions for seamless flow while retaining high-impact drops. Such elements have been pivotal in his Bass Canyon and Nocturnal Wonderland sets, where interactive moments like crowd-hyping bass builds foster communal energy. These festival appearances and collaborations have significantly contributed to Sullivan King's growth in cross-genre audiences, drawing rock enthusiasts into electronic spaces and vice versa. By fusing metal guitar elements with at events like Lost Lands and EDC, King has expanded his fanbase beyond traditional EDM crowds, with reports noting increased attendance from metal scenes at his 2025 shows. His collaborations, particularly with Excision and , have amplified this reach, introducing purists to rock-infused production and helping to blur genre lines in festival lineups. This impact ties into his broader touring efforts, where festival slots often preview material for subsequent headlining runs.

Discography

Studio albums

Sullivan King's studio albums represent his evolution as a genre-blending , fusing elements of , heavy metal, and rock into cohesive full-length projects. His debut album, Show Some Teeth, marked his entry into long-form releases, emphasizing aggressive electronic drops alongside guitar-driven riffs. Subsequent works like LOUD and Thrones of Blood expanded on this foundation, incorporating heavier influences and thematic depth while maintaining his signature high-energy production.
TitleRelease DateLabelTracksNotes
Show Some TeethOctober 18, 2019Kannibalen Records15Debut full-length album blending rock and dubstep with hybrid metal bass elements.
LOUDJune 25, 202110Sophomore album featuring heavier metal influences, serving as the soundtrack for his Loud & Reckless tour.
Thrones of BloodMarch 17, 2023 (Uncaged)13Third album exploring darker, intense themes through tearout brostep and collaborative tracks.
Critical reception for Sullivan King's studio albums has consistently highlighted his innovative genre fusion, with reviewers praising the seamless integration of electronic and rock elements. Show Some Teeth was lauded as a "headbanger dream" for its versatile yet fluid sound, showcasing King's guitar skills and marking an impressive introduction to his hybrid style. LOUD received acclaim for its explosive metalcore energy and genre-bending approach, described as a metal album infused with EDM that builds on his prior work while emphasizing raw intensity. For Thrones of Blood, critics noted its variety of concepts and strong execution, positioning it as one of 's standout LPs for its ferocious, thematic depth in dubstep and metal fusion.

Extended plays

Sullivan King's extended plays represent key milestones in his evolution as a producer, blending heavy , metal riffs, and vocal elements to build his signature sound. His debut EP, House of Wolves, released on September 19, 2017, via Kannibalen Records, introduced his aggressive style with three tracks—"The ," "W.O.B.S." featuring Crichy Crich, and "Don't Care"—establishing his foundation in hybrid trap and while showcasing his guitar-driven intensity. This project marked his early breakthrough, highlighting raw energy that resonated in underground electronic scenes. Later that year, on November 3, 2017, King collaborated with Dirtyphonics on the Vantablack EP through , delivering six tracks including the titular "," "," "," "Sight of Your Soul," "Timbale," and "." The release emphasized collaborative experimentation, fusing French electro-house influences with King's metal-infused basslines, and helped expand his reach within the community. Building on this momentum, the 2018 Come One, Come All EP, also on Kannibalen Records, expanded to seven tracks such as "," "Step Back," and "Don't Go," incorporating more narrative vocals and cinematic builds that progressed his genre-fusing approach toward larger appeal. In 2019, The Demented EP on Kannibalen Records further refined his hybrid sound across four tracks, including the midtempo title track and "Show Stopper" featuring Grabbitz, demonstrating a shift toward emotional depth and unplugged acoustic elements in "Don't Care (Unplugged)." This release solidified his versatility, bridging dubstep with rock balladry. The 2021 To the Grave EP, issued on Excision's Subsidia imprint, featured seven high-impact tracks like "War," "Tinnitus" with Benda, and "Unbound" with Excision, emphasizing collaborative heavy bass that propelled his career into major bass music circuits. King's most recent EP, Chaos Will Bring Peace, released on January 24, 2025, via Uncaged, comprises seven tracks exploring themes of turmoil leading to resolution, with standout collaborations including "Slaughter" with Vastive, "Fury" with Emorfik, "SWEAT!" featuring , "Never Come Back" with Kompany and DJ Diesel (), and "Echoes" with . This project underscores his matured production, integrating tearout , drum & bass, and hard to reflect personal growth amid industry chaos. These EPs collectively trace King's progression from raw introductions to polished, feature-heavy works that bridge electronic and metal worlds.
TitleRelease DateLabelKey Tracks/Features
House of WolvesSeptember 19, 2017Kannibalen Records"The Glock," "W.O.B.S." (feat. Crichy Crich)
(with Dirtyphonics)November 3, 2017"Vantablack," "Navigator"
Come One, Come AllApril 27, 2018Kannibalen Records"Dropkick," "Step Back"
The DementedJanuary 18, 2019Kannibalen Records"The Demented," "Show Stopper" (feat. )
To the GraveJanuary 27, 2021Subsidia"To the Grave," "Unbound" (with Excision), "Tinnitus" (with Benda)
Chaos Will Bring PeaceJanuary 24, 2025 Uncaged"Slaughter" (with Vastive), "Never Come Back" (with Kompany & DJ Diesel), "Echoes" (with )

Singles as lead artist

Sullivan King has released over 50 singles as a lead artist since his debut in 2015, primarily in the and genres, often blending heavy guitar riffs with electronic production. These singles have appeared on labels such as Rottun Recordings, Kannibalen Records, and , contributing to his reputation for high-energy tracks suitable for performances and tours. Many of his releases serve as promotional singles tied to upcoming live shows or album cycles, helping build anticipation among fans. Early singles established his aggressive sound, with "Psycho" (2015) marking a breakthrough on Rottun Recordings and showcasing his fusion of metal influences in bass music. Subsequent releases like "Bad Times" (2019, Kannibalen Records) and "Reckless / Breathless" (2019, Kannibalen Records) highlighted his evolving production style, gaining traction in underground electronic scenes. In the 2020s, King's output intensified through Monstercat, with singles like "Someone Else" (2020) achieving over 10 million Spotify streams and becoming a staple in his live sets. "The Dead March" (2022, Monstercat) was released as a promotional single ahead of his Thrones of Blood album, emphasizing thematic elements of rebellion that resonated during his headlining tours. More recent tracks include "The Beginning" (2024, Monstercat), "Encore" (with Excision) (2025, Subsidia), and "CHAOS WILL BRING PEACE" (2025, Monstercat), tying into his ongoing festival circuit promotions. "Never Come Back" (with Kompany & DJ Diesel) (2024, Monstercat) was released ahead of the Chaos Will Bring Peace EP.
TitleRelease YearLabelNotes/Milestones
Psycho2015Rottun RecordingsEarly breakthrough single.
Someone Else2020Festival favorite; over 23 million streams (as of October 2025).
The Dead March2022Promotional for Thrones of Blood; integrated into live tours.
Fall Apart (with Excision)2023Co-lead release; peaked in charts.
The Beginning2024Streaming milestone; tour anthem.
Never Come Back (with Kompany & DJ Diesel)2024Pre-EP single from Chaos Will Bring Peace.
(with Excision)2025SubsidiaCollaborative single; over 700,000 streams (as of October 2025).
Sullivan King has contributed as a featured to numerous tracks in the scene, often providing aggressive guitar riffs, metal-inspired vocals, and screams that blend with rock elements. His appearances highlight his role in bridging genres, appearing on releases from prominent producers and labels like and Subsidia. One early collaboration was on JayKode's "Break It Down" in 2017, where King delivered intense vocal screams over trap-infused basslines, marking an early fusion of his metal style with EDM. Released on Bassrush Records, the track showcased his ability to add raw energy to bass-heavy productions. In 2018, King featured on multiple releases, including Bear Grillz's "Wicked," where he provided vocals amid heavy drops, contributing to the label's compilation. That same year, he appeared on Muzzy's "In The Night," lending guitar and vocal elements to the track from the Cascade EP. Additionally, on SNAILS and Kill The Noise's "Shake the Ground," King's screams and riffs amplified the collaborative single, featuring Jonah Kay on additional vocals. A standout 2021 appearance was on Kayzo's "Domination," alongside Papa Roach's , where King contributed guitar solos and aggressive screams to the high-energy track, emphasizing themes of perseverance. Released via New Noize Records, it exemplified his crossover appeal with rock acts. Later that year, King featured on ' "Take Flight," delivering metal-edged vocals and riffs in a tearout style, released on Never Worry Records. More recent contributions include joint efforts with Excision, such as "Bonebreaker" in September 2025 with Kai Wachi on Subsidia, where King's guitar work intensified the riddim-dubstep hybrid. In November 2025, he appeared on Excision's "Adrenaline" featuring From Ashes to New, providing vocals and riffs for the high-octane bass track. These collaborations have expanded King's network within the bass music community, fostering further genre-blending projects.

References

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  49. https://www.instagram.com/p/Cr_0YIJu-_H/
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