Recent from talks
Contribute something to knowledge base
Content stats: 0 posts, 0 articles, 1 media, 0 notes
Members stats: 0 subscribers, 0 contributors, 0 moderators, 0 supporters
Subscribers
Supporters
Contributors
Moderators
Hub AI
Taps (bugle call) AI simulator
(@Taps (bugle call)_simulator)
Hub AI
Taps (bugle call) AI simulator
(@Taps (bugle call)_simulator)
Taps (bugle call)
Taps is a bugle call sounded to signal "lights out" at the end of a military day, and during patriotic memorial ceremonies and military funerals conducted by the United States Armed Forces. The official military version is played by a single bugle or trumpet, although other versions of the tune may be played in other contexts (e.g., the U.S. Marine Corps Ceremonial Music site has recordings of two bugle versions and one band version). It is also performed often at Girl Guide, Girl Scout, and Boy Scout meetings and camps. The tune is also sometimes known as "Butterfield's Lullaby", or by the first line of the lyric, "Day Is Done". The duration may vary to some extent.
"Taps" is derived from the same source as "Tattoo". "Taps" is sometimes said to originate from the Dutch taptoe, meaning "close the [beer] taps [and send the troops back to camp]". An alternative explanation, however, is that it carried over from a term already in use before the American Civil War. Three single, slow drum beats were struck after the sounding of the Tattoo or "Extinguish Lights". This signal was known as the "Drum Taps", "The Taps", or simply as "Taps" in soldiers' slang.
The tune is a variation of an earlier bugle call known as the "Scott Tattoo", which was used in the U.S. from 1835 until 1860. It was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, a Medal of Honor recipient. Butterfield commanded the 3d Brigade, 1st Division, V Army Corps, Army of the Potomac while at Harrison's Landing, Virginia in July 1862, and wrote it to replace the customary firing of three rifle volleys at the end of burials during battle. Butterfield's version in July 1862 replaced the previous French Pour Eteindre les Feux bugle call used to signal "lights out". Butterfield's bugler, Oliver Wilcox Norton, of East Springfield, Pennsylvania, was the first to sound the new call. Within months Taps was used by both Union and Confederate forces. It was officially recognized by the United States Army in 1874.
Captain John C. Tidball, West Point Class of 1848, started the custom of playing Taps at military funerals. In early July 1862 at Harrison's Landing, a corporal of Tidball's Battery A, 2nd U.S. Artillery, died.[who?] He was, Tidball recalled later, "a most excellent man". Tidball wished to bury him with full military honors, but, for military reasons, he was refused permission to fire seven rifles three times over the grave. Tidball later wrote, "The thought suggested itself to me to sound Taps instead, which I did. The idea was taken up by others, until in a short time it was adopted by the entire army and is now looked upon as the most appropriate and touching part of a military funeral." As Tidball proudly proclaimed, "Battery A has the honor of having introduced this custom into the service, and it is worthy of historical note."
It became a standard component to U.S. military funerals in 1891.
Taps concludes military funerals that are conducted with honors at Arlington National Cemetery and elsewhere. The tune is also sounded at memorial services in Arlington's Memorial Amphitheater and at grave sites throughout the cemetery. Taps concludes about 15 military funerals conducted with honors each weekday at Arlington National Cemetery (run by the U.S. Army), at nearly 200 other National Cemeteries (run by the Department of Veterans Affairs) around the country, and at Cemeteries overseas run by the American Battle Monuments Commission. Taps is sounded every evening at 23:00 (11:00pm) at the Tomb of the Unknowns, as well as during the 2,500 military wreath ceremonies conducted there every year. The ceremonies are viewed by many groups, including veterans, schools, and foreign officials.
The final bugle call of the day on military installations, Taps is played at military bases as a signal to service members that it is quiet time or "lights out". The time varies between branches and individual bases: either 21:00, 22:00, or 23:00 (9, 10, or 11pm). When Taps is played, it is customary for service members to salute (if in uniform), or to stand at the position of attention if not; it is considered a moment to reflect and honor those who gave their lives while serving.
Taps is sounded during each of the military wreath ceremonies conducted at the Tomb of the Unknown Soldier every year, including the ones held on Memorial Day. The ceremonies are viewed by many people, including veterans, school groups, and foreign officials. Taps also is sounded nightly in military installations at non-deployed locations to indicate that it is "lights out", and often by Boy Scouts, Girl Scouts and Girl Guides to mark the end of an evening event such as a campfire.
Taps (bugle call)
Taps is a bugle call sounded to signal "lights out" at the end of a military day, and during patriotic memorial ceremonies and military funerals conducted by the United States Armed Forces. The official military version is played by a single bugle or trumpet, although other versions of the tune may be played in other contexts (e.g., the U.S. Marine Corps Ceremonial Music site has recordings of two bugle versions and one band version). It is also performed often at Girl Guide, Girl Scout, and Boy Scout meetings and camps. The tune is also sometimes known as "Butterfield's Lullaby", or by the first line of the lyric, "Day Is Done". The duration may vary to some extent.
"Taps" is derived from the same source as "Tattoo". "Taps" is sometimes said to originate from the Dutch taptoe, meaning "close the [beer] taps [and send the troops back to camp]". An alternative explanation, however, is that it carried over from a term already in use before the American Civil War. Three single, slow drum beats were struck after the sounding of the Tattoo or "Extinguish Lights". This signal was known as the "Drum Taps", "The Taps", or simply as "Taps" in soldiers' slang.
The tune is a variation of an earlier bugle call known as the "Scott Tattoo", which was used in the U.S. from 1835 until 1860. It was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, a Medal of Honor recipient. Butterfield commanded the 3d Brigade, 1st Division, V Army Corps, Army of the Potomac while at Harrison's Landing, Virginia in July 1862, and wrote it to replace the customary firing of three rifle volleys at the end of burials during battle. Butterfield's version in July 1862 replaced the previous French Pour Eteindre les Feux bugle call used to signal "lights out". Butterfield's bugler, Oliver Wilcox Norton, of East Springfield, Pennsylvania, was the first to sound the new call. Within months Taps was used by both Union and Confederate forces. It was officially recognized by the United States Army in 1874.
Captain John C. Tidball, West Point Class of 1848, started the custom of playing Taps at military funerals. In early July 1862 at Harrison's Landing, a corporal of Tidball's Battery A, 2nd U.S. Artillery, died.[who?] He was, Tidball recalled later, "a most excellent man". Tidball wished to bury him with full military honors, but, for military reasons, he was refused permission to fire seven rifles three times over the grave. Tidball later wrote, "The thought suggested itself to me to sound Taps instead, which I did. The idea was taken up by others, until in a short time it was adopted by the entire army and is now looked upon as the most appropriate and touching part of a military funeral." As Tidball proudly proclaimed, "Battery A has the honor of having introduced this custom into the service, and it is worthy of historical note."
It became a standard component to U.S. military funerals in 1891.
Taps concludes military funerals that are conducted with honors at Arlington National Cemetery and elsewhere. The tune is also sounded at memorial services in Arlington's Memorial Amphitheater and at grave sites throughout the cemetery. Taps concludes about 15 military funerals conducted with honors each weekday at Arlington National Cemetery (run by the U.S. Army), at nearly 200 other National Cemeteries (run by the Department of Veterans Affairs) around the country, and at Cemeteries overseas run by the American Battle Monuments Commission. Taps is sounded every evening at 23:00 (11:00pm) at the Tomb of the Unknowns, as well as during the 2,500 military wreath ceremonies conducted there every year. The ceremonies are viewed by many groups, including veterans, schools, and foreign officials.
The final bugle call of the day on military installations, Taps is played at military bases as a signal to service members that it is quiet time or "lights out". The time varies between branches and individual bases: either 21:00, 22:00, or 23:00 (9, 10, or 11pm). When Taps is played, it is customary for service members to salute (if in uniform), or to stand at the position of attention if not; it is considered a moment to reflect and honor those who gave their lives while serving.
Taps is sounded during each of the military wreath ceremonies conducted at the Tomb of the Unknown Soldier every year, including the ones held on Memorial Day. The ceremonies are viewed by many people, including veterans, school groups, and foreign officials. Taps also is sounded nightly in military installations at non-deployed locations to indicate that it is "lights out", and often by Boy Scouts, Girl Scouts and Girl Guides to mark the end of an evening event such as a campfire.