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Ted Haworth
Ted Haworth
Ted Haworth
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Edward S. Haworth (September 26, 1917 – February 18, 1993) was an American production designer and art director. Active from 1950 to 1992, he was the production designer or art director on more than 50 feature films. He won an Academy Award for Best Art Direction for Sayonara (1957) and was nominated for the same award for five other films: Marty (1955), Some Like It Hot (1959), Pepe (1960), The Longest Day (1962), and What a Way to Go! (1964).

Key Information

Early years

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Haworth was born in Cleveland in 1917 and grew up in the suburb of Willoughby, Ohio.[1] His father, William, was a playwright and theatrical producer.[2] He attended the University of Southern California.[1]

Art direction

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Haworth began working in the motion picture business as an illustrator, set designer, and assistant art director at Warner Brothers.[1][2] His first screen credit as art director was in 1951 on Alfred Hitchcock's Strangers on a Train.[1]

He earned his first Academy Award nomination for art direction on Marty (1955). His work on Marty has been described as "an extraordinary example of the monochrome world".[1] He won the Oscar for art direction two year later for his work on Sayonara (1957).[3] Writing in The New York Times, Bosley Crowther touted Haworth's work on Sayonara as "handsome Japanese surroundings—outdoor gardens, graceful, sliding-paneled homes and delicate teahouses, shown in colors of exceptional taste and blend."[1]

He was also nominated for the same award for his work on Some Like It Hot (1959), Pepe (1960), The Longest Day (1962), and What a Way to Go! (1964). His other notable works include Friendly Persuasion (1956), Invasion of the Body Snatchers (1956), Ride the Wild Surf (1964), The Beguiled (1971), Jeremiah Johnson (1972), and The Sailor Who Fell From Grace With the Sea (1976).[1]

Personal life and later years

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Haworth had three marriages, to Miriam Severy, Hallie Stagner, and Anna Wackevitch. All three marriages ended in divorce.[4] He had four children: production designer Sean Haworth, pop artist Jann Haworth, and daughters Maria and Holly.[2]

From 1973 until his death in 1993, Haworth lived in Sundance, Utah.[1] He was in an automobile accident in December 1992 and developed a blood clot in his brain. He died three months later in February 1993, at age 75.[4][5]

He was posthumously inducted into the Art Directors Guild Hall of Fame in 2009.[6]

Filmography

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See also

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References

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Ted Haworth

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Ted Haworth was an American production designer and art director known for his Academy Award-winning work on the film Sayonara (1957) and his contributions to more than sixty Hollywood films spanning over four decades. Born on September 26, 1917, in Cleveland, Ohio, he grew up in Willoughby and attended the University of Southern California before beginning his career in the film industry. Haworth's early work included art direction on Alfred Hitchcock's Strangers on a Train (1951) and production design on films such as The Kentuckian (1955) and Friendly Persuasion (1956). His collaboration on Sayonara earned him the Oscar for Best Art Direction, highlighting his skill in creating evocative environments for dramatic storytelling. Throughout his career, he designed sets for a diverse range of projects, from period pieces to contemporary stories, including later works like Poltergeist II: The Other Side (1986) and Mr. Baseball (1992). He was recognized by the Art Directors Guild with induction into its Hall of Fame, reflecting his lasting influence on production design in American cinema. Haworth died on February 18, 1993, at the age of 75.

Early life and education

Family background and childhood

Ted Haworth, born Edward S. Haworth on September 26, 1917, in Cleveland, Ohio, spent his childhood in the nearby suburb of Willoughby, Ohio. His father, William Haworth, was a playwright and Broadway producer, which gave him early exposure to performance and design.

Education and entry into the industry

Ted Haworth attended the University of Southern California. He began his professional career at Warner Bros., where he worked as an illustrator, set designer, and assistant art director. Early in his career, he was credited under his full name, Edward S. Haworth.

Career

Early career and Hitchcock collaborations

Ted Haworth began his career in the film industry at Warner Bros., where he worked as an illustrator, set designer, and assistant art director before transitioning to full art director roles. His first screen credit as art director came in 1951 with Alfred Hitchcock's Strangers on a Train, marking his entry into credited art direction on a major production. He continued his collaboration with Hitchcock as art director on I Confess in 1953, contributing to the director's distinctive visual style in another suspense film. These early Hitchcock projects established Haworth's reputation as an art director capable of supporting complex narrative environments in thriller and suspense genres.

Oscar-winning work and 1950s-1960s peak

Ted Haworth reached the peak of his career during the 1950s and 1960s, when he served as art director or production designer on a series of acclaimed films that brought him critical recognition and his only Academy Award. This period built upon his earlier collaborations with Alfred Hitchcock and established him as a leading figure in Hollywood production design. His work on Marty (1955) earned an Academy Award nomination for Best Art Direction, highlighting his ability to create authentic, intimate settings for realistic dramas. He followed with contributions to the science fiction classic Invasion of the Body Snatchers (1956) and the period drama Friendly Persuasion (1956). The pinnacle came with Sayonara (1957), for which Haworth won the Academy Award for Best Art Direction (shared with set decorator Robert Priestley) at the 30th Academy Awards. The film's elaborate recreation of Japanese locations and military environments demonstrated his skill in large-scale, color production design. Haworth continued his success with Some Like It Hot (1959), designing the film's stylish 1920s Miami hotel and train interiors for Billy Wilder's comedy, and earning an Academy Award nomination for Best Art Direction-Set Decoration. He received further Academy Award nominations for his work on Pepe (1960), The Longest Day (1962), and What a Way to Go! (1964). For The Longest Day (1962), Haworth was credited as Ted Aworth on the American sequences, collaborating with French art director Léon Barsacq and British art director Vincent Korda under producer Darryl F. Zanuck to unify the multinational production's visual style across its episodic structure. This ambitious project exemplified his versatility in handling complex, multi-location historical recreations during his most productive decade.

Later films and retirement

In the early 1970s, Haworth remained active as a production designer and art director on several prominent films. He served as production designer on the psychological thriller The Beguiled (1971), directed by Don Siegel and starring Clint Eastwood. He followed this with art direction credits on the Western adventure Jeremiah Johnson (1972), the action thriller The Getaway (1972), and the Sam Peckinpah-directed Pat Garrett & Billy the Kid (1973). His work during this period also included Harry and Tonto (1974). Haworth largely retired in the mid-1970s and relocated to Sundance, Utah, where he resided until his death. He subsequently taught motion picture and television art classes at Chouinard Art Institute, focusing on script/storyboard illustration and charcoal drawing. Haworth returned for occasional later projects, contributing as production designer to Poltergeist II: The Other Side (1986), *batteries not included (1987), and Mr. Baseball (1992), his final film credit.

Awards and honors

Academy Awards

Ted Haworth received six nominations from the Academy of Motion Picture Arts and Sciences for Best Art Direction during his career, securing one win. He won the Oscar for Best Art Direction for Sayonara (1957), shared with set decorator Robert Priestley. Haworth earned additional nominations for Best Art Direction on Marty (1955), Some Like It Hot (1959), Pepe (1960), The Longest Day (1962), and What a Way to Go! (1964).

Art Directors Guild Hall of Fame

Ted Haworth was posthumously inducted into the Art Directors Guild Hall of Fame in 2009. This honor represents a capstone recognition from his peers in the production design community for his influential body of work in Hollywood film. The induction celebrates his innovative approach to art direction across multiple decades, particularly during the 1950s and 1960s when he contributed to visually distinctive productions that helped define the era's cinematic aesthetic. It underscores the lasting impact of his designs on the industry, affirming his status among the most respected figures in the field.

Personal life

Marriages and children

Ted Haworth was married three times, to Miriam Severy, Hallie Stagner, and Anna Wackevitch, with all three marriages ending in divorce. He had three children: production designer Sean Haworth, artist Jann Haworth, and daughter Maria Haworth.

Retirement in Sundance, Utah

Ted Haworth lived in Sundance, Utah until his death in 1993. This relocation to the mountain community in the Wasatch Range occurred during his later years as a production designer and art director in Hollywood. Little public information exists about his activities during these years, as he maintained a private life away from the film industry.

Death

Accident and final years

Ted Haworth was injured in an automobile accident and developed a blood clot in his brain. He died on February 18, 1993, at Utah Valley Regional Hospital in Provo, Utah, at the age of 75. He lived in Sundance, Utah. Reports described the cause of death as heart failure following the auto accident.
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