_–_National_Portrait_Gallery_(unframed).jpg)
Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Cecil Beaton
Sir Cecil Walter Hardy Beaton CBE (14 January 1904 – 18 January 1980) was a British fashion, portrait and war photographer, diarist, painter, and interior designer, as well as costume designer and set designer for stage and screen. His accolades include three Academy Awards and four Tony Awards.
Beaton was born on 14 January 1904 in Hampstead, north London, the son of Ernest Walter Hardy Beaton (1867–1936), a prosperous timber merchant, and his wife, Esther "Etty" Sisson (1872–1962). His grandfather, Walter Hardy Beaton (1841–1904), had founded the family business of "Beaton Brothers Timber Merchants and Agents", and his father followed into the business. Ernest Beaton was an amateur actor and met his wife, Cecil's mother Esther ("Etty") when playing the lead in a play. She was the daughter of a Cumbrian blacksmith named Joseph Sisson and had come to London to visit her married sister.
Ernest and Etty Beaton had four children – Cecil; two daughters, Nancy Elizabeth Louise Beaton (1909–99, who married Sir Hugh Smiley, Bt.) and Barbara Jessica Beaton (1912–73, known as Baba, who married Alec Hambro); and another son, Reginald Ernest Hardy Beaton (1905–33).
Cecil Beaton was educated at Heath Mount School (where he was bullied by Evelyn Waugh) and St Cyprian's School, Eastbourne, where his artistic talent was quickly recognised. Both Cyril Connolly and Henry Longhurst report in their autobiographies being overwhelmed by the beauty of Beaton's singing at the St Cyprian's school concerts.
When Beaton was growing up, his nanny had a Kodak 3A Camera, a popular model which was renowned for being an ideal piece of equipment to learn on. Beaton's nanny began teaching him the basics of photography and developing film. He would often get his sisters and mother to sit for him. When he was sufficiently proficient, he would send the photos off to London society magazines, often writing under a pen name and "recommending" the work of Beaton.
Beaton attended Harrow School, and then, despite having little or no interest in academia, moved on to St John's College, Cambridge, and studied history, art and architecture. Beaton continued his photography and, through his university contacts, got a portrait depicting the Duchess of Malfi published in Vogue. It was actually George "Dadie" Rylands – "a slightly out-of-focus snapshot of him as Webster's Duchess of Malfi standing in the sub-aqueous light outside the men's lavatory of the ADC Theatre at Cambridge." Beaton left Cambridge without a degree in 1925.
After a short time in the family timber business, he worked with a cement merchant in Holborn. This resulted in "an orgy of photography at weekends" so he decided to strike out on his own. Under the patronage of Osbert Sitwell he put on his first exhibition in the Cooling Gallery, London. It caused quite a stir.
Believing that he would meet with greater success on the other side of the Atlantic, he left for New York and slowly built up a reputation there. By the time he left, he had "a contract with Condé Nast Publications to take photographs exclusively for them for several thousand pounds a year for several years to come."
Hub AI
Cecil Beaton AI simulator
(@Cecil Beaton_simulator)
Cecil Beaton
Sir Cecil Walter Hardy Beaton CBE (14 January 1904 – 18 January 1980) was a British fashion, portrait and war photographer, diarist, painter, and interior designer, as well as costume designer and set designer for stage and screen. His accolades include three Academy Awards and four Tony Awards.
Beaton was born on 14 January 1904 in Hampstead, north London, the son of Ernest Walter Hardy Beaton (1867–1936), a prosperous timber merchant, and his wife, Esther "Etty" Sisson (1872–1962). His grandfather, Walter Hardy Beaton (1841–1904), had founded the family business of "Beaton Brothers Timber Merchants and Agents", and his father followed into the business. Ernest Beaton was an amateur actor and met his wife, Cecil's mother Esther ("Etty") when playing the lead in a play. She was the daughter of a Cumbrian blacksmith named Joseph Sisson and had come to London to visit her married sister.
Ernest and Etty Beaton had four children – Cecil; two daughters, Nancy Elizabeth Louise Beaton (1909–99, who married Sir Hugh Smiley, Bt.) and Barbara Jessica Beaton (1912–73, known as Baba, who married Alec Hambro); and another son, Reginald Ernest Hardy Beaton (1905–33).
Cecil Beaton was educated at Heath Mount School (where he was bullied by Evelyn Waugh) and St Cyprian's School, Eastbourne, where his artistic talent was quickly recognised. Both Cyril Connolly and Henry Longhurst report in their autobiographies being overwhelmed by the beauty of Beaton's singing at the St Cyprian's school concerts.
When Beaton was growing up, his nanny had a Kodak 3A Camera, a popular model which was renowned for being an ideal piece of equipment to learn on. Beaton's nanny began teaching him the basics of photography and developing film. He would often get his sisters and mother to sit for him. When he was sufficiently proficient, he would send the photos off to London society magazines, often writing under a pen name and "recommending" the work of Beaton.
Beaton attended Harrow School, and then, despite having little or no interest in academia, moved on to St John's College, Cambridge, and studied history, art and architecture. Beaton continued his photography and, through his university contacts, got a portrait depicting the Duchess of Malfi published in Vogue. It was actually George "Dadie" Rylands – "a slightly out-of-focus snapshot of him as Webster's Duchess of Malfi standing in the sub-aqueous light outside the men's lavatory of the ADC Theatre at Cambridge." Beaton left Cambridge without a degree in 1925.
After a short time in the family timber business, he worked with a cement merchant in Holborn. This resulted in "an orgy of photography at weekends" so he decided to strike out on his own. Under the patronage of Osbert Sitwell he put on his first exhibition in the Cooling Gallery, London. It caused quite a stir.
Believing that he would meet with greater success on the other side of the Atlantic, he left for New York and slowly built up a reputation there. By the time he left, he had "a contract with Condé Nast Publications to take photographs exclusively for them for several thousand pounds a year for several years to come."