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The Chantays
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The Chantays, sometimes billed as Chantay's,[1] is an American surf rock band formed in Orange County, California. They are known for their 1963 hit instrumental "Pipeline".[2] Their sound combines electronic keyboards with surf guitar, creating a unique ghostly sound.[citation needed]
Key Information
History
[edit]The Chantays were formed in 1961 by five high-school friends. Bob Spickard, Brian Carman (co-writers of "Pipeline"), Bob Welch, Warren Waters and Rob Marshall were all students at Santa Ana High School in California.[2] In December 1962, the group recorded and released "Pipeline", which peaked at No. 4 on the Billboard Hot 100 in May 1963. The track also peaked in the UK Singles Chart in 1963 at No. 16.[3] The Chantays recorded their first album in 1963, also titled Pipeline, which included "Blunderbus" and "El Conquistador". Their follow-up album was Two Sides of the Chantays in 1964.[2]
The Chantays toured Japan and the United States, joining the Righteous Brothers and Roy Orbison on a few occasions, and they were the only rock and roll band to perform on The Lawrence Welk Show.[4]
"Pipeline" (published as sheet music in 1962 by Downey Music Publishing) has become one of several surf rock hits. The tune has since been covered by Bruce Johnston, Welk (on the Dot album Scarlet O'Hara), Al Caiola (on the United Artists album Greasy Kid Stuff), the Ventures, Takeshi Terauchi & Blue Jeans, Agent Orange, Hank Marvin (with Duane Eddy), Lively Ones, Pat Metheny, Dick Dale with the help of Stevie Ray Vaughan (Grammy Nominated), by the thrash metal band Anthrax, Bad Manners and Johnny Thunders.[citation needed] "Pipeline" has been used in many films, television programs and commercials, and appears on numerous compilation albums.[5]
The Chantays have been honored for their contributions to music. Highlights include being honored on April 12, 1996, by Hollywood's Rock Walk,[6] that was founded to honor individuals and bands that have made lasting and important contributions to music. "Pipeline" is listed as one of the 500 Songs that Shaped Rock and Roll.[by whom?] Along with Bill Medley of the Righteous Brothers and Diane Keaton, the Chantays were honored by the City of Santa Ana, California, and Santa Ana High School when they named a street after them, Chantays Way.[7] OC Weekly magazine also named the Chantays as one of the Best Orange County Bands.[citation needed]
The Chantays are still playing.[when?] Original members Bob Spickard and Bob Welch are joined by longtime members Ricky Lewis and Brian Nussle. More recent albums include The Next Set (live recording) and Waiting for the Tide.[8] Some of the tracks are the new songs "Crystal T" and "Killer Dana", along with remakes of "Pipeline", "El Conquistador" and "Blunderbus".[9]
Brian Carman died at his home in Santa Ana, California, from complications of Crohn's disease on March 1, 2015. He was 69.[10] Another longtime member Gil Orr died on September 19, 2017. He was 79.[11]
Members
[edit]- Bob Spickard – guitar: original member
- Brian Carman (born Brian Craig Carman; August 10, 1945 – March 1, 2015) – guitar/vocals: original member
- Bob Welch – drums: original member (not the Fleetwood Mac member).
- Warren Waters – bass guitar: original member
- Rob Marshall – piano: original member
- Ricky Lewis – guitar: longtime member
- Gil Orr (July 17, 1938 – September 19, 2017) – guitar/bass guitar: longtime member
- Brian Nussle – longtime member
Discography
[edit]Albums
[edit]- Pipeline (Downey DLP-1002, 1963; Dot DLP-3516/DLP-25516, No. 26 US[12])
- Two Sides of the Chantays (Dot DLP-3771/DLP-25771, 1964)
- Next Set [live] (Chantay Productions CPD-3164, 1994)
- Waiting for the Tide (Vesper Alley/Roctopia VRA-80003, 1997)
- A Dawning Sun (Sundazed Music, LP 5646, 2023)
Singles
[edit]| Year | Title | Peak chart positions |
Record Label | B-side | Album | ||
|---|---|---|---|---|---|---|---|
| US Pop |
US R&B |
UK | |||||
| 1963 | "Pipeline" | 4 | 11 | 16 | Dot | "Move It" | Pipeline |
| "Monsoon" | — | — | — | "Scotch High's" | |||
| 1964 | "Only if You Care" | — | — | — | Downey | "Love Can Be Cruel" | Two Sides of the Chantays |
| "Beyond" | — | — | — | "I'll Be Back Someday" | |||
Live TV performances
[edit]- "Pipeline" (Lawrence Welk Show, May 18, 1963)
- "Runaway" (Lawrence Welk Show, May 18, 1963)
Awards
[edit]- Hollywood's Rockwalk, inducted April 12, 1996[13]
See also
[edit]References
[edit]- ^ "Chantay's* - Pipeline / Move It". Discogs.com. Retrieved October 3, 2018.
- ^ a b c Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 245. ISBN 1-85227-745-9.
- ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 100. ISBN 1-904994-10-5.
- ^ "The Chantay's - Pipeline (Lawrence Welk Show 5/18/63)". YouTube. Archived from the original on December 11, 2021. Retrieved October 15, 2019.
- ^ "The Chantays". IMDb. Retrieved March 6, 2023.
- ^ "Guitar Center's Hollywood Rockwalk". Archived from the original on January 11, 2008. Retrieved August 8, 2008.
- ^ "Orange County Weekly - The 129 Greatest OC Bands Ever: 51 - 89". March 31, 2008. Archived from the original on March 31, 2008. Retrieved October 15, 2019.
- ^ "The Chantays". AllMusic. Retrieved September 17, 2014.
- ^ "Waiting for the Tide". AllMusic. Retrieved September 17, 2014.
- ^ Daniel E. Slotnik (March 6, 2015). "Brian Carman, Surf Rocker, Dies at 69". The New York Times. Retrieved October 15, 2019.
- ^ "We just lost a lesser known, but great guitar player, Gil Orr". Harmonycentral.com. Retrieved October 15, 2019.
- ^ Whitburn, Joel (1973). Top LPs, 1955–1972. Record Research. p. 29. Retrieved July 10, 2025.
- ^ "The Chantays, Honors". Thechantays.com. Archived from the original on August 2, 2016. Retrieved October 15, 2019.
External links
[edit]- www.thechantays.com — The Chantays official site
- OC Weekly Magazine
- Jim Facey Productions' Chantays page — history and booking
- Bob Spikard Interview at NAMM Oral History Collection (2016)
- The Chantays discography at Discogs
- The Chantays at IMDb
| International | |
|---|---|
| National | |
| Artists | |
The Chantays
View on Grokipediafrom Grokipedia
Early History
Formation
The Chantays formed in 1961 in Santa Ana, Orange County, California, when five friends from Santa Ana High School—Bob Spickard on lead guitar, Brian Carman on rhythm guitar and vocals, Bob Welch on drums, Warren Waters on bass, and Rob Marshall on piano and organ—decided to start a band together.[10][1] The group, all teenagers aged 13 to 17 at the time, drew inspiration from the local surf scene and instrumental rock acts prevalent in Southern California.[11] They initially considered names like the Zantays and Montays before settling on The Chantays, a moniker without specific meaning chosen simply for its sound.[10] The band's early sound was shaped by the burgeoning surf culture of the early 1960s, particularly the fast-paced, reverb-heavy guitar style pioneered by Dick Dale and the twangy instrumentals of The Ventures, such as "Walk, Don't Run" and "Perfidia," which Spickard learned to play.[4] A key local influence was the Rhythm Rockers, a Santa Ana-area group featuring Carman's brother Steve on saxophone, whose performances motivated the friends to pick up instruments and form their own outfit.[4][1] This blend of beachside energy and rock instrumentation captured the essence of Southern California's youth culture, centered around high school gatherings and coastal vibes.[12] Rehearsals began informally among the high schoolers, focusing on covering surf-inspired tunes and honing their guitar-driven sound at home and school spaces.[4] Their first public performance came soon after, renting the Tustin Youth Center for a dance where they earned $50 each, marking the start of local gigs at Southern California high schools and beach-area events that helped build their regional presence.[4][13]Initial Recordings
The Chantays, who formed during their high school years in Santa Ana, California, entered the recording studio for the first time in the summer of 1962 at Pal Recording Studio in Cucamonga, where they cut demos of several instrumental tracks.[14] These early sessions captured the band's experimentation with the surf rock style, emphasizing reverb-drenched guitar sounds inspired by the genre's coastal themes and featuring an initial version of "Pipeline," along with "Move It" and other instrumental tracks.[8][14] Following the demos, the band's manager, DJ Jack Sands, secured a deal with Downey Records, a small independent label and subsidiary of Challenge Records based in Downey, California.[14] The group then re-recorded material for their debut release at Downey Recording Studios, focusing on polished instrumental arrangements that highlighted their dual-lead guitar approach and rhythmic drive.[15] In December 1962, Downey issued the Chantays' first single, "Pipeline" backed with "Move It," marking their entry into the commercial market.[16] The record garnered initial airplay on local Southern California stations and saw modest sales in regional markets, reflecting the band's emerging presence in the burgeoning surf music scene.[14]Breakthrough and Peak
"Pipeline" Success
"Pipeline" was co-written in 1962 by The Chantays' lead guitarist Bob Spickard and rhythm guitarist Brian Carman, both high school seniors at the time. Originally titled "Liberty's Whip," the instrumental was renamed after the band viewed footage of the Banzai Pipeline, the renowned tubular surf break off Oahu, Hawaii, in a surfing film, evoking the wave's powerful imagery through its guitar-driven structure.[17][6] The song was recorded in July 1962 at a modest studio in Downey, California, where the group utilized Fender guitars to achieve the genre's signature wet, echoing reverb sound, eschewing vocals entirely to emphasize the raw, atmospheric riffing. This production choice, influenced by the surf rock trend pioneered by artists like Dick Dale, highlighted the interplay between Spickard's melodic lead and Carman's tremolo-picked glissando, creating a haunting, wave-like tension.[10][4] Released as a single in late December 1962 on the Downey Records label, backed with "Move It," "Pipeline" rapidly ascended the charts following its pickup by Dot Records for national distribution. It peaked at No. 4 on the Billboard Hot 100 in May 1963, reached No. 11 on the Billboard R&B Singles chart, and climbed to No. 16 on the UK Singles Chart, marking the band's breakthrough amid the surf music craze.[18][19][6] The single sold over one million copies and fueled widespread media coverage that tied it inextricably to the peak of early 1960s surf culture, where instrumental tracks like this one became anthems for the beach lifestyle sweeping Southern California.[20][12]1960s Activities
Following the success of their breakthrough hit "Pipeline," The Chantays embarked on national tours across the United States in 1963 and 1964, sharing stages with prominent acts such as the Righteous Brothers and Roy Orbison.[21] These tours capitalized on the burgeoning surf music scene, allowing the band to perform for enthusiastic audiences amid the height of surf culture's popularity. They also gained further visibility with a performance of "Pipeline" on the Lawrence Welk Show in May 1963.[22][6] In 1963, the band released their debut album, Pipeline, on Dot Records, which featured instrumental tracks inspired by the California surfing lifestyle and peaked at No. 33 on the Billboard 200 chart.[22] They followed with singles like "Monsoon" later that year, which reached No. 57 on the Billboard Hot 100, and "Only If You Care" in 1964, peaking at No. 61, both achieving modest commercial success compared to their flagship single but maintaining the band's instrumental surf rock style.[22] Throughout the early to mid-1960s, The Chantays frequently appeared at surf music events and teen fairs in California, including gatherings in Southern California hotspots that drew young fans eager for live renditions of their energetic sound.[22] By the mid-1960s, however, the band encountered significant challenges as the British Invasion, led by groups like the Beatles, shifted popular music trends toward vocal rock and roll, diminishing demand for instrumental surf acts.[4] Follow-up releases struggled to chart prominently, and booking opportunities dried up almost overnight, marking the end of their commercial peak.[10]Post-1960s Career
Hiatus and Reunions
Following the success of their early recordings, The Chantays disbanded in the mid-1960s as the British Invasion shifted popular music tastes away from surf rock, rendering many American instrumental bands unmarketable.[10] Members pursued individual paths, including marriage, family obligations, and adapting to evolving musical trends like folk rock and psychedelia.[10] In the 1970s, original members Bob Spickard and Brian Carman performed sporadically as a duo in local clubs, focusing on covers to sustain their careers amid the decline of surf music.[10] By the late 1970s, longtime guitarist Gil Orr, who had joined the band in 1967, reconnected with Spickard and Carman, leading to informal nostalgia performances at surf-themed events.[10] The growing surf music revival of the 1980s, driven by independent labels reissuing classic tracks and new bands emulating the genre, sparked renewed interest in the Chantays' sound.[23] The band achieved a full reunion in 1981 with core original members Spickard, Carman, and drummer Bob Welch, augmented by Orr and new bassist Ricky Lewis, who joined in 1980.[10] This lineup enabled occasional gigs at revival shows and venues celebrating 1960s surf culture, though they often incorporated diverse covers in country and blues to meet demand.[10] The group's continuity faced challenges from member changes, including the death of co-founder and guitarist Brian Carman on March 1, 2015, at age 69 from complications of Crohn's disease, and longtime guitarist Gil Orr on September 19, 2017, at age 79.[8][24]Later Releases
After a long hiatus, the band's reunions in the 1990s spurred new recordings, culminating in Next Set in 1994 on their independent label, Chantay Productions—their first new original material in over three decades, recorded live in a single session and featuring refreshed surf instrumentals like "Killer Dana" and "Baja" that evoked their classic sound.[10][25][26] Building on this momentum, The Chantays issued Waiting for the Tide in 1997 via Rocktopia Records, an album that maintained their instrumental surf roots while incorporating guest musicians and a few vocal selections, such as covers of classic tracks, to blend nostalgia with contemporary flair.[27][28][29] In later years, the band shifted toward independent labels for distribution, including digital platforms like Bandcamp and streaming services, enabling broader accessibility for their catalog.[30] This approach facilitated the 2023 release of A Dawning Sun on Sundazed Music, a collection of previously unreleased tracks largely recorded in 1966, preserving the group's signature surf rock essence through archival material.[31][32] The band continues to perform live, including at the Surfguitar101 Festival in August 2025.[33]Band Members
Original Lineup
The Chantays were founded in 1961 by five high school students from Santa Ana High School in California, who together shaped the band's signature surf rock sound through their instrumental interplay.[17][1] Bob Spickard, born January 1, 1946, served as the lead guitarist and a primary creative force, co-writing the band's breakthrough instrumental "Pipeline" with Brian Carman while still a senior in high school.[34][8] His intricate guitar riffs defined the group's energetic, wave-inspired style, contributing to their early recordings that captured the essence of Southern California's surf culture. Spickard remained actively involved with the band for decades, performing and preserving their legacy.[35] Brian Carman, born August 10, 1945, handled rhythm guitar, complementing Spickard's leads with rhythmic drive and harmonic support that anchored the band's surf instrumentals.[2] He co-wrote "Pipeline," drawing from personal experiences near Pipeline Beach in Hawaii, which helped propel the track to chart success.[9] Carman's contributions extended to saxophone on some tracks, adding tonal variety to the early sound, though health issues led him to step back in later years; he passed away on March 1, 2015, at age 69 due to complications from Crohn's disease.[36][37] Bob Welch, born in 1945, played drums and supplied the propulsive backbeat essential to the band's high-energy performances and recordings.[10] His steady rhythms formed the foundation for the group's surf rock tempo, evident in tracks like "Pipeline" where the percussion mimicked ocean waves. Welch remained with the band through the 1960s and participated in reunions and ongoing activities over the years.[5] Warren Waters, born in 1944, took on bass duties, delivering a solid rhythm foundation that underpinned the dual guitar lines and allowed the melodic elements to shine.[38] His simple yet effective two-note bass riff in "Pipeline" mirrored the rhythm guitar, enhancing the song's hypnotic, driving quality and contributing to the track's enduring appeal in surf music.[39] Bob Marshall (also known as Rob Marshall) handled piano and organ, infusing melodic layers that differentiated The Chantays from guitar-only surf bands of the era.[40] His electric piano work on "Pipeline" provided a shimmering, atmospheric texture, evoking the fluidity of water and enriching the instrumental's evocative quality. Self-taught on piano, Marshall joined as a sophomore and later pursued a career in education, retiring as a speech and English teacher in 2003 after working in California schools.[40]Subsequent Members
Following the departures of some original members in the mid-1960s, The Chantays incorporated new musicians to sustain their performances and recordings while preserving their signature surf rock sound. Guitarist and bassist Gil Orr joined the band in 1967 after meeting co-founder Bob Spickard at a car dealership, becoming a pivotal figure in the group's ongoing activities.[41][10] Orr contributed to live shows and later reunions, playing a key role in maintaining the band's instrumental style through the 1970s and beyond until his death on September 19, 2017, from cancer.[42] In the late 1970s and early 1980s, as the band navigated periods of reduced activity, guitarist Ricky Lewis joined in 1980, bringing fresh energy to the lineup.[10] Lewis, known for his lead guitar work and arranging skills, became a longtime member during the revival era, helping revitalize the group's sound for albums like Next Set (1994) and Waiting for the Tide (1997).[43] Bassist and multi-instrumentalist Brian Nussle emerged as another key addition in the 1990s, supporting the band's resurgence alongside Lewis.[28] Nussle filled essential roles in live and studio settings, contributing to the core instrumentation during a time of renewed touring and releases. The lineup continued to evolve in response to personal circumstances, including the 2015 death of original guitarist Brian Carman from complications of Crohn's disease, which prompted adjustments while retaining surviving founders Bob Spickard, Bob Welch, and Warren Waters.[36] Orr's passing in 2017 further necessitated changes, yet the band maintained its essence through Lewis and Nussle, who have anchored performances into the 2020s alongside occasional guest musicians, including Rob Marshall, for tours.[42] This adaptability ensured the group's continued ability to deliver their classic repertoire, emphasizing tight guitar interplay and reverb-heavy tones central to their legacy.Discography
Albums
The Chantays released their debut studio album, Pipeline, in April 1963 on Dot Records.[44] The album features a collection of surf rock instrumentals, highlighted by the title track "Pipeline" and "El Conquistador," which showcase the band's signature guitar-driven sound.[45] Their second album, Two Sides of the Chantays, followed in 1964, also on Dot Records.[46] It is structured with one side dedicated to instrumental tracks and the other to vocal performances, reflecting the band's versatility during the surf music era.[47] After a long hiatus, the band returned with Next Set in 1994, released independently through Chantay Productions as a CD-R.[25] This 12-track album consists of new surf instrumentals, including covers and originals like "Killer Dana," "Baja," and "Pipeline," capturing a revival of their classic style in a live recording context.[26] Waiting for the Tide, issued in 1997 on Rocktopia Records, continues the band's revival efforts with a mix of instrumental and vocal tracks emphasizing surf themes.[29] Key songs include "Killer Dana" and "Green Room," maintaining the energetic guitar work of their earlier work.[27] The most recent release, A Dawning Sun, came out in 2023 on Sundazed Music, featuring 13 tracks largely recorded in 1966 but newly issued with bonus material.[31] It blends original surf rock elements with tracks like "Copenhagen" and "A Dawning Sun," produced to highlight the band's enduring legacy.[48]Singles
The Chantays' singles discography primarily features their instrumental surf rock output from the early 1960s, released on Downey and Dot Records, with several international versions and later reissues. Their breakthrough single, "Pipeline" backed with "Move It," was initially released in late 1962 on Downey Records (D-104) and gained traction in 1963, peaking at No. 4 on the Billboard Hot 100 chart and spending 16 weeks on the listing.[3] The track also reached No. 5 on the Cash Box Top 100 and No. 16 on the UK Singles Chart. Following the success of "Pipeline," the band issued "Monsoon" backed with "Scotch Highs" in May 1963 on Dot Records (45-16492). This instrumental, evoking similar surf themes, received airplay but did not achieve significant chart placement on the Billboard Hot 100, though it appeared on regional charts and contributed to their growing catalog.[49] Additional 1963 singles included "El Conquistador" backed with "Beyond" on Dot Records (45-16458) and "Riders in the Sky" backed with "Grunion Run" on Dot Records (45-16532), both instrumentals that extended their surf rock style without national chart success. In 1964, the Chantays released "Only If You Care" backed with "Love Can Be Cruel" on Downey Records (D-120), marking a shift toward vocal tracks while maintaining their signature guitar-driven sound; it did not chart nationally but was included in their album releases.[50] Later in their career, during reunions in the 1980s and 1990s, the band revisited their hits with reissues. Reissues in the 1970s and 1980s on labels like Happy Tiger and GNP Crescendo kept their music in circulation, with "Pipeline" frequently re-entering regional charts.[51] The Chantays' singles saw various international releases, particularly "Pipeline," which appeared on London Records in the UK (HLD 9696) and other markets like Australia (Dot ZX-10986) and Spain (London EDGE 71831), often paired with different B-sides such as "Wayward Nile" to suit local preferences.[51]| Year | A-Side / B-Side | Label (Catalog) | Peak Chart Position | Notes |
|---|---|---|---|---|
| 1962/1963 | Pipeline / Move It | Downey (D-104) | US Billboard Hot 100: #4; Cash Box: #5; UK: #16 | Original hit single; international versions on London, Dot |
| 1963 | Monsoon / Scotch Highs | Dot (45-16492) | No major national chart | Follow-up instrumental |
| 1963 | El Conquistador / Beyond | Dot (45-16458) | No major national chart | Instrumental single |
| 1963 | Riders in the Sky / Grunion Run | Dot (45-16532) | No major national chart | Instrumental single |
| 1964 | Only If You Care / Love Can Be Cruel | Downey (D-120) | No chart | Vocal single |