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Thomas Nast
Thomas Nast (/næst/; German: [nast]; September 26, 1840 – December 7, 1902) was a German-born American caricaturist and editorial cartoonist often considered to be the "Father of the American Cartoon".
He was a sharp critic of "Boss" Tweed and the Tammany Hall Democratic Party political machine. He created a modern version of Santa Claus (based on the traditional German figures of Saint Nicholas and Weihnachtsmann) and the political symbol of the elephant for the Republican Party (GOP). Contrary to popular belief, Nast did not create Uncle Sam (the male personification of the United States Federal Government), Columbia (the female personification of American values), or the Democratic donkey, although he did popularize those symbols through his artwork. Nast was associated with the magazine Harper's Weekly from 1859 to 1860 and from 1862 until 1886. Nast's influence was so widespread that Theodore Roosevelt once said, "Thomas Nast was our best teacher."
Nast was born in military barracks in Landau, Bavaria, Germany (now in Rhineland-Palatinate), as his father was a trombonist in the Bavarian 9th regiment band. Nast was the last child of Appolonia (née Abriss) and Joseph Thomas Nast. He had an older sister Andie; two other siblings had died before he was born. His father held political convictions that put him at odds with the Bavarian government, so in 1846, Joseph Nast left Landau, enlisting first on a French man-of-war and subsequently on an American ship. He sent his wife and children to New York City, where they arrived in June 1846, and at the end of his enlistment in 1850, he joined them there.
Nast attended school in New York City from the age of six to 14. He did poorly at his lessons, but his passion for drawing was apparent from an early age. In 1854, at the age of 14, he was enrolled for about a year of study with Alfred Fredericks and Theodore Kaufmann, and then at the school of the National Academy of Design. In 1856, he started working as a draftsman for Frank Leslie's Illustrated Newspaper. His drawings appeared for the first time in Harper's Weekly on March 19, 1859, when he illustrated a report exposing police corruption; Nast was 18 years old at that point.
In February 1860, he went to England for the New York Illustrated News to depict one of the major sporting events of the era, the prize fight between the American John C. Heenan and the English Thomas Sayers sponsored by George Wilkes, publisher of Wilkes' Spirit of the Times. A few months later, as artist for The Illustrated London News, he joined Garibaldi in Italy. Nast's cartoons and articles about the Garibaldi military campaign to unify Italy captured the popular imagination in the U.S. In February 1861, he arrived back in New York. In September of that year, he married Sarah Edwards, whom he had met two years earlier.
He left the New York Illustrated News to work again, briefly, for Frank Leslie's Illustrated News. In 1862, he became a staff illustrator for Harper's Weekly. In his first years with Harper's, Nast became known especially for compositions that appealed to the sentiment of the viewer. An example is "Christmas Eve" (1862), in which a wreath frames a scene of a soldier's praying wife and sleeping children at home; a second wreath frames the soldier seated by a campfire, gazing longingly at small pictures of his loved ones. One of his most celebrated cartoons was Compromise with the South (1864), directed against those in the North who opposed the prosecution of the American Civil War. He was known for drawing battlefields in border and southern states. These attracted great attention, and Nast was referred to by President Abraham Lincoln as "our best recruiting sergeant".
After the war, Nast strongly opposed the anti-Reconstruction policy of President Andrew Johnson, whom he depicted in a series of trenchant cartoons that marked "Nast's great beginning in the field of caricature".
Nast's cartoons frequently had numerous sidebars and panels with intricate subplots to the main cartoon. A Sunday feature could provide hours of entertainment and highlight social causes. After 1870, Nast favored simpler compositions featuring a strong central image. He based his likenesses on photographs.
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Thomas Nast
Thomas Nast (/næst/; German: [nast]; September 26, 1840 – December 7, 1902) was a German-born American caricaturist and editorial cartoonist often considered to be the "Father of the American Cartoon".
He was a sharp critic of "Boss" Tweed and the Tammany Hall Democratic Party political machine. He created a modern version of Santa Claus (based on the traditional German figures of Saint Nicholas and Weihnachtsmann) and the political symbol of the elephant for the Republican Party (GOP). Contrary to popular belief, Nast did not create Uncle Sam (the male personification of the United States Federal Government), Columbia (the female personification of American values), or the Democratic donkey, although he did popularize those symbols through his artwork. Nast was associated with the magazine Harper's Weekly from 1859 to 1860 and from 1862 until 1886. Nast's influence was so widespread that Theodore Roosevelt once said, "Thomas Nast was our best teacher."
Nast was born in military barracks in Landau, Bavaria, Germany (now in Rhineland-Palatinate), as his father was a trombonist in the Bavarian 9th regiment band. Nast was the last child of Appolonia (née Abriss) and Joseph Thomas Nast. He had an older sister Andie; two other siblings had died before he was born. His father held political convictions that put him at odds with the Bavarian government, so in 1846, Joseph Nast left Landau, enlisting first on a French man-of-war and subsequently on an American ship. He sent his wife and children to New York City, where they arrived in June 1846, and at the end of his enlistment in 1850, he joined them there.
Nast attended school in New York City from the age of six to 14. He did poorly at his lessons, but his passion for drawing was apparent from an early age. In 1854, at the age of 14, he was enrolled for about a year of study with Alfred Fredericks and Theodore Kaufmann, and then at the school of the National Academy of Design. In 1856, he started working as a draftsman for Frank Leslie's Illustrated Newspaper. His drawings appeared for the first time in Harper's Weekly on March 19, 1859, when he illustrated a report exposing police corruption; Nast was 18 years old at that point.
In February 1860, he went to England for the New York Illustrated News to depict one of the major sporting events of the era, the prize fight between the American John C. Heenan and the English Thomas Sayers sponsored by George Wilkes, publisher of Wilkes' Spirit of the Times. A few months later, as artist for The Illustrated London News, he joined Garibaldi in Italy. Nast's cartoons and articles about the Garibaldi military campaign to unify Italy captured the popular imagination in the U.S. In February 1861, he arrived back in New York. In September of that year, he married Sarah Edwards, whom he had met two years earlier.
He left the New York Illustrated News to work again, briefly, for Frank Leslie's Illustrated News. In 1862, he became a staff illustrator for Harper's Weekly. In his first years with Harper's, Nast became known especially for compositions that appealed to the sentiment of the viewer. An example is "Christmas Eve" (1862), in which a wreath frames a scene of a soldier's praying wife and sleeping children at home; a second wreath frames the soldier seated by a campfire, gazing longingly at small pictures of his loved ones. One of his most celebrated cartoons was Compromise with the South (1864), directed against those in the North who opposed the prosecution of the American Civil War. He was known for drawing battlefields in border and southern states. These attracted great attention, and Nast was referred to by President Abraham Lincoln as "our best recruiting sergeant".
After the war, Nast strongly opposed the anti-Reconstruction policy of President Andrew Johnson, whom he depicted in a series of trenchant cartoons that marked "Nast's great beginning in the field of caricature".
Nast's cartoons frequently had numerous sidebars and panels with intricate subplots to the main cartoon. A Sunday feature could provide hours of entertainment and highlight social causes. After 1870, Nast favored simpler compositions featuring a strong central image. He based his likenesses on photographs.
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